Then a car turned into Cannery Row and Doc drove up to the front of the laboratory. His eyes were red rimmed with fatigue. He moved slowly with tiredness. When the car had stopped, he sat still for a moment to let the road jumps get out of his nerves. Then he climbed out of the car. At his step on the stairs, the rattlesnakes ran out their tongues and listened with their waving forked tongues. The rats scampered madly about the cages. Doc climbed the stairs. He looked in wonder at the sagging door and at the broken window. The weariness seemed to go out of him. He stepped quickly inside. Then he went quickly from room to room, stepping around the broken glass. He bent down quickly and picked up a smashed phonograph record and looked at its title.
In the kitchen the spilled grease had turned white on the floor. Doc's eyes flamed red with anger. He sat down on his couch and his head settled between his shoulders and his body weaved a little in his rage. Suddenly he jumped up and turned on the power in his great phonograph. He put on a record and put down the arm. Only a hissing roar came from the loudspeaker. He lifted the arm, stopped the turntable, and sat down on the couch again.
On the stairs there were bumbling uncertain footsteps and through the door came Mack. His face was red. He stood uncertainly in the middle of the room. "Doc--" he said--"I and the boys--"
For the moment Doc hadn't seemed to see him. Now he leaped to his feet. Mack shuffled backward. "Did you do this?"
"Well, I and the boys--" Doc's small hard fist whipped out and splashed against Mack's mouth. Doc's eyes shone with a red animal rage. Mack sat down heavily on the floor. Doc's fist was hard and sharp. Mack's lips were split against his teeth and one front tooth bent sharply inward. "Get up!" said Doc.
Mack lumbered to his feet. His hands were at his sides. Doc hit him again, a cold calculated punishing punch in the mouth. The blood spurted from Mack's lips and ran down his chin. He tried to lick his lips.
"Put up your hands. Fight, you son of a bitch," Doc cried, and he hit him again and heard the crunch of breaking teeth.
Mack's head jolted but he was braced now so he wouldn't fall. And his hands stayed at his sides. "Go ahead, Doc," he said thickly through his broken lips. "I got it coming."
Doc's shoulders sagged with defeat. "You son of a bitch," he said bitterly. "Oh you dirty son of a bitch." He sat down on the couch and looked at his cut knuckles.
Mack sat down in a chair and looked at him. Mack's eyes were wide and full of pain. He didn't even wipe away the blood that flowed down his chin. In Doc's head the monotonal opening of Monteverdi's Hor ch' el Ciel e la Terra began to form, the infinitely sad and resigned mourning of Petrarch for Laura. Doc saw Mack's broken mouth through the music, the music that was in his head and in the air. Mack sat perfectly still, almost as though he could hear the music too. Doc glanced at the place where the Monteverdi album was and then he remembered that the phonograph was broken.
He got to his feet. "Go wash your face," he said and he went out and down the stairs and across the street to Lee Chong's. Lee wouldn't look at him as he got two quarts of beer out of the ice-box. He took the money without saying anything. Doc walked back across the street.
Mack was in the toilet cleaning his bloody face with wet paper towels. Doc opened a bottle and poured gently into a glass, holding it at an angle so that very little collar rose to the top. He filled a second tall glass and carried the two into the front room. Mack came back dabbing at his mouth with wet towelling. Doc indicated the beer with his head. Now Mack opened his throat and poured down half the glass without swallowing. He sighed explosively and stared into the beer. Doc had already finished his glass. He brought the bottle in and filled both glasses again. He sat down on his couch.
"What happened?" he asked.
Mack looked at the floor and a drop of blood fell from his lips into his beer. He mopped his split lips again. "I and the boys wanted to give you a party. We thought you'd be home last night."
Doc nodded his head. "I see."
"She got out of hand," said Mack. "It don't do no good to say I'm sorry. I been sorry all my life. This ain't no new thing. It's always like this." He swallowed deeply from his glass. "I had a wife," Mack said. "Same thing. Ever'thing I done turned sour. She couldn't stand it any more. If I done a good thing it got poisoned up some way. If I give her a present they was something wrong with it. She only got hurt from me. She couldn't stand it no more. Same thing ever' place 'til I just got to clowning. I don't do nothin' but clown no more. Try to make the boys laugh."
Doc nodded again. The music was sounding in his head again, complaint and resignation all in one. "I know," he said.
"I was glad when you hit me," Mack went on. "I thought to myself--'Maybe this will teach me. Maybe I'll remember this.' But, hell, I won't remember nothin'. I won't learn nothin'. Doc," Mack cried, "the way I seen it, we was all happy and havin' a good time. You was glad because we was givin' you a party. And we was glad. The way I seen it, it was a good party." He waved his hand at the wreckage on the floor. "Same thing when I was married. I'd think her out and then--but it never come off that way."
"I know," said Doc. He opened the second quart of beer and poured the glasses full.
"Doc," said Mack, "I and the boys will clean up here--and we'll pay for the stuff that's broke. If it takes us five years we'll pay for it."
Doc shook his head slowly and wiped the beer foam from his mustache. "No," he said, "I'll clean it up. I know where everything goes."
"We'll pay for it, Doc."
"No you won't, Mack," said Doc. "You'll think about it and it'll worry you for quite a long time, but you won't pay for it. There's maybe three hundred dollars in broken museum glass. Don't say you'll pay for it. That will just keep you uneasy. It might be two or three years before you forgot about it and felt entirely easy again. And you wouldn't pay it anyway."
"I guess you're right," said Mack. "God damn it, I know you're right. What can we do?"
"I'm over it," said Doc. "Those socks in the mouth got it out of my system. Let's forget it."
Mack finished his beer and stood up. "So long, Doc," he said.
"So long. Say, Mack--what happened to your wife?"
"I don't know," said Mack. "She went away." He walked clumsily down the stairs and crossed over and walked up the lot and up the chicken walk to the Palace Flophouse. Doc watched his progress through the window. And then wearily he got a broom from behind the water heater. It took him all day to clean up the mess.
22
Henri the painter was not French and his name was not Henri. Also he was not really a painter. Henri had so steeped himself in stories of the Left Bank in Paris that he lived there although he had never been there. Feverishly he followed in periodicals the Dadaist movements and schisms, the strangely feminine jealousies and religiousness, the obscurantisms of the forming and breaking schools. Regularly he revolted against outworn techniques and materials. One season he threw out perspective. Another year he abandoned red, even as the mother of purple. Finally he gave up paint entirely. It is not known whether Henri was a good painter or not for he threw himself so violently into movements that he had very little time left for painting of any kind.
About his painting there is some question. You couldn't judge very much from his productions in different colored chicken feathers and nutshells. But as a boat builder he was superb. Henri was a wonderful craftsman. He had lived in a tent years ago when he started his boat and until galley and cabin were complete enough to move into. But once he was housed and dry he had taken his time on the boat. The boat was sculptured rather than built. It was thirty-five feet long and its lines were in a constant state of flux. For a while it had a clipper bow and a fantail like a destroyer. Another time it had looked vaguely like a caravel. Since Henri had no money, it sometimes took him months to find a plank or a piece of iron or a dozen brass screws. That was the way he wanted it, for Henri never wanted to finish his boat.
It sat among the pine trees on a lot Henri rented for five dollars a
year. This paid the taxes and satisfied the owner. The boat rested in a cradle on concrete foundations. A rope ladder hung over the side except when Henri was at home. Then he pulled up the rope ladder and only put it down when guests arrived. His little cabin had a wide padded seat that ran around three sides of the room. On this he slept and on this his guests sat. A table folded down when it was needed and a brass lamp hung from the ceiling. His galley was a marvel of compactness but every item in it had been the result of months of thought and work.
Henri was swarthy and morose. He wore a beret long after other people abandoned them, he smoked a calabash pipe and his dark hair fell about his face. Henri had many friends whom he loosely classified as those who could feed him and those whom he had to feed. His boat had no name. Henri said he would name it when it was finished.
Henri had been living in and building his boat for ten years. During that time he had been married twice and had promoted a number of semi-permanent liaisons. And all of these young women had left him for the same reason. The seven-foot cabin was too small for two people. They resented bumping their heads when they stood up and they definitely felt the need for a toilet. Marine toilets obviously would not work in a shore-bound boat and Henri refused to compromise with a spurious landsman's toilet. He and his friend of the moment had to stroll away among the pines. And one after another his loves left him.
Just after the girl he had called Alice left him, a very curious thing happened to Henri. Each time he was left alone, he mourned formally for a while but actually he felt a sense of relief. He could stretch out in his little cabin. He could eat what he wanted. He was glad to be free of the endless female biologic functions for a while.
It had become his custom, each time he was deserted, to buy a gallon of wine, to stretch out on the comfortably hard bunk and get drunk. Sometimes he cried a little all by himself but it was luxurious stuff and he usually had a wonderful feeling of well-being from it. He would read Rimbaud aloud with a very bad accent, marveling the while at his fluid speech.
It was during one of his ritualistic mournings for the lost Alice that the strange thing began to happen. It was night and his lamp was burning and he had just barely begun to get drunk when suddenly he knew he was no longer alone. He let his eye wander cautiously up and across the cabin and there on the other side sat a devilish young man, a dark handsome young man. His eyes gleamed with cleverness and spirit and energy and his teeth flashed. There was something very dear and yet very terrible in his face. And beside him sat a golden-haired little boy, hardly more than a baby. The man looked down at the baby and the baby looked back and laughed delightedly as though something wonderful were about to happen. Then the man looked over at Henri and smiled and he glanced back at the baby. From his upper left vest pocket he took an old-fashioned straight-edged razor. He opened it and indicated the child with a gesture of his head. He put a hand among the curls and the baby laughed gleefully and then the man tilted the chin and cut the baby's throat and the baby went right on laughing. But Henri was howling with terror. It took him a long time to realize that neither the man nor the baby was still there.
Henri, when his shaking had subsided a little, rushed out of his cabin, leaped over the side of the boat and hurried away down the hill through the pines. He walked for several hours and at last he walked down to Cannery Row.
Doc was in the basement working on cats when Henri burst in. Doc went on working while Henri told about it and when it was over Doc looked closely at him to see how much actual fear and how much theater was there. And it was mostly fear.
"Is it a ghost do you think?" Henri demanded. "Is it some reflection of something that has happened or is it some Freudian horror out of me or am I completely nuts? I saw it, I tell you. It happened right in front of me as plainly as I see you."
"I don't know," said Doc.
"Well, will you come up with me, and see if it comes back?"
"No," said Doc. "If I saw it, it might be a ghost and it would scare me badly because I don't believe in ghosts. And if you saw it again and I didn't it would be a hallucination and you would be frightened."
"But what am I going to do?" Henri asked. "If I see it again I'll know what's going to happen and I'm sure I'll die. You see he doesn't look like a murderer. He looks nice and the kid looks nice and neither of them give a damn. But he cut that baby's throat. I saw it."
"I don't know," said Doc. "I'm not a psychiatrist or a witch hunter and I'm not going to start now."
A girl's voice called into the basement. "Hi, Doc, can I come in?"
"Come along," said Doc.
She was a rather pretty and a very alert girl.
Doc introduced her to Henri.
"He's got a problem," said Doc. "He either has a ghost or a terrible conscience and he doesn't know which. Tell her about it, Henri."
Henri went over the story again and the girl's eyes sparkled.
"But that's horrible," she said when he finished. "I've never in my life even caught the smell of a ghost. Let's go back up and see if he comes again."
Doc watched them go a little sourly. After all it had been his date.
The girl never did see the ghost but she was fond of Henri and it was five months before the cramped cabin and the lack of a toilet drove her out.
23
A black gloom settled over the Palace Flophouse. All the joy went out of it. Mack came back from the laboratory with his mouth torn and his teeth broken. As a kind of penance, he did not wash his face. He went to his bed and pulled his blanket over his head and he didn't get up all day. His heart was as bruised as his mouth. He went over all the bad things he had done in his life and everything he had ever done seemed bad. He was very sad.
Hughie and Jones sat for a while staring into space and then morosely they went over to the Hediondo Cannery and applied for jobs and got them.
Hazel felt so bad that he walked to Monterey and picked a fight with a soldier and lost it on purpose. That made him feel a little better to be utterly beaten by a man Hazel could have licked without half trying.
Darling was the only happy one of the whole club. She spent the day under Mack's bed happily eating up his shoes. She was a clever dog and her teeth were very sharp. Twice in his black despair, Mack reached under the bed and caught her and put her in bed with him for company but she squirmed out and went back to eating his shoes.
Eddie mooned on down to La Ida and talked to his friend the bartender. He got a few drinks and borrowed some nickels with which he played Melancholy Baby five times on the juke box.
Mack and the boys were under a cloud and they knew it and they knew they deserved it. They had become social outcasts. All of their good intentions were forgotten now. The fact that the party was given for Doc, if it was known, was never mentioned or taken into consideration. The story ran through the Bear Flag. It was told in the canneries. At La Ida drunks discussed it virtuously. Lee Chong refused to comment. He was feeling financially bruised. And the story as it grew went this way: They had stolen liquor and money. They had maliciously broken into the laboratory and systematically destroyed it out of pure malice and evil. People who really knew better took this view. Some of the drunks at La Ida considered going over and beating the hell out of the whole lot of them to show them they couldn't do a thing like that to Doc.
Only a sense of the solidarity and fighting ability of Mack and the boys saved them from some kind of reprisal. There were people who felt virtuous about the affair who hadn't had the material of virtue for a long time. The fiercest of the whole lot was Tom Sheli gan who would have been at the party if he had known about it.
Socially Mack and the boys were beyond the pale. Sam Malloy didn't speak to them as they went by the boiler. They drew into themselves and no one could foresee how they would come out of the cloud. For there are two possible reactions to social ostracism--either a man emerges determined to be better, purer, and kindlier or he goes bad, challenges the world and does even worse things. This last i
s by far the commonest reaction to stigma.
Mack and the boys balanced on the scales of good and evil. They were kind and sweet to Darling; they were forbearing and patient with one another. When the first reaction was over they gave the Palace Flophouse a cleaning such as it had never had. They polished the bright work on the stove and they washed all their clothes and blankets. Financially they had become dull and solvent. Hughie and Jones were working and bringing home their pay. They bought groceries up the hill at the Thrift Market because they could not stand the reproving eyes of Lee Chong.
It was during this time that Doc made an observation which may have been true, but since there was one factor missing in his reasoning it is not known whether he was correct. It was the Fourth of July. Doc was sitting in the laboratory with Richard Frost. They drank beer and listened to a new album of Scarlatti and looked out the window. In front of the Palace Flophouse there was a large log of wood where Mack and the boys were sitting in the mid-morning sun. They faced down the hill toward the laboratory.
Doc said, "Look at them. There are your true philosophers. I think," he went on, "that Mack and the boys know everything that has ever happened in the world and possibly everything that will happen. I think they survive in this particular world better than other people. In a time when people tear themselves to pieces with ambition and nervousness and covetousness, they are relaxed. All of our so-called successful men are sick men, with bad stomachs, and bad souls, but Mack and the boys are healthy and curiously clean. They can do what they want. They can satisfy their appetites without calling them something else." This speech so dried out Doc's throat that he drained his beer glass. He waved two fingers in the air and smiled. "There's nothing like that first taste of beer," he said.
Richard Frost said, "I think they're just like anyone else. They just haven't any money."
"They could get it," Doc said. "They could ruin their lives and get money. Mack has qualities of genius. They're all very clever if they want something. They just know the nature of things too well to be caught in that wanting."