Cockfighting owed him some praiseworthy improvements. It was marvellous to see Lord David dress a cock for the pit. Cocks lay hold of each other by the feathers, as men by the hair. Lord David, therefore, made his cock as bald as possible. With a pair of scissors he cut off all the feathers from the tail and from the head to the shoulders, and all those on the neck. So much less for the enemy's beak, he used to say. Then he extended the cock's wings, and cut each feather, one after another, to a point, and thus the wings were furnished with darts. So much for the enemy's eyes, he would say. Then he scraped its claws with a penknife, sharpened its nails, fitted it with spurs of sharp steel, spat on its head, spat on its neck, anointed it with spittle, as they used to rub oil over athletes; then set it down in the pit, a redoubtable champion, exclaiming, "That's how to make a cock an eagle, and a bird of the poultry yard a bird of the mountain."
Lord David attended prize-fights, and was their living law. On occasions of great performances it was he who had the stakes driven in and the ropes stretched, and who fixed the number of feet for the ring. When he was a second, he followed his man step by step, a bottle in one hand, a sponge in the other, crying out to him to hit hard, suggesting stratagems, advising him as he fought, wiping away the blood, raising him when overthrown, placing him on his knee, putting the mouth of the bottle between his teeth, and from his own mouth, filled with water, blowing a fine rain into his eyes and ears, a thing which reanimates even a dying man. If he was referee, he saw that there was no foul play, prevented any one, whosoever he might be, from assisting the combatants, excepting the seconds, declared the man beaten who did not fairly face his opponent, watched that the time between the rounds did not exceed half a minute, prevented butting, and declared whoever resorted to it beaten, and forbade a man's being hit when down. All this science, however, did not render him a pedant, nor destroy his ease of manner In society.
When he was referee, rough, pimple-faced, unshorn friends of either combatant never dared to come to the aid of their failing man, nor, in order to upset the chances of the betting, jumped over the barrier, entered the ring, broke the ropes, pulled down the stakes, and violently interposed in the battle. Lord David was one of the few referees whom they dared not thrash.
No one could train like him. The pugilist whose trainer he consented to become was sure to win. Lord David would choose a Hercules--massive as a rock, tall as a tower--and make him his child. The problem was to turn that human rock from a defensive to an offensive state. In this he excelled. Having once adopted the Cyclops, he never left him. He became his nurse; he measured out his wine, weighed his meat, and counted his hours of sleep. It was he who invented the athlete's admirable rules, afterward reproduced by Morely. In the mornings, a raw egg and a glass of sherry; at twelve, some slices of a leg of mutton, almost raw, with tea; at four, toast and tea; in the evening, pale ale and toast; after which he undressed his man, rubbed him, and put him to bed. In the street, he never allowed him to leave his sight, keeping him out of every danger, runaway horses, the wheels of carriages, drunken soldiers, pretty girls. He watched over his virtue. This maternal solicitude continually brought some new perfection into the pupil's education. He taught him the blow with the fist which breaks the teeth, and the twist of the thumb which gouges out the eye. What could be more touching?
Thus he was preparing himself for public life to which he was to be called later on. It is no easy matter to become an accomplished gentleman.
Lord David Dirry-Moir was passionately fond of open-air exhibitions, of shows, of circuses with wild beasts, of the caravans of mountebanks, of clowns, tumblers, merry-men, open-air farces, and the wonders of a fair. The true noble is he who smacks of the people. Therefore it was that Lord David frequented the taverns and low haunts of London and the Cinque Ports. In order to be able at need, and without compromising his rank in the white squadron, to be cheek-by-jowl with a topman or a caulker, he used to wear a sailor's jacket when he went into the slums. For such disguise, his not wearing a wig was convenient; for even under Louis XIV the people kept to their hair like the lion to his mane. This gave him great freedom of action. The low people whom Lord David used to meet in the stews, and with whom he mixed, held him in high esteem, without ever dreaming that lie was a lord. They called him Tom-Jim-Jack. Under this name he was famous and very popular among the dregs of the people. He played the blackguard in a masterly style: when necessary, he used his fists. This phase of his fashionable life was highly appreciated by Lady Josiana.
* * *
V
QUEEN ANNE
ABOVE THIS COUPLE there was Anne, Queen of England. An ordinary woman was Queen Anne. She was gay, kindly, august--to a certain extent. No quality of hers attained to virtue, none to vice. Her stoutness was bloated; her fun, heavy; her good-nature, stupid. She was stubborn and weak. As a wife, she was faithless and faithful, having favourites to whom she gave up her heart and a husband for whom she kept her bed. As a Christian, she was a heretic and a bigot. She had one beauty--the well--developed neck of a Niobe. The rest of her person was indifferently formed. She was a clumsy coquette, and a chaste one. Her skin was white and fine; she displayed a great deal of it. It was she who introduced the fashion of necklaces of large pearls clasped round the throat. She had a narrow forehead, sensual lips' fleshy cheeks, large eyes, short sight. Her short sight extended to her mind. Beyond a burst of merriment now and then, almost as ponderous as her anger, she lived in a sort of taciturn grumble and a grumbling silence. Words escaped from her which had to be guessed at. She was a mixture of a good woman and a mischievous devil. She liked surprises, which is extremely woman-like. Anne was a pattern--just sketched roughly--of the universal Eve. To that sketch had fallen that chance, the throne. She drank. Her husband was a Dane, thorough-bred.
A Tory, she governed by the Whigs; like a woman, like a mad woman. She had fits of rage. She was violent, a brawler. Nobody more awkward than Anne in directing affairs of state. She allowed events to fall about as they might chance. Her whole policy was cracked. She excelled in bringing about great catastrophes from little causes. When a whim of authority took hold of her, she called it giving a stir with the poker. She would say with an air of profound thought, "No peer may keep his hat on before the king except DeCourcy, Baron Kingsale, an Irish peer." Or, "It would be an injustice were my husband not to be Lord High Admiral, since my father was." And she made George of Denmark High Admiral of England and of all her Majesty's plantations. She was perpetually perspiring bad humour; she did not explain her thought, she exuded it. There was something of the Sphinx in this goose.
She rather liked fun, teasing, and practical jokes. Could she have made Apollo a hunchback, it would have delighted her. But she would have left him a god. Good-natured, her ideal was to allow none to despair, and to worry all. She had often a rough word in her mouth; a little more, and she would have sworn like Elizabeth. From time to time she would take from a man's pocket, which she wore in her skirt, a little round box, of chased silver, on which was her portrait, in profile, between the two letters Q. A.; she would open this box, and take from it, on her finger, a little pomade, with which she reddened her lips; and, having coloured her mouth, would laugh. She was greedily fond of the flat Zealand ginger-bread cakes. She was proud of being fat.
More of a Puritan than anything else, she would, nevertheless, have liked to devote herself to stage plays. She had an absurd academy of music, copied after that of France. In 1700 a Frenchman, named Forteroche, wanted to build a royal circus at Paris, at a cost of 400,000 francs, which scheme was opposed by D'Argenson. This Forteroche passed into England, and proposed to Queen Anne, who was immediately charmed by the idea, to build in London a theatre with machinery; with a fourth under-stage finer than that of the King of France. Like Louis XIV, she liked to be driven at a gallop. Her teams and relays would sometimes do the distance between London and Windsor in less than an hour and a quarter.
II
In Anne's time, no
meeting was allowed without the permission of two justices of the peace. The assembly of twelve persons, were it only to eat oysters and drink porter, was a felony. Under her reign, otherwise relatively mild, pressing for the fleet was carried on with extreme violence: a gloomy evidence that the Englishman is a subject rather than a citizen. For centuries England suffered under that process of tyranny which gave the lie to all the old charters of freedom, and out of which France especially gathered a cause of triumph and indignation. What in some degree diminishes the triumph is, that while sailors were pressed in England, soldiers were pressed in France. In every great town of France, any able-bodied man, going through the streets on his business, was liable to be shoved by the crimps into a house called the oven. There he was shut up with others in the same plight, those fit for service were picked out, and the recruiters sold them to the officers. In 1695, there were thirty of these ovens in Paris.
The laws against Ireland, emanating from Queen Anne, were atrocious.
Anne was born in 1664, two years before the great fire of London, on which the astrologers (there were some left, and Louis XIV was born with the assistance of an astrologer, and swaddled in a horoscope) predicted that being the elder sister of fire, she would be queen. And so she was, thanks to astrology and the Revolution of 1688. She had the humiliation of having only Gilbert, Archbishop of Canterbury, for god-father. To be god-child of the Pope was no longer possible in England. A mere primate is but a poor sort of godfather. Anne had to put up with one, however. It was her own fault. Why was she a Protestant?
Denmark had paid for her virginity (virginitas empta, as the old charters expressed it) by a dowry of six thousand two hundred and fifty pounds a year, secured on the bailiwick of Wardinburg and the island of Fehmarn. Anne followed, without conviction, and by routine, the traditions of William. The English, under that royalty born of a Revolution, possessed as much liberty as they could lay hands on between the Tower of London, into which they put orators, and the pillory, into which they put writers. Anne spoke a little Danish in her private chats with her husband, and a little French in her private chats with Bolingbroke. Wretched gibberish, but the height of English fashion, especially at Court, was to talk French. There was never a bon mot but in French. Anne paid a deal of attention to her coins, especially to copper coins, which are the low and popular ones; she wanted to cut a great figure on them. Six farthings were struck during her reign. On the back of the first three she had merely a throne struck; on the back of the fourth she ordered a triumphal chariot, and on the back of the sixth a goddess holding a sword in one hand and an olive branch in the other, with the scroll, Bello et pace. Her father, James II, was candid and cruel; she was brutal.
At the same time she was mild at bottom. A contradiction which only appears such. A fit of anger metamorphosed her. Heat sugar and it will boil.
Anne was popular. England likes feminine rulers. Why? France excludes them. There is a reason at once. Perhaps there is no other. With English historians Elizabeth embodies grandeur, Anne, good-nature. As they will. Be it so. But there is nothing delicate in the reigns of these women. The lines are heavy. It is gross grandeur and gross good-nature. As to their immaculate virtue, England is tenacious of it, and we are not going to oppose the idea. Elizabeth was a virgin tempered by Essex; Anne, a wife complicated by Bolingbroke.
III
One idiotic habit of the people is to attribute to the king what they do themselves. They fight. Whose the glory? The king's. They pay. Whose the generosity? The king's. Then the people love him for being so rich. The king receives a crown from the poor, and returns them a earthing. How generous he is! The colossus which is the pedestal contemplates the pigmy which is the statue. How great is this myrmidon! he is on my back. A dwarf has an excellent way of being taller than a giant; it is to perch himself on his shoulders. But that the giant should allow it, there is the wonder--and that he should admire the height of the dwarf, there is the folly. Simplicity of mankind!
The equestrian statue, reserved for kings alone, is an excellent figure of royalty: the horse is the people. Only that the horse becomes transfigured by degrees. It begins in an ass; it ends in a lion. Then it throws its rider, and you have 1642 in England and 1789 in France; and sometimes it devours him, and you have in England 1649, and in France 1793.
That the lion should relapse into the donkey is astonishing; but it is so. This was occurring in England. It had resumed the pack-saddle, idolatry of the crown. Queen Anne, as we have just observed, was popular. What was she doing to be so? Nothing. Nothing!--that is all that is asked of the sovereign of England. He receives for that nothing one and a quarter million pounds a year. In 1705, England, which had had but thirteen men-of-war under Elizabeth, and thirty-six under James I, counted a hundred and fifty in her fleet. The English had three armies, five thousand men in Catalonia; ten thousand in Portugal; fifty thousand in Flanders; and, besides, was paying one and two-thirds million pounds a year to monarchical and diplomatic Europe, a sort of prostitute the English people has always had in keeping. Parliament having voted a patriotic loan of thirty-four million francs of annuities, there had been a crush at the exchequer to subscribe it. England was sending a squadron to the East Indies, and a squadron to the West of Spain under Admiral Leake, without mentioning the reserve of four hundred sail, under Admiral Sir Cloudesley Shovel. England had lately annexed Scotland. It was the interval between Hochstadt and Ramillies, and the first of these victories was foretelling the second. England, in its cast of the net at Hochstadt, had made prisoners of twenty-seven battalions and four regiments of dragoons, and deprived France of one hundred leagues of country--France drawing back dismayed from the Danube to the Rhine. England was stretching her hand out toward Sardinia and the Balearic Islands. She was bringing into her ports in triumph ten Spanish line-of-battle ships, and many a galleon laden with gold. Hudson's Bay and Straits were already half given over by Louis XIV. It was felt that he was about to give up his hold over Acadia, St. Christopher's, and Newfoundland, and that he would be but too happy if England would only tolerate the King of France fishing for cod at Cape Breton. England was about to impose upon him the shame of demolishing himself the fortifications of Dunkirk. Meanwhile, she had taken Gibraltar, and was taking Barcelona. What great things accomplished!
How was it possible to refuse Anne admiration for taking the trouble of living fit the period?
From a certain point of view, the reign of Anne appears a reflection of the reign of Louis XIV. Anne, for a moment even with that king in the race which is called history, bears to him the vague resemblance of a reflection Like him, she plays at a great reign; she has her monuments, her arts, her victories, her captains, her men of letters, her privy purse to pension celebrities, her gallery of chefs-d'oeuvre, side by side with those of his Majesty. Her court, too, was a cortege, with the features of a triumph, an order, and a march. It was a miniature copy of all the great men of Versailles, not giants themselves. In it there is enough to deceive the eye; add God save the Queen, which might have been taken from Lulli, and the ensemble becomes an illusion. Not a personage is missing. Christopher Wren is a very passable Mansard; Somers is as good as Lamoignon; Anne has a Racine in Dryden, a Boileau in Pope, a Colbert in Godolphin, a Louvois in Pembroke, and a Turenne in Marlborough. Heighten the wigs and lower the foreheads. The whole is solemn and pompous, and the Windsor of the time has a faded resemblance to Marty. Still the whole was effeminate, and Anne's Père Tellier was called Sarah Jennings. However, there is an outline of incipient irony, which fifty years later was to turn to philosophy, in the literature of the age, and the Protestant Tartuffe is unmasked by Swift just in the same way as the Catholic Tartuffe is denounced by Molière. Although the England of the period quarrels and fights France, she imitates her and draws enlightenment from her; and the light on the façade of England is French light. It is a pity that Anne's reign lasted but twelve years, or the English would not hesitate to call it the century of Anne, as we say
the century of Louis XIV. Anne appeared in 1702, as Louis XIV declined. It is one of the curiosities of history that the rise of that pale planet coincides with the setting of the planet of purple, and that at the moment in which France had the king Sun, England should have had the queen Moon.
A detail to be noted. Louis XIV, although they made war with him, was greatly admired in England. "He is the kind of king they want in France," said the English. The love of the English for their own liberty is mingled with a certain acceptance of servitude for others. That favourable regard of the chains which bind their neighbours sometimes attains to enthusiasm for the despot next door.
To sum up, Anne rendered her people hureux, as the French translator of Beeverell's book repeats three times, with graceful reiteration at the sixth and ninth page of his dedication, and the third of his preface.
IV
Queen Anne bore a little grudge to the Duchess Josiana, for two reasons.
First, because she thought the Duchess Josiana handsome.
Secondly, because she thought the Duchess Josiana's betrothed handsome.
Two reasons for jealousy are sufficient for a woman.
One is sufficient for a queen.
Let us add that she bore her a grudge for being her sister.
Anne did not like women to be pretty. She considered it against good morals.
As for herself, she was ugly.
Not from choice, however.