ing the vista from the Presidential Suite in the shade. More important, the work itself was soothing. On the roof he felt himself healing from the troubled wounds of the last three years. On the roof he felt at peace. Those three years began to seem like a turbulent nightmare.
The shingles had been badly rotted, some of them blown entirely away by last winter's storms. He had ripped them all up, yelling "Bombs away!" as he dropped them over the side, not wanting Danny to get hit in case he had wandered over. He had been pulling out bad flashing when the wasp had gotten him.
The ironic part was that he warned himself each time he climbed onto the roof to keep an eye out for nests; he had gotten that bug bomb just in case. But this morning the stillness and peace had been so complete that his watchfulness had lapsed. He had been back in the world of the play he was slowly creating, roughing out whatever scene he would be working on that evening in his head. The play was going very well, and although Wendy had said little, he knew she was pleased. He had been roadblocked on the crucial scene between Denker, the sadistic headmaster, and Gary Benson, his young hero, during the last unhappy six months at Stovington, months when the craving for a drink had been so bad that he could barely concentrate on his in-class lectures, let alone his extracurricular literary ambitions.
But in the last twelve evenings, as he actually sat down in front of the office-model Underwood he had borrowed from the main office downstairs, the roadblock had disappeared under his fingers as magically as cotton candy dissolves on the lips. He had come up almost effortlessly with the insights into Denker's character that had always been lacking, and he had rewritten most of the second act accordingly, making it revolve around the new scene. And the progress of the third act, which he had been turning over in his mind when the wasp put an end to cogitation, was coming clearer all the time. He thought he could rough it out in two weeks, and have a clean copy of the whole damned play by New Year's.
He had an agent in New York, a tough red-headed woman named Phyllis Sandler who smoked Herbert Tareytons, drank Jim Beam from a paper cup, and thought the literary sun rose and set on Sean O'Casey. She had marketed three of Jack's short stories, including the Esquire piece. He had written her about the play, which was called The Little School, describing the basic conflict between Denker, a gifted student who had failed into becoming the brutal and brutalizing headmaster of a turn-of-the-century New England prep school, and Gary Benson, the student he sees as a younger version of himself. Phyllis had written back expressing interest and admonishing him to read O'Casey before sitting down to it. She had written again earlier that year asking where the hell was the play? He had written back wryly that The Little School had been indefinitely--and perhaps infinitely--delayed between hand and page "in that interesting intellectual Gobi known as the writer's block." Now it looked as if she might actually get the play. Whether or not it was any good or if it would ever see actual production was another matter. And he didn't seem to care a great deal about those things. He felt in a way that the play itself, the whole thing, was the roadblock, a colossal symbol of the bad years at Stovington Prep, the marriage he had almost totaled like a nutty kid behind the wheel of an old jalopy, the monstrous assault on his son, the incident in the parking lot with George Hatfield, an incident he could no longer view as just another sudden and destructive flare of temper. He now thought that part of his drinking problem had stemmed from an unconscious desire to be free of Stovington and the security he felt was stifling whatever creative urge he had. He had stopped drinking, but the need to be free had been just as great. Hence George Hatfield. Now all that remained of those days was the play on the desk in his and Wendy's bedroom, and when it was done and sent off to Phyllis's hole-in-the-wall New York agency, he could turn to other things. Not a novel, he was not ready to stumble into the swamp of another three-year undertaking, but surely more short stories. Perhaps a book of them.
Moving warily, he scrambled back down the slope of the roof on his hands and knees past the line of demarcation where the fresh green Bird shingles gave way to the section of roof he had just finished clearing. He came to the edge on the left of the wasps' nest he had uncovered and moved gingerly toward it, ready to backtrack and bolt down his ladder to the ground if things looked too hot.
He leaned over the section of pulled-out flashing and looked in.
The nest was in there, tucked into the space between the old flashing and the final roof undercoating of three-by-fives. It was a damn big one. The grayish paper ball looked to Jack as if it might be nearly two feet through the center. Its shape was not perfect because the space between the flashing and the boards was too narrow, but he thought the little buggers had still done a pretty respectable job. The surface of the nest was acrawl with the lumbering, slow-moving insects. They were the big mean ones, not yellow jackets, which are smaller and calmer, but wall wasps. They had been rendered sludgy and stupid by the fall temperatures, but Jack, who knew about wasps from his childhood, counted himself lucky that he had been stung only once. And, he thought, if Ullman had hired the job done in the height of summer, the workman who tore up that particular section of the flashing would have gotten one hell of a surprise. Yes indeedy. When a dozen wall wasps land on you all at once and start stinging your face and hands and arms, stinging your legs right through your pants, it would be entirely possible to forget you were seventy feet up. You might just charge right off the edge of the roof while you were trying to get away from them. All from those little things, the biggest of them only half the length of a pencil stub.
He had read someplace--in a Sunday supplement piece or a back-of-the-book newsmagazine article--that 7 percent of all automobile fatalities go unexplained. No mechanical failure, no excessive speed, no booze, no bad weather. Simply one-car crashes on deserted sections of road, one dead occupant, the driver, unable to explain what had happened to him. The article had included an interview with a state trooper who theorized that many of these so-called "foo crashes" resulted from insects in the car. Wasps, a bee, possibly even a spider or moth. The driver gets panicky, tries to swat it or unroll a window to let it out. Possibly the insect stings him. Maybe the driver just loses control. Either way it's bang!... all over. And the insect, usually completely unharmed, would buzz merrily out of the smoking wreck, looking for greener pastures. The trooper had been in favor of having pathologists look for insect venom while autopsying such victims, Jack recalled.
Now, looking down into the nest, it seemed to him that it could serve as both a workable symbol for what he had been through (and what he had dragged his hostages to fortune through) and an omen for a better future. How else could you explain the things that had happened to him? For he still felt that the whole range of unhappy Stovington experiences had to be looked at with Jack Torrance in the passive mode. He had not done things; things had been done to him. He had known plenty of people on the Stovington faculty, two of them right in the English Department, who were hard drinkers. Zack Tunney was in the habit of picking up a full keg of beer on Saturday afternoon, plonking it in a backyard snowbank overnight, and then killing damn near all of it on Sunday watching football games and old movies. Yet through the week Zack was as sober as a judge--a weak cocktail with lunch was an occasion.
He and Al Shockley had been alcoholics. They had sought each other out like two castoffs who were still social enough to prefer drowning together to doing it alone. The sea had been whole grain instead of salt, that was all. Looking down at the wasps, as they slowly went about their instinctual business before winter closed down to kill all but their hibernating queen, he would go further. He was still an alcoholic, always would be, perhaps had been since Sophomore Class Night in high school when he had taken his first drink. It had nothing to do with willpower, or the morality of drinking, or the weakness or strength of his own character. There was a broken switch somewhere inside, or a circuit breaker that didn't work, and he had been propelled down the chute willy-nilly, slowly at first, then accelerating as Stovington applied its pressures on him. A big greased slide and at the bottom had been a shattered, ownerless bicycle and a son with a broken arm. Jack Torrance in the passive mode. And his temper, same thing. All his life he had been trying unsuccessfully to control it. He could remember himself at seven, spanked by a neighbor lady for playing with matches. He had gone out and hurled a rock at a passing car. His father had seen that, and he had descended on little Jacky, roaring. He had reddened Jack's behind ... and then blacked his eye. And when his father had gone into the house, muttering, to see what was on television, Jack had come upon a stray dog and had kicked it into the gutter. There had been two dozen fights in grammar school, even more of them in high school, warranting two suspensions and uncounted detentions in spite of his good grades. Football had provided a partial safety valve, although he remembered perfectly well that he had spent almost every minute of every game in a state of high piss-off, taking every opposing block and tackle personally. He had been a fine player, making All-Conference in his junior and senior years, and he knew perfectly well that he had his own bad temper to thank ... or to blame. He had not enjoyed football. Every game was a grudge match.
And yet, through it all, he hadn't felt like a son of a bitch. He hadn't felt mean. He had always regarded himself as Jack Torrance, a really nice guy who was just going to have to learn how to cope with his temper someday before it got him in trouble. The same way he was going to have to learn how to cope with his drinking. But he had been an emotional alcoholic just as surely as he had been a physical one--the two of them were no doubt tied together somewhere deep inside him, where you'd just as soon not look. But it didn't much matter to him if the root causes were interrelated or separate, sociological or psychological or physiological. He had had to deal with the results: the spankings, the beatings from his old man, the suspensions, with trying to explain the school clothes torn in playground brawls, and later the hangovers, the slowly dissolving glue of his marriage, the single bicycle wheel with its bent spokes pointing into the sky, Danny's broken arm. And George Hatfield, of course.
He felt that he had unwittingly stuck his hand into The Great Wasps' Nest of Life. As an image it stank. As a cameo of reality, he felt it was serviceable. He had stuck his hand through some rotted flashing in high summer and that hand and his whole arm had been consumed in holy, righteous fire, destroying conscious thought, making the concept of civilized behavior obsolete. Could you be expected to behave as a thinking human being when your hand was being impaled on red-hot darning needles? Could you be expected to live in the love of your nearest and dearest when the brown, furious cloud rose out of the hole in the fabric of things (the fabric you thought was so innocent) and arrowed straight at you? Could you be held responsible for your own actions as you ran crazily about on the sloping roof seventy feet above the ground, not knowing where you were going, not remembering that your panicky, stumbling feet could lead you crashing and blundering right over the rain gutter and down to your death on the concrete seventy feet below? Jack didn't think you could. When you unwittingly stuck your hand into the wasps' nest, you hadn't made a covenant with the devil to give up your civilized self with its trappings of love and respect and honor. It just happened to you. Passively, with no say, you ceased to be a creature of the mind and became a creature of the nerve endings; from college-educated man to wailing ape in five easy seconds.
He thought about George Hatfield.
Tall and shaggily blond, George had been an almost insolently beautiful boy. In his tight faded jeans and Stovington sweatshirt with the sleeves carelessly pushed up to the elbows to disclose his tanned forearms, he had reminded Jack of a young Robert Redford, and he doubted that George had much trouble scoring--no more than that young football-playing devil Jack Torrance had it ten years earlier. He could say that he honestly didn't feel jealous of George, or envy him his good looks; in fact, he had almost unconsciously begun to visualize George as the physical incarnation of his play hero, Gary Benson--the perfect foil for the dark, slumped, and aging Denker, who grew to hate Gary so much. But he, Jack Torrance, had never felt that way about George. If he had, he would have known it. He was quite sure of that.
George had floated through his classes at Stovington. A soccer and baseball star, his academic program had been fairly undemanding and he had been content with C's and an occasional B in history or botany. He was a fierce field contender but a lackadaisical, amused sort of student in the classroom. Jack was familiar with the type, more from his own days as a high school and college student than from his teaching experience, which was at second hand. George Hatfield was a jock. He could be a calm, undemanding figure in the classroom, but when the right set of competitive stimuli was applied (like electrodes to the temples of Frankenstein's monster, Jack thought wryly), he could become a juggernaut.
In January, George had tried out with two dozen others for the debate team. He had been quite frank with Jack. His father was a corporation lawyer, and he wanted his son to follow in his footsteps. George, who felt no burning call to do anything else, was willing. His grades were not top end, but this was, after all, only prep school and it was still early times. If should be came to must be, his father could pull some strings. George's own athletic ability would open still other doors. But Brian Hatfield thought his son should get on the debate team. It was good practice, and it was something that law school admissions boards always looked for. So George went out for debate, and in late March Jack cut him from the team.
The late winter inter-squad debates had fired George Hatfield's competitive soul. He became a grimly determined debater, prepping his pro or con position fiercely. It didn't matter if the subject was legalization of marijuana, reinstating the death penalty, or the oil-depletion allowance. George became conversant, and he was just jingoist enough to honestly not care which side he was on--a rare and valuable trait even in high-level debaters, Jack knew. The souls of a true carpetbagger and a true debater were not far removed from each other; they were both passionately interested in the main chance. So far, so good.
But George Hatfield stuttered.
This was not a handicap that had even shown up in the classroom, where George was always cool and collected (whether he had done his homework or not), and certainly not on the Stovington playing fields, where talk was not a virtue and they sometimes even threw you out of the game for too much discussion.
When George got tightly wound up in a debate, the stutter would come out. The more eager he became, the worse it was. And when he felt he had an opponent dead in his sights, an intellectual sort of buck fever seemed to take place between his speech centers and his mouth and he would freeze solid while the clock ran out. It was painful to watch.
"S-S-So I th-th-think we have to say that the fuh-fuh-facts in the c-case Mr. D-D-D-Dorsky cities are ren-ren-rendered obsolete by the ruh-recent duh-duh-decision handed down in-in-in ..."
The buzzer would go off and George would whirl around to stare furiously at Jack, who sat beside it. George's face at those moments would be flushed, his notes crumpled spasmodically in one hand.
Jack had held on to George long after he had cut most of the obvious flat tires, hoping George would work out. He remembered one late afternoon about a week before he had reluctantly dropped the ax. George had stayed after the others had filed out, and then had confronted Jack angrily.
"You s-set the timer ahead."
Jack looked up from the papers he was putting back into his briefcase.
"George, what are you talking about?"
"I d-didn't get my whole five mih-minutes. You set it ahead. I was wuh-watching the clock."
"The clock and the timer may keep slightly different times, George, but I never touched the dial on the damned thing. Scout's honor."
"Yuh-yuh-you did!"
The belligerent, I'm-sticking-up-for-my-rights way George was looking at him had sparked Jack's own temper. He had been off the sauce for two months, two months too long, and he was ragged. He made one last effort to hold himself in. "I assure you I did not, George. It's your stutter. Do you have any idea what causes it? You don't stutter in class."
"I duh-duh-don't s-s-st-st-stutter!"
"Lower your voice."
"You w-want to g-get me! You duh-don't w-want me on your g-g-goddam team!"
"Lower your voice, I said. Let's discuss this rationally."
"F-fuh-fuck th-that!"
"George, if you can control your stutter, I'd be glad to have you. You're well prepped for every practice and you're good at the background stuff, which means you're rarely surprised. But all that doesn't mean much if you can't control that--"
"I've neh-neh-never stuttered!" he cried out. "It's yuh-you! I-i-if suh-someone else had the d-d-deb-debate t-team, I could--"
Jack's temper slipped another notch.
"George, you're never going to make much of a lawyer, corporation or otherwise, if you can't control that. Law isn't like soccer. Two hours of practice every night won't cut it. What are you going to do, stand up in front of a board meeting and say, 'Nuh-nuh-now, g-gentle-men, about this t-t-tort'?"
He suddenly flushed, not with anger but with shame at his own cruelty. This was not a man in front of him but a seventeen-year-old boy who was facing the first major defeat of his life, and maybe asking in the only way he could for Jack to help him find a way to cope with it.
George gave him a final, furious glance, his lips twisting and bucking as the words bottled up behind them struggled to find their way out.
"Yuh-yuh-you s-s-set it ahead! You huh-hate me b-because you nuh-nuh-nuh-know ... you know ... nuh-nuh--"
With an inarticulate cry he had rushed out of the classroom, slamming the door hard enough to make the wire-reinforced glass rattle in its frame. Jack had stood there, feeling, rather than hearing, the echo of George's Adidas in the empty hall. Still in the grip of his temper and his shame at mocking George's stutter, his first thought had been a sick sort of exultation: For the first time in his life George Hatf