Eugene—wearing the strange, scholarly drugstore glasses—sat by his bed. Lighted by the occasional flash of heat lightning, he and the chair he sat in were the only stationary objects amidst a bewildering and ever-changing swirl of people. Every so often, the room seemed to empty, and Danny bolted upright, for fear he was dying, for fear that his pulse had stopped and his blood was cooling and even his ghosts were trailing away from him.…
“Set down, set,” said Eugene. Eugene: nutty as a fruitcake, but—besides Curtis—the gentlest of the brothers. Farish had a big dose of their father’s meanness—not so much since he’d shot himself in the head. That had knocked some of the starch out of him. Ricky Lee probably had it the worst, that mean streak. It was serving him well in Angola.
But Eugene wasn’t so much like Daddy, with his tobacco-stained teeth and billy-goat eyes, but more like their poor drunk mother who’d died raving about an Angel of God standing barefoot on the chimney. She’d been plain, God bless her, and Eugene—who was plain, too, with his close-set eyes and his honest, lumpy nose—looked very much like her in the face. Something about the glasses softened the ugliness of his scar. Poof: the lightning through the window lit him up blue from behind; the burn splashed over his left eye beneath the glasses was like a red star. “Problem is,” he was saying, hands clasped between his knees, “I didn’t see that you couldn’t separate that creeping serpent out of all creation. If you do, oh man, it’s going to bite you.” Danny stared at him in wonder. The glasses gave him an alien, learned presence, a schoolmaster from a dream. Eugene had come back from prison with a habit of talking in long, disjointed paragraphs—like a man talking to four walls, nobody listening—and this too was like their mother, who rolled around on the bed and spoke out to visitors who weren’t there and called on Eleanor Roosevelt and Isaiah and Jesus.
“You see,” Eugene was saying, “that snake’s a servant of the Lord, it’s His creature, too, you see. Noah taken it on the ark with all the others. You can’t just say ‘oh, the rattlesnake is evil’ because God made it all. It’s all good. His hand hath wrought the serpent, just as it wrought the little lamb.” And he cast his eyes over to a corner of the room where the light didn’t really shine, where Danny—horrified—stifled with his fist a scream at the breathless black creature of his old nightmare, shuddering, tugging, struggling small and frantic on the floor by Eugene’s feet … and though it was nothing to retell or speak of, a thing more piteous than horrible, still the rank old fluttering flavor of it was, to Danny, horror beyond bloodshed or description, black bird, black men and women and children scrambling for the safety of the creek bank, terror and explosions, a foul oily taste in his mouth and a trembling as if his very body was falling to pieces: spasmed muscles, snapped tendons, dissolving to black feathers and washed bone.
————
Harriet too—early the same morning, just as it was light out—started up from her bed in a panic. What had scared her, what dream, she hardly knew. It was daylight, but only just. The rain had stopped, and the room was still and shadowy. From Allison’s bed: jumbled teddy bears, a cock-eyed kangaroo, stared at her fixedly over a drift of bedclothes, nothing of Allison visible except a long wisp of hair floating and fanning across the pillow, like the hair of a drowned girl awash at water’s surface.
No clean shirts were in the bureau. Quietly, she eased Allison’s drawer open—and was delighted to find, among the tangle of dirty clothes, a pressed and neatly folded shirt: an old Girl Scout shirt. Harriet brought it up to her face for a long dreamy breath: it still smelled, just faintly, of Ida’s washing.
Harriet put on her shoes and tiptoed downstairs. All was silence except the tick of the clock; the clutter and mess was less sordid, somehow, in the morning light which glowed rich upon the banister and the dusty mahogany tabletop. In the stairwell smiled the lush schoolgirl portrait of Harriet’s mother: pink lips, white teeth, sparkling gigantic eyes with white stars that flashed, ting, in dazzled pupils. Harriet crept by it—like a burglar past a motion detector, all doubled over—and into the living room, where she stooped and retrieved the gun from under Ida’s chair.
In the hall closet, she searched for something to carry it in, and found a thick plastic drawstring bag. But the outline, she noticed, was obvious through the plastic. So she took it out again, wrapped it in several thick layers of newspaper, and slung the bundle over her shoulder like Dick Whittington in the storybook gone to seek his fortune.
As soon as she stepped outside a bird sang out, practically in her ear it seemed: a sweet clear laddering phrase which burst and fell and surged up again. Though August was not yet over something dusty and cool, like fall, tingled in the morning air; the zinnias in Mrs. Fountain’s yard—firecracker reds, hot orange and gold—were starting to nod, their raggedy heads freckled and fading.
Except for the birds—which sang loud and piercingly, with a loony optimism akin to emergency—the street was solitary and still. A sprinkler whirred on an empty lawn; the street lamps, the lighted porches glowed in long, empty perspectives and even the insignificant sound of her footsteps on the pavement seemed to echo, and carry far.
Dewy grass, wet streets that rolled out black and wide like they went on forever. As she drew closer to the freight yards, the lawns got smaller, the houses shabbier and closer together. Several streets over—towards Italian Town—a solitary car roared past. Cheerleader practice would be starting soon, only a few blocks away, on the shady grounds of the Old Hospital. Harriet had heard them shouting and yelling over there the last few mornings.
Past Natchez Street, the sidewalks were buckled and cracked and very narrow, hardly a foot wide. Harriet walked past boarded-up buildings with sagging porches, yards with rusted propane tanks and grass that hadn’t been cut in weeks. A red Chow dog with matted fur hit his chain-link fence with a rattle, teeth flashing in his blue mouth: chop chop. Mean as he was, the Chow, Harriet felt sorry for him. He looked as if he’d never been bathed in his life and in winter his owners left him outside with nothing but an aluminum pie tin of frozen water.
Past the food stamp office; past the burned-out grocery store (struck by lightning, never rebuilt), she turned off on the gravel road that led to the freight yards and the railroad water tower. She had no very clear idea what she was going to do, or what lay ahead of her—and it was best if she didn’t think about it too much. Studiously, she kept her eyes on the wet gravel, which was littered with black sticks and leafy branches blown down by the storm the night before.
Long ago, the water tower had provided the water for steam engines, but if it was used for anything now, she didn’t know. A couple of years before, Harriet and a boy named Dick Pillow had climbed up there to see how far they could see—which was pretty far, practically to the Interstate. The view had captivated her: wash fluttering on lines, peaked roofs like a field of origami arks, roofs red and green and black and silver, roofs of shingle and copper and tar and tin, spread out below them in the airy dreamy distance. It was like seeing into another country. The vista had a whimsical, toy quality which reminded her of pictures she’d seen of the Orient—of China, of Japan. Beyond crawled the river, its yellow surface wrinkled and glinting, and the distances seemed so vast that it was easy to believe that a glittering clockwork Asia lay hammering and humming and clanging its million miniature bells just beyond the horizon, past the river’s muddy dragon-coils.
The view had captivated her so completely that she had paid little attention to the tank. Try as she might, she could not remember exactly what it was like up top, or how it was constructed, only that it was wooden and that a door was cut into the roof. This, in Harriet’s memory, was an outline about two feet square with hinges and a handle like a kitchen cabinet. Though her imagination was so vivid that she could never be quite sure what she actually remembered, and what her fancy had colored in to fill the blanks, the more she thought of Danny Ratliff, crouched at the top of the tower (his tense posture, the agitated way he kept lookin
g over his shoulder), the more it seemed to her that he was hiding something or trying to hide himself. But what rose up again and again in her mind was the jangled, off-centered agitation as his gaze had brushed across her own, and flared up, like a sunbeam striking a signal mirror: it was as if he were bouncing back a code, a distress alarm, a recognition. Somehow he knew she was out here; she was in his field of awareness; in a strange way (and it gave Harriet a chill to realize it) Danny Ratliff was the only person who’d really looked at her for a long time.
The sunlit rails gleamed like dark mercury, arteries branching out silver from the switch points; the old telegraph poles were shaggy with kudzu and Virginia creeper and, above them, rose the water tower, its surface all washed out by the sun. Harriet, cautiously, stepped towards it in the weedy clearing. Around and around it she walked, around the rusted metal legs, at a distance of about ten feet.
Then, with a nervous glance over her shoulder (no cars, or sounds of cars, no noise but bird cries) she came forward to look up at the ladder. The bottom rung was higher than she remembered. A very tall man might not have to jump for it, but anybody else would. Two years ago, when she’d come with Dick, she’d stood on his shoulders and then—precariously—he’d climbed up on the banana seat of his bicycle to follow her.
Dandelions, tufts of dead grass poking through the gravel, crickets singing frantically; they seemed to know that it was the end of summer, that soon they would be dying, and the urgency of their song gave the morning air a fevered, unstable, shimmery feeling. Harriet examined the legs of the tank: metal H-girders, perforated every two feet or so with oblong holes, angling in towards the tank ever so slightly. Higher up, the substructure was supported by metal poles that crossed diagonally in a giant X. If she shimmied up high enough on a front leg (it was a long way up; Harriet was no good at estimating distances) she might possibly inch her way over to the ladder on one of the lower crossbars.
Gamely, she started up. Though the cut had healed, her left palm was still sore, forcing her to favor her right hand. The perforations were just large enough to give her the smallest possible openings in which to wedge her fingers and the tip of her sneakers.
Up she climbed, breathing hard. It was slow going. The girder was powdered with heavy rust that came off brick red on her hands. Though she was not afraid of heights—heights exhilarated her; she loved to climb—there was not much to hold on to and every inch was an effort.
Even if I fall, she told herself, it won’t kill me. Harriet had fallen (and jumped) from some very high places—the roof of the toolshed, the big limb of the pecan tree in Edie’s yard, the scaffolding in front of the Presbyterian church—and never broken a bone. All the same, she felt exposed to prying eyes so high up, and every sound from below, every crackle or bird-cry, made her want to look away from the rusted beam six inches in front of her nose. Close up, the beam, it was a world all to itself, the desert surface of a rusty red planet.…
Her hands were growing numb. Sometimes, on the playground—when playing tug of war, hanging from a rope or from the top bar of a jungle gym—Harriet was overcome by a strange impulse to relax her grip and let herself fall, and this was the impulse she now fought. Up she hauled herself, gritting her teeth, concentrating all her strength into her aching fingertips, and a rhyme from an old book, a baby book, shook loose and jingled through her mind:
Old Mr. Chang, I’ve oft heard it said,
You wear a basket upon your head,
You’ve two pairs of scissors to cut your meat,
And two pairs of chopsticks with which you eat …
With her last surge of willpower, she grabbed the lowest crossbar and pulled herself up. Old Mr. Chang! His picture in the storybook had scared her to death when she was little: with his pointed Chinese hat, and his threadlike mustache, and his long sly Mandarin eyes, but what had scared her most about him was the slender pair of scissors he held up, ever so delicately, and his long thin mocking smile.…
Harriet paused and took stock of her position. Next—this was the tricky part—she was going to have to swing her leg out into open space, to the crossbeam. She took a deep breath and hoisted herself into the emptiness.
A sideways view of the ground heaved up at her all cock-eyed, and for a heartbeat, Harriet was sure she was falling. The next instant she found herself astraddle the bar, clutching it like a sloth. She was very high up now, high enough to break her neck, and she closed her eyes and rested for a moment, her cheek against the rough iron.
Old Mr. Chang, I’ve oft heard it said,
You wear a basket upon your head,
You’ve two pairs of scissors to cut your meat …
Carefully, Harriet opened her eyes and—bracing herself on the girder—sat up. How high above the ground she was! Just like this she’d sat—astraddle a branch, muddy underpants and the ants stinging her legs—the time she’d climbed the tree and couldn’t get down. That was the summer after first grade. Off she had wandered—from Vacation Bible School, was that it? Up she had climbed, fearless, “like a dern squirrel!” exclaimed the old man who had happened to hear Harriet’s flat, embarrassed little voice calling for help from on high.
Slowly, Harriet stood, clutching the girder, knees wobbling as she rose. She transferred her grip to the overhead crossbar, and—hand over hand—walked herself down. She could still see that old man with his humped back and his flat, bloodstained face, peering up at her through a wilderness of branches. “Who you belong to?” he’d cried up to her in a hoarse voice. He had used to live in the gray stucco house by the Baptist church, that old man, lived there alone. Now he was dead; and there was only a stump in his front yard where the pecan tree had been. How he had started to hear her emotionless cries (“Help … help …”) floating down from out of nowhere—looking up, down, around and all about, as if a ghost had tapped him on the shoulder!
The angle of the X had grown too shallow to stand in. Harriet sat again, straddling the bars, grasped the bars on the other side. The angle was difficult; there wasn’t much feeling in her hands any more and her heart flip-flopped violently as she swung herself out into open space—arms trembling with fatigue—and around to the other side.…
Safe now. Down she slid, down the lower left crossbar of the X, as if sliding down the banister in her own house. He’d died a terrible death, that old man, and Harriet could scarcely bear to think of it. Robbers had broken into his house, forced him to lie on the floor by his bed and beat him senseless with a baseball bat; by the time his neighbors got worried and came to check on him, he was lying dead in a pool of blood.
She’d come to rest against the opposite girder; the ladder was just beyond. It wasn’t such a tricky stretch, but she was tired and growing careless—and only when she found herself gripping the ladder did a jolt of terror snap through her body, for her foot had slipped, and she’d caught herself only at the last instant. Now it was over, the dangerous moment, before she’d even known it was happening.
She closed her eyes, held on tight until her breathing returned to normal. When she opened them again, it was as if she were suspended from the rope ladder of a hot air balloon. All the earth seemed to spread itself out before her in a panoramic view, like the castle view in her old storybook From the Tower Window:
The Splendour falls on Castle walls
And snowy Summits old in Story,
The long light shakes across the lakes
And the wild Cataract leaps in glory.…
But there was no time for daydreaming. The roar of a crop duster—which she took, momentarily, for a car—startled her badly; and she turned and scrambled the rest of the way up the ladder as fast as she could.
————
Danny lay quietly on his back, staring at the ceiling. The light was harsh and sour; he felt weak, as if recovering from a fever, and suddenly he realized that he’d been looking up at the same bar of sunlight for quite some time. Somewhere outside, he heard Curtis singing, some word that sounded li
ke “gumdrop,” over and over again; as he lay there, he gradually became aware of a strange thumping noise, as of a dog scratching itself, on the floor beside his bed.
Danny struggled to his elbows—and recoiled violently at the sight of Farish, who (arms crossed, foot tapping) sat in Eugene’s vacated chair, regarding him with a gluey, deliberative eye. His knee was jittering; his beard was dripping wet around the mouth, as if he had spilled something on himself or else had been drooling and gnawing on his own lips.
A bird—a bluebird or something, sweet little tweedle dee like on television—twittered outside the window. Danny shifted and was about to sit up when Farish lunged forward and prodded him in the chest.
“Oh no ye don’t.” His amphetamine breath struck hot and foul in Danny’s face. “I’m onto your ass.”
“Come on,” said Danny wearily, and turned his face away, “let me up.”
Farish reared back; and for an instant their dead father blazed up—arms crossed—out of Hell, and glared scornfully from behind Farish’s eyes.
“Shut your mouth,” he hissed, and shoved Danny back on the pillow, “don’t say a word, you listen to me. You report to me now.”
Danny lay in confusion, very still.