Russians have two official first names: a given name and a patronymic, or a name that means "the son of" or "the daughter of. " Katerina Alexandrovna, for example, is the daughter of a man named Alexander.
Her brother is Pyotr Alexandrovich. A female patronymic ends in "-evna" or
"-ovna," while a male patronymic ends in "-vich. " It was traditional for the nobility and aristocracy to name their children after Orthodox saints, thus the abundance of Alexanders and Marias and Katerinas. For this reason, nicknames, or diminutives, came in handy to tell the Marias and the Katerinas apart. Katerinas could be called Katiya, Koshka, or Katushka. An Alexander might be known as Sasha or Sandro.
A Pyotr might be called Petya or Petrusha. When addressing a person by his or her nickname, one does not add the patronymic. The person would be addressed as Katerina Alexandrovna or simply Katiya.
Summer 1880, St. Petersburg, Russia
Our family tree has roots and branches reaching all across Europe, from France to Russia, from Denmark to Greece, and in several transient and minute kingdoms and principalities in between. This tree is tangled with all the rest of Europe's royalty, and like many in that forest, my family tree is poisoned with a dark evil.
When I was seven, I sneaked into Maman's red-and-gold parlor and watched one of her seances from behind one of the Louis XVI sofas. She and her friends were forever trying to summon relatives or famous people, as it was a fashionable pastime among the aristocracy. I do not know whose spirit they evoked, but a chill settled in the room that night as all the candles went out. My thin summer nightgown did nothing to keep me warm.
A sad lady in white appeared in the gilded Italian mirror over the fireplace. She told Maman she would never have grandchildren.
I'd never seen my mother turn so pale. Her hands trembled and the teacup she was holding began to shake. One of the other ladies-my aunt, I think-screamed and fainted.
It upset Maman so much I wanted to bring the lady in white back myself so she could tell Maman something happier. I ran out into the garden and under the lilac tree, closed my eyes, and chanted the nonsense words I'd heard Maman say. A cold, clammy feeling washed over me again, and I smelled the most horrible wet-earth smell of decay and rot. The garden began to fill with a gray, damp mist. This had been a foolish mistake.
I looked around in fear, but there were no spirits present in the garden at all. I breathed a sigh of relief and felt silly. The games Maman and her friends played were just that-games. I told myself that Maman had simply gotten carried away.
But then I spotted something on the ground under the lilac tree. I bent down to look more closely. A toad lay on his back, not breathing, his eyes a blank black stare.
I wondered what had killed him. I wished aloud that he had not died.
Still not breathing, now the toad blinked and uttered a long, mournful croak. Slowly, his pale belly began to move as he stirred to life. His stare was still blank, but the toad croaked again as he righted himself and crept closer to me.
I jumped back in terror. My throat closed up and I felt as if I couldn't breathe. Had I brought this creature back to life, merely by wishing it?
This was horribly wrong. I ran inside, ignoring the mud on my nightgown, ignoring my dirty bare feet. Too frightened to step quietly, I made a terrible racket racing up the main stairs and knocked one of Maman's favorite cloisonne-studded icons from the wall. I did not stop to retrieve the broken frame. I just kept running.
I hurried up to the children's floor, where I climbed into my bed and hid under the quilt. I pretended to be asleep when my nurse came upstairs to check on me.
The scent of death and decay was gone. All I could smell was the comfortable scent of my bed linens, which had been washed in rose water. The nurse left after laying her fat, cold hand against my cheek. I could smell the lemon and vodka on her fingers from her bedtime tea.