Behind him on the ground he felt the one with the mustache and the girl and the black man and the last one. They knelt naked and he felt their eyes on him. And behind them there were uncounted crowds of kneeling people in the darkness.
His own hands were huge windmills and he stared fascinated at the unknown thing that Antonapoulos held. The yellow lanterns swayed to and fro in the darkness and all else was motionless. Then suddenly there was a ferment. In the upheaval the steps collapsed and he felt himself falling downward. He awoke with a jerk. The early light whitened the window. He felt afraid.
Such a long time had passed that something might have happened to his friend. Because Antonapoulos did not write to him he would not know. Perhaps his friend had fallen and hurt himself. He felt such an urge to be with him once more that he would arrange it at any cost--and immediately.
In the post-office that morning he found a notice in his box that a package had come for him. It was the gift he had ordered for Christmas that did not arrive in time. The gift was a very fine one. He had bought it on the installment plan to be paid for over a period of two years. The gift was a moving-picture machine for private use, with a half-dozen of the Mickey Mouse and Popeye comedies that Antonapoulos enjoyed.
Singer was the last to reach the store that morning. He handed the jeweler for whom he worked a formal written request for leave on Friday and Saturday. And although there were four weddings on hand that week, the jeweler nodded that he could go.
He did not let anyone know of the trip beforehand, but on leaving he tacked a note to his door saying that he would be absent for several days because of business. He traveled at night, and the train reached the place of his destination just as the red winter dawn was breaking.
In the afternoon, a little before time for the visiting hour, he went out to the asylum. His arms were loaded with the parts of the moving-picture machine and the basket of fruit he carried his friend. He went immediately to the ward where he had visited Antonapoulos before.
The corridor, the door, the rows of beds were just as he remembered them. He stood at the threshold and looked eagerly for his friend. But he saw at once that though all the chairs were occupied, Antonapoulos was not there.
Singer put down his packages and wrote at the bottom of one of his cards, ‘Where is Spiros Antonapoulos?’ A nurse came into the room and he handed her the card. She did not understand. She shook her head and raised her shoulders. He went out into the corridor and handed the card to everyone he met. Nobody knew. There was such a panic in him that he began motioning with his hands. At last he met an intern in a white coat. He plucked at the intern’s elbow and gave him the card. The intern read it carefully and then guided him through several halls. They came to a small room where a young woman sat at a desk before some papers. She read the card and then looked through some files in a drawer.
Tears of nervousness and fear swam in Singer’s eyes. The young woman began deliberately to write on a pad of paper, and he could not restrain himself from twisting around to see immediately what was being written about his friend.
Mr. Antonapoulos has been transferred to the infirmary. He is ill with nephritis. I will have someone show you the way.
On the way through the corridors he stopped to pick up the packages he had left at the door of the ward. The basket of fruit had been stolen, but the other boxes were intact. He followed the intern out of the building and across a plot of grass to the infirmary.
Antonapoulos! When they reached the proper ward he saw him at the first glance. His bed was placed in the middle of the room and he was sitting propped with pillows. He wore a scarlet dressing-gown and green silk pajamas and a turquoise ring. His skin was a pale yellow color, his eyes very dreamy and dark. His black hair was touched at the temples with silver. He was knitting. His fat fingers worked with the long ivory needles very slowly. At first he did not see his friend.
Then when Singer stood before him he smiled serenely, without surprise, and held out his jeweled hand.
A feeling of shyness and restraint such as he had never known before came over Singer. He sat down by the bed and folded his hands on the edge of the counterpane. His eyes did not leave the face of his friend and he was deathly pale. The splendor of his friend’s raiment startled him. On various occasions he had sent him each article of the outfit, but he had not imagined how they would look when all combined.
Antonapoulos was more enormous than he had remembered.
The great pulpy folds of his abdomen showed beneath his silk pajamas. His head was immense against the white pillow. The placid composure of his face was so profound that he seemed hardly to be aware mat Singer was with him.
Singer raised Ms hands timidly and began to speak. His strong, skilled fingers shaped the signs with loving precision.
He spoke of the cold and of the long months alone. He mentioned old memories, the cat that had died, the store, the place where he lived. At each pause Antonapoulos nodded graciously. He spoke of the four people and the long visits to his room. The eyes of his friend were moist and dark, and in them he saw the little rectangled pictures of himself that he had watched a thousand times. The warm blood flowed back to his face and his hands quickened.
He spoke at length of the black man and the one with the jerking mustache and the girl. The designs of his hands shaped faster and faster. Antonapoulos nodded with slow gravity.
Eagerly Singer leaned closer and he breathed with long, deep breaths and in his eyes there were bright tears.
Then suddenly Antonapoulos made a slow circle in the air with his plump forefinger. His finger circled toward Singer and at last he poked his friend in the stomach. The big Greek’s smile grew very broad and he stuck out his fat, pink tongue.
Singer laughed and his hands shaped the words with wild speed. His shoulders shook with laughter and his head hung backward. Why he laughed he did not know. Antonapoulos rolled his eyes. Singer continued to laugh riotously until his breath was gone and his fingers trembled. He grasped the arm of his friend and tried to steady himself. His laughs came slow and painfully like hiccoughs.
Antonapoulos was the first to compose himself. His fat little feet had untucked the cover at the bottom of the bed. His smile faded and he kicked contemptuously at the blanket. Singer hastened to put things right, but Antonapoulos frowned and held up his finger regally to a nurse who was passing through the ward. When she had straightened the bed to his liking the big Greek inclined his head so deliberately that the gesture seemed one of benediction rather than a simple nod of thanks.
Then he turned gravely to his friend again.
As Singer talked he did not realize how the time had passed.
Only when a nurse brought Antonapoulos his supper on a tray did he realize that it was late. The lights in the ward were turned on and outside the windows it was almost dark. The other patients had trays of supper before them also. They had put down their work (some of them wove baskets, others did leatherwork or knitted) and they were eating listlessly.
Besides Antonapoulos they all seemed very sick and colorless.
Most of them needed a haircut and they wore seedy gray nightshirts slit down the back. They stared at the two mutes with wonder.
Antonapoulos lifted the cover from his dish and inspected the food carefully. There was fish and some vegetables. He picked up the fish and held it to the light in the palm of his hand for a thorough examination. Then he ate with relish. During supper he began to point out the various people in the room. He pointed to one man in the corner and made faces of disgust. The man snarled at him. He pointed to a young boy and smiled and nodded and waved his plump hand.
Singer was too happy to feel embarrassment. He picked up the packages from the floor and laid them on the bed to distract his friend. Antonapoulos took off the wrappings, but the machine did not interest him at all. He turned back to his supper.
Singer handed the nurse a note explaining about the movie.
She called an intern and then they brought in a doctor. As the three of them consulted they looked curiously at Singer. The news reached the patients and they propped up on their elbows excitedly. Only Antonapoulos was not disturbed.
Singer had practiced with the movie beforehand. He set up the screen so that it could be watched by all the patients. Then he worked with the projector and the film. The nurse took out the supper trays and the lights in the ward were turned off. A Mickey Mouse comedy flashed on the screen.
Singer watched his friend. At first Antonapoulos was startled.
He heaved himself up for a better view and would have risen from the bed if the nurse had not restrained him. Then he watched with a beaming smile. Singer could see the other patients calling out to each other and laughing. Nurses and orderlies came in from the hall and the whole ward was in commotion. When the Mickey Mouse was finished Singer put on a Popeye film. Then at the conclusion of this film he felt that the entertainment had lasted long enough for the first time. He switched on the light and the ward settled down again. As the intern put the machine under his friend’s bed he saw Antonapoulos slyly cut his eyes across the ward to be certain that each person realized that the machine was his.
Singer began to talk with his hands again. He knew that he would soon be asked to leave, but the thoughts he had stored in his mind were too big to be said in a short time. He talked with frantic haste. In the ward there was an old man whose head shook with palsy and who picked feebly at his eyebrows. He envied the old man because he lived with Antonapoulos day after day. Singer would have exchanged places with him joyfully.
His friend fumbled for something in his bosom. It was the little brass cross that he had always worn. The dirty string had been replaced by a red ribbon. Singer thought of the dream and he told that, also, to his friend. In his haste the signs sometimes became blurred and he had to shake his hands and begin all over. Antonapoulos watched him with his dark, drowsy eyes. Sitting motionless in his bright, rich garments he seemed like some wise king from a legend.
The intern in charge of the ward allowed Singer to stay for an hour past the visiting time. Then at last he held out his thin, hairy wrist and showed him his watch. The patients were settled for sleep. Singer’s hand faltered. He grasped his friend by the arm and looked intently into his eyes as he used to do each morning when they parted for work. Finally Singer backed himself out of the room. At the doorway his hands signed a broken farewell and then clenched into fists.
During the moonlit January nights Singer continued to walk about the streets of the town each evening when he was not engaged. The rumors about him grew bolder. An old Negro woman told hundreds of people that he knew the ways of spirits come back from the dead. A certain piece-worker claimed that he had worked with the mute at another mill somewhere else in the state--and the tales he told were unique. The rich thought that he was rich and the poor considered him a poor man like themselves. And as there was no way to disprove these rumors they grew marvelous and very real. Each man described the mute as he wished him to be.
WHY? The question flowed through Biff always, unnoticed, like the blood in his veins. He thought of people and of objects and of ideas and the question was in him. Midnight, the dark morning, noon. Hitler and the rumors of war. The price of loin of pork and the tax on. beer. Especially he meditated on the puzzle of the mute. Why, for instance, did Singer go away on the train and, when he was asked where he had been, pretend that he did not understand the question? And why did everyone persist in thinking the mute was exactly as they wanted him to be--when most likely it was all a very queer mistake? Singer sat at the middle table three times a day. He ate what was put before him--except cabbage and oysters. In the battling tumult of voices he alone was silent. He liked best little green soft butter beans and he stacked them in a neat pile on the prongs of his fork. And sopped their gravy with his biscuits.
Biff thought also of death. A curious incident occurred. One day while rummaging through the bathroom closet he found a bottle of Agua Florida that he had overlooked when taking Lucile the rest of Alice’s cosmetics. Meditatively he held the bottle of perfume in his hands. It was four months now since her death--and each month seemed as long and full of leisure as a year. He seldom thought of her.
Biff uncorked the bottle. He stood shirtless before the mirror and dabbled some of the perfume on his dark, hairy armpits.
The scent made him stiffen. He exchanged a deadly secret glance with himself in the mirror and stood motionless. He was stunned by the memories brought to him with the perfume, not because of their clarity, but because they gathered together the whole long span of years and were complete. Biff rubbed his nose and looked sideways at himself. The boundary of death. He felt in him each minute that he had lived with her. And now their life together was whole as only the past can be whole. Abruptly Biff turned away.
The bedroom was done over. His entirely now. Before it had been tacky and flossy and drab. There were always stockings and pink rayon knickers with holes in them hung on a string across the room to dry. The iron bed had been flaked and rusty, decked with soiled lace boudoir pillows. A bony mouser from downstairs would arch its back and rub mournfully against the slop jar.
All of this he had changed. He traded the iron bed for a studio couch. There was a thick red rug on the floor, and he had bought a beautiful cloth of Chinese blue to hang on the side of the wall where the cracks were worst. He had unsealed the fireplace and kept it laid with pine logs. Over the mantel was a small photograph of Baby and a colored picture of a little boy in velvet holding a ball in his hands. A glassed case in the corner held the curios he had collected--specimens of butterflies, a rare arrowhead, a curious rock shaped like a human profile. Blue-silk cushions were on the studio couch, and he had borrowed Lucile’s sewing-machine to make deep red curtains for the windows. He loved the room. It was both luxurious and sedate. On the table there was a little Japanese pagoda with glass pendants that tinkled with strange musical tones in a draught.
In this room nothing reminded him of her. But often he would uncork the bottle of Agua Florida and touch the stopper to the lobes of his ears or to his wrists. The smell mingled with his slow ruminations. The sense of the past grew in him.
Memories built themselves with almost architectural order. In a box where he stored souvenirs he came across old pictures taken before their marriage. Alice sitting in a field of daisies.
Alice with him in a canoe on the river. Also among the souvenirs there was a large bone hairpin that had belonged to his mother. As a little boy he had loved to watch her comb and knot her long black hair. He had thought that hairpins were curved as they were to copy the shape of a lady and he would sometimes play with them like dolls. At that time he had a cigar box full of scraps. He loved the feel and colors of beautiful cloth and he would sit with his scraps for hours under the kitchen table. But when he was six his mother took the scraps away from him. She was a tall, strong woman with a sense of duty like a man. She had loved him best. Even now he sometimes dreamed of her. And her worn gold wedding ring stayed on his finger always.
Along with the Agua Florida he found in the closet a bottle of lemon rinse Alice had always used for her hair. One day he tried it on himself. The lemon made his dark, white-streaked hair seem fluffy and thick. He liked it. He discarded the oil he had used to guard against baldness and rinsed with the lemon preparation regularly. Certain whims that he had ridiculed in Alice were now his own. Why? Every morning Louis, the colored boy downstairs, brought him a cup of coffee to drink in bed. Often he sat propped on the pillows for an hour before he got up and dressed. He smoked a cigar and watched the patterns the sunlight made on the wall. Deep hi meditation he ran his forefinger between his long, crooked toes. He remembered.
Then from noon until five in the morning he worked downstairs. And all day Sunday. The business was losing money. There were many slack hours. Still at meal-times the place was usually full and he saw hundred
s of acquaintances every day as he stood guard behind the cash register.
‘What do you stand and think about all the time?’ Jake Blount asked him. ‘You look like a Jew in Germany.’
‘I am an eighth part Jew,’ Biff said. ‘My Mother’s grandfather was a Jew from Amsterdam. But all the rest of my folks that I know about were Scotch-Irish.’
It was Sunday morning. Customers lolled at the tables and there were the smell of tobacco and the rustle of newspaper.
Some men in a corner booth shot dice, but the game was a quiet one.
‘Where’s Singer?’ Biff asked. ‘Won’t you be going up to his place this morning?’
Blount’s face turned dark and sullen. He jerked his head forward. Had they quarreled--but how could a dummy quarrel? No, for this had happened before. Blount hung around sometimes and acted as though he were having an argument with himself. But pretty soon he would go--he always did--and the two of them would come in together, Blount talking.
‘You live a fine life. Just standing behind a cash register. Just standing with your hand open.’
Biff did not take offense. He leaned his weight on his elbows and narrowed his eyes. ‘Let’s me and you have a serious talk.
What is it you want anyway?’
Blount smacked his hands down on the counter. They were warm and meaty and rough. ‘Beer. And one of them little packages of cheese crackers with peanut butter in the inside.’
‘That’s not what I meant,’ Biff said. ‘But well come around to it later.’
The man was a puzzle. He was always changing. He still drank like a crazy fish, but liquor did not drag him down as it did some men. The rims of his eyes were often red, and he had a nervous trick of looking back startled over his shoulder. His head was heavy and huge on his thin neck. He was the sort of fellow that kids laughed at and dogs wanted to bite. Yet when he was laughed at it cut him to the quick--he got rough and loud like a sort of clown. And he was always suspecting that somebody was laughing. Biff shook his head thoughtfully. ‘Come,’ he said. ‘What makes you stick with that show? You can find something better than that. I could give you a part-time job here.’