Alone.
It was as if there was a vacuum hush when the door closed. I felt I did not belong, that I should go too. But I was glued.
Seeing him sleeping in the dark, with only the low-wattage fluorescent light on at the back of the bed, she remembered standing in this same hospital and taking steps to sever herself from him.
As I saw her take my father's hand, I thought of my sister and me sitting underneath the grave rubbing in the upstairs hallway. I was the dead knight gone to heaven with my faithful dog and she was the live wire of a wife. "How can I be expected to be trapped for the rest of my life by a man frozen in time?" Lindsey's favorite line.
My mother sat with my father's hand in hers for a long while. She thought how wonderful it would be to climb up on the fresh hospital sheets and lie beside him. And how impossible.
She leaned close. Even under the smells of antiseptics and alcohol, she could smell the grassy smell of his skin. When she'd left, she had packed her favorite shirt of my father's and would sometimes wrap it around her just to have something of his on. She never wore it outside, so it kept his scent longer than it might have. She remembered one night, when she missed him most, buttoning it over a pillow and hugging it to her as if she were still a high school girl.
In the distance beyond the closed window she could hear the hum of far-off traffic on the highway, but the hospital was shutting down for the night. Only the rubber soles of the night nurses' shoes made sounds as they passed in the hallway.
Just that winter she had found herself saying to a young woman who worked with her at the tasting bar on Saturdays that between a man and a woman there was always one person who was stronger than the other one. "That doesn't mean the weaker one doesn't love the stronger," she'd pleaded. The girl looked at her blankly. But for my mother what mattered was that as she spoke, she had suddenly identified herself as the weaker one. This revelation sent her reeling. What had she thought all those years but the opposite?
She pulled her chair as close to his head as she could and laid her face on the edge of his pillow to watch him breathing, to see the flutter of his eye beneath his eyelid when he dreamed. How could it be that you could love someone so much and keep it secret from yourself as you woke daily so far from home? She had put billboards and roads in between them, throwing roadblocks behind her and ripping off the rearview mirror, and thought that that would make him disappear? erase their life and children?
It was so simple, as she watched him, as his regular breathing calmed her, that she did not even see it happening at first. She began to think of the rooms in our house and the hours that she had worked so hard to forget spent inside of them. Like fruit put up in jars and forgotten about, the sweetness seemed even more distilled as she returned. There on that shelf were all the dates and silliness of their early love, the braid that began to form of their dreams, the solid root of a burgeoning family. The first solid evidence of it all. Me.
She traced a new line on my father's face. She liked the silvering of his temples.
Shortly after midnight, she fell asleep after trying as hard as she could to keep her eyes open. To hold on to everything all at once while she looked at that face, so that when he woke she could say goodbye.
When her eyes were closed and they both slept silently together, I whispered to them:
Stones and bones;
snow and frost;
seeds and beans and polliwogs.
Paths and twigs, assorted kisses,
We all know who Susie misses...
Around two A.M. it began to rain, and it rained down on the hospital and on my old home and in my heaven. On the tin-roofed shack where Mr. Harvey slept, it was raining too. As the rain beat its tiny hammers above his head, he dreamed. He did not dream of the girl whose remains had been removed and were now being analyzed but of Lindsey Salmon, of the 5! 5! 5! hitting the border of elderberry. He had this dream whenever he felt threatened. It had been in the flash of her soccer shirt that his life had begun to spin out of control.
It was near four when I saw my father's eyes open and saw him feel the warmth of my mother's breath on his cheek even before he knew she was asleep. We wished together that he could hold her, but he was too weak. There was another way and he took it. He would tell her the things he had felt after my death--the things that came into his mind so frequently but that no one knew but me.
But he did not want to wake her. The hospital was silent except for the sound of rain. Rain was following him, he felt, darkness and damp--he thought of Lindsey and Samuel at the doorway, soaked and smiling, having run all that way to relieve him. He often found himself repeatedly commanding himself back to center. Lindsey. Lindsey. Lindsey. Buckley. Buckley. Buckley.
The way the rain looked outside the windows, lit up in circular patches by the lights in the hospital parking lot, reminded him of the movies he had gone to see as a boy--Hollywood rain. He closed his eyes with the breath of my mother reassuringly exhaling against his cheek and listened to it, the slight patter on the slim metal window sills, and then he heard the sound of birds--small birds chirping, but he could not see them. And the idea of this, that there might be a nest right outside his window where baby birds had woken in the rain and found their mother gone, made him want to rescue them. He felt my mother's limp fingers, which had loosened their hold on his hand in sleep. She was here, and this time, despite all, he was going to let her be who she was.
It was then that I slipped inside the room with my mother and father. I was present somehow, as a person, in a way I had never been. I had always hovered but had never stood beside them.
I made myself small in the darkness, unable to know if I could be seen. I had left him for hours every day for eight and a half years as I had left my mother or Ruth and Ray, my brother and sister, and certainly Mr. Harvey, but he, I now saw, had never left me. His devotion to me had made me know again and again that I had been beloved. In the warm light of my father's love I had remained Susie Salmon--a girl with my whole life in front of me.
"I thought if I was very quiet I would hear you," he whispered. "If I was still enough you might come back."
"Jack?" my mother said, waking. "I must have fallen asleep."
"It's wonderful to have you back," he said.
And my mother looked at him. Everything stripped away. "How do you do it?" she asked.
"There's no choice, Abbie," he said. "What else can I do?"
"Go away, start over again," she said.
"Did it work?"
They were silent. I reached out my hand and faded away.
"Why don't you come lie down up here?" my father said. "We have a little time before the enforcers come on duty and kick you out."
She didn't move.
"They've been nice to me," she said. "Nurse Eliot helped me put all the flowers in water while you slept."
He looked around him and made out their shapes. "Daffodils," he said.
"It's Susie's flower."
My father smiled beautifully. "See," he said, "that's how. You live in the face of it, by giving her a flower."
"That's so sad," my mother said.
"Yes," he said, "it is."
My mother had to balance somewhat precariously on one hip near the edge of his hospital bed, but they managed. They managed to stretch out together beside each other so they could stare into each other's eyes.
"How was it seeing Buckley and Lindsey?"
"Incredibly hard," she said.
They were silent for a moment and he squeezed her hand.
"You look so different," he said.
"You mean older."
I watched him reach up and take a strand of my mother's hair and loop it around her ear. "I fell in love with you again while you were away," he said.
I realized how much I wished I could be where my mother was. His love for my mother wasn't about looking back and loving something that would never change. It was about loving my mother for everything--for her brokenness and he
r fleeing, for her being there right then in that moment before the sun rose and the hospital staff came in. It was about touching that hair with the side of his fingertip, and knowing yet plumbing fearlessly the depths of her ocean eyes.
My mother could not bring herself to say "I love you."
"Will you stay?" he asked.
"For a while."
This was something.
"Good," he said. "So what did you say when people asked you about family in California?"
"Out loud I said I had two children. Silently I said three. I always felt like apologizing to her for that."
"Did you mention a husband?" he asked.
And she looked at him. "No."
"Man," he said.
"I didn't come back to pretend, Jack," she said.
"Why did you come back?"
"My mother called me. She said it was a heart attack and I thought about your father."
"Because I might die?"
"Yes."
"You were sleeping," he said. "You didn't see her."
"Who?"
"Someone came in the room and then left. I think it was Susie."
"Jack?" my mother asked, but her alarm was only at half-mast.
"Don't tell me you don't see her."
She let go.
"I see her everywhere," she said, breathing out her relief. "Even in California she was everywhere. Boarding buses or on the streets outside schools when I drove by. I'd see her hair but it didn't match the face or I'd see her body or the way she moved. I'd see older sisters and their little brothers, or two girls that looked like sisters and I imagined what Lindsey wouldn't have in her life--the whole relationship gone for her and for Buckley, and then that would just hit me, because I had left too. It would just spin onto you and even to my mother."
"She's been great," he said, "a rock. A spongelike rock, but a rock."
"So I gather."
"So if I tell you that Susie was in the room ten minutes ago, what would you say?"
"I'd say you were insane and you were probably right."
My father reached up and traced the line of my mother's nose and brought his finger over her two lips. As he did, the lips parted ever so slightly.
"You have to lean down," he said, "I'm still a sick man."
And I watched as my parents kissed. They kept their eyes open as they did, and my mother was the one to cry first, the tears dropping down onto my father's cheeks until he wept too.
TWENTY-ONE
After I left my parents in the hospital, I went to watch Ray Singh. We had been fourteen together, he and I. Now I saw his head on his pillow, dark hair on yellow sheets, dark skin on yellow sheets. I had always been in love with him. I counted the lashes of each closed eye. He had been my almost, my might-have-been, and I did not want to leave him any more than I did my family.
On the listing scaffold behind the stage, with Ruth below us, Ray Singh had gotten close enough to me so that his breath was near mine. I could smell the mixture of cloves and cinnamon that I imagined he topped his cereal with each morning, and a dark smell too, the human smell of the body coming at me where deep inside there were organs suspended by a chemistry separate from mine.
From the time I knew it would happen until the time it did, I had made sure not to be alone with Ray Singh inside or outside school. I was afraid of what I wanted most--his kiss. That it would not be good enough to match the stories everyone told or those I read in Seventeenand Glamourand Vogue.I feared that I would not be good enough--that my first kiss would equal rejection, not love. Still, I collected kiss stories.
"Your first kiss is destiny knocking," Grandma Lynn said over the phone one day. I was holding the phone while my father went to get my mother. I heard him in the kitchen say "three sheets to the wind."
"If I had it to do over again I would have worn something stupendous--like Fire and Ice, but Revlon didn't make that lipstick back then. I would have left my mark on the man."
"Mother?" my mother said into the bedroom extension.
"We're talking kiss business, Abigail."
"How much have you had?"
"See, Susie," Grandma Lynn said, "if you kiss like a lemon, you make lemonade."
"What was it like?"
"Ah, the kiss question," my mother said. "I'll leave you to it." I had been making my father and her tell it over and over again to hear their different takes. What I came away with was an image of my parents behind a cloud of cigarette smoke--the lips only vaguely touching inside the cloud.
A moment later Grandma Lynn whispered, "Susie, are you still there?"
"Yes, Grandma."
She was quiet for a while longer. "I was your age, and my first kiss came from a grown man. A father of a friend."
"Grandma!" I said, honestly shocked.
"You're not going to tell on me, are you?"
"No."
"It was wonderful," Grandma Lynn said. "He knew how to kiss. The boys who kissed me I couldn't even tolerate. I'd put my hand flat against their chests and push them away. Mr. McGahern knew how to use his lips."
"So what happened?"
"Bliss," she said. "I knew it wasn't right, but it was wonderful--at least for me. I never asked him how he felt about it, but then I never saw him alone after that."
"But did you want to do it again?"
"Yes, I was always searching for that first kiss."
"How about Grandaddy?"
"Not much of a kisser," she said. I could hear the clink of ice cubes on the other end of the phone. "I've never forgotten Mr. McGahern, even though it was just for a moment. Is there a boy who wants to kiss you?"
Neither of my parents had asked me this. I now know that they knew this already, could tell, smiled at each other when they compared notes.
I swallowed hard on my end. "Yes."
"What's his name?"
"Ray Singh."
"Do you like him?"
"Yes."
"Then what's the holdup?"
"I'm afraid I won't be good at it."
"Susie?"
"Yes?"
"Just have fun, kid."
But when I stood by my locker that afternoon and I heard Ray's voice say my name--this time behind me and not above me--it felt like anything but fun. It didn't feel not fun either. The easy states of black and white that I had known before did not apply. I felt, if I were to say any word, churned. Not as a verb but as an adjective. Happy + Frightened = Churned.
"Ray," I said, but before the name had left my mouth, he leaned into me and caught my open mouth in his. It was so unexpected, even though I had waited weeks for it, that I wanted more. I wanted so badly to kiss Ray Singh again.
The following morning Mr. Connors cut out an article from the paper and saved it for Ruth. It was a detailed drawing of the Flanagan sinkhole and how it was going to be filled in. While Ruth dressed, he penned a note to her. "This is a crock of shit," it said. "Someday some poor sap's car is going to fall into it all over again."
"Dad says this is the death knell for him," Ruth said to Ray, waving the clipping at him as she got into Ray's ice blue Chevy at the end of her driveway. "Our place is going to be swallowed up in subdivision land. Get this. In this article they have four blocks like the cubes you draw in beginning art class, and it's supposed to show how they're going to patch the sinkhole up."
"Nice to see you too, Ruth," Ray said, reversing out of the driveway while making eyes at Ruth's unbuckled seat belt.
"Sorry," Ruth said. "Hello."
"What does the article say?" Ray asked.
"Nice day today, beautiful weather."
"Okay, okay. Tell me about the article."
Every time he saw Ruth after a few months had passed, he was reminded of her impatience and her curiosity--two traits that had both made and kept them friends.
"The first three are the same drawing only with different arrows pointing to different places and saying 'topsoil,' 'cracked limestone,' and 'dissolving rock.' The last one has a bi
g headline that says, 'Patching it' and underneath it says, 'Concrete fills the throat and grout fills the cracks.' "
"Throat?" Ray said.
"I know," said Ruth. "Then there's this other arrow on the other side as if this was such a huge project that they had to pause a second so readers could understand the concept, and this one says, 'Then the hole is filled with dirt.' "
Ray started laughing.
"Like a medical procedure," Ruth said. "Intricate surgery is needed to patch up the planet."
"I think holes in the earth draw on some pretty primal fears."
"I'll say," Ruth said. "They have throats, for God's sake! Hey, let's check this out."
A mile or so down the road there were signs of new construction. Ray took a left and drove into the circles of freshly paved roads where the trees had been cleared and small red and yellow flags waved at intervals from the tops of waist-high wire markers.
Just as they had lulled themselves into thinking that they were alone, exploring the roads laid out for a territory as yet uninhabited, they saw Joe Ellis walking up ahead.
Ruth didn't wave and neither did Ray, nor did Joe make a move to acknowledge them.
"My mom says he still lives at home and can't get a job."
"What does he do all day?" Ray asked.
"Look creepy, I guess."
"He never got over it," Ray said, and Ruth stared out into the rows and rows of vacant lots until Ray connected with the main road again and they crossed back over the railroad tracks moving toward Route 30, which would take them in the direction of the sinkhole.
Ruth floated her arm out the window to feel the moist air of the morning after rain. Although Ray had been accused of being involved in my disappearance, he had understood why, knew that the police were doing their job. But Joe Ellis had never recovered from being accused of killing the cats and dogs Mr. Harvey had killed. He wandered around, keeping a good distance from his neighbors and wanting so much to take solace in the love of cats and dogs. For me the saddest thing was that these animals smelled the brokenness in him--the human defect--and kept away.
Down Route 30 near Eels Rod Pike, at a spot that Ray and Ruth were about to pass, I saw Len coming out of an apartment over Joe's barbershop. He carried a lightly stuffed student knapsack out to his car. The knapsack had been the gift of the young woman who owned the apartment. She had asked him out for coffee one day after they met down at the station as part of a criminology course at West Chester College. Inside the knapsack he had a combination of things--some of which he would show my father and some that no child's parent needed to see. The latter included the photos of the graves of the recovered bodies--both elbows there in each case.