The U.S. Marshal’s Office is primarily focusing its search for Marco in southern Mexico, where it is believed he may have escaped to with the aid of the cartel leaders who long ago corrupted him. But I am pretty sure they will never find him. Hector Moya told me once about how his enemies disappear, never to be found. Two weeks ago I received an e-mail from an address unknown to me but with a subject line that simply said Saludos Del Fuego. I opened the e-mail to find an embedded video and nothing else. It was only fifteen seconds long, but the video provided a lifetime’s worth of horror. It depicts a man hanging by his neck from a tree. He is obviously dead, his badly beaten face swollen and bloody, his skin and clothes burned black in places.
I am pretty sure the dead man is Marco. I forwarded the video to the deputy marshal heading the search for him. Once it is authenticated, I expect there to be an announcement that Marco is believed dead, though it is unlikely they will ever find a body.
I have deleted the video from my computer but it will never be erased from my mind. I have no doubt that it came from Moya and no doubt that he wanted me to know what became of Marco. When I think about the rogue agent’s fate, I remember the night in June at the loft when I was surrounded by my team and raised a glass to justice for Gloria Dayton and Earl Briggs. Some forms of justice are more horrible than others. But in this case I think justice has been rightly served.
Officially, Gloria Dayton’s murder remains open because no one has been or will ever be convicted of the crime. The memory of Glory Days now resides in a city’s consciousness as she takes her place in the pantheon of public victims.
In the meantime, not so much attention has been paid to Earl Briggs. His case remains open and the subject of the grand jury’s ongoing investigations. But I mourn him more than Gloria or any other. I often think of the miles we rode together, the ground we covered on the road and in life.
Everybody has a jury, the voices they carry inside. Earl Briggs sits on my jury, Gloria Dayton, too. They are there with Katie and Sandy, my mother, my father, and soon Legal Siegel as well. Those I have loved and those I have hurt. Those who bless me and those who haunt me. My gods of guilt. Every day I carry on and I carry them close. Every day I step into the well before them and I argue my case.
ACKNOWLEDGMENTS
The starting point for this story came alive during a discussion with Tom Rosenberg and Gary Lucchesi, producers of The Lincoln Lawyer. To them the author will always be grateful.
The author also relied upon the help of many others in the research and writing of this book. They include Asya Muchnick, Bill Massey, Daniel Daly, Roger Mills, Dennis Wojciechowski, John Romano, Greg Kehoe, Terrill Lee Lankford, Linda Connelly, Alafair Burke, Rick Jackson, Tim Marcia, John Houghton, Jane Davis, Heather Rizzo, Pamela Marshall, and Henrik Bastin. Many, many thanks to all.
ABOUT THE AUTHOR
Michael Connelly is the author of twenty-five previous novels including the #1 New York Times bestsellers The Black Box, The Drop, The Fifth Witness, The Reversal, The Scarecrow, The Brass Verdict, and The Lincoln Lawyer, as well as the bestselling Harry Bosch series of novels. He is a former newspaper reporter who has won numerous awards for his journalism and his novels. He spends his time in California and Florida.
ALSO BY MICHAEL CONNELLY
Fiction
The Black Echo
The Black Ice
The Concrete Blonde
The Last Coyote
The Poet
Trunk Music
Blood Work
Angels Flight
Void Moon
A Darkness More Than Night
City of Bones
Chasing the Dime
Lost Light
The Narrows
The Closers
The Lincoln Lawyer
Echo Park
The Overlook
The Brass Verdict
The Scarecrow
Nine Dragons
The Reversal
The Fifth Witness
The Drop
The Black Box
Non-Fiction
Crime Beat
E-books
Suicide Run
Angle of Investigation
Mulholland Dive
The Safe Man
Copyright
First published in Australia and New Zealand in 2013 by Allen & Unwin
Copyright © 2013 by Hieronymus, Inc.
All characters and events in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act.
ISBN: 978 1 74 331 753 2
eISBN: 978 1 74 343 573 1
Allen & Unwin
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Michael Connelly, The Gods of Guilt
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