‘What are these dogs?’ said the old man.
‘Sikhs of the Cavalry, Father,’ I said, and we edged our way up the line of horses two abreast and found the Deputy-Commissioner, his helmet smashed on his head, surrounded by a knot of men who had come down from the Club as amateur constables and had helped the Police mightily.
‘We’ll keep ’em on the run till dawn,’ said Petitt. ‘Who’s your villainous friend?’
I had only time to say: ‘The Protection of the Sirkar!’ when a fresh crowd flying before the Native Infantry carried us a hundred yards nearer to the Kumharsen Gate, and Petitt was swept away like a shadow.
‘I do not know – I cannot see – this is all new to me!’ moaned my companion. ‘How many troops are there in the City?’
‘Perhaps five hundred,’ I said.
‘A lakh36 of men beaten by five hundred – and Sikhs among them! Surely, surely, I am an old man, but – the Kumharsen Gate is new. Who pulled down the stone lions? Where is the conduit? Sahib, I am a very old man, and, alas, I – I cannot stand.’ He dropped in the shadow of the Kumharsen Gate where there was no disturbance. A fat gentleman wearing gold pince-nez came out of the darkness.
‘You are most kind to bring my old friend,’ he said suavely. ‘He is a landholder of Akala. He should not be in a big City when there is religious excitement. But I have a carriage here. You are quite truly kind. Will you help me to put him into the carriage? It is very late.’
We bundled the old man into a hired victoria that stood close to the gate, and I turned back to the house on the City wall. The troops were driving the people to and fro, while the Police shouted, ‘To your houses! Get to your houses!’ and the dog-whip of the Assistant District Superintendent cracked remorselessly. Terror-stricken bunnias37 clung to the stirrups of the Cavalry, crying that their houses had been robbed (which was a lie), and the burly Sikh horsemen patted them on the shoulder and bade them return to those houses lest a worse thing should happen. Parties of five or six British soldiers, joining arms, swept down the side-gullies, their rifles on their backs, stamping, with shouting and song, upon the toes of Hindu and Mussulman. Never was religious enthusiasm more systematically squashed; and never were poor breakers of the peace more utterly weary and footsore. They were routed out of holes and corners, from behind well-pillars and byres, and bidden to go to their houses. If they had no houses to go to, so much the worse for their toes.
On returning to Lalun’s door I stumbled over a man at the threshold. He was sobbing hysterically and his arms flapped like the wings of a goose. It was Wali Dad, Agnostic and Unbeliever, shoeless, turbanless, and frothing at the mouth, the flesh on his chest bruised and bleeding from the vehemence with which he had smitten himself. A broken torch-handle lay by his side, and his quivering lips murmured, ‘Ya Hasan! Ya Hussain!’ as I stooped over him. I pushed him a few steps up the staircase, threw a pebble at Lalun’s City window and hurried home.
Most of the streets were very still, and the cold wind that comes before the dawn whistled down them. In the centre of the Square of the Mosque a man was bending over a corpse. The skull had been smashed in by gun-butt or bamboo-stave.
‘It is expedient that one man should die for the people,’38 said Petitt grimly, raising the shapeless head. ‘These brutes were beginning to show their teeth too much.’
And from afar we could hear the soldiers singing ‘Two Lovely Black Eyes’39 as they drove the remnant of the rioters within doors.
Of course you can guess what happened? I was not so clever. When the news went abroad that Khem Singh had escaped from the Fort, I did not, since I was then living this story, not writing it, connect myself, or Lalun, or the fat gentleman of the gold pince-nez, with his disappearance. Nor did it strike me that Wali Dad was the man who should have convoyed him across the City, or that Lalun’s arms round my neck were put there to hide the money that Nasiban gave to Khem Singh, and that Lalun had used me and my white face as even a better safeguard than Wali Dad who proved himself so untrustworthy. All that I knew at the time was that, when Fort Amara was taken up with the riots, Khem Singh profited by the confusion to get away, and that his two Sikh guards also escaped.
But later on I received full enlightenment; and so did Khem Singh. He fled to those who knew him in the old days, but many of them were dead and more were changed, and all knew something of the Wrath of the Government. He went to the young men, but the glamour of his name had passed away, and they were entering native regiments or Government offices, and Khem Singh could give them neither pension, decorations, nor influence – nothing but a glorious death with their back to the mouth of a gun. He wrote letters and made promises, and the letters fell into bad hands, and a wholly insignificant subordinate officer of Police tracked them down and gained promotion thereby. Moreover, Khem Singh was old, and aniseed brandy was scarce, and he had left his silver cooking-pots in Fort Amara with his nice warm bedding, and the gentleman with the gold pince-nez was told by Those who had employed him that Khem Singh as a popular leader was not worth the money paid.
‘Great is the mercy of these fools of English!’ said Khem Singh when the situation was put before him. ‘I will go back to Fort Amara of my own free will and gain honour. Give me good clothes to return in.’
So, at his own time, Khem Singh knocked at the wicket-gate of the Fort and walked to the Captain and the Subaltern, who were nearly grey-headed on account of correspondence that daily arrived from Simla marked ‘Private’.
‘I have come back, Captain Sahib,’ said Khem Singh. ‘Put no more guards over me. It is no good out yonder.’
A week later I saw him for the first time to my knowledge, and he made as though there were an understanding between us.
‘It was well done, Sahib,’ said he, ‘and greatly I admired your astuteness in thus boldly facing the troops when I, whom they would have doubtless torn to pieces, was with you. Now there is a man in Fort Ooltagarh whom a bold man could with ease help to escape. This is the position of the Fort as I draw it on the sand –’
But I was thinking how I had become Lalun’s Vizier after all.
‘THE CITY OF DREADFUL NIGHT’
The dense wet heat that hung over the face of the land, like a blanket, prevented all hope of sleep in the first instance. The cicalas helped the heat, and the yelling jackals the cicalas. It was impossible to sit still in the dark, empty, echoing house and watch the punkah beat the dead air. So, at ten o’clock of the night, I set my walking-stick on end in the middle of the garden, and waited to see how it would fall. It pointed directly down the moonlit road that leads to the City of Dreadful Night. The sound of its fall disturbed a hare. She limped from her form and ran across to a disused Mohammedan burial-ground, where the jawless skulls and rough-butted shank-bones, heartlessly exposed by the July rains, glimmered like mother o’ pearl on the rain-channelled soil. The heated air and the heavy earth had driven the very dead upward for coolness’ sake. The hare limped on, snuffed curiously at a fragment of a smoke-stained lamp-shard, and died out, in the shadow of a clump of tamarisk trees.
The mat-weaver’s hut under the lee of the Hindu temple was full of sleeping men who lay like sheeted corpses. Overhead blazed the unwinking eye of the Moon. Darkness gives at least a false impression of coolness. It was hard not to believe that the flood of light from above was warm. Not so hot as the Sun, but still sickly warm, and heating the heavy air beyond what was our due. Straight as a bar of polished steel ran the road to the City of Dreadful Night; and on either side of the road lay corpses disposed on beds in fantastic attitudes – one hundred and seventy bodies of men. Some shrouded all in white with bound-up mouths; some naked and black as ebony in the strong light; and one – that lay face upwards with dropped jaw, far away from the others – silvery white and ashen grey.
‘A leper asleep; and the remainder wearied coolies, servants, small shopkeepers, and drivers from the hack-stand hard by. The scene – a main approach to Lahore city, and the night a war
m one in August.’ This was all that there was to be seen; but by no means all that one could see. The witchery of the moonlight was everywhere; and the world was horribly changed. The long line of the naked dead, flanked by the rigid silver statue, was not pleasant to look upon. It was made up of men alone. Were the womenkind, then, forced to sleep in the shelter of the stifling mud huts as best they might? The fretful wail of a child from a low mud roof answered the question. Where the children are the mothers must be also to look after them. They need care on these sweltering nights. A black little bullet-head peeped over the coping, and a thin – a painfully thin – brown leg was slid over on to the gutter-pipe. There was a sharp clink of glass bracelets; a woman’s arm showed for an instant above the parapet, twined itself round the lean little neck, and the child was dragged back, protesting, to the shelter of the bedstead. His thin, high-pitched shriek died out in the thick air almost as soon as it was raised; for even the children of the soil found it too hot to weep.
More corpses; more stretches of moonlit, white road; a string of sleeping camels at rest by the wayside; a vision of scudding jackals; ekka-ponies1 asleep – the harness still on their backs, and the brass-studded country carts, winking in the moonlight – and again more corpses. Wherever a grain-cart atilt, a tree-trunk, a sawn log, a couple of bamboos and a few handfuls of thatch cast a shadow, the ground is covered with them. They lie – some face downwards, arms folded, in the dust; some with clasped hands flung up above their heads; some curled up dog-wise; some thrown like limp gunny-bags2 over the side of the grain-carts; and some bowed with their brows on their knees in the full glare of the Moon. It would be a comfort if they were only given to snoring; but they are not, and the likeness to corpses is unbroken in all respects save one. The lean dogs snuff at them and turn away. Here and there a tiny child lies on his father’s bedstead, and a protecting arm is thrown round it in every instance. But, for the most part, the children sleep with their mothers on the house-tops. Yellow-skinned, white-toothed pariahs3 are not to be trusted within reach of brown bodies.
A stifling hot blast from the mouth of the Delhi Gate nearly ends my resolution of entering the City of Dreadful Night at this hour. It is a compound of all evil savours, animal and vegetable, that a walled city can brew in a day and a night. The temperature within the motionless groves of plantain and orange-trees outside the city walls seems chilly by comparison. Heaven help all sick persons and young children within the city to-night! The high house-walls are still radiating heat savagely, and from obscure side gullies fetid breezes eddy that ought to poison a buffalo. But the buffaloes do not heed. A drove of them are parading the vacant main street, stopping now and then to lay their ponderous muzzles against the closed shutters of a grain-dealer’s shop, and to blow thereon like grampuses.4
Then silence follows – the silence that is full of the night noises of a great city. A stringed instrument of some kind is just, and only just, audible. High overhead someone throws open a window, and the rattle of the woodwork echoes down in the empty street. On one of the roofs a hookah is in full blast, and the men are talking softly as the pipe gutters. A little farther on the noise of conversation is more distinct. A slit of light shows itself between the sliding shutters of a shop. Inside, a stubble-bearded, weary-eyed trader is balancing his account-books among the bales of cotton prints that surround him. Three sheeted figures bear him company, and throw in a remark from time to time. First he makes an entry, then a remark; then passes the back of his hand across his streaming forehead. The heat in the built-in street is fearful. Inside the shops it must be almost unendurable. But the work goes on steadily; entry, guttural growl, and uplifted hand-stroke succeeding each other with the precision of clockwork.
A policeman – turbanless and fast asleep – lies across the road on the way to the Mosque of Wazir Khan.5 A bar of moonlight falls across the forehead and eyes of the sleeper, but he never stirs. It is close upon midnight, and the heat seems to be increasing. The open square in front of the Mosque is crowded with corpses; and a man must pick his way carefully for fear of treading on them. The moonlight stripes the Mosque’s high front of coloured enamel-work in broad diagonal bands; and each separate dreaming pigeon in the niches and corners of the masonry throws a squab little shadow. Sheeted ghosts rise up wearily from their pallets, and flit into the dark depths of the building. Is it possible to climb to the top of the great Minars,6 and thence to look down on the city? At all events the attempt is worth making, and the chances are that the door of the staircase will be unlocked. Unlocked it is, but a deeply sleeping janitor lies across the threshold, face turned to the Moon. A rat dashes out of his turban at the sound of approaching footsteps. The man grunts, opens his eyes for a minute, turns round, and goes to sleep again. All the heat of a decade of fierce Indian summers is stored in the pitch-black, polished walls of the corkscrew staircase. Half-way up there is something alive, warm, and feathery; and it snores. Driven from step to step as it catches the sound of my advance, it flutters to the top and reveals itself as a yellow-eyed, angry kite.7 Dozens of kites are asleep on this and the other Minars, and on the domes below. There is the shadow of a cool, or at least a less sultry breeze at this height; and, refreshed thereby, I turn to look on the City of Dreadful Night.
Doré might have drawn it! Zola8 could describe it – this spectacle of sleeping thousands in the moonlight and in the shadow of the Moon. The roof-tops are crammed with men, women, and children, and the air is full of undistinguishable noises. They are restless in the City of Dreadful Night; and small wonder. The marvel is that they can even breathe. If you gaze intently at the multitude you can see that they are almost as uneasy as a daylight crowd, but the tumult is subdued. Everywhere, in the strong light, you can watch the sleepers turning to and fro, shifting their beds and again resettling them. In the pit-like courtyards of the houses there is the same movement.
The pitiless Moon shows it all. Shows, too, the plains outside the city, and here and there a hand’s-breadth of the Ravee9 without the walls. Shows lastly, a splash of glittering silver on a house-top almost directly below the mosque Minar. Some poor soul has risen to throw a jar of water over his fevered body; the tinkle of the falling water strikes faintly on the ear. Two or three other men, in far-off corners of the City of Dreadful Night, follow his example, and the water flashes like heliographic signals.10 A small cloud passes over the face of the Moon, and the city and its inhabitants – clear drawn in black and white before – fade into masses of black and deeper black. Still the unrestful noise continues, the sigh of a great city overwhelmed with the heat, and of a people seeking in vain for rest. It is only the lower-class women who sleep on the house-tops. What must the torment be in the latticed zenanas, where a few lamps are still twinkling? There are footfalls in the court below. It is the Muezzin11 – faithful minister; but he ought to have been here an hour ago to tell the Faithful that prayer is better than sleep – the sleep that will not come to the city.
The Muezzin fumbles for a moment with the door of one of the Minars, disappears awhile, and a bull-like roar – a magnificent bass thunder – tells that he has reached the top of the Minar. They must hear the cry to the banks of the shrunken Ravee itself! Even across the courtyard it is almost overpowering. The cloud drifts by and shows him outlined in black against the sky, hands laid upon his ears, and broad chest heaving with the play of his lungs – ‘Allah ho Akbar!’;12 then a pause while another Muezzin somewhere in the direction of the Golden Temple takes up the call – ‘Allah ho Akbar!’ Again and again, four times in all, and from the bedsteads a dozen men have risen up already. – ‘I bear witness that there is no God but God.’ What a splendid cry it is, the proclamation of the creed that brings men out of their beds by scores at midnight! Once again he thunders through the same phrase, shaking with the vehemence of his own voice; and then, far and near, the night air rings with ‘Mohammed is the Prophet of God.’ It is as though he were flinging his defiance to the far-off horizon, where the s
ummer lightning plays and leaps like a bared sword. Every Muezzin in the city is in full cry, and some men on the roof-tops are beginning to kneel. A long pause precedes the last cry, ‘La ilaha Illallah!’13 and the silence closes up on it, as the ram14 on the head of a cotton-bale.
The Muezzin stumbles down the dark stairway grumbling in his beard. He passes the arch of the entrance and disappears. Then the stifling silence settles down over the City of Dreadful Night. The kites on the Minar sleep again, snoring more loudly, the hot breeze comes up in puffs and lazy eddies, and the Moon slides down towards the horizon. Seated with both elbows on the parapet of the tower, one can watch and wonder over that heat-tortured hive till the dawn. ‘How do they live down there? What do they think of? When will they awake?’ More tinkling of sluiced water-pots; faint jarring of wooden bedsteads moved into or out of the shadows; uncouth music of stringed instruments softened by distance into a plaintive wail, and one low grumble of far-off thunder. In the courtyard of the mosque the janitor, who lay across the threshold of the Minar when I came up, starts wildly in his sleep, throws his hands above his head, mutters something, and falls back again. Lulled by the snoring of the kites – they snore like over-gorged humans – I drop off into an uneasy doze, conscious that three o’clock has struck, and that there is a slight – a very slight – coolness in the atmosphere. The city is absolutely quiet now, but for some vagrant dog’s love-song. Nothing save dead heavy sleep.
Several weeks of darkness pass after this. For the Moon has gone out. The very dogs are still, and I watch for the first light of the dawn before making my way homeward. Again the noise of shuffling feet. The morning call is about to begin, and my night watch is over. ‘Allah ho Akbar! Allah ho Akbar!’ The east grows grey, and presently saffron; the dawn wind comes up as though the Muezzin had summoned it; and, as one man, the City of Dreadful Night rises from its bed and turns its face towards the dawning day. With return of life comes return of sound. First a low whisper, then a deep bass hum; for it must be remembered that the entire city is on the house-tops. My eyelids weighed down with the arrears of long-deferred sleep, I escape from the Minar through the courtyard and out into the square beyond, where the sleepers have risen, stowed away the bedsteads, and are discussing the morning hookah. The minute’s freshness of the air has gone, and it is as hot as at first.