Read The Marriage of Opposites Page 40


  A. I love writing for children and teens, mostly because I always feel that is such an important time in a reader’s life. What you read at that point forms who you are as a reader. Each book comes to me as an adult novel or a children’s novel or a teen book or nonfiction. Some work comes to me as stories, other as novels. My themes are always the same: Love, loss, and survivorship. But the way I write about these themes differs, depending on the book.

  Q. Of your writing, do you have a favorite work? Is there one character whose story you’d like to return to?

  A. I often miss characters when a book is written. I have missed Rachel Pizzarro greatly. I often think she is the sort of woman I wish I could be. I’ve thought it might be interesting to know more about the world of Practical Magic. And I’ve just written a children’s book called Nightbird, and I very much miss the town of Sidwell, Massachusetts, that I imagined.

  Q. Jewish life and history play a major role in your novels. What draws you to exploring Jewish themes?

  A. For me, the Jewish themes very much related to my grandmothers and to their stories and to their struggles. It’s part of telling the story that hasn’t been told. I’ve enjoyed learning more about my own history and culture.

  Q. To further the above question, your publisher said that you consider The Marriage of Opposites the “story of the ultimate Jewish mother.” Both Rachel and Madame Pomié are intense mothers. Are they modeled after anyone in your own life?

  A. Rachel Pizzarro has something of a bad reputation, as being bossy and controlling, which is the stereotype of the “Jewish mother.” I wanted to explore this and understand what it is to be a mother in a dangerous world where you are an outsider and your ultimate goal is to protect your children no matter the cost. Again, my grandmothers were the model for women who would do anything for their children.

  Q. Could you describe when and where you like to write? What does your desk look like?

  A. I have to say, I don’t have a desk. I write wherever I am, whenever I can. Noise doesn’t bother me, and I prefer not to have a window, which would distract me. I write the way I read—on a couch, in a bed, on a train.

  Q. In a 2013 interview with Writer magazine, you said, “The idea of magic and reality intertwined is really appealing to me. I lived in a working-class suburb in Long Island, right over the border from Queens, so it was very gritty. Every house was the same. There were no trees. It was neither here nor there. It was the least magical place. And yet it felt magical. If you can view that place with magic, any place can be filled with magic.” Are there any magical stories, histories, or eras that you haven’t yet explored in a novel that you’re interested in researching one day?

  A. For me, magic is a part of every story. It is the original story—myth and fairytale— and I can’t imagine writing without some element of magic being a part of my work.

  Q. We’ve read that some of your favorite authors include Emily Brontë, Toni Morrison, and Ursula LeGuin, among many others. Of your favorite books, is there one in particular you wish you’d written? Is there one particular book you return to often?

  A. I love those authors. Toni Morrison is the greatest living author and I admire her more than any other writer. I am an Emily Brontë fanatic—for me, Wuthering Heights is the greatest psychological novel ever written. And as a fan of fantasy and science fiction, I have to say LeGuin transcends all genre writing—her worlds are astounding. I also often go back to childhood authors that meant so much to me, especially Ray Bradbury, who taught me so much about what it means to be a writer, and what it means to be human.

  Q. Are you working on anything new? Is there anything you can share with us?

  A. My next novel is something completely different—modern, edgy, set in New York, with a character named Shelby who is desperately trying to find her place in the world.

  © DEBORAH FEINGOLD

  ALICE HOFFMAN is the author of more than thirty works of fiction, including Practical Magic, The Red Garden, the Oprah’s Book Club Selection Here on Earth, The Museum of Extraordinary Things, and The Dovekeepers. She lives near Boston.

  MEET THE AUTHORS, WATCH VIDEOS AND MORE AT

  SimonandSchuster.com

  authors.simonandschuster.com/Alice-Hoffman

  ALSO BY ALICE HOFFMAN

  The Museum of Extraordinary Things

  The Dovekeepers

  The Red Garden

  The Story Sisters

  The Third Angel

  Skylight Confessions

  The Ice Queen

  Blackbird House

  The Probable Future

  Blue Diary

  The River King

  Local Girls

  Here on Earth

  Practical Magic

  Second Nature

  Turtle Moon

  Seventh Heaven

  At Risk

  Illumination Night

  Fortune’s Daughter

  White Horses

  Angel Landing

  The Drowning Season

  Property Of

  YOUNG ADULT NOVELS

  Nightbird

  Green Heart: Green Angel & Green Witch

  Green Witch

  Incantation

  The Foretelling

  Green Angel

  Water Tales: Aquamarine & Indigo

  Indigo

  Aquamarine

  NONFICTION

  Survival Lessons

  We hope you enjoyed reading this Simon & Schuster eBook.

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  Bibliography

  Brettell, Richard R. Pissarro’s People. New York: Prestel, 2011.

  Cohen, Judah M. Through the Sands of Time: A History of the Jewish Community of St. Thomas, U.S. Virgin Islands. Waltham, MA: Brandeis University Press, 2003.

  Gjessing, Frederik C., and William P. Maclean. Historic Buildings of St Thomas and St John. London: The Macmillan Press LTD, 1987.

  Lloyd, Christopher. Pissarro. New York: Phaidon, 1979.

  Rachum, Stephanie. “Camille Pissarro’s Jewish Identity.” Tel Aviv University, Assaph 5 (2000): 3–29.

  Raffaele, Herbert, et al. Birds of the West Indies. Princeton, NJ: Princeton University Press, 2003.

  Rewald, John, ed. Camille Pissarro: Letters to His Son Lucien. Boston: MFA Publications, 1958.

  Roe, Sue. The Private Lives of the Impressionists. New York: HarperCollins, 2006.

  Sherlock, Philip. West Indian Folk-tales. Oxford, UK: Oxford University Press, 1966.

  Thorold, Anne, and Kristen Erickson. C. Pissarro and His Family. Oxford, UK: Ashmolean Museum, 1993.

  Simon & Schuster

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  This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.

  Copyright © 2015 by Alice Hoffman

  All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information, address Simon & Schuster Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

  First Simon & Schuster hardcover edition August 2015

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  Interior design by Joy O’Meara

  Jacket design by Jackie Seow

  Jacket photograph by Joyce Tenneson, www.tenneson.com

  Library of Congress Cataloging-in-Publication Data

  Hoffman, Alice.

   The marriage of opposites: a novel based on the life of Rachel Pizzarro / Alice Hoffman. —First Simon & Schuster hardcover edition.

     pages ; cm

   Summary: “From the New York Times bestselling author of The Dovekeepers and The Museum of Extraordinary Things: a forbidden love story set on the tropical island of St. Thomas about the extraordinary woman who gave birth to painter Camille Pissarro, the father of Impressionism”—Provided by publisher.

   I. Title.

   PS3558.O3447M37 2015

   813'.54—dc23         2014047743

  ISBN 978-1-4516-9359-1

  ISBN 978-1-4516-9361-4 (ebook)

 


 

  Alice Hoffman, The Marriage of Opposites

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