I am talking about our very early childhood—as far back as five, six, seven years old. Much of it is buried now, and I know that even memories can be false. Still, I don’t think I would be wrong in saying that I have kept the aura of those days inside me, and to the extent that I can feel what I felt then, I doubt those feelings can lie. Whatever it was that Fanshawe eventually became, my sense is that it started for him back then. He formed himself very quickly, was already a sharply defined presence by the time we started school. Fanshawe was visible, whereas the rest of us were creatures without shape, in the throes of constant tumult, floundering blindly from one moment to the next. I don’t mean to say that he grew up fast—he never seemed older than he was—but that he was already himself before he grew up. For one reason or another, he never became subject to the same upheavals as the rest of us. His dramas were of a different order—more internal, no doubt more brutal—but with none of the abrupt changes that seemed to punctuate everyone else’s life.
One incident is particularly vivid to me. It concerns a birthday party that Fanshawe and I were invited to in the first or second grade, which means that it falls at the very beginning of the period I am able to talk about with any precision. It was a Saturday afternoon in spring, and we walked to the party with another boy, a friend of ours named Dennis Walden. Dennis had a much harder life than either of us did: an alcoholic mother, an overworked father, innumerable brothers and sisters. I had been to his house two or three times—a great, dark ruin of a place— and I can remember being frightened by his mother, who made me think of a fairy tale witch. She would spend the whole day behind the closed door of her room, always in her bathrobe, her pale face a nightmare of wrinkles, poking her head out every now and then to scream something at the children. On the day of the party, Fanshawe and I had been duly equipped with presents to give the birthday boy, all wrapped in colorful paper and tied with ribbons. Dennis, however, had nothing, and he felt bad about it. I can remember trying to console him with some empty phrase or other: it didn’t matter, no one really cared, in all the confusion it wouldn’t be noticed. But Dennis did care, and that was what Fanshawe immediately understood. Without any explanation, he turned to Dennis and handed him his present. Here, he said, take this one—I’ll tell them I left mine at home. My first reaction was to think that Dennis would resent the gesture, that he would feel insulted by Fanshawe’s pity. But I was wrong. He hesitated for a moment, trying to absorb this sudden change of fortune, and then nodded his head, as if acknowledging the wisdom of what Fanshawe had done. It was not an act of charity so much as an act of justice, and for that reason Dennis was able to accept it without humiliating himself. The one thing had been turned into the other. It was a piece of magic, a combination of off-handedness and total conviction, and I doubt that anyone but Fanshawe could have pulled it off.
After the party, I went back with Fanshawe to his house. His mother was there, sitting in the kitchen, and she asked us about the party and whether the birthday boy had liked the present she had bought for him. Before Fanshawe had a chance to say anything, I blurted out the story of what he had done. I had no intention of getting him into trouble, but it was impossible for me to keep it to myself. Fanshawe’s gesture had opened up a whole new world for me: the way someone could enter the feelings of another and take them on so completely that his own were no longer important. It was the first truly moral act I had witnessed, and nothing else seemed worth talking about. Fanshawe’s mother was not so enthusiastic, however. Yes, she said, that was a kind and generous thing to do, but it was also wrong. The present had cost her money, and by giving it away Fanshawe had in some sense stolen that money from her. On top of that, Fanshawe had acted impolitely by showing up without a present—which reflected badly on her, since she was the one responsible for his actions. Fanshawe listened carefully to his mother and did not say a word. After she was finished, he still did not speak, and she asked him if he understood. Yes, he said, he understood. It probably would have ended there, but then, after a short pause, Fanshawe went on to say that he still thought he was right. It didn’t matter to him how she felt: he would do the same thing again the next time. A scene followed this little exchange. Mrs. Fanshawe became angry at his impertinence, but Fanshawe stuck to his guns, refusing to budge under the barrage of her reprimands. Eventually, he was ordered to his room and I was told to leave the house. I was appalled by his mother’s unfairness, but when I tried to speak up in his defense, Fanshawe waved me off. Rather than protest anymore, he took his punishment silently and disappeared into his room.
The whole episode was pure Fanshawe: the spontaneous act of goodness, the unswerving belief in what he had done, and the mute, almost passive giving in to its consequences. No matter how remarkable his behavior was, you always felt that he was detached from it. More than anything else, it was this quality that sometimes scared me away from him. I would get so close to Fanshawe, would admire him so intensely, would want so desperately to measure up to him—and then, suddenly, a moment would come when I realized that he was alien to me, that the way he lived inside himself could never correspond to the way I needed to live. I wanted too much of things, I had too many desires, I lived too fully in the grip of the immediate ever to attain such indifference. It mattered to me that I do well, that I impress people with the empty signs of my ambition: good grades, varsity letters, awards for whatever it was they were judging us on that week. Fanshawe remained aloof from all that, quietly standing in his corner, paying no attention. If he did well, it was always in spite of himself, with no struggle, no effort, no stake in the thing he had done. This posture could be unnerving, and it took me a long time to learn that what was good for Fanshawe was not necessarily good for me.
I do not want to exaggerate, however. If Fanshawe and I eventually had our differences, what I remember most about our childhood is the passion of our friendship. We lived next door to each other, and our fenceless backyards merged into an unbroken stretch of lawn, gravel, and dirt, as though we belonged to the same household. Our mothers were close friends, our fathers were tennis partners, neither one of us had a brother: ideal conditions therefore, with nothing to stand between us. We were born less than a week apart and spent our babyhoods in the backyard together, exploring the grass on all fours, tearing apart the flowers, standing up and taking our first steps on the same day. (There are photographs to document this.) Later, we learned baseball and football in the backyard together. We built our forts, played our games, invented our worlds in the backyard, and still later, there were our rambles through the town, the long afternoons on our bicycles, the endless conversations. It would be impossible, I think, for me to know anyone as well as I knew Fanshawe then. My mother recalls that we were so attached to each other that once, when we were six, we asked her if it was possible for men to get married. We wanted to live together when we grew up, and who else but married people did that? Fanshawe was going to be an astronomer, and I was going to be a vet. We were thinking of a big house in the country—a place where the sky would be dark enough at night to see all the stars and where there would be no shortage of animals to take care of.
In retrospect, I find it natural that Fanshawe should have become a writer. The severity of his inwardness almost seemed to demand it. Even in grammar school he was composing little stories, and I doubt there was ever a time after the age of ten or eleven when he did not think of himself as a writer. In the beginning, of course, it didn’t seem to mean much. Poe and Stevenson were his models, and what came out of it was the usual boyish claptrap: “One night, in the year of our Lord seventeen hundred and fifty-one, I was walking through a murderous blizzard toward the house of my ancestors, when I chanced upon a spectre-like figure in the snow.” That kind of thing, filled with overblown phrases and extravagant turns of plot. In the sixth grade, I remember, Fanshawe wrote a short detective novel of about fifty pages, which the teacher let him read to the class in ten-minute installments each day at the end of school.
We were all proud of Fanshawe and surprised by the dramatic way he read, acting out the parts of each of the characters. The story escapes me now, but I recall that it was infinitely complex, with the outcome hinging on something like the confused identities of two sets of twins.
Fanshawe was not a bookish child, however. He was too good at games for that, too central a figure among us to retreat into himself. All through those early years, one had the impression there was nothing he did not do well, nothing he did not do better than everyone else. He was the best baseball player, the best student, the best looking of all the boys. Any one of these things would have been enough to give him special status—but together they made him seem heroic, a child who had been touched by the gods. Extraordinary as he was, however, he remained one of us. Fanshawe was not a boy-genius or a prodigy; he did not have any miraculous gift that would have set him apart from the children his own age. He was a perfectly normal child—but more so, if that is possible, more in harmony with himself, more ideally a normal child than any of the rest of us.
At heart, the Fanshawe I knew was not a bold person. Nevertheless, there were times when he shocked me by his willingness to jump into dangerous situations. Behind all the surface composure, there seemed to be a great darkness: an urge to test himself, to take risks, to haunt the edges of things. As a boy, he had a passion for playing around construction sites, clambering up ladders and scaffolds, balancing on planks over an abyss of machinery, sandbags, and mud. I would hover in the background as Fanshawe performed these stunts, silently imploring him to stop, but never saying anything—wanting to go, but afraid to lest he should fall. As time went on, these impulses became more articulate. Fanshawe would talk to me about the importance of “tasting life.” Making things hard for yourself, he said, searching out the unknown—this was what he wanted, and more and more as he got older. Once, when we were about fifteen, he persuaded me to spend the weekend with him in New York—roaming the streets, sleeping on a bench in the old Penn Station, talking to bums, seeing how long we could last without eating. I remember getting drunk at seven o’clock on Sunday morning in Central Park and puking all over the grass. For Fanshawe this was essential business—another step toward proving oneself—but for me it was only sordid, a miserable lapse into something I was not. Still, I continued to go along with him, a befuddled witness, sharing in the quest but not quite part of it, an adolescent Sancho astride my donkey, watching my friend do battle with himself.
A month or two after our weekend on the bum, Fanshawe took me to a brothel in New York (a friend of his arranged the visit), and it was there that we lost our virginity. I remember a small brownstone apartment on the Upper West Side near the river—a kitchenette and one dark bedroom with a flimsy curtain hanging between them. There were two black women in the place, one fat and old, the other young and pretty. Since neither one of us wanted the older woman, we had to decide who would go first. If memory serves, we actually went into the hall and flipped a coin. Fanshawe won, of course, and two minutes later I found myself sitting in the little kitchen with the fat madam. She called me sugar, reminding me every so often that she was still available, in case I had a change of heart. I was too nervous to do anything but shake my head, and then I just sat there, listening to Fanshawe’s intense and rapid breathing on the other side of the curtain. I could only think about one thing: that my dick was about to go into the same place that Fanshawe’s was now. Then it was my turn, and to this day I have no idea what the girl’s name was. She was the first naked woman I had seen in the flesh, and she was so casual and friendly about her nakedness that things might have gone well for me if I hadn’t been distracted by Fanshawe’s shoes—visible in the gap between the curtain and the floor, shining in the light of the kitchen, as if detached from his body. The girl was sweet and did her best to help me, but it was a long struggle, and even at the end I felt no real pleasure. Afterward, when Fanshawe and I walked out into the twilight, I didn’t have much to say for myself. Fanshawe, however, seemed rather content, as if the experience had somehow confirmed his theory about tasting life. I realized then that Fanshawe was much hungrier than I could ever be.
We led a sheltered life out there in the suburbs. New York was only twenty miles away, but it could have been China for all it had to do with our little world of lawns and wooden houses. By the time he was thirteen or fourteen, Fanshawe became a kind of internal exile, going through the motions of dutiful behavior, but cut off from his surroundings, contemptuous of the life he was forced to live. He did not make himself difficult or outwardly rebellious, he simply withdrew. After commanding so much attention as a child, always standing at the exact center of things, Fanshawe almost disappeared by the time we reached high school, shunning the spotlight for a stubborn marginality. I knew that he was writing seriously by then (although by the age of sixteen he had stopped showing his work to anyone), but I take that more as a symptom than as a cause. In our sophomore year, for example, Fanshawe was the only member of our class to make the varsity baseball team. He played extremely well for several weeks, and then, for no apparent reason, quit the team. I remember listening to him describe the incident to me the day after it happened: walking into the coach’s office after practice and turning in his uniform. The coach had just taken his shower, and when Fanshawe entered the room he was standing by his desk stark naked, a cigar in his mouth and his baseball cap on his head. Fanshawe took pleasure in the description, dwelling on the absurdity of the scene, embellishing it with details about the coach’s squat, pudgy body, the light in the room, the puddle of water on the gray concrete floor—but that was all it was, a description, a string of words divorced from anything that might have concerned Fanshawe himself. I was disappointed that he had quit, but Fanshawe never really explained what he had done, except to say that he found baseball boring.
As with many gifted people, a moment came when Fanshawe was no longer satisfied with doing what came easily to him. Having mastered all that was demanded of him at an early age, it was probably natural that he should begin to look for challenges elsewhere. Given the limitations of his life as a high school student in a small town, the fact that he found that elsewhere inside himself is neither surprising nor unusual. But there was more to it than that, I believe. Things happened around that time in Fanshawe’s family that no doubt made a difference, and it would be wrong not to mention them. Whether they made an essential difference is another story, but I tend to think that everything counts. In the end, each life is no more than the sum of contingent facts, a chronicle of chance intersections, of flukes, of random events that divulge nothing but their own lack of purpose.
When Fanshawe was sixteen, it was discovered that his father had cancer. For a year and a half he watched his father die, and during that time the family slowly unravelled. Fanshawe’s mother was perhaps hardest hit. Stoically keeping up appearances, attending to the business of medical consultations, financial arrangements, and trying to maintain the household, she swung fitfully between great optimism over the chances of recovery and a kind of paralytic despair. According to Fanshawe, she was never able to accept the one inevitable fact that kept staring her in the face. She knew what was going to happen, but she did not have the strength to admit that she knew, and as time went on she began to live as though she were holding her breath. Her behavior became more and more eccentric: allnight binges of manic house cleaning, a fear of being in the house alone (combined with sudden, unexplained absences from the house), and a whole range of imagined ailments (allergies, high blood pressure, dizzy spells). Toward the end, she started taking an interest in various crackpot theories— astrology, psychic phenomena, vague spiritualist notions about the soul—until it became impossible to talk to her without being worn down to silence as she lectured on the corruption of the human body.
Relations between Fanshawe and his mother became tense. She clung to him for support, acting as though the family’s pain belonged only to her. Fanshawe had to be the solid one in
the house; not only did he have to take care of himself, he had to assume responsibility for his sister, who was just twelve at the time. But this brought with it another set of problems—for Ellen was a troubled, unstable child, and in the parental void that ensued from the illness she began to look to Fanshawe for everything. He became her father, her mother, her bastion of wisdom and comfort. Fanshawe understood how unhealthy her dependence on him was, but there was little he could do about it short of hurting her in some irreparable way. I remember how my own mother would talk about “poor Jane” (Mrs. Fanshawe) and how terrible the whole thing was for the “baby.” But I knew that in some sense it was Fanshawe who suffered the most. It was just that he never got a chance to show it.