had managed to find out that while still a child she had traveled through Spain and Catalonia, to Sicily; he even fancied that she was taken, by the caravan of gipsies to which she belonged, to the kingdom of Algiers, a country situated in Achaia, which Achaia, on one side borders Albania and Greece, on the other the Sicilian sea, which is the road to Constantinople. The gipsies, said Gringoire, are vassals of the King of Algiers, in his capacity of chief of the nation of white Moors. One thing is certain, that Esmeralda came to France when very young, by way of Hungary. From all these countries the girl had gathered scraps of strange tongues, queer songs and notions, which made her conversation as motley a piece of patchwork as her dress, half Parisian and half African. Moreover, the people of those quarters of the town which she frequented, loved her for her gaiety, her gracefulness, her lively ways, her dances, and her songs. She knew but two persons in the whole city who disliked her, of whom she often spoke with terror,--the sachette of the Tour-Roland, a dreadful recluse who had some special spite against all gipsies, and cursed the poor dancer every time she passed her window; and a priest, who never met her without looking at her and speaking to her in a way that frightened her. This latter circumstance greatly troubled the archdeacon, although Gringoire paid but little heed to his agitation; so completely had two months sufficed to blot from the careless poet's mind the singular details of that evening upon which he first met the gipsy, and the archdeacon's presence on that occasion. Except for this, the little dancer feared nothing; she never told fortunes, which prevented all danger of a trial for witchcraft, such as was frequently brought against the other gipsy women. And then, Gringoire took the place of a brother, if not of a husband, to her. After all, the philosopher bore this kind of Platonic marriage very patiently. At any rate, it ensured him food and lodging. Every morning he set forth from the vagrant's headquarters, generally in Esmeralda's company; he helped her to reap her harvest of coin along the streets; every night he shared the same roof with her, allowing her to bolt herself into her tiny cell, and slept the sleep of the just. A very pleasant life, take it all in all, he thought, and very conducive to reverie. And then, in his innermost soul the philosopher was not so absolutely sure that he was desperately in love with the girl. He loved her goat almost as well. It was a charming animal, gentle, intelligent, quick,--a learned goat. Nothing was more common in the Middle Ages than these learned animals, at which men mar veled vastly, and which often conducted their instructors to the stake. And yet, the sorceries of the goat with the golden hoofs were very innocent tricks. Gringoire explained them to the archdeacon, whom these particulars seemed to interest greatly. All that was necessary, in most cases, was to hold the tambourine out to the goat in such or such a fashion, to make the creature perform the desired trick. It had been trained to do all this by the gipsy girl, who had such rare skill as an instructor that it took her only two months to teach the goat to write the word "Phoebus" with movable letters.
"Phoebus," said the priest; "and why 'Phoebus'?"
"I don't know," answered Gringoire. "It may be a word which she thinks has some secret magic virtue. She often repeats it in an undertone when she thinks she is alone."
"Are you sure," returned Claude, with his penetrating glance, "that it is a word, and not a name?"
"Whose name?" said the poet.
"How do I know?" said the priest.
"This is what I believe, sir. These gipsies are a kind of fire-worshippers, and worship the sun. Hence, 'Phoebus."'
"That is not so clear to me as to you, Master Pierre."
"Never mind; it doesn't concern me. Let her mumble her 'Phoebus' as much as she likes. I'm sure of one thing; and that is, that Djali is almost as fond of me as of her."
"Who is Djali?"
"That's the goat."
The archdeacon rested his chin on his hand, and seemed for a moment lost in thought. Suddenly he turned abruptly to Gringoire.
"And you swear that you have never touched her?"
"Who?" said Gringoire,--"the goat?"
"No, that woman."
"My wife? I swear I never have."
"And you are often alone with her?"
"A good hour every evening."
Dom Claude frowned.
"Oh! oh! Solus cum sola non cogitabuntur orare Pater noster."ch
"By my soul! I might repeat the Pater, and the Ave Maria, and the Credo in Deum patrem omnipotentem, without her taking any more notice of me than a hen would of a church."
"Swear to me by your mother's soul," repeated the archdeacon, vehemently, "that you have never laid the tip of your finger upon the girl."
"I will swear it by my father's head as well, if you like. But, my reverend master, let me ask one question in my turn."
"Speak, sir."
"What difference does it make to you?"
The archdeacon's pale face turned red as a girl's cheek. For a moment he made no answer; then, with evident embarrassment, he said,--
"Hark ye, Master Pierre Gringoire. You are not yet damned, so far as I know. I am interested in you, and wish you well. Now, the slightest contact with that devilish gipsy girl would make you the slave of Satan. You know that it is always the body which destroys the soul. Woe betide you if you approach that woman! That is all."
"I tried it once," said Gringoire, scratching his ear. "That was the first day; but I got stung."
"Had you the effrontery, Master Pierre?"
And the priest's face clouded.
"Another time," said the poet, smiling, "I peeped through her keyhole before I went to bed, and I saw, in her shift, as delicious a damsel as ever made a bed creak beneath her naked foot."
"Go to the devil!" cried the priest, with a terrible look; and pushing away the amazed Gringoire by the shoulders, he was soon lost to sight beneath the gloomiest arches of the cathedral.
CHAPTER III
The Bells
Ever since the morning when he was pilloried, the people living in the neighborhood of Notre-Dame fancied that Quasimodo's zeal for bell-ringing had grown very cold. Up to that time he had pulled the bells upon every occasion and no occasion at all; their music sounded from prime to complines; the belfry rang a peal for high mass, or the bells sounded a merry chime for a wedding or a christening, mingling and blending in the air like a rich embroidery of all sorts of melodious sounds. The old church, resonant and re-echoing, was forever sounding its joy-bells. There seemed to be an ever-present spirit of noise and caprice, which shouted and sang through those brazen tongues. Now that spirit seemed to have vanished; the cathedral seemed somber, and given over to silence; for festivals and funerals there was still the simple tolling, dry and bare, such as the ritual required, and nothing more; of the double noise which a church sends forth, from its organ within and its bells without, only the organ remained. It seemed as if there were no musician left in the belfry towers. And yet, Quasimodo was still there. What had happened to him? Did the shame and despair felt upon the pillory still rankle within him; did the executioner's lashes still tingle in his soul; and had the agony caused by such treatment killed all emotion within him, even his passion for the bells? Or had big Marie a rival in the heart of the ringer of Notre-Dame, and were the big bell and her fourteen sisters neglected for a fairer and more attractive object?
It happened that in this year of grace 1482 the Feast of the Annunciation fell upon Tuesday, the 25th of March. On that day the air was so pure and so clear that Quasimodo felt some slight return of his love for the bells. He therefore climbed up into the north tower, while below, the beadle threw wide open the church doors, which were then made of huge panels of hard wood covered with leather, edged with gilded iron nails, and framed in carvings "very cunningly wrought."
The high belfry cage reached, Quasimodo gazed at the six bells for some time with a sad shake of the head, as if mourning over the strange thing which had come between his heart and them. But when he had set them swinging; when he felt that cluster of bells vibrating beneath his touch; when he saw--for he could not hear--the quivering octave run up and down that sonorous scale as a bird hops from twig to twig; when the demon of music, that demon which shakes a dazzling sheaf of runs, trills, and arpeggios, had taken possession of the poor deaf fellow,--then he was happy again; he forgot everything; and as his heart swelled with bliss his face grew radiant.
He came and went, he clapped his hands, he ran from one rope to another, he encouraged the six singers with voice and gesture, as the leader of an orchestra spurs on intelligent performers.
"Go on," he cried; "go on, Gabrielle! Pour all your music into the public square; this is a high holiday. Thibauld, no laziness! your pace is slackening; go on, go on, I say! Are you growing rusty, sluggard? That's good! quick! quick! don't let me see the clapper. Make them all as deaf as I am. That's it, Thibauld! bravely done! Guillaume! Guillaume! you are the biggest of them all, and Pasquier is the smallest, and yet Pasquier rings the best. I'll wager that they who can hear, hear him better than they do you. Good! good! my Gabrielle! louder! louder! Hollo! what are you two doing up there, you Sparrows? I don't see you make the very least noise, What are those brazen beaks about yonder, that they seem to yawn when they should be singing? There, work away! 'Tis the Feast of the Annunciation. The sun shines bright; we want a fine peal of bells. Poor Guillaume! you're quite out of breath, my fat lad."
He was wholly absorbed in urging on his bells, all six of which bounded to and fro as best they could, and shook their shining sides, like a noisy team of Spanish mules goaded by the sharp voice of their driver.
All at once, as his gaze fell between the broad slate scales which covered the steep belfry wall up to a certain height, he saw in the square below a young girl quaintly attired, who paused, spread a carpet on the ground, upon which a little goat took its place, and a group of spectators formed about them. This sight suddenly changed the course of his ideas, and chilled his musical enthusiasm as a blast of wind chills melted resin. He stopped, turned his back on the chime of bells, and crouched behind the slated eaves, fixing on the dancing-girl that dreamy, tender, gentle look which had once before astonished the archdeacon. The neglected bells ceased suddenly and all at once, to the great disappointment of the lovers of chimes, who were eagerly listening to the peal from the Pont au Change, and who now went away as much amazed as a dog that has been shown a bone and then receives a stone.
CHAPTER IV
'Anatkh
It happened that on a fine morning in that same month of March,--I believe it was Saturday, the 29th,--Saint Eustache's Day, our young friend the student, Jehan Frollo du Moulin, noticed while dressing that his breeches, which contained his purse, gave forth no clink of metal. "Poor purse!" said he, pulling it from his pocket; "what! not the smallest coin! How cruelly have the dice, Venus, and mugs of beer gutted thee! How empty, wrinkled, and flat you are! You look like the breast of a Fury! I just ask you, Master Cicero and Master Seneca, whose dog's-eared works I see scattered over the floor, what does it avail me to know, better than any governor of the Mint or any Jew from the Pont au Change, that one golden crown-piece is worth thirty-five unzains at twenty-five pence and eight Paris farthings each, and that another is worth thirty-six unzains at twenty-six pence and six Tours farthings each, if I have not a paltry copper to stake upon the double-six? Oh, Consul Cicero! that is not a calamity to be overcome by periphrases,--by quemadmodum and verum enim vero."ci
He dressed himself sadly. A thought struck him as he laced his shoes, but he at first rejected it; however, it recurred to him, and he put on his waistcoat wrong side out,--an evident sign of some violent mental conflict. At last he dashed down his cap, exclaimed, "So much the worse! Come what will, I will go to my brother. I shall catch a lecture, but I shall also catch a crown piece."
Then he hastily put on his cassock with furred shoulder-pads, picked up his cap, and dashed out of the room.
He went down the Rue de la Harpe towards the City. As he passed the Rue de la Huchette, the smell of those wonderful spits perpetually revolving there tickled his olfactories, and he cast an affectionate glance at the gigantic cookshop which once drew from the Franciscan friar Calatagirone the pathetic exclamation,--"Veramente, queste rotisserie sono cosa stupenda!"cj But Jehan had no money to pay for breakfast; and with a deep sigh he entered the door of the Petit-Chatelet,--that huge double trefoil of massive towers which guarded the entrance to the City.
He did not even take time to throw a stone as he passed, as was customary, at the wretched statue of that Perinet Leclerc who delivered over the Paris of Charles VI to the English,--a crime which his effigy, its surface defaced by stones and covered with mud, has expiated for three centuries, at the corner of the Rues de la Harpe and de Buci, as in a perpetual pillory.
Crossing the Petit-Pont, and striding down the Rue Neuve-Sainte-Genevieve, Jehan de Molendino found himself face to face with Notre-Dame. Then his former indecision overcame him, and he walked around the statue of Monsieur Legris for several moments, repeating in agony, "The lecture is a certainty; the crown piece is doubtful!"
He stopped a beadle as he came from the cloister.
"Where is the archdeacon of Josas?"
"I think that he is in his cell in the tower," said the beadle; "and I don't advise you to disturb him, unless you come from some such person as the pope or the king."
Jehan clapped his hands.
"The devil! what a splendid opportunity to see the famous abode of sorceries!"
Strengthened by this thought, he boldly entered the little black door, and began to climb the winding staircase of Saint-Gilles, which leads to the upper stories of the tower. "We'll see!" said he as he climbed. "By the Holy Virgin's shoestrings! it must be something very queer which my reverend brother keeps so closely hidden. They say that he lights the fires of hell up there, and cooks the philosopher's stone over the blaze. My word! I care no more for the philosopher's stone than for any common pebble; and I should rather find a good omelet of Easter eggs over his fire than the biggest philosopher's stone in the world!"
Reaching the gallery of little columns, he stopped a moment to take breath, and to swear at the interminable staircase by I know not how many millions of cartloads of devils; then he resumed his ascent by the little door of the north tower, now closed to the public. A few moments later, after passing the belfry cage, he reached a small landing-place built in a lateral recess, and under the arch, a low pointed door,--an opening cut through the circular wall of the staircase enabling him to see its enormous lock and strong iron framework. Persons desirous of visiting this door at the present time may recognize it by the inscription in white letters on the black wall, "I adore Coralie. 1823. Signed, Eugene." The word "signed" is in the original.
"Oho!" said the student; "this must be the place."
The key was in the lock. The door was ajar; he pushed it gently, and put his head through the opening.
The reader has doubtless seen the admirable works of Rembrandt, that Shakspeare of painting. Among many marvelous engravings, there is one special etching which is supposed to represent Doctor Faustus, and at which it is impossible to look without being dazzled. It represents a dark cell; in the foreground is a table covered with hideous objects,--skulls, globes, alembics, compasses, hieroglyphic parchments. The Doctor is at this table, dressed in his coarse great-coat, a furred bonnet pulled down to his eyebrows. He is painted at half-length. He has half risen from his vast arm-chair, his clinched fists rest on the table, and he stares with curiosity and terror at a large luminous circle, composed of magical letters, which gleams on the opposite wall like the solar spectrum in the camera obscura. This cabalistic sun seems to shimmer as we look, and fills the gloomy cell with its mysterious radiance. It is horrible, and the same time beautiful.
Something very similar to Faust's cell appeared to Jehan when he ventured to put his head in at the half-open door. This, too, was a dark and dimly lighted dwelling. Here, too, were the large chair and large table, the compasses and alembics, skeletons of animals hanging from the roof, a globe rolling over the floor, hippocamps pell-mell with glass jars in which quivered leaf gold, death's-heads lying on vellum scrawled over with figures and letters, thick manuscripts, open, and piled one upon another, without regard to the fragile corners of the parchment,--in short, all the rubbish of science, and over all this litter, dust and cobwebs; but there was no circle of luminous letters, no rapt doctor gazing at the flaming vision as the eagle looks upon the sun.
And yet the cell was not deserted. A man sat in the arm-chair, leaning over the table. Jehan, to whom his back was turned, could see only his shoulders and the back of his skull; but he found no difficulty in recognizing the bald head, which Nature had endowed with an enduring tonsure, as if wishing to mark by this outward symbol the archdeacon's irresistible clerical vocation.
Jehan recognized his brother; but the door had opened so softly that nothing warned Dom Claude of his presence. The curious student took advantage of this fact to examine the cell at his leisure. A large stove, which he had not at first observed, stood to the left of the arm-chair, under the dormer-window. The rays of light which penetrated that aperture passed through a round cobweb covering the pointed arch of the window with its delicate tracery, in the center of which the insect architect lay motionless, like the nave of this wheel of lacework. Upon the stove were heaped in confusion all sorts of vessels,--earthen flasks, glass retorts, and charcoal ma trasses. Jehan noticed, with a sigh, that there was not a single saucepan.
"The kitchen utensils are cold!" thought he.
Moreover, there was no fire in the stove, and it even seemed as if none had been lighted for a long time. A glass mask, which Jehan noted among the alchemist's tools, and doubtless used to protect the archdeacon's face when handling any dangerous substance, lay in one corner, covered with dust, and apparently forgotten. Beside it lay an equally dusty pair of bellows, upon the upper surface of which was the motto, inlaid in copper, "Spira, spera."ck
Other mottoes were written on the walls, after the manner of the Her