THE
OTHER SIDE
OF DAWN
JOHN MARSDEN
Pan Macmillan Australia
JOHN MARSDEN DESCRIBES HIS APPROACH TO WRITING:
‘Writing is not a job or activity. Nor do I sit at a desk waiting for inspiration to strike. Writing is like a different kind of existence. In my life, for some of the time, I am in an alternative world, which I enter through day-dreaming or imagination. That world seems as real to me as the more tangible one of relationships and work, cars and taxes. I don’t know that they’re much different to each other.
‘However, I write about these alternative worlds because it helps to preserve them. I’m their historian, their geographer, their sociologist, their storyteller. I write them into being. I have to say I don’t care whether this is a good thing to do or not; this is just the way I am and the way I live my life.’
Also by John Marsden
So Much to Tell You
The Journey
The Great Gatenby
Staying Alive in Year 5
Out of Time
Letters from the Inside
Take My Word for It
Looking for Trouble
Tomorrow . . . (Ed.)
Cool School
Creep Street
Checkers
For Weddings and a Funeral (Ed.)
This I Believe (Ed.)
Dear Miffy
Prayer for the 21st Century
Everything I Know About Writing
Secret Men’s Business
The Tomorrow Series 1999 Diary
The Rabbits
Norton’s Hut
Marsden on Marsden
Winter
The Head Book
The Boy You Brought Home
The Magic Rainforest
Millie
A Roomful of Magic
The Tomorrow Series
Tomorrow, When the War Began
The Dead of the Night
The Third Day, the Frost
Darkness, Be My Friend
Burning for Revenge
The Night is for Hunting
The Other Side of Dawn
The Ellie Chronicles
While I Live
Incurable
Circle of Flight
The reference to the bell tolling on page 240 is paraphrased from ‘Devotions’ by John Donne.
John Marsden’s website can be visited at:
www.johnmarsden.com.au
First published 1999 in Macmillan by Pan Macmillan Australia Pty Limited
First published 2000 in Pan by Pan Macmillan Australia Pty Limited
1 Market Street, Sydney
Reprinted 2000 (twice), 2001, 2003, 2004 (three times), 2005, 2006 (twice)
Copyright © Jomden Pty Ltd 1999
The moral right of the author has been asserted.
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher.
National Library of Australia
cataloguing-in-publication data:
Marsden, John, 1950–.
The other side of dawn.
ISBN 0 330 36213 5.
I. Title. (Series : Marsden, John, 1950– Tomorrow series ; bk. 7).
A823.3
Printed in Australia by McPherson’s Printing Group
The characters and events in this book are fictitious and any resemblance to real persons, living or dead, is purely coincidental.
Papers used by Pan Macmillan Australia Pty Ltd are natural, recyclable products made from wood grown in sustainable forests. The manufacturing processes conform to the environmental regulations of the country of origin.
These electronic editions published in 1999 by Pan Macmillan Australia Pty Ltd
1 Market Street, Sydney 2000
The moral right of the author has been asserted.
All rights reserved. This publication (or any part of it) may not be reproduced or transmitted, copied, stored, distributed or otherwise made available by any person or entity (including Google, Amazon or similar organisations), in any form (electronic, digital, optical, mechanical) or by any means (photocopying, recording, scanning or otherwise) without prior written permission from the publisher.
The Other Side of Dawn
John Marsden
Adobe eReader format 978-1-74197-102-6
EPub format 978-1-74262-453-2
Mobipocket format 978-1-74197-504-8
Online format 978-1-74197-705-9
Macmillan Digital Australia
www.macmillandigital.com.au
Visit www.panmacmillan.com.au to read more about all our books and to buy both print and ebooks online. You will also find features, author interviews and news of any author events.
To the people of Tibet, East Timor, and
West Papua (Irian Jaya)
Acknowledgements
Many thanks for ideas, information and stories to
Dallas Wilkinson
Ross Barlow
Lizzie Matthews
Roos Marsden
Jeanne Marsden
Charlotte Lindsay
The Farran family, especially Elizabeth
Barry Traill
Chris Kalff
Lesley Tuncliffe (‘Write Inside the Mind’)
Lachlan Monsbourgh
Lachie Dunn
Special thanks to Anna McFarlane for editing the manuscript, and to Paul Kenny for his perceptive and generous support of this series since its earliest days.
CONTENTS
Title Page
John Marsden Describes His Approach To Writing
Also by John Marsden
Copyright
Dedication
Acknowledgments
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Epilogue
Chapter One
The noise of a helicopter at night fills the whole world. Your ears rattle with the sound. Your other senses haven’t got a hope. Oh of course you can still see, and smell, and feel. You see the dark shape of the chopper dropping like a huge March fly, with just two thin white lights checking the ground below. You smell the fumes of the aviation fuel. They go straight to your head, making you dizzy, like you’re a little drunk. You feel the blast of air, getting stronger and stronger, blowing your hair then buffeting your whole body. But you hardly notice any of that stuff. The noise takes over everything. It’s like a turbo-charged cappuccino machine. You’ve got your hands over your ears but it doesn’t matter; you still can’t keep out the racket.
All sounds are louder at night, and at three in the morning a helicopter is very, very loud.
When you’re scared it sounds even louder.
In the middle of the bush you don’t normally get loud noises. Cockatoos at dusk, tractors in the paddock, cattle bellowing: they’re about as noisy as it gets. So the helicopter did kind of stand out.
There wasn’t much we could do about it. Lee and Homer and Kevin were at different points around the paddocks, on high spots overlooking gates and four-wheel-drive tracks. We’d scrapped our first plan, which was to leave Kevin and Fi in Hell to look
after the little kids. We’d decided at the last minute that we needed everyone we could get. We were so nervous, not knowing what to expect. So Kevin came with us and Fi had to do the babysitting on her own.
I agonised over that decision. That’s what this war seemed to be all about, agonising over decisions. We called it right more often than we called it wrong, but the consequences of mistakes were so terrible. It wasn’t enough to score ninety-nine per cent in the tests of war; not if the other one per cent represented a human life.
If we’d called this one wrong we’d lose Fi, Casey, Natalie, Jack and Gavin. Pretty bad call. A few days ago we would have felt confident leaving Fi there. Not any more. Not after the gunfight of twenty-four hours earlier. Not after spending the morning burying the bullet-torn and chopped-up bodies of the eight soldiers we’d killed.
So, the boys were watching for more enemy soldiers, but at best they’d get only a few minutes warning of anyone approaching. There were too many different ways the soldiers could come. Plus, we didn’t know exactly where the chopper would land. Last time it had been about a kilometre and a half from its target, which was pretty good, considering how hard the navigation must be, but if it was that far out again our sentries were useless.
Actually the pilot did well. He didn’t go where we landed last time. He came down where we should have landed last time. But that was OK, because it was still in the area we’d marked out. In the excitement of watching the great black shape dropping onto us, and with my ears deafened by the clatter of the blades and the roar of the engine, I forgot for a moment about the dangers of gatecrashers.
Through the dark perspex of the chopper I could see the glow of the dashboard lights and the green light on the navigation table. The storm of dust and leaves meant I couldn’t see the people, only a few dark heads. I was hoping the pilot would be Sam, the guy who’d brought us over last time, because I liked him, and admired him. For a guy I’d met only once, and so briefly, he’d made a big impression. But there was no telling who was flying this helicopter.
It settled, like a pregnant cow sinking to the ground, and the side hatch dropped open straightaway. A figure in dark clothes leapt out, then he turned to help bring down a large container. I ran forward. Two other people, in uniform, jumped through the hatch, and the four of us, without a word, arranged ourselves in a line, passing out a heap of boxes and barrels. I found myself panting, like the effort of doing it was full-on exhausting; I guess it wasn’t, but it felt that way.
Less than three minutes later, the first soldier, putting one hand on either side of the hatch, levered himself back up and disappeared inside; the next one followed, and at the same moment the helicopter lifted off. If Sam had been at the controls I’d have had no chance to see him, let alone say hello.
Anyway there was no time for anything really, not even thinking. I’d registered that with two people back in the chopper we still had one on the ground, but we also had a heap of stuff. There’d been no warning from Colonel Finley of what to expect, just that we’d have a visitor for twenty-four hours. My curiosity was running at maximum revs.
There was no time to satisfy it. The man and I started carrying the boxes towards a pile of rocks a hundred metres to the west. It was the nearest cover. We wouldn’t be able to get all this stuff into Hell in one trip, and there wouldn’t be time to go there and back before dawn. I heard a slippage of stones and turned around in time to see Lee coming up the slope, out of the darkness. For a moment it seemed he wore the darkness, was dressed in it, but he was moving so quickly that he was with me before I had time to think about that.
‘How’d it go?’ he whispered, looking around all the time, like he was having a bad trip and thought spiders were crawling all over him.
‘Is it safe?’ I asked, more worried that he had left his lookout post than I was about answering his question.
‘No, what do you bloody reckon?’
We were all on edge. But I didn’t like the way he kept looking around.
‘Well, is he here?’ Lee asked.
‘Yeah. With a heap of stuff.’ I nodded at the crate I was dragging along. ‘Grab the other end will you.’
We carried it between us, then went back for another one. In the meantime Homer and Kevin had arrived, so by the time they took a couple of crates, and the man got a second load, Lee and I could take it easy.
Suddenly the night was peaceful once more. The helicopter had long gone—the noise just a memory—and the air was clear and sweet. It was hard to believe in a war, or enemies, or danger. With the stuff safely stowed we found ourselves standing in a little group on the edge of the escarpment.
And we were all embarrassed. Well, I don’t know about the others, but I was, and they looked it. It had been so long since we’d met any strangers. Apart from the feral kids—and I couldn’t really count them—we’d been on our own a long time.
The man looked about thirty. He was dressed in camouflage gear, but without a cap. From what I could see in the moonlight he had black hair and quite a dark face; heavy eyebrows that met in the middle. Ears that stuck out a bit and an unshaven chin. He smelt like a smoker. That was all I had time to notice. We got engaged in a rapid-fire conversation that rattled along like an automatic rifle.
‘How far’s your hide-out?’
‘Three hours.’
‘Will the stuff be safe here?’
‘Should be.’
‘We could leave a sentry,’ said Lee.
‘But a sentry couldn’t do anything against a patrol,’ Homer said.
‘We’re a long way from anywhere,’ I said.
‘If they tracked the chopper . . .’ the man said.
I realised what he meant. The helicopter might have been picked up by radar or something. If a patrol had been sent from Wirrawee, they could arrive in two or three hours, long after we’d left the area.
‘Damn,’ I thought, ‘we’ve got some hard work ahead.’ But out loud I said: ‘We’ll have to move the whole lot.’
‘Where to?’
‘Towards Tailor’s Stitch. We could get it halfway up the road tonight. That way we won’t have so far to carry it tomorrow.’
‘Which way is Tailor’s Stitch?’ the man asked.
‘North-east.’
‘You might want to take it in a different direction after I’ve talked to you,’ he said.
That brought me to a dead stop. Obviously these crates weren’t just full of Mars bars.
‘OK,’ I said, rethinking. ‘You tell us.’
The man suddenly looked cautious. ‘Anywhere in the direction of Stratton would be OK,’ he said.
But from the way he said it, I knew Stratton wasn’t the target.
I paused, mentally scanning possible places, like I was scrolling down on a computer, but rejecting each one. ‘I know,’ I said at last. ‘There is a safe place. But we’ll have to move.’
We loaded up. The New Zealander pulled out a couple of backpacks that he suggested we take to our hide-out. Everything else had to be carried away. With five of us we could do it in two trips, but we each had to take a fair bit of weight.
The place I had in mind was the wetlands; a swamp on the eastern boundary of our property. My grandfather drained the wetlands, paying for it with a government grant that they were handing out in those days. He turned it into pasture. Before I was born Dad brought in the bulldozers and dug it all out again. It was a radical thing to do. Most farmers wanted to turn every square centimetre into productive land, and to hell with the natural features or the natural vegetation. But trust my stubborn father: he was determined to bring back those wetlands. Grandpa spat chips in a big way and the neighbours thought we were mad. But Dad reckoned it’d give us a good source of permanent water, and it’d bring back birds that keep the insects down, plus it’d be a huge firebreak.
He was right too, on all three counts. I remember how proud he was when the ibis started nesting on the islands in the middle of the swamp. The first season the
y came, there were eight or nine pairs, the next year twenty, and now we had a few hundred, returning every year.
It was quite good actually. Bit of a contribution to the environment.
The main reason I thought we should go there was that if a patrol brought dogs to chase us, the wetlands would stop them in their tracks. I didn’t know what was in the boxes, but the way this guy was acting it must have been important. So I thought it was worth going the extra couple of k’s to get the stuff onto the islands. The wetlands covered about eight hectares, so it’d take a few dogs a few days to search that little lot.
We got there pretty quickly. Grunting with relief I dropped the box I’d carried. In front of me, tied to a bolt in a tree stump, was an old yellow and green dinghy which I’d mucked around in when I was a kid. It only had one oar; I don’t know where the other one went, but it had been missing for as long as I could remember.
We all wanted to row the stuff to the island but Kevin and I got the job because I knew the best hiding place, and Homer had to navigate the others back to where the chopper landed.
We got into the boat with a bit of difficulty, mainly because Kevin tried to push off and jump in at the same time. But after some wild rocking, with me clutching both sides, we managed to get clear of the shore.
As the others went back along the shoreline they couldn’t resist. Lee had to chuck a handful of mud, and Homer bombed us with a rock. It was a very bad idea. The soldier went off like a car backfiring. ‘What the hell do you think you’re doing?’ he snarled at them. ‘Mother of God. Show a bit of sense.’
Kevin and I giggled at each other. But I didn’t really blame the man. He was probably wondering why on earth he’d been sent all the way from New Zealand to talk to a bunch of teenage dropkicks. He followed the two boys, watching them as he made his way through the grass. He sure didn’t pick up any mud or rocks.
Distracted by Lee and Homer playing silly buggers, Kevin and I had got into a 360, and by the time we recovered and looked around at the bank they’d disappeared. I just got a glimpse of Lee’s tall thin body disappearing like a shadow over the crest of the hill.