It is an irrefutable argument, he said. It’s been a lot of work getting it this far. I’d love you to be part of this.
A monkey screeched in a nearby bamboo grove.
I am only doing it for the men, Colonel Rexroth said.
16
THE TREES BEGAN sprouting leaves and the leaves began covering up the sky and the sky turned black and the black swallowed more and more of the world. Food grew less and less. The monsoon came and, at first, before they learnt all that the rain portended, they were grateful.
Then the Speedo began.
The Speedo meant that there were no longer rest days, that work quotas went up, and up again, that shifts grew longer and longer. The Speedo dissolved an already vague distinction between the fit and the sick into a vaguer distinction between the sick and the dying, and because of the Speedo more and more often prisoners were ordered to work not one but two shifts, both day and night.
The rains grew torrential, the teak and the bamboo closed in around them; Colonel Rexroth died of dysentery and was buried along with everyone else in the jungle. Dorrigo Evans assumed command. As a great green weight that reached to the black heavens dragged them back down into the black mud, he imposed a levy on the officers’ pay to buy food and drugs for the sick. He persuaded, cajoled and insisted on the officers working, as the ceaseless green horror pressed ever harder on their scabies-ridden bodies and groggy guts, on their fevered heads and foul, ulcerated legs, on their perennially shitting arses.
The men called Dorrigo Evans Colonel to his face and the Big Fella everywhere else. There were moments when the Big Fella felt far too small for all that they now wanted him to bear. There was Dorrigo Evans and there was this other man with whom he shared looks, habits and ways of speech. But the Big Fella was noble where Dorrigo was not, self-sacrificing where Dorrigo was selfish.
It was a part he felt himself feeling his way into, and the longer it went on, the more the men around him confirmed him in his role. It was as if they were willing him into being, as though there had to be a Big Fella, and, having desperate need of such, their growing respect, their whispered asides, their opinion of him—all this trapped him into behaving as everything he knew he was not. As if rather than him leading them by example they were leading him through adulation.
And with him now in tow, they together staggered through those days that built like a scream that never ended, a wet, green shriek Dorrigo Evans found perversely amplified by the quinine deafness, the malarial haze that meant a minute took a lifetime to pass and that sometimes it was not possible to recall a week of misery and horror. All of it seemed to wait for some denouement that never came, some event that made sense of it all to him and to them, some catharsis that would free them all from this hell.
Still, there was the occasional duck egg, a finger or two of palm sugar, a joke, repeated over and over, lovingly burnished and appreciated like the rare and beautiful thing it was, that made survival possible. Still there was hope. And from beneath their ever growing slouch hats the ever diminishing prisoners still made asides and curses as they were swept up into another universe in which they lived like ants and all that mattered was the railway. As naked slaves to their section of the Line, with nothing more than ropes and poles, hammers and bars, straw baskets and hoes, with their backs and legs and arms and hands, they began to clear the jungle for the Line and break the rock for the Line and move the dirt for the Line and carry the sleepers and the iron rails to build the Line. As naked slaves, they were starved and beaten and worked beyond exhaustion on the Line. And as naked slaves they began to die for the Line.
No one could reckon it, neither the weak nor the strong. The dead began to accumulate. Three last week, eight this week, God knows how many today. The hospital hut—not so much a hospital as a place where the very worst were allowed to lie in filth and gangrenous stench on long, slatted platforms—was now filled with the dying. There were no longer fit men. There were only the sick, the very sick and the dying. Long gone were the days when Gallipoli von Kessler thought it punishment to be unable to touch a woman. Long gone was even the thought of a woman. Their only thoughts now were of food and rest.
Starvation stalked the Australians. It hid in each man’s every act and every thought. Against it they could proffer only their Australian wisdom which was really no more than opinions emptier than their bellies. They tried to hold together with their Australian dryness and their Australian curses, their Australian memories and their Australian mateship. But suddenly Australia meant little against lice and hunger and beri-beri, against thieving and beatings and yet ever more slave labour. Australia was shrinking and shrivelling, a grain of rice was so much bigger now than a continent, and the only things that grew daily larger were the men’s battered, drooping slouch hats, which now loomed like sombreros over their emaciated faces and their empty dark eyes, eyes that already seemed to be little more than black-shadowed sockets waiting for worms.
And still the dead kept on accumulating.
17
DORRIGO EVANS’ MOUTH was so full of saliva he had to wipe his lips with the back of his hand several times to stop himself dribbling. Staring down at the badly cut, gristly and overdone steak lying in the rectangular cup of his tin dixie, its sooty grease smearing the rusting tin, he could not for the life of him think of anything he could want more in the world. He looked up at the kitchen hand who had brought it for his dinner. The kitchen hand told him how, the night before, a gang led by the Black Prince had stolen a cow off some Thai traders, had slaughtered it in the bush and, after bribing a guard with the eye fillet, had given the rest in secret to the camp kitchen. A steak—a steak!—had been carved off, grilled and presented to Dorrigo for his dinner.
The kitchen hand was, Dorrigo Evans could see, a sick man—why else would he be on kitchen duties?—sick with one or several diseases of starvation, and Dorrigo Evans understood that the steak was to that man too, at that moment, the most desirable, extraordinary thing in the universe. Making a hasty gesture, he told the kitchen hand to take it to the hospital and share it among the sickest there. The kitchen hand was unsure if he was serious. He made no movement.
The men want you to have it, the kitchen hand said. Sir.
Why? Dorrigo Evans thought. Why am I saying I don’t want the steak? He so desperately wanted to eat it, and the men wanted him to have it, as a tribute of sorts. And yet, much as he knew no one would have begrudged him the meat, he also understood the steak to be a test that demanded witnesses, a test he had to pass, a test that would become a necessary story for them all.
Take it away, Dorrigo Evans said.
He gulped, trying to swallow the saliva that was flooding his mouth. He feared he might go mad, or break in some terrible or humiliating way. He felt that his soul was not tempered, that he lacked so many of the things they now needed from him, those things that qualified one for an adult life. And yet he now found himself the leader of a thousand men who were strangely leading him to be all the many things he was not.
He gulped again; still his mouth ran with saliva. He did not think himself a strong man who knew he was strong—a strong man like Rexroth. Rexroth, thought Dorrigo Evans, was a man who would have eaten the steak as his right and, after, happily picked his highwayman’s teeth in front of his starving men. To the contrary, Dorrigo Evans understood himself as a weak man who was entitled to nothing, a weak man whom the thousand were forming into the shape of their expectations of him as a strong man. It defied sense. They were captives of the Japanese and he was the prisoner of their hope.
Now! he snapped, nearly losing control.
Still the kitchen hand did not move, perhaps thinking he was joking, perhaps fearing an error in his understanding. And all the while Dorrigo Evans feared that if the steak stayed there in front of him a moment longer, he would seize it with both hands and swallow it whole and fail this test and be revealed for who he truly was. In his anger at the men’s manipulation of him, in his fury
at his own weakness, he suddenly stood up and started yelling in a rage—
Now! It’s yours, not mine! Take it! Share it! Share it!
And the kitchen hand, relieved that he might now even get to taste a morsel of that steak himself, and delighted that the colonel was all that everyone said the Big Fella was, stole forward and took the steak to the hospital, and with it one more story of what an extraordinary man their leader was.
18
DORRIGO EVANS HATED virtue, hated virtue being admired, hated people who pretended he had virtue or pretended to virtue themselves. And the more he was accused of virtue as he grew older, the more he hated it. He did not believe in virtue. Virtue was vanity dressed up and waiting for applause. He had had enough of nobility and worthiness, and it was in Lynette Maison’s failings that he found her most admirably human. It was in her unfaithful arms that he found fidelity to some strange truth of the passing nature of everything.
She had known privilege and never spent the night with doubt. As her beauty drifted away from her, a wake receding from a now-stilled boat, she came to need him far more than he did her. Imperceptibly to them both, she had become to him one more duty. But then his life was all duty now. Duty to his wife. Duty to his children. Duty to work, to committees, to charities. Duty to Lynette. Duty to the other women. It was exhausting. It demanded stamina. At times he amazed even himself. He would think there ought to be some sort of recognition for such achievement. It took a strange courage. It was loathsome. It made him hate himself, but he could no more not be himself now than he could have not been himself with Colonel Rexroth. And somehow what gave him sense and direction and the capacity to go on, the duty above all other duty, was what he believed he owed to the men he had been with in that camp.
You’re thinking of her, she said.
Once more he said nothing. As he did all his other duties he bore Lynette in a manner he felt manful—which is to say, he covered the growing distance between them with an increased affection. She bored him more and more; were it not that she remained an adventure, he would have stopped seeing her years before. Their lovemaking had been desultory, and he had to concede both to himself and to her that things weren’t as they once had been, but Lynette hadn’t seemed to mind. In truth, nor did he. It was enough to be allowed to smell her back, to rest a hand between her soft thighs. She could be jealous and selfish, and he could not help it, but the smallness of her satisfied him.
As she prattled on about the politics and gossip of the magazine where she worked as a deputy editor, the petty humiliations she endured from superiors she regarded as her inferiors, her office triumphs, her fears, her innermost desires, he was again seeing that sky during the Speedo, always dirty, and he was thinking of how he hadn’t thought of Darky Gardiner for years, not until the previous day, when he had tried to write an account of his beating.
He had been asked to write the foreword to a book of sketches and illustrations made by Guy Hendricks, a POW who had died on the Line, and whose sketchbook Dorrigo had carried and kept hidden for the rest of the war. The sky was always dirty and it was always moving, scurrying away, or so it seemed to him, to some better place where men didn’t die for no reason, where life answered to something beyond chance. Darky Gardiner had been right: it had all been a two-up game. That bruised sky, blue-welted and blood-puddling. Dorrigo wanted to remember Darky Gardiner, his face, him singing, that sly split smile. But all he could ever see, no matter how hard he tried to summon his presence, was that filthy sky racing away from all that horror.
Every throw is always the first, Dorrigo remembered Darky saying. Isn’t that a lovely idea?
You are and you won’t admit it, Lynette Maison said. Go on. Aren’t you? Thinking of her?
I never paid up, you know. Ten shillings.
I know it.
Twenty to three. I remember that.
I know it when you’re thinking of her.
You know, he whispered into Lynette Maison’s fleshy shoulder, I was working on the foreword today and I got stuck there in the Speedo, when they worked us seventy days and nights without a day off through the monsoon. And I was trying to recall when they bashed Darky Gardiner. It was the same day we cremated poor old Guy Hendricks. I tried to write what I remembered of the day. It sounded terrible and noble all at once. But it wasn’t any of those things.
I do, you know.
It was miserable and stupid.
Come here.
I think they were bored with it, with the bashing. The Japs, I mean.
Come. Let’s sleep.
There was Nakamura, that lousy little bastard the Goanna with his marionette strut, two other Japanese engineers. Or was it three? I can’t even remember that. What sort of witness am I? I mean, maybe they really wanted to hurt him at the beginning but then it was boring for them, as boring as the hammer and tap was for our fellows. Can you imagine that? Just work, and tedious, dull work at that.
Let’s sleep.
Hard, sweaty work. Like digging a ditch. One stopped for a moment. And I thought, Well, that’s that. Thank God. He brought his hand up to his forehead, flicked the sweat away and sniffed. Just like that. Then he went back to work beating Darky. There was no meaning in it, not then and not now, but you can’t write that, can you?
But you wrote it.
I wrote. Something. Yes.
And you were truthful.
No.
You weren’t truthful?
I was accurate.
Outside in the night, as though searching for a thing hopelessly lost, a reversing truck sounded a forlorn cheep.
I don’t know why it stands out for you, she said.
No.
I really don’t. Weren’t there so many who suffered?
There were, he agreed.
Why does it stand out then?
He said nothing.
Why?
Lying in that hotel bed in Parramatta, he felt he should be thinking of the world full with good things beyond their room, that blue sky just waiting to come again in a few hours, that great blue sky which in his mind was forever associated with the lost freedom of his childhood. Yet his mind could never stop seeing the black-streaked sky of the camp.
Tell me, she said.
It always reminded him of dirty rags drenched in sump oil.
I want to know, she said.
No. You don’t.
She’s dead, isn’t she? I’m only jealous of the living.
From that woman
on the beach, dusk pours out
across the evening waves.
Issa
1
DORRIGO EVANS WAS in Adelaide, doing his final training with the 2/7th Casualty Clearing Station at the Warradale army camp in the ferocious heat of late 1940, before embarking to who knew where. And he had a half-day leave pass—good for nothing, really. Tom had telegrammed him from Sydney to say their Uncle Keith, who ran a pub just out of Adelaide on the coast, was keen to see Dorrigo and will look after you royally. Dorrigo had never met Keith Mulvaney. All he really knew about him was that he had been married to their father’s youngest sister who had died in an automobile accident some years ago. Though Keith had since remarried, he kept in contact with his first wife’s family through Christmas cards to Tom, who had alerted him to the news of Dorrigo being stationed in Adelaide. Dorrigo had meant to visit his uncle that day, but the car he had hoped to borrow had broken down. So instead he was meeting some fellow doctors from the 2/7th that night at a Red Cross dance in the city.
It was Melbourne Cup day, and there was a languid excitement in the streets following the race. To kill time before the event, he had walked the city streets and ended up in an old bookshop off Rundle Street. An early evening function was in progress, a magazine launch or some such. A confident young man with wild hair and large tie loosely knotted was reading from a magazine.
We know no mithridatum of despair
as drunks, the angry penguins of the night,
straddling the cobbles of the square
tying a shoelace by fogged lamplight.
Dorrigo Evans was unable to make head or tail of it. His tastes were in any case already ossifying into the prejudices of those who voyage far into classics in adolescence and rarely journey elsewhere again. He was mostly lost with the contemporary and preferred the literary fashions of half a century before—in his case, the Victorian poets and the writers of antiquity.
Blocked by the small crowd from browsing, he headed up some bare wooden stairs at the far end of the shop that seemed more promising. The second storey was composed of two smaller rear offices, unoccupied, and a large room, also empty of people, floored with wide, rough-sawn boards that ran through to dormer windows that fronted the street. Everywhere were books he could browse; books in teetering piles, books in boxes, second-hand books jammed and leaning at contrary angles like ill-disciplined militia on floor-to-ceiling shelves that ran the length of the far side wall.
It was hot in the room, but it felt to him far less stifling than the poetry reading below. He pulled out a book here and there, but what kept catching his attention were the diagonal tunnels of sunlight rolling in through the dormer windows. All around him dust motes rose and fell, shimmering, quivering in those shafts of roiling light. He found several shelves full of old editions of classical writers and began vaguely browsing, hoping to find a cheap edition of Virgil’s Aeneid, which he had only ever read in a borrowed copy. It wasn’t really the great poem of antiquity that Dorrigo Evans wanted though, but the aura he felt around such books—an aura that both radiated outwards and took him inwards to another world that said to him that he was not alone.