‘Ay,’ he said, ‘where have you put the scissors.’
She brought them to him, and stood watching as, chin forward, he trimmed his beard.
‘Don’t go an’ crop yourself as if you was at a shearin’ contest,’ she said, anxiously. He blew the fine-curled hair quickly off his lips.
He put on all clean clothes, folded his stock carefully, and donned his best coat. Then, being ready, as grey twilight was falling, he went across to the orchard to gather the daffodils. The wind was roaring in the apple-trees, the yellow flowers swayed violently up and down, he heard even the fine whisper of their spears as he stooped to break the flattened, brittle stems of the flowers.
‘What’s to-do?’ shouted a friend who met him as he left the garden gate.
‘Bit of courtin’, like,’ said Brangwen.
And Tilly, in a great state of trepidation and excitement, let the wind whisk her over the field to the big gate, whence she could watch him go.
He went up the hill and on towards the vicarage, the wind roaring through the hedges, whilst he tried to shelter his bunch of daffodils by his side. He did not think of anything, only knew that the wind was blowing.
Night was falling, the bare trees drummed and whistled. The vicar, he knew, would be in his study, the Polish woman in the kitchen, a comfortable room, with her child. In the darkest of twilight, he went through the gate and down the path where a few daffodils stooped in the wind, and shattered crocuses made a pale, colourless ravel.*
There was a light streaming on to the bushes at the back from the kitchen window. He began to hesitate. How could he do this? Looking through the window, he saw her seated in the rocking-chair with the child, already in its nightdress, sitting on her knee. The fair head with its wild, fierce hair was drooping towards the fire-warmth, which reflected on the bright cheeks and clear skin of the child, who seemed to be musing, almost like a grown-up person. The mother’s face was dark and still, and he saw, with a pang, that she was away back in the life that had been. The child’s hair gleamed like spun glass, her face was illuminated till it seemed like wax lit up from the inside. The wind boomed strongly. Mother and child sat motionless, silent, the child staring with vacant dark eyes into the fire, the mother looking into space. The little girl was almost asleep. It was her will which kept her eyes so wide.
Suddenly she looked round, troubled, as the wind shook the house, and Brangwen saw the small lips move. The mother began to rock, he heard the slight crunch of the rockers of the chair. Then he heard the low, monotonous murmur of a song in a foreign language. Then a great burst of wind, the mother seemed to have drifted away, the child’s eyes were black and dilated. Brangwen looked up at the clouds which packed in great, alarming haste across the dark sky.’
Then there came the child’s high, complaining, yet imperative voice:
‘Don’t sing that stuff, mother, I don’t want to hear it.’
The singing died away.
‘You will go to bed,’ said the mother.
He saw the clinging protest of the child, the unmoved far-awayness of the mother, the clinging, grasping effort of the child. Then suddenly the clear childish challenge:
‘I want you to tell me a story.’
The wind blew, the story began, the child nestled against the mother, Brangwen waited outside, suspended, looking at the wild waving of the trees in the wind and the gathering darkness. He had his fate to follow, he lingered here at the threshold.
The child crouched distinct and motionless, curled in against her mother, the eyes dark and unblinking among the keen wisps of hair, like a curled-up animal asleep but for the eyes. The mother sat as if in shadow, the story went on as if by itself. Brangwen stood outside seeing the night fall. He did not notice the passage of time. The hand that held the daffodils was fixed and cold.
The story came to an end, the mother rose at last, with the child clinging round her neck. She must be strong, to carry so large a child so easily. The little Anna clung round her mother’s neck. The fair, strange face of the child looked over the shoulder of the mother, all asleep but the eyes, and these, wide and dark, kept up the resistance and the fight with something unseen.
When they were gone, Brangwen stirred for the first time from the place where he stood, and looked round at the night. He wished it were really as beautiful and familiar as it seemed in these few moments of release. Along with the child, he felt a curious strain on him, a suffering, like a fate.
The mother came down again, and began folding the child’s clothes. He knocked. She opened wondering, a little bit at bay, like a foreigner, uneasy.
‘Good-evening,’ he said. ‘I’ll just come in a minute.’
A change went quickly over her face; she was unprepared. She looked down at him as he stood in the light from the window, holding the daffodils, the darkness behind. In his black clothes she again did not know him. She was almost afraid.
But he was already stepping on to the threshold, and closing the door behind him. She turned into the kitchen, startled out of herself by this invasion from the night. He took off his hat, and came towards her. Then he stood in the light, in his black clothes and his black stock, hat in one hand and yellow flowers in the other. She stood away, at his mercy, snatched out of herself. She did not know him, only she knew he was a man come for her. She could only see the dark-clad man’s figure standing there upon her, and the gripped fist of flowers. She could not see the face and the living eyes.
He was watching her, without knowing her, only aware underneath of her presence.
‘I come to have a word with you,’ he said, striding forward to the table, laying down his hat and the flowers, which tumbled apart and lay in a loose heap. She had flinched from his advance. She had no will, no being. The wind boomed in the chimney, and he waited. He had disembarrassed his hands. Now he shut his fists.
He was aware of her standing there unknown, dread, yet related to him.
‘I came up,’ he said, speaking curiously matter-of-fact and level, ‘to ask if you’d marry me. You are free, aren’t you?’
There was a long silence, whilst his blue eyes, strangely impersonal, looked into her eyes to seek an answer to the truth. He was looking for the truth out of her. And she, as if hypnotised, must answer at length.
‘Yes, I am free to marry.’
The expression of his eyes changed, became less impersonal, as if he were looking almost at her, for the truth of her. Steady and intent and eternal they were, as if they would never change. They seemed to fix and to resolve her. She quivered, feeling herself created, will-less, lapsing into him, into a common will with him.
‘You want me?’ she said.
A pallor came over his face.
‘Yes,’ he said.
Still there was suspense and silence.
‘No,’ she said, not of herself. ‘No, I don’t know.’
He felt the tension breaking up in him, his fists slackened, he was unable to move. He stood looking at her, helpless in his vague collapse. For the moment she had become unreal to him. Then he saw her come to him, curiously direct and as if without movement, in a sudden flow. She put her hand to his coat.
‘Yes I want to,’ she said, impersonally, looking at him with wide, candid, newly-opened eyes, opened now with supreme truth. He went very white as he stood, and did not move, only his eyes were held by hers, and he suffered. She seemed to see him with her newly-opened, wide eyes, almost of a child, and with a strange movement, that was agony to him, she reached slowly forward her dark face and her breast to him, with a slow insinuation of a kiss that made something break in his brain, and it was darkness over him for a few moments.
He had her in his arms, and, obliterated, was kissing her. And it was sheer, blenched agony to him, to break away from himself. She was there so small and light and accepting in his arms, like a child, and yet with such an insinuation of embrace, of infinite embrace, that he could not bear it, he could not stand.
He turned and looked
for a chair, and keeping her still in his arms, sat down with her close to him, to his breast. Then, for a few seconds, he went utterly to sleep, asleep and sealed in the darkest sleep, utter, extreme oblivion.
From which he came to gradually, always holding her warm and close upon him, and she as utterly silent as he, involved in the same oblivion, the fecund darkness.
He returned gradually, but newly created, as after a gestation, a new birth, in the womb of darkness. Aerial and light everything was, new as a morning, fresh and newly-begun. Like a dawn the newness and the bliss filled in. And she sat utterly still with him, as if in the same.
Then she looked up at him, the wide, young eyes blazing with light. And he bent down and kissed her on the lips. And the dawn blazed in them, their new life came to pass, it was beyond all conceiving good, it was so good, that it was almost like a passing-away, a trespass. He drew her suddenly closer to him.
For soon the light began to fade in her, gradually, and as she was in his arms, her head sank, she leaned it against him, and lay still, with sunk head, a little tired, effaced because she was tired. And in her tiredness was a certain negation of him.
‘There is the child,’ she said, out of the long silence. He did not understand. It was a long time since he had heard a voice. Now also he heard the wind roaring, as if it had just begun again.
‘Yes,’ he said, not understanding. There was a slight contraction of pain at his heart, a slight tension on his brows. Something he wanted to grasp and could not.
‘You will love her?’ she said.
The quick contraction, like pain, went over him again.
‘I love her now,’ he said.
She lay still against him, taking his physical warmth without heed. It was great confirmation for him to feel her there, absorbing the warmth from him, giving him back her weight and her strange confidence. But where was she, that she seemed so absent? His mind was open with wonder. He did not know her.
‘But I am much older than you,’ she said.
‘How old?’ he asked.
‘I am thirty-four,’ she said.
‘I am twenty-eight,’ he said.
‘Six years.’
She was oddly concerned, even as if it pleased her a little. He sat and listened and wondered. It was rather splendid, to be so ignored by her, whilst she lay against him, and he lifted her with his breathing, and felt her weight upon his living, so he had a completeness and an inviolable power. He did not interfere with her. He did not even know her. It was so strange that she lay there with her weight abandoned upon him. He was silent with delight. He felt strong, physically, carrying her on his breathing. The strange, inviolable completeness of the two of them made him feel as sure and as stable as God. Amused, he wondered what the vicar would say if he knew.
‘You needn’t stop here much longer, housekeeping,’ he said.
‘I like it also, here,’ she said. ‘When one has been in many places, it is very nice here.’
He was silent again at this. So close on him she lay, and yet she answered him from so far away. But he did not mind.
‘What was your own home like, when you were little?’ he asked.
‘My father was a landowner,’ she replied. ‘It was near a river.’
This did not convey much to him. All was as vague as before. But he did not care, whilst she was so close.
‘I am a landowner—a little one,’ he said.
‘Yes,’ she said.
He had not dared to move. He sat there with his arms round her, her lying motionless on his breathing, and for a long time he did not stir. Then softly, timidly, his hand settled on the roundness of her arm, on the unknown. She seemed to lie a little closer. A hot flame licked up from his belly to his chest.
But it was too soon. She rose, and went across the room to a drawer, taking out a little tray-cloth. There was something quiet and professional about her. She had been a nurse beside her husband, both in Warsaw and in the rebellion afterwards.* She proceeded to set a tray. It was as if she ignored Brangwen. He sat up, unable to bear a contradiction in her. She moved about inscrutably.
Then, as he sat there, all mused and wondering, she came near to him, looking at him with wide, grey eyes that almost smiled with a low light. But her ugly-beautiful mouth was still unmoved and sad. He was afraid.
His eyes, strained and roused with unusedness, quailed a little before her, he felt himself quailing and yet he rose, as if obedient to her, he bent and kissed her heavy, sad, wide mouth, that was kissed, and did not alter. Fear was too strong in him. Again he had not got her.
She turned away. The vicarage kitchen was untidy, and yet to him beautiful with the untidiness of her and her child. Such a wonderful remoteness there was about her, and then something in touch with him, that made his heart knock in his chest. He stood there and waited, suspended.
Again she came to him, as he stood in his black clothes, with blue eyes very bright and puzzled for her, his face tensely alive, his hair dishevelled. She came close up to him, to his intent, black-clothed body, and laid her hand on his arm. He remained unmoved. Her eyes, with a blackness of memory struggling with passion, primitive and electric away at the back of them, rejected him and absorbed him at once. But he remained himself. He breathed with difficulty, and sweat came out at the roots of his hair, on his forehead.
‘Do you want to marry me?’ she asked slowly, always uncertain.
He was afraid lest he could not speak. He drew breath hard, saying:
‘I do.’
Then again, what was agony to him, with one hand lightly resting on his arm, she leaned forward a little, and with a strange, primeval suggestion of embrace, held him her mouth. It was ugly-beautiful, and he could not bear it. He put his mouth on hers, and slowly, slowly the response came, gathering force and passion, till it seemed to him she was thundering at him till he could bear no more. He drew away, white, unbreathing. Only, in his blue eyes, was something of himself concentrated. And in her eyes was a little smile upon a black void.
She was drifting away from him again. And he wanted to go away. It was intolerable. He could bear no more. He must go. Yet he was irresolute. But she turned away from him.
With a little pang of anguish, of denial, it was decided.
‘I’Il come an’ speak to the vicar to-morrow,’ he said, taking his hat.
She looked at him, her eyes expressionless and full of darkness. He could see no answer.
‘That’ll do, won’t it?’ he said.
‘Yes,’ she answered, mere echo without body or meaning.
‘Goodnight,’ he said.
‘Goodnight.’
He left her standing there, expressionless and void as she was. Then she went on laying the tray for the vicar. Needing the table, she put the daffodils aside on the dresser without noticing them. Only their coolness, touching her hand, remained echoing there a long while.
They were such strangers, they must for ever be such strangers, that his passion was a clanging torment to him. Such intimacy of embrace, and such utter foreignness of contact! It was unbearable. He could not bear to be near her, and know the utter foreignness between them, know how entirely they were strangers to each other. He went out into the wind. Big holes were blown into the sky, the moonlight blew about. Sometimes a high moon, liquid-brilliant, scudded across a hollow space and took cover under electric, brown-iridescent cloud-edges. Then there was a blot of cloud, and shadow. Then somewhere in the night a radiance again, like a vapour. And all the sky was teeming and tearing along, a vast disorder of flying shapes and darkness and ragged fumes of light and a great brown circling halo, then the terror of a moon running liquid-brilliant into the open for a moment, hurting the eyes before she plunged under cover of cloud again.
CHAPTER II
THEY LIVE AT THE MARSH
SHE was the daughter of a Polish landowner who, deeply in debt to the Jews, had married a German wife with money, and who had died just before the rebellion. Quite young, she had m
arried Paul Lensky, an intellectual who had studied at Berlin, and had returned to Warsaw a patriot. Her mother had married a German merchant and gone away.
Lydia Lensky, married to the young doctor, became with him a patriot and an émancipée. They were poor, but they were very conceited. She learned nursing as a mark of her emancipation. They represented in Poland the new movement just begun in Russia. But they were very patriotic: and, at the same time, very ‘European.’
They had two children. Then came the great rebellion. Lensky, very ardent and full of words, went about inciting his countrymen. Little Poles flamed down the streets of Warsaw, on the way to shoot every Muscovite. So they crossed into the south of Russia, and it was common for six little insurgents to ride into a Jewish village, brandishing swords and words, emphasising the fact that they were going to shoot every living Muscovite.
Lensky was something of a fire-eater also. Lydia, tempered by her German blood, coming of a different family, was obliterated, carried along in her husband’s emphasis of declaration, and his whirl of patriotism. He was indeed a brave man, but no bravery could quite have equalled the vividness of his talk. He worked very hard, till nothing lived in him but his eyes. And Lydia, as if drugged, followed him like a shadow, serving, echoing. Sometimes she had her two children, sometimes they were left behind.
She returned once to find them both dead of diphtheria. Her husband wept aloud, unaware of everybody. But the war went on, and soon he was back at his work. A darkness had come over Lydia’s mind. She walked always in a shadow, silenced, with a strange, deep terror having hold of her, her desire was to seek satisfaction in dread, to enter a nunnery, to satisfy the instincts of dread in her, through service of a dark religion. But she could not.
Then came the flight to London. Lensky, the little, thin man, had got all his life locked into a resistance and could not relax again. He lived in a sort of insane irritability, touchy, haughty to the last degree, fractious, so that as assistant doctor in one of the hospitals he soon became impossible. They were almost beggars. But he kept still his great ideas of himself, he seemed to live in a complete hallucination, where he himself figured vivid and lordly. He guarded his wife jealously against the ignominy of her position, rushed round her like a brandished weapon, an amazing sight to the English eye, had her in his power, as if he hypnotised her. She was passive, dark, always in shadow.