Read The People Look Like Flowers at Last: New Poems Page 7

talked some more and smoked and she

  got out of bed and said

  she had to go—

  her boyfriend lived downstairs with her,

  and I said goodbye

  and she left and

  then I looked over at the chair

  and I saw the clean white sheets.

  she had forgotten to change the sheets

  so I got up and

  changed the sheets for her.

  an agreement on Tchaikovsky

  both my legs are broken at the knees

  and I can’t move my right arm:

  it’s Spring and the birds are popping

  in and out of the brush

  driving the cats crazy.

  my good friend, Randy, frequents the

  men’s crappers at the racetrack

  looking for wallets: smart boy:

  if his folks had been rich

  he tells me he would have gone

  on to Harvard.

  she keeps playing Tchaikovsky’s 4th,

  the one that goes

  ka plunk plunk plunk plunk plunk;

  I don’t like it

  but old lady Rose

  my neighbor

  at the Sunset Park Rest Home

  thinks it’s

  beautiful.

  everybody’s too old here to use

  the tennis court

  there’s a layer of dust over the whole thing

  and the net’s a bunch of busted string.

  old lady Rose went to visit her kids today—

  that is, they came and got her, the old bag;

  she can’t walk at all

  and her legs aren’t even busted—

  she’s just a tiresome old

  fart!

  I wheeled myself into her room a while back

  and found a 10-dollar bill folded real neat

  and tight;

  she thought nobody’d find it

  in one of her old slippers

  but I’ve been around

  and she’ll come knocking on my door tonight

  asking for a “little touch of scotch”;

  man, all that crap about the land she USED

  to own in Arizona and how her husband USED

  to wear spats and carry a cane!

  he don’t need to wear anything where he’s at now;

  and while I was in there

  I cracked old Tchaikovsky #4 across the arm of a chair

  broke it good.

  and old lady Rose was right:

  it sounded damned beautiful to me:

  something like

  the cracking of walnuts.

  love song to the woman I saw Wednesday at the racetrack

  remembering Savannah 20 years ago

  a four poster bed

  and streets full of helmets and hunters

  things I did then

  left welts;

  ha ha, you say,

  but they come alive as I buy bread

  or lace a shoe

  and it doesn’t matter

  except that it works for me

  like the legs of that woman worked for me

  as the sun works for me as it works for the cactus

  and as you work for me

  reading this poem.

  and the legs of that woman walk

  as I watch them

  and the horses in the next race

  and the mountains stand there

  watching

  welts and a woman’s legs

  10-win on number six

  and out in the ocean

  or standing in the park

  like a statue

  I watch her

  walking.

  horses standing everywhere:

  Savannah-like seashells in my pocket:

  I have loved you woman

  as surely as I have named you

  rust and sand and nylon.

  you have worked for me

  wild thing.

  possession

  an old woman talks to a girl who is

  drying her long black hair while sitting on a back step,

  she points her finger and speaks in a foreign tongue

  and the sun is very beautiful

  as the old woman talks and combs the tangled strands

  (so many moons have gone down before and since).

  suddenly the young girl cries out and shakes her head

  and together they go back into the house

  where together they will die,

  but don’t they understand

  it was mine, not theirs:

  the hair, the long black sun-dried hair,

  and maybe the girl too?

  six

  10:30 a.m.

  5 coffee drinkers at the Pickwick Café

  the boys who work the horse stables

  at Hollywood Park

  turn in their swivel seats

  together,

  one, two, three, four, five,

  they turn

  leaving their cooling coffees and their

  small talk

  to stare at a girl walking by

  who comes in and sits in a booth.

  it is hardly an unusual girl,

  just a girl,

  and one, two, three, four,

  four of them turn back to their coffees;

  the 5th, a young healthy blond boy

  continues to look

  with his nice vacant blue eyes.

  then, at last, he turns back to his coffee.

  it has to be more than it appears, I think,

  ah yes, let me see,

  they are thinking, that’s the one who fucked Mick

  out behind the stables last night.

  yes, yes, of course, they are punishing her

  for not fucking them.

  nasty boys; little horse turd egos.

  they all believe they have cocks like stallions.

  “another coffee?” the waitress asks me.

  “yes, thanks,” I say, thinking, I should get a

  better look at that girl

  myself

  man mowing the lawn across the way from me

  I watch you walking with your machine.

  ah, you’re too stupid to be cut like grass,

  you’re too stupid to let anything violate you—

  the girls won’t use their knives on you

  they don’t want to

  their sharp edge is wasted on you,

  you are interested only in baseball games and

  western movies and grass blades.

  can’t you take just one of my knives?

  here’s an old one—stuck into me in 1955,

  she’s dead now, it wouldn’t hurt much.

  I can’t give you this last one—

  I can’t pull it out yet,

  but here’s one from 1964, how about taking

  this 1964 one from me?

  man mowing the lawn across the way from me

  don’t you have a knife somewhere in your gut

  where love left?

  man mowing the lawn across the way from me

  don’t you have a knife somewhere deep in your heart

  where love left?

  man mowing the lawn across the way from me

  don’t you see the young girls walking down the sidewalks now

  with knives in their purses?

  don’t you see their beautiful eyes and dresses and

  hair?

  don’t you see their beautiful asses and knees and

  ankles?

  man mowin
g the lawn across the way from me

  is that all you see—those grass blades?

  is that all you hear—the drone of the mower?

  I can see all the way to Italy

  to Japan

  to Honduras

  I can see the young girls sharpening their knives

  in the morning and at noon and at night, and

  especially at night, o,

  especially at night.

  the girl outside

  it is 1:30 p.m.

  Monday

  65 degrees in November

  on Western Avenue.

  a girl walks out of a doorway

  and stands in front.

  an older woman comes out and leans

  against the doorway.

  the girl is in her early twenties

  dressed in a short buttoned-up

  red dress. she has on panty hose and

  orange slippers

  and gives the appearance of one

  who has just awakened.

  she grins in the afternoon.

  she does a short sexy dance and grins.

  she is pale. she is blonde.

  suddenly she waves at somebody passing

  in a car.

  life is interesting.

  she is young.

  she is a girl.

  she dances again. she waves. she

  grins.

  that’s all very nice for 1:30 in the

  afternoon at 65 degrees.

  she wants money.

  she waves. she dances.

  she grins.

  the older woman is bored and walks back

  inside.

  I start my car in the parking lot across the

  street.

  I drive west down Oakwood and no longer see

  the girl.

  it’s so strange. I think,

  we all need money.

  then I turn on the radio and try to

  forget about

  that.

  the chicken

  I came by, she said,

  and I hung this roasted chicken on your doorknob

  and two days later it was still hanging there

  swinging in the wind.

  you should have seen that thing!

  and your car was outside

  and the chicken kept swinging

  and I said to my husband,

  what’s that stink?

  he must be dead.

  the wind was really blowing that

  chicken around, you should have seen that

  chicken swing, and I told my husband,

  that crazy son-of-a-bitch must be dead

  in there.

  so he got the key and we went in.

  yeah, I said, what did you find?

  just empty bottles and garbage. you

  were gone. you weren’t in

  there.

  did you look in all the closets?

  we looked everywhere, under the bed,

  everywhere.

  I wonder where I was?

  I dunno. where did you get that big scab on your head?

  I was toasting a marshmallow on a coat hanger and

  burned my fore-

  head.

  oh, I thought maybe somebody hit you.

  uh-uh, I said, uh-uh.

  an ancient love

  I don’t remember our ages:

  we must have been between 5 and 7,

  there was this girl next door about my age.

  I do remember her name: Lila Jane.

  and one thing she would do every day,

  once a day, was to ask me:

  “are you ready?”

  and I would indicate that I was

  and she would lift her dress and

  show me her panties and they were

  a different color each day.

  several decades later she somehow found me

  and came by with her boyfriend

  some fellow who smoked a pipe

  and who read my books

  and she crossed her long beautiful legs

  high

  but not high enough for me to see the panties.

  and when they were ready to leave

  I gave her a hug and

  I shook hands with her boyfriend

  and I never saw him or her

  or her panties

  ever again.

  match point

  read in the paper where a 72-year-old wife strangled her

  91-year-old husband with his

  necktie.

  she said the age difference was

  unbearable and added that

  when they had met on a tennis court 30 years

  earlier

  the age gap had not seemed

  important.

  it looks like I’ve been in serious danger

  at least a half dozen times

  in the last 25 years or so and still

  am.

  there’s just one necktie in my

  closet, purchased it to go to a funeral

  not long ago,

  but I’ve never played

  tennis and don’t intend to

  try.

  I also like to look at ceilings

  there are policemen in the street

  and angels in the clouds

  and jockeys riding in their silks.

  down through the mornings

  up through the nights

  parallel to the afternoons

  there are crippled dogs in

  East Kansas City

  vampires in Eugene, Oregon

  and a long walk for a glass of water in the

  Twin Cities.

  I meant to write Angela

  I really did

  and thank her for everything

  because I sincerely

  liked the way she draped shawls on her

  staircase

  and her herb tea

  and the green vines in her

  bathroom

  the view from her bedroom

  and her collection of

  Vivaldi.

  but I didn’t.

  I guess I’m crueler than

  I think I am.

  no Cagney, me

  I had a borrowed tv set for a month

  and saw some old Cagney movies.

  much of Cagney’s interaction with women

  takes place in the kitchen.

  they say something he doesn’t

  like. he slaps them with a dish towel

  or pushes a grapefruit into their

  face. they weep and fall

  into his arms.

  me, I am always being attacked by

  women

  especially when I am discouraged or

  tired. they push me out of doorways

  into the rain, into mud puddles on my

  back. they pour beer over my head

  come at me with knives and bookends

  they attack

  snarling like the leopard

  they rip my coats and shirts

  apart.

  they attack me at the moment

  I am casually talking to a

  friend or while I am

  asleep. sometimes they also beat their heads

  against the wall.

  I’m leaving, I say.

  oh, you always want to end it,

/>   don’t you?

  well, Christ, you act like you don’t

  like it.

  well, go then, go!

  I go. no Cagney, me. I drive away

  thinking, oh shit, God, it’s so nice to

  be alone again.

  you had it, Jimmy.

  what a woman wants is a

  reaction.

  what a man wants is a

  woman.

  you’re best.

  soup, cosmos and tears

  I’ve known some crazy women

  but the craziest was

  Annette

  and it seems the crazier they are

  the better the lay,

  and what bodies they

  have. Annette always lived with

  Chinese men

  but you never saw them

  that’s what scared you,

  even the Mafia is scared of the Chinese—

  “where’s the dragon, kid?”

  “that’s all right. he knows you’re all right.”

  “you sure? when they put the X on you,

  you might as well

  forget it.”

  “I told them you were all right. that’s all

  they need.”

  Annette had incense burning,

  all sorts of charts and weirdo books,

  she always talked about the gods

  she had a direct line to the gods.

  “you have been selected by the gods,” she told

  me.

  “o.k., babe, let’s make it

  then.”

  “not right now. I want you to try this special soup

  I’ve made.”

  “special soup?”

  “yes, eat it and you will inherit the forces of

  earth and sun, the entire

  cosmos.”

  I went and ate the soup. frankly, it tasted all right,

  though a bit rusty. no telling what the hell she had

  put in there. I finished

  it.

  “I feel like a man of steel

  now.”

  “you have inherited the force,” she said, “the gods are