Cap left nothing to chance. It wasn’t in his nature.
She put the notes aside, and when she had gathered her courage she opened the letter. For all its brevity it cut as surely as a scalpel.
Sophie, my love,
Forgive me. After four years of earnest effort to convince you to accept my proposal of marriage, I withdraw my offer with the greatest sorrow and regret. As the enclosed will make clear, the research of the physicians you study and respect is now unequivocal. I may live a year or five, but I cannot live even a day with you without putting your life in danger. This I cannot, will not do.
Forgive me.
She had written, to no avail. He allowed only Anna near enough in order to examine him once a month, as long as she wore a mask that had been treated with carbolic acid and observed the strictest hygienic measures. The housekeeper and maids who had served first his grandmother and then his mother would not be sent away, but he spoke to them only through a closed door of the chamber he rarely left. His secretary could sit in the same room but only at the opposite side, and turned away. A few of his closest friends were so persistent that he finally allowed them to visit if they too kept to the far side of the room where Cap himself never went, and on these visits it was Cap who wore the mask.
Cap wanted her to think of him as already dead because he thought of himself that way. In fact, Sophie woke up every day and went to sleep every night thinking about him. She missed him, she was furious with him, she mourned the time she might have had with him.
The Vanderbilt Easter Monday ball was the first time he had appeared in public since his diagnosis. Sophie wondered if his friends would realize he was saying good-bye.
• • •
ON ANY OTHER March night at eleven o’clock the north end of Fifth Avenue might be mistaken for a row of mausoleums scaled for giants. The great bulk of the new cathedral on one side of the street with schools and rectories and orphan asylums gathered around it, like chicks to a sleeping hen. On the other side, one mansion after the other, ornate, looming, as sterile as they were imposing. A wide street without a single tree or even the suggestion of a garden, just high walls and hundreds and hundreds of windows sealed shut, the eyes of the dead.
But tonight the newest mansion—maybe the fourth or fifth the Vanderbilts had put up over the last ten years, Jack couldn’t remember exactly—was awake. It seemed to glow, marble and granite reflecting the light that poured from every window. The first personal residence completely lit with electricity, at a cost that beggared the imagination. With its turrets and balconies and galleries it shone like an unwieldy and ill-begotten star set down among its dull red- and brown-brick neighbors.
A double canopy had been constructed over the Fifth Avenue entrance to protect the partygoers from both weather and the crowd of curious passersby. Footmen in pale blue livery and powdered wigs stood ready to help the guests from their carriages onto the deep red rug that ran from the huge double doors down the steps and all the way to the curb.
Tomorrow the personality of the house would retreat like a turtle into its shell; the stained glass would go dark, blinds and draperies closing off all light and fresh air.
His sisters sometimes tried to calculate how many thousands of yards of velvet and brocade and satin had gone into the draperies of even one of the Vanderbilt mansions, but the numbers quickly grew so large and absurd that they simply gave up and turned back to their own needlework. Their endless, precious, beautiful needlework.
Every evening they waited for him, sitting knee to knee facing each other over an embroidery frame. They would jump up to take his coat and offer him food and more food and again food until he accepted the plate they had ready for him. They wanted him to have the best chair by the fire, the day’s newspapers, to hear their family gossip, worries about the weather, observations on the comings and goings of the neighbors, dire predictions about the prospects of the butcher’s new clerk, admonitions about the dampness of his coat or shoes. His sisters ran his household and aspired to run him with the same painstaking and exhausting perfectionism.
From the corner of his eye Jack saw a familiar figure, a woman of at least sixty, carefully groomed and dressed to convey nothing more threatening than genteel poverty. Few would guess that a multitude of hidden pockets had been sewn into her wide skirts, ready to be filled with the fruits of the night’s labor. Jack had arrested her three or four times at least over the last year. Meggie, she called herself, but her true name was unknown, maybe even to her. He was about to step off the curbside to intercept her when a hand landed heavily on the woman’s artfully slumped shoulder. Michael Hone out of the twenty-third precinct, just two years on the force but he had the eye. She gave a heavy sigh and let herself be marched off.
“Meggie must be feeling her age,” Oscar said, coming up beside Jack. “Twenty years ago she was slippery as waterweed. She’d be halfway to Brooklyn before you realized she was gone. O-ho, look now. Tell me, would that particular fat-assed Roman emperor there be an elected official who shall remain shameless?”
For a time they amused each other trying to put names to costumes: Cardinal Richelieu and the Count of Monte Cristo, a Capuchin friar, Chinese merchants with eyes outlined in kohl, wizards, cowboys, Queen Elizabeth, the goddess Diana with bow and arrow, a trio of young women with staffs and lifelike lambs fixed somehow to their wide skirts.
“Money is wasted on some people,” sniffed a young woman whose clothes were threadbare but carefully mended. “I’d come up with a better costume than Bo Peep, you can be sure of that.”
A young man dressed as a knight of Malta followed the trio out of the carriage. Covered head to foot in hauberk and chain mail and armor, he clanked his way up the walk, listing to one side and then the other like a ship in a storm.
“Look now,” a man’s voice called out loud enough to carry over the noise. “Won’t somebody get that poor mope an anchor?”
The appreciative roar of the crowd did not slow the crusader in pursuit of his Bo Peeps, but every policeman within earshot tensed. The draft riots were twenty years ago, but it would be another twenty before they rested easy in the presence of any crowd; moods could shift from high spirits to violence without warning. Now shopkeepers and factory workers, clerks and charwomen, men with tool belts and lunch buckets, they all cooed at the sight of a cape embroidered with pearls and rubies, but people just like this had burned down the Colored Orphan Asylum and hung innocent men from light posts to vent their rage.
There was only one reliable barometer of a group ready to go sour. Jack turned his attention to a half-dozen children slinking through the crowd as easily and unobserved as cats. Six in this group, the youngest maybe seven, and if he had to guess he would identify them as part of the pack that slept in an alley alongside a German baker’s place of business on Franklin Street. The brick wall there was warmed by the ovens, which made the alley a coveted spot in the winter. It was one they had to fight to keep and could lose at any time. If there was real trouble in the air, the street urchins would disappear so quickly that they might have been an illusion.
“They’re settling down,” Maroney said. The crowd’s attention had turned to a modern-day Shakespeare whose hat kept sliding down over his eyes, so that he tripped repeatedly over his shoes. The urchins laughed, widemouthed, gap-toothed, children still and in want of amusement.
Earlier today Jack had watched more fortunate orphans being taken into the austere custody of Sister Ignatia. In shock, overwhelmed, many of them had hung back, torn between the promise of food and the numbing familiarity of the filthy tenements where their parents had died. The doctor had done a lot to calm them, her manner so matter-of-fact, without any trace of condescension or pity. Chances were a few of them would still try to slip away from the orphanage, but none of the children he had seen today would survive long on the city streets.
The Children’s Aid Society es
timated that there were as many as thirty thousand orphaned or abandoned children in Manhattan, while the orphan asylums could take no more than twelve thousand at a time. The rest lived on the streets underdressed, mostly shoeless, infection- and lice- and worm-ridden. They ate only what they could steal or scrounge or beg and had nothing so grand as a tenement to call home. Most of them refused to ask for shelter at any of the charities that were there to put them up, for the simple fear they would never be allowed to leave again, or would find themselves on a train headed west and a future even more uncertain than the bleak one before them. And so they slept huddled together in doorways or perched on fire escapes, and many of them died over the long winter, defeated by hunger and loneliness and the weather.
One by one the carriages pulled up and came to a stop, and footmen and coachmen lined up to open doors and assist ladies who could not see their feet over skirts and petticoats. Then they followed the walkway lined with potted trees and statues through the marquee and into the house, where they would eat too much and drink even more.
The early high spirits had cooled a little. The crowd began to mill around, bored and eager for distraction.
Farther down the block the doors of a carriage opened suddenly. Two young men jumped down and then turned to help the ladies, all of them too eager to wait in a stuffy carriage. In response other carriage doors began to open, at first only one or two and then in a rush. Ladies in silver and buttercup yellow and blazing reds and deep purples let themselves be directed by their husbands and fathers and brothers, lifting skirts high to avoid puddles and manure and trash, giggling nervously and turning their faces away from the crowd, as if that would be enough to spare them the very attention elaborate costumes were designed to engage.
The uniforms and roundsmen would be here the rest of the night, but as soon as the last party guests had disappeared into the house, the detectives could be away home. As if he had heard Jack’s thought, the captain came around the corner and pointed at them.
“I need you two inside.” Baker jerked his thumb over his shoulder as if there might be doubt about where. “Talk to Beaney, he’ll point you in the right direction. Thinks he saw some rogues’ gallery faces in the crowd.”
“Dressed as priests, no doubt,” Oscar muttered. “Pranksters every one.”
Baker gave a surprised and reluctant bark of laughter and then intensified his scowl to offset that small lapse.
“You’ll stay at your posts,” he said, “until I send word.” And he stomped off, cursing under his breath.
They crossed the street, passing a carriage that had seen better days. Inside two very old ladies in powdered wigs sat waiting, their painted faces so somber that they might have been on their way to a funeral.
A couple had just stepped out of a far more elegant and fashionable carriage. The gentleman was older, his form narrow and posture brittle, and he leaned on a cane. His costume was simplicity itself: over one shoulder he had tossed a black cape with red silk lining. The red set off the tight black breeches and short jacket over a white shirt.
“I think he’s supposed to be one of those Spanish grandees,” Oscar said. And as the man turned his face to the light he let out a soft grunt. “That’s Cap Verhoeven,” he said. “Poor sod.”
Verhoeven’s eyes were a vivid bright blue, his complexion flushed. People sometimes called such extreme high color the red flag of the white death. Consumption was said to be gentle, even a romantic death, but Jack could see nothing benign in the way it dragged the strongest and most promising out of the world.
“A damn good lawyer, and strange enough for one of his ilk, fair-minded. His mother was a Belmont.”
Oscar had an encyclopedic knowledge of the old Knickerbocker families his mother had worked for all of her life.
Verhoeven had stepped back to reveal the lady beside him, one hand on his raised arm while with the other she tried to keep a shawl in place. She let out a little cry of surprise and irritation as it slipped out of her grasp and fluttered away.
Above layers of silk gauze that moved with the breeze, her shoulders and long neck were now bared to the night air. In the light of the carriage lanterns her complexion took on the shifting iridescence of abalone: golds and pinks, ivories and smoky blues. The heavy dark hair twisted into a coronet and wrapped around her head set off the curve of her cheek.
All of these thoughts went through Jack’s head in the few seconds it took the footman to catch up her shawl and drop it over her shoulders. As she half turned toward the footman to smile her thanks, he saw her face for the first time.
Oscar caught his jolt of surprise. “What? You know him?”
“No,” Jack said. “Don’t know Verhoeven. It’s the woman I recognize.”
“Huh.” Oscar could fit more doubt into a single syllable than any man alive. “Where did you make the acquaintance of somebody like that?”
“On the Hoboken ferry,” Jack said. “Surrounded by nuns and orphans.”
Oscar’s brow shot up high. “The lady doctor you told me about? What was her name—”
“Savard. Dr. Savard.”
There was a small silence between them.
Maroney said, “Let’s go see what the kitchen maids can spare us in the way of fancy food.”
But he had something else on his mind, Jack could see it. A lady doctor dressed in silks was an oddity, and Oscar Maroney’s curiosity, once engaged, had to be satisfied. For once Jack was feeling just as curious as his partner.
• • •
ANNA ENTERED ALVA Vanderbilt’s white marble reception hall at 660 Fifth Avenue on Cap’s arm, arriving late, as planned. They had missed the promenade through the house, the receiving line for which hundreds of people had to be announced, and to Anna’s quiet disappointment, the dancing of the six formal quadrilles.
Mrs. Lee had been reading about the dancing in the newspapers and was especially excited about the Hobby Horse Quadrille. She told Anna exactly what to look for: a two-part pony costume of papier-mâché and velvet that fit around the middle of the dancer. Anna could admit to herself that her own curiosity had been aroused. Now she was as disappointed as Mrs. Lee was going to be.
Coming out of the cool night into the great hall they were enveloped by overheated air thick with the scent of roses and freesia and aged oak from a fireplace large enough, it seemed to Anna, to consume a small cottage. Overhead crystal chandeliers hung from the carved arches supporting the vaulted ceiling, supplemented by dozens of electric light sconces. Indoor electric lighting was an innovation, another example of the Vanderbilts’ need to be first in everything. Light reflected off the polished marble floor and the multitude of jewels this class of people wore like war medals, embedded in buttons and hair combs, sewn onto skirts and bodices and capes, displayed on throats and wrists, fingers and ears.
So much light and warmth and noise, but marble floors and walls paneled with ornately carved stone robbed the room of any hint of welcome or comfort. At the top of a staircase wide enough for ten men to stand shoulder to shoulder there would be a gallery full of treasures gathered from all over the world: paintings by the masters, sculptures and tapestries from China and Egypt and Greece, jewels and inlaid cabinets and musical instruments. Later, if Cap felt strong enough, they could make their way up the long sweeping staircase slowly, at a suitable pace.
They followed a footman who took them on a winding route through the great hall, across salons and a gold and white music room. Every object was made of the rarest woods or finest stone or marble, gilded, carved, inset with ivory or pearl or the wings of butterflies, draped in velvet, damask, embroidered silk. It was meant to be overwhelming, and it was.
With the footman’s assistance they found the comfortable corner one of Cap’s Belmont cousins had arranged for them. Tall vases overflowing with full-blown deep red roses and honeysuckle bracketed silk upholstered chairs, a sett
ee with a wealth of beaded and embroidered pillows, and a low table that was crowded with fine crystal wineglasses and goblets, gold-rimmed platters of crudités and canapés and caviar en croute. On a side table were more platters heaped with petit fours and tartlets topped with strawberries, far ahead of season, sugared plums and nuts, and punitions, each adorned with a V made out of gold tissue, in case the guest forgot that this was the home of a Vanderbilt.
Flowers tumbled over each other in every corner: roses, tulips, lily of the valley, freesia, whole branches of dogwood and magnolia forced into early bloom. Every greenhouse and hothouse in a hundred miles had to have been stripped bare.
In their little alcove Anna and Cap were close enough to the dancing to watch without being overrun, and Anna found herself laughing out loud at the sight. Robin Hood waltzed with a bumblebee, wings fluttering with every sweep; a Roman emperor had as partner a dairy maid; Frederick the Great danced with a phoenix, and a Russian peasant with Marie Antoinette, who, Anna noted with some satisfaction, wore a gown even more revealing than her own.
They sat watching, Anna with a flute of champagne in her hand and Cap without. He wouldn’t eat or drink and he never took off his gloves outside his own home. Now he touched his handkerchief to his damp face and throat.
“It is far too warm with the electric lights and so many people. You must drink something.”
“Only if you’ll let me drop the glass once I’m done,” Cap said, one brow raised in challenge.
“I doubt she’d miss one glass,” Anna muttered. “No matter what kind of crystal it is.”
“But an under maid may take the blame,” Cap said. “You wouldn’t like that.”
There was no evidence that the tuberculosis bacillus could be passed by touching inanimate objects, but Cap had rules for himself that were inviolate. And in truth, Anna could not fault him for his concern.