‘That did indeed remind me of her journey,’ I agreed. ‘But the sickness of the child?’
‘From the newspaper, your attention turned to the patch of carpet beside the desk and I distinctly saw you smile to yourself. It was there, of course, that you once kept your medicine bag and it was surely that association that reminded you of the reason for your wife’s visit.’
‘This is all guesswork, Holmes,’ I insisted. ‘You say Holborn Viaduct, for example. It could have been any station in London.
‘You know that I deplore guesswork. It is sometimes necessary to connect points of evidence with the use of imagination, but that is not at all the same thing. Mrs Forrester lives in Camberwell. The London Chatham and Dover Railway has regular departures from Holborn Viaduct. I would have considered that the logical starting point, even if you had not obliged me by leaving your own suitcase by the door. From where I am sitting, I can clearly see a label from the Holborn Viaduct Left Luggage Office attached to the handle.’
‘And the rest of it?
‘The fact that you have lost your maid and that you left the house in a hurry? The smudge of black polish on the side of your left cuff clearly indicates both. You cleaned your own shoes and you did so rather carelessly. Moreover, in your haste, you forgot your gloves—’
‘Mrs Hudson took my coat from me. She could also have taken my gloves.’
‘In which case, when we shook hands, why would yours have been so cold? No, Watson, your entire bearing speaks of disorganisation and disarray.’
‘Everything you say is right,’ I admitted. ‘But one last mystery, Holmes. How can you be so sure that my wife missed her train?’
‘As soon as you arrived, I noticed a strong scent of coffee on your clothes. Why would you be drinking coffee immediately before coming to me for tea? The inference is that you missed your train and were forced to stay with your wife for longer than you had intended. You stowed your case at the left luggage office and went with her to a coffee house. Might it have been Lockhart’s? I’m told the coffee there is particularly good.’
There was a short silence and then I burst into laughter. ‘Well, Holmes,’ I said. ‘I can see that I had no reason to worry about your health. You are as remarkable as ever.’
‘It was quite elementary,’ returned the detective with a languid gesture of one hand. ‘But perhaps something of greater interest now approaches. Unless I am mistaken, that is the front door …’
Sure enough, Mrs Hudson came in once again, this time ushering in a man who walked into the room as if he were making an entrance on the London stage. He was formally dressed in a dark tail coat, wing collar and white bow tie with a black cloak around his shoulders, waistcoat, gloves and patent leather shoes. In one hand he held a pair of white gloves and in the other a rosewood walking stick with a silver tip and handle. His dark hair was surprisingly long, sweeping back over a high forehead and he had neither beard nor moustache. His skin was pale, his face a little too elongated to be truly handsome. His age, I would have said, would have been in the mid-thirties and yet the seriousness of his demeanour, his evident discomfort at finding himself here, made him appear older. He reminded me at once of some of the patients who had consulted me; the ones who had refused to believe they were unwell until their symptoms persuaded them otherwise. They were always the most gravely ill. Our visitor stood before us with equal reluctance. He waited in the doorway, looking anxiously around him, while Mrs Hudson handed Holmes his card.
‘Mr Carstairs,’ Holmes said. ‘Please take a seat.’
‘You must forgive me arriving in this manner … unexpected and unannounced.’ He had a clipped, rather dry way of speaking. His eyes still did not quite meet our gaze. ‘In truth, I had no intention of coming here at all. I live in Wimbledon, close to the green, and have come into town for the opera – not that I’m in any mood for Wagner. I have just come from my club where I met with my accountant, a man I have known for many years and whom I now consider a friend. When I told him of the troubles I have been having, the sense of oppression that is making my life so damnably difficult, he mentioned your name and urged me to consult you. By coincidence, my club is not far from here and so I resolved to come straight from him to you.’
‘I am happy to give you my full attention,’ Holmes said.
‘And this gentleman?’ Our visitor turned to me.
‘Dr John Watson. He is my closest adviser, and I can assure you that anything you have to say to me can be uttered in his presence.’
‘Very well. My name, as you see, is Edmund Carstairs and I am, by profession, a dealer in fine art. I have a gallery, Carstairs and Finch on Albemarle Street, which has been in business now for six years. We specialise in the works of the great masters, mainly from the end of last century and the early years of this present one: Gainsborough, Reynolds, Constable and Turner. Their paintings will be familiar to you, I am sure, and they command the very highest prices. Only this week I sold two Van Dyke portraits to a private client for the sum of £25,000. Our business is a successful one and we have flourished, even with so many new and – I might say, inferior – galleries sprouting in all the streets around us. Over the years we have built for ourselves a reputation for sobriety and reliability. Our clients include many members of the aristocracy and we have seen our works hung in some of the finest mansions in the country.’
‘Your partner, Mr Finch?’
‘Tobias Finch is rather older than myself, although we are equal partners. If there is one disagreement between us it is that he is more cautious and conservative than I. For example, I have a strong interest in some of the new work coming in from the continent. I refer to the painters who have become known as the impressionistes, such artists as Monet and Degas. Only a week ago I was offered a seaside scene by Pissaro which I thought to be quite delightful and full of colour. My partner, alas, took the opposite view. He insists that such works are little more than a blur, and although it is indeed the case that some of the shapes are indistinguishable at short range, I cannot persuade him that he is missing the point. However, I will not tire you gentlemen with a lecture on art. We are a traditional gallery and that, for now, is what we shall remain.’
Holmes nodded. ‘Pray continue.’
‘Mr Holmes, two weeks ago I realised that I was being watched. Ridgeway Hall, which is the name of my home, stands on one side of a narrow lane, with a cluster of almshouses some distance away at the end. These are our closest neighbours. We are surrounded by common land, and from my dressing room I have a view of the village green. It was here, on a Tuesday morning, that I became aware of a man standing with his legs apart and his arms folded – and I was struck at once by his extraordinary stillness. He was too far away for me to be able to see him clearly, but I would have said that he was a foreigner. He was wearing a long frock coat with padded shoulders of a cut that was most certainly not English. Indeed, I was in America last year and if I were to guess I would say it was from this country that he had originated. What struck me most forcefully, however, for reasons that I will shortly explain, was that he was also wearing a hat, a flat cap of the sort that is sometimes called a cheesecutter.
‘It was this and the way that he stood there that first attracted my attention and so unnerved me. If he had been a scarecrow, I swear he could not have been more static. There was a light raining falling, swept by the breeze across the common, but he didn’t seem to notice it. His eyes were fixed on my window. I can tell you that they were very dark and that they seemed to be boring into me. I gazed at him for at least a minute, perhaps longer, then went down to breakfast. However, before I ate, I sent the scullery boy out to see if the man was still there. He was not. The boy reported back that the green was empty.’
‘A singular occurrence,’ Holmes remarked. ‘But Ridgeway Hall is, I am sure, a fine building. And a visitor to this country might well have found it merited his examination.’
‘And so I told myself. But a few days later, I saw hi
m a second time. On this occasion, I was in London. My wife and I had just come out of the theatre – we’d been to the Savoy – and there he was, on the other side of the road, wearing the same coat, again with the flat cap. I might not have noticed him, Mr Holmes, but, as before, he was unmoving and with the crowds passing round on either side of him; he could have been a solid rock in a fast-flowing river. I’m afraid I was unable to see him clearly, however, for although he had chosen a position in the full glow of a street lamp, it had thrown a shadow across his face and acted like a veil. Though perhaps that was his intent.’
‘But you were sure it was the same man?’
‘There could be no doubt of it.’
‘Did your wife see him?’
‘No. And I did not wish to alarm her by making any mention of it. We had a hansom waiting and we left at once.’
‘This is most interesting,’ Holmes remarked. ‘The behaviour of this man makes no sense at all. He stands in the middle of a village green and beneath a street lamp. On the one hand, it’s as if he is making every effort to be seen. And yet he makes no attempt to approach you.’
‘He did approach me,’ Carstairs replied. ‘The very next day, in fact, when I returned early to the house. My friend, Finch, was in the gallery, cataloguing a collection of drawings and etchings by Samuel Scott. He had no need of me and I was still uneasy after the two sightings. I arrived back at Ridgeway Hall shortly before three o’clock – and it was just as well that I did, for there was the rogue, approaching my front door. I called out to him and he turned and saw me. At once, he began to run towards me and I was sure that he was about to strike me and even lifted my walking stick to protect myself. But his mission was not one of violence. He came straight up to me and for the first time I saw his face: thin lips, dark brown eyes and a livid scar on his right cheek, the result of a recent bullet wound. He had been drinking spirits – I could smell them on his breath. He didn’t utter a word to me but instead lifted a note into the air and pressed it into my hand. Then, before I could stop him, he ran off.’
‘And the note?’ Holmes asked.
‘I have it here.’
The art dealer produced a square of paper, folded into four, and handed it to Holmes. Holmes opened it carefully. ‘My glass, if you please, Watson.’ As I handed him the magnifying glass, he turned to Carstairs. ‘There was no envelope?’
‘No.’
‘I find that of the greatest significance. But let us see …’
There were just six words written in block capitals on the page.
ST MARY’S CHURCH. TOMORROW. MID-DAY.
‘The paper is English,’ Holmes remarked. ‘Even if the visitor was not. You notice that he writes in capitals, Watson. What do you suggest his purpose might be?’
‘To disguise his handwriting,’ I said.
‘It is possible. Although since the man had never written to Mr Carstairs, and is perhaps unlikely to write to him again, you would have thought his handwriting would have been of no consequence. Was the message folded when it was handed to you, Mr Carstairs?’
‘No. I think not. I folded it myself later.’
‘The picture becomes clearer by the minute. This church that he refers to, St Mary’s. I assume it is in Wimbledon?’
‘It is on Hothouse Lane,’ Carstairs replied. ‘Just a few minutes’ walk from my home.’
‘This behaviour is also lacking in logic, do you not think? The man wishes to speak with you. He places a message to that effect in your hand. But he does not speak. He does not utter a word.’
‘My guess was that he wished to talk to me alone. And as it happened, my wife, Catherine, emerged from the house a few moments later. She had been standing in the dining room which looks out onto the drive and she had seen what had just occurred. “Who was that?” she asked.
‘“I have no idea,” I replied.
‘“What did he want?”
‘I showed her the note. “It’s someone wanting money,” she said. “I saw him out of the window just now – a rough-looking fellow. There were gypsies on the common last week. He must have been one of them. Edmund, you mustn’t go.”
‘“You need not concern yourself, my dear,” I replied. “I have no intention of meeting with him.”’
‘You reassured your wife,’ Holmes murmured. ‘But you went to the church at the appointed time.’
‘I did exactly that – and carried a revolver with me. He wasn’t there. The church is not well attended and it was unpleasantly cold. I paced the flagstones for an hour and then I came home. I have heard no more from him since, and I have not seen him again, but I have been unable to get him out of my mind.’
‘The man is known to you,’ Holmes said.
‘Yes, Mr Holmes. You go right to the heart of it. I do believe I know the identity of this individual, although I confess I do not quite see the reasoning that has brought you to that conclusion.’
‘It strikes me as self-evident,’ Holmes replied. ‘You have seen him only three times. He has asked for a meeting but failed to show up. Nothing that you have described would suggest that this man is any threat to you, but you began by telling us of the sense of trouble and oppression that has brought you here and would not even meet him without carrying a gun. And you still have not told us the significance of the flat cap.’
‘I know who he is. I know what he wants. I am appalled that he has followed me to England.’
‘From America?’
‘Yes.’
‘Mr Carstairs, your story is full of interest and if you have time before your opera begins, or perhaps if you will agree to forgo the overture, I think you should give us the complete history of this affair. You mentioned that you were in America a year ago. Was this when you met the man in the flat cap?’
‘I never met him. But it was on his account that I was there.’
‘Then you will not object if I fill my pipe? No? So take us back with you and tell us of your business on the other side of the Atlantic. An art dealer is not the sort of man to make enemies, I would have thought. But you seem to have done just that.’
‘Indeed so. My foeman is called Keelan O’Donaghue and I wish to Heaven that I had never heard the name.’
Holmes reached for the Persian slipper where he kept his tobacco and began to fill his pipe. Meanwhile, Edmund Carstairs drew a breath and this is the tale that he told.
TWO
The Flat Cap Gang
‘Eighteen months ago, I was introduced to a quite extraordinary man by the name of Cornelius Stillman who was in London at the end of a lengthy European tour. His home was on the East Coast of America and he was what is termed a Boston Brahmin, which is to say that he belonged to one of their most elevated and honoured families. He had made a fortune from the Calumet and Hecla mines and had also invested in the railroads and the telephone companies. In his youth, he had apparently had ambitions to become an artist and part of the reason for his visit was to visit the museums and galleries of Paris, Florence, Rome and London.
‘Like many wealthy Americans, he was imbued with a sense of civic responsibility that did him great credit. He had purchased land in the Back Bay area of Boston and had already begun work on the construction of an art gallery which he called The Parthenon and which he planned to fill with the finest works of art, purchased on his travels. I met him at a dinner party and found him to be a huge volcano of a man, brimming with energy and enthusiasm. He was rather old-fashioned in his dress, bearded and affecting a monocle, but he proved to be remarkably well informed, fluent in French and Italian with a smattering of ancient Greek. His knowledge of art, his aesthetic sensibility, also set him apart from many of his fellow citizens. Do not think of me as unnecessarily chauvinistic, Mr Holmes. He himself told me of the many shortcomings of the cultural life to which he had become accustomed as he grew up – how great paintings had been exhibited next to freaks of nature such as mermaids and dwarves. He had seen Shakespeare performed with interludes by tightrope walke
rs and contortionists. Such was the way of things in Boston at the time. The Parthenon would be different, he said. It would, as its name implied, be a temple to art and to civilisation.
‘I was overjoyed when Mr Stillman agreed to come to my gallery in Albemarle Street. Mr Finch and I spent many hours in his company, taking him through our catalogue and showing him some of the purchases we had recently made in auctions around the country. The long and the short of it was that he bought from us works by Romney, Stubbs and Lawrence but also a series of four landscapes by John Constable which were quite the pride of our collection. These were views of the Lake District, painted in 1806, and unlike anything else in the artist’s canon. They had a profundity of mood and spirit that was remarkable, and Mr Stillman promised that they would be exhibited in a large and well-lit room that he would design specifically for them. We parted on excellent terms. And in view of what happened, I should add that I banked a substantial sum of money. Indeed, Mr Finch remarked that this was undoubtedly the most successful transaction of our lives.
‘It now only remained to send the works to Boston. They were carefully wrapped, placed in a crate and dispatched with the White Star Line from Liverpool to New York. By one of those twists of fate that mean nothing at the time but which will later return to haunt you, we had intended to send them directly to Boston. The RMS Adventurer made that journey but we missed it by a matter of hours and so chose another vessel. Our agent, a bright young man by the name of James Devoy, met the package in New York and travelled with it on the Boston and Albany Railroad – a journey of one hundred and ninety miles.