“Maybe you wouldn’t be so snotty if you knew who we was,” said the woman, bobbing her tremendous head. “We ain’t nobodies, not by a long shot.”
Embarrassed, Kay nervously opened a pack of cigarettes and lighted one. She wondered if there might not be a seat in a car up ahead. She could not bear the woman, or, for that matter, the man, another minute. But she had never before been in a remotely comparable situation. “If you’ll excuse me now,” she said, “I have to be leaving. It’s been very pleasant, but I promised to meet a friend on the train …”
With almost invisible swiftness the woman grasped the girl’s wrist. “Didn’t your mama ever tell you it was sinful to lie?” she stage-whispered. The lavender hat tumbled off her head but she made no effort to retrieve it. Her tongue flicked out and wetted her lips. And, as Kay stood up, she increased the pressure of her grip. “Sit down, dear … there ain’t any friend … Why, we’re your only friends and we wouldn’t have you leave us for the world.”
“Honestly, I wouldn’t lie.”
“Sit down, dear.”
Kay dropped her cigarette and the man picked it up. He slouched in the corner and became absorbed in blowing a chain of lush smoke rings that mounted upward like hollow eyes and expanded into nothing.
“Why, you wouldn’t want to hurt his feelings by leaving us, now, would you, dear?” crooned the woman softly. “Sit down—down—now, that’s a good girl. My, what a pretty guitar. What a pretty, pretty guitar …” Her voice faded before the sudden whooshing, static noise of a second train. And for an instant the lights in the coach went off; in the darkness the passing train’s golden windows winked black-yellow-black-yellow-black-yellow. The man’s cigarette pulsed like the glow of a firefly, and his smoke rings continued rising tranquilly. Outside, a bell pealed wildly.
When the lights came on again, Kay was massaging her wrist where the woman’s strong fingers had left a painful bracelet mark. She was more puzzled than angry. She determined to ask the conductor if he would find her a different seat. But when he arrived to take her ticket, the request stuttered on her lips incoherently.
“Yes, miss?”
“Nothing,” she said.
And he was gone.
The trio in the alcove regarded one another in mysterious silence till the woman said, “I’ve got something here I wanna show you, honey.” She rummaged once more in the oilcloth satchel. “You won’t be so snotty after you get a gander at this.”
What she passed to Kay was a handbill, published on such yellowed, antique paper it looked as if it must be centuries old. In fragile, overly fancy lettering, it read:
LAZARUS
THE MAN WHO IS BURIED ALIVE
A MIRACLE
SEE FOR YOURSELF
ADULTS, 25C—CHILDREN, 10C
“I always sing a hymn and read a sermon,” said the woman. “It’s awful sad: some folks cry, especially the old ones. And I’ve got me a perfectly elegant costume: a black veil and a black dress, oh, very becoming. He wears a gorgeous made-to-order bridegroom suit and a turban and lotsa talcum on his face. See, we try to make it as much like a bonafide funeral as we can. But shoot, nowadays you’re likely to get just a buncha smart alecks come for laughs—so sometimes I’m real glad he’s afflicted like he is on accounta otherwise his feelings would be hurt, maybe.”
Kay said, “You mean you’re with a circus or a side-show or something like that?”
“Nope, us alone,” said the woman as she reclaimed the fallen hat. “We’ve been doing it for years and years—played every tank town in the South: Singasong, Mississippi—Spunky, Louisiana—Eureka, Alabama …” these and other names rolled off her tongue musically, running together like rain. “After the hymn, after the sermon, we bury him.”
“In a coffin?”
“Sort of. It’s gorgeous, it’s got silver stars painted all over the lid.”
“I should think he would suffocate,” said Kay, amazed. “How long does he stay buried?”
“All told it takes maybe an hour—course that’s not counting the lure.”
“The lure?”
“Uh huh. It’s what we do the night before the show. See, we hunt up a store, any ol’ store with a big glass window’ll do, and get the owner to let him sit inside this window, and, well, hypnotize himself. Stays there all night stiff as a poker and people come and look: scares the livin’ hell out of ’em.…” While she talked she jiggled a finger in her ear, withdrawing it occasionally to examine her find. “And one time this ol’ bindlestiff Mississippi sheriff tried to …”
The tale that followed was baffling and pointless: Kay did not bother to listen. Nevertheless, what she had heard already inspired a reverie, a vague recapitulation of her uncle’s funeral; an event which, to tell the truth, had not much affected her since she had scarcely known him. And so, while gazing abstractedly at the man, an image of her uncle’s face, white next to the pale silk casket pillow, appeared in her mind’s eye. Observing their faces simultaneously, both the man’s and uncle’s, as it were, she thought she recognized an odd parallel: there was about the man’s face the same kind of shocking, embalmed, secret stillness, as though, in a sense, he were truly an exhibit in a glass cage, complacent to be seen, uninterested in seeing.
“I’m sorry, what did you say?”
“I said: I sure wish they’d lend us the use of a regular cemetery. Like it is now we have to put on the show wherever we can … mostly in empty lots that are nine times outa ten smack up against some smelly fillin’ station, which ain’t exactly a big help. But like I say, we got us a swell act, the best. You oughta come see it if you get a chance.”
“Oh, I should love to,” Kay, said, absently.
“Oh, I should love to,” mimicked the woman. “Well, who asked you? Anybody ask you?” She hoisted up her skirt and enthusiastically blew her nose on the ragged hem of a petticoat. “Bu-leeve me, it’s a hard way to turn a dollar. Know what our take was last month? Fifty-three bucks! Honey, you try living on that sometime.” She sniffed and rearranged her skirt with considerable primness. “Well, one of these days my sweet boy’s sure enough going to die down there; and even then somebody’ll say it was a gyp.”
At this point the man took from his pocket what seemed to be a finely shellacked peach seed and balanced it on the palm of his hand. He looked across at Kay and, certain of her attention, opened his eyelids wide and began to squeeze and caress the seed in an undefinably obscene manner.
Kay frowned. “What does he want?”
“He wants you to buy it.”
“But what is it?”
“A charm,” said the woman. “A love charm.”
Whoever was playing the harmonica stopped. Other sounds, less unique, became at once prominent: someone snoring, the gin bottle seesaw rolling, voices in sleepy argument, the train wheels’ distant hum.
“Where could you get love cheaper, honey?”
“It’s nice. I mean it’s cute.…” Kay said, stalling for time. The man rubbed and polished the seed on his trouser leg. His head was lowered at a supplicating, mournful angle, and presently he stuck the seed between his teeth and bit it, as if it were a suspicious piece of silver. “Charms always bring me bad luck. And besides … please, can’t you make him stop acting that way?”
“Don’t look so scared,” said the woman, more flat-voiced than ever. “He ain’t gonna hurt you.”
“Make him stop, damn it!”
“What can I do?” asked the woman, shrugging her shoulders. “You’re the one that’s got money. You’re rich. All he wants is a dollar, one dollar.”
Kay tucked her purse under her arm. “I have just enough to get back to school,” she lied, quickly rising and stepping out into the aisle. She stood there a moment, expecting trouble. But nothing happened.
The woman, with rather deliberate indifference, heaved a sigh and closed her eyes; gradually the man subsided and stuck the charm back in his pocket. Then his hand crawled across the seat to join the woman’s
in a lax embrace.
Kay shut the door and moved to the front of the observation platform. It was bitterly cold in the open air, and she had left her raincoat in the alcove. She loosened her scarf and draped it over her head.
Although she had never made this trip before, the train was traveling through an area strangely familiar: tall trees, misty, painted pale by malicious moonshine, towered steep on either side without a break or clearing. Above, the sky was a stark, unexplorable blue thronged with stars that faded here and there. She could see streamers of smoke trailing from the train’s engine like long clouds of ectoplasm. In one corner of the platform a red kerosene lantern cast a colorful shadow.
She found a cigarette and tried to light it: the wind snuffed match after match till only one was left. She walked to the corner where the lantern burned and cupped her hands to protect the last match: the flame caught, sputtered, died. Angrily she tossed away the cigarette and empty folder; all the tension in her tightened to an exasperating pitch and she slammed the wall with her fist and began to whimper softly, like an irritable child.
The intense cold made her head ache, and she longed to go back inside the warm coach and fall asleep. But she couldn’t, at least not yet; and there was no sense in wondering why, for she knew the answer very well. Aloud, partly to keep her teeth from chattering and partly because she needed the reassurance of her own voice, she said: “We’re in Alabama now, I think, and tomorrow we’ll be in Atlanta and I’m nineteen and I’ll be twenty in August and I’m a sophomore.…” She glanced around at the darkness, hoping to see a sign of dawn, and finding the same endless wall of trees, the same frosty moon. “I hate him, he’s horrible and I hate him.…” She stopped, ashamed of her foolishness and too tired to evade the truth: she was afraid.
Suddenly she felt an eerie compulsion to kneel down and touch the lantern. Its graceful glass funnel was warm, and the red glow seeped through her hands, making them luminous. The heat thawed her fingers and tingled along her arms.
She was so preoccupied she did not hear the door open. The train wheels roaring clickety-clack-clackety-click hushed the sound of the man’s footsteps.
It was a subtle zero sensation that warned her finally; but some seconds passed before she dared look behind.
He was standing there with mute detachment, his head tilted, his arms dangling at his sides. Staring up into his harmless, vapid face, flushed brilliant by the lantern light, Kay knew of what she was afraid: it was a memory, a childish memory of terrors that once, long ago, had hovered above her like haunted limbs on a tree of night. Aunts, cooks, strangers—each eager to spin a tale or teach a rhyme of spooks and death, omens, spirits, demons. And always there had been the unfailing threat of the wizard man: stay close to the house, child, else a wizard man’ll snatch you and eat you alive! He lived everywhere, the wizard man, and everywhere was danger. At night, in bed, hear him tapping at the window? Listen!
Holding onto the railing, she inched upward till she was standing erect. The man nodded and waved his hand toward the door. Kay took a deep breath and stepped forward. Together they went inside.
The air in the coach was numb with sleep: a solitary light now illuminated the car, creating a kind of artificial dusk. There was no motion but the train’s sluggish sway, and the stealthy rattle of discarded newspapers.
The woman alone was wide awake. You could see she was greatly excited: she fidgeted with her curls and celluloid cherries, and her plump little legs, crossed at the ankles, swung agitatedly back and forth. She paid no attention when Kay sat down. The man settled in the seat with one leg tucked beneath him and his arms folded across his chest.
In an effort to be casual, Kay picked up a magazine. She realized the man was watching her, not removing his gaze an instant: she knew this though she was afraid to confirm it, and she wanted to cry out and waken everyone in the coach. But suppose they did not hear? What if they were not really asleep? Tears started in her eyes, magnifying and distorting the print on a page till it became a hazy blur. She shut the magazine with fierce abruptness and looked at the woman.
“I’ll buy it,” she said. “The charm, I mean. I’ll buy it, if that’s all—just all you want.”
The woman made no response. She smiled apathetically as she turned toward the man.
As Kay watched, the man’s face seemed to change form and recede before her like a moon-shaped rock sliding downward under a surface of water. A warm laziness relaxed her. She was dimly conscious of it when the woman took away her purse, and when she gently pulled the raincoat like a shroud above her head.
BOOKS BY TRUMAN CAPOTE
Other Voices, Other Rooms
A Tree of Night
Local Color
The Grass Harp
The Muses Are Heard
Breakfast at Tiffany’s
Observations (with Richard Avedon)
Selected Writings
In Cold Blood
A Christmas Memory
The Thanksgiving Visitor
The Dogs Bark
Music for Chameleons
One Christmas
Three by Truman Capote
Answered Prayers: The Unfinished Novel
A Capote Reader
Summer Crossing
ALSO BY TRUMAN CAPOTE
ANSWERED PRAYERS
Although Truman Capote’s last novel was unfinished at the time of his death, its surviving portions offer a devastating group portrait of the high and low society of his time. As it follows the career of a writer of uncertain parentage and omnivorous erotic tastes, Answered Prayers careens from a louche bar in Tangiers to a banquette at La Côte Basque, from literary salons to high-priced whorehouses. It takes in calculating beauties and sadistic husbands along with such real-life supporting characters as Colette, the Duchess of Windsor, Montgomery Clift, and Tallulah Bankhead. Above all, this malevolently funny book displays Capote at his most relentlessly observant and murderously witty.
Fiction/Literature
BREAKFAST AT TIFFANY’S
In this seductive, wistful masterpiece, Truman Capote created a woman whose name has entered the American idiom and whose style is a part of the literary landscape. Holly Golightly knows that nothing bad can ever happen to you at Tiffany’s; her poignancy, wit, and naïveté continue to charm. This volume also contains three of Capote’s best-known stories, “House of Flowers,” “A Diamond Guitar,” and “A Christmas Memory,” which the Saturday Review called “one of the most moving stories in our language.” It is a tale of two innocents—a small boy and the old woman who is his best friend—whose sweetness contains a hard, sharp kernel of truth.
Fiction/Literature
THE COMPLETE STORIES OF TRUMAN CAPOTE
A landmark collection that brings together Truman Capote’s life’s work in the form he called his “great love,” The Complete Stories confirms Capote’s status as a master of the short story. This first-ever compendium features a never-before-published 1950 story, “The Bargain,” as well as an introduction by Reynolds Price. Ranging from the gothic South to the chic East Coast, from rural children to aging urban sophisticates, all the unforgettable places and people of Capote’s oeuvre are here, in stories as haunting as they are compassionate.
Fiction/Literature/Short Stories
IN COLD BLOOD
On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. In Cold Blood is a work that transcends its moment, yielding poignant insights into the nature of American violence.
Nonfiction/Literature
MUSIC FOR CHAMELEONS
In these gems of reportage Truman Capote takes true stories and real people and
renders them with the stylistic brio we expect from great fiction. Here we encounter an exquisitely preserved Creole aristocrat sipping absinthe in her Martinique salon; an enigmatic killer who sends his victims announcements of their forthcoming demise; and a proper Connecticut householder with a ruinous obsession for a twelve-year-old he has never met. And we meet Capote himself, who, whether he is smoking with his cleaning lady or trading sexual gossip with Marilyn Monroe, remains one of the most elegant, malicious, yet compassionate writers to train his eye on the social fauna of his time.
Nonfiction/Literature
ALSO AVAILABLE
Other Voices, Other Rooms
Too Brief a Treat: The Letters of Truman Capote
VINTAGE INTERNATIONAL
Available wherever books are sold.
www.randomhouse.com
Truman Capote, The Grass Harp, Including a Tree of Night and Other Stories
(Series: # )
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