Read The Lives and Times of Archy and Mehitabel Page 27
of those quaint
places boss and all those
quaint places have to
be ye instead of the
in a ye place you can
serve almost anything
and get away
with it but in a
the place you have to
have a certain amount
of eats and drinks
and that increases the
expense of operation
enormously i am no
pig but i do wish to
make enough money once in
my life to be
among the
excess prophets or the
excise profits or
what ever you call
them
For our part, we shall never eat goulash in a place that is conducted by Archy—so many of these Greenwich Village artists are always Putting Themselves Into Their Work.
the artist
i called on some friends in a
studio building the other evening and
while we were foraging about
for something to eat
we got caught on a
palette smeared over with all
the colors there are
leaping from this danger seven
or eight of us
landed upon an untouched canvas
that stood upon an easel
nearby waiting for the masters hand
and we walked across the
canvas on our way out of that
place it seems that we builded
better than we knew before
we could get to any safer place
than a spot behind a
gas radiator we heard human footsteps
approaching and an
instant later two men entered the
studio one of them switched on
the lights and the
other gave an exclamation of
pleasure and astonishment by jove
tommy he said to the owner of
the studio what is this new thing
of yours on the easel it is
the best thing you have done yet
i thought you were against
modernism and all
the new fangled stuff but i see
that you have come over to the new
school your style has
loosened up wonderfully old kid
i always said that if you
could only get away from the stiffness
and absurdity of the
conventional schools you had the
makings of a great painter in
you what do you call this
picture tommy
well said tommy with rare
presence of mind i have not
named it yet it is not altogether in
the newer mode you will observe i
have been struggling for a
compromise between the two methods
that would at the same time
allow me to express my
individuality on canvas i do
think myself that i have got more
freshness and directness into this
thing you have said his friend
it has the direct and naive approach
of the primitives and it
also has all that is
worthy to be retained of the
reticent sophistication of
the post pre raphaelites but what
do you say you are going to
call it it is said tommy as
you see a nocturne i have
been thinking of calling it
impressions of brooklyn
bridge in a fog and when his
friend went out he stood and looked at
the picture for a long time and
said now i wonder who in
hell slipped in here and did that it
is nothing short of genius could
i have done it myself when i
was drunk i must have done so
anyhow i will sign it and
taking up a brush he did so well i
stole a look at the canvas
myself and it looked like nothing
on earth to me but a canvas over
which a lot of cockroaches had
walked i may be a
critic but still i know what i
dont like yours for another
renaissance of the arts every
spring and every autumn
archy
the suicide club
boss i ran onto a queer bunch
in the back room of a saloon on william street
the other night there were six of them
two cockroaches
a grass hopper
a flea
and two crickets
they have what they call a suicide club
not the sort our old
friend r l s made famous
the members of which intend to kill
themselves but each member of this
club has committed suicide already
they were once humans
as i was myself
at least i was a poet
after they killed themselves their souls
transmigrated into the bodies
of the insects mentioned
and so they have got together and
formed a club the other night the grass
just as i got my shoe off we passed a glue factory