She slugged down more coffee and said:
‘I chucked the manuscript on the hall table and went straight back to bed. Owen started ringing me, virtually on the hour, to see what I thought. All through Wednesday and Thursday he badgered me…
‘I’ve never done it before in thirty years in the business,’ she croaked. ‘I was supposed to be going away that weekend. I’d been looking forward to it. I didn’t want to cancel and I didn’t want Owen calling me every three minutes while I was away. So… just to get him off my back… I was still feeling awful… I skim-read it.’
She took a deep drag on her cigarette, coughed routinely, composed herself and said:
‘It didn’t look any worse than his last couple. If anything, it was an improvement. Quite an interesting premise. Some of the imagery was arresting. A Gothic fairy tale, a grisly Pilgrim’s Progress.’
‘Did you recognise anyone in the bits you read?’
‘The characters seemed mostly symbolic,’ she said, a touch defensively, ‘including the hagiographic self-portrait. Lots of p-perverse sex.’ She paused to cough again. ‘The mixture as usual, I thought… but I – I wasn’t reading carefully, I’d be the first to admit that.’
He could tell that she was not used to admitting fault.
‘I – well, I skimmed the last quarter, the bits where he writes about Michael and Daniel. I glanced at the ending, which was grotesque and a bit silly…
‘If I hadn’t been so ill, if I’d read it properly, naturally I’d have told him straight away that he wouldn’t be able to get away with it. Daniel’s a st-strange man, very t-touchy’ – her voice was breaking up again; determined to finish her sentence she wheezed, ‘and M-Michael’s the nastiest – the nastiest—’ before exploding again into coughs.
‘Why would Mr Quine try and publish something that was bound to get him sued?’ Strike asked when she had stopped coughing.
‘Because Owen doesn’t think he’s subject to the same laws as the rest of society,’ she said roughly. ‘He thinks himself a genius, an enfant terrible. He takes pride in causing offence. He thinks it’s brave, heroic.’
‘What did you do with the book when you’d looked at it?’
‘I called Owen,’ she said, closing her eyes momentarily in what seemed to be fury at herself. ‘And said, “Yes, jolly good,” and I got Ralph to pick the damn thing up from my house, and asked him to make two copies, and send one to Jerry Waldegrave, Owen’s editor at Roper Chard and the other, G-God help me, to Christian Fisher.’
‘Why didn’t you just email the manuscript to the office?’ asked Strike curiously. ‘Didn’t you have it on a memory stick or something?’
She ground out her cigarette in a glass ashtray full of stubs.
‘Owen insists on continuing to use the old electric typewriter on which he wrote Hobart’s Sin. I don’t know whether it’s affectation or stupidity. He’s remarkably ignorant about technology. Maybe he tried to use a laptop and couldn’t. It’s just another way he contrives to make himself awkward.’
‘And why did you send copies to two publishers?’ asked Strike, although he already knew the answer.
‘Because Jerry Waldegrave might be a blessed saint and the nicest man in publishing,’ she replied, sipping more coffee, ‘but even he’s lost patience with Owen and his tantrums lately. Owen’s last book for Roper Chard barely sold. I thought it was only sensible to have a second string to our bow.’
‘When did you realise what the book was really about?’
‘Early that evening,’ she croaked. ‘Ralph called me. He’d sent off the two copies and then had a flick through the original. He phoned me and said, “Liz, have you actually read this?”’
Strike could well imagine the trepidation with which the pale young assistant had made the call, the courage it had taken, the agonised deliberation with his female colleague before he had reached his decision.
‘I had to admit I hadn’t… or not thoroughly,’ she muttered. ‘He read me a few choice excerpts I’d missed and…’
She picked up the onyx lighter and flicked it absently before looking up at Strike.
‘Well, I panicked. I phoned Christian Fisher, but the call went straight to voicemail, so I left a message telling him that the manuscript that had been sent over was a first draft, that he wasn’t to read it, that I’d made a mistake and would he please return it as soon as – as soon as p-possible. I called Jerry next, but I couldn’t reach him either. He’d told me he was going away for an anniversary weekend with his wife. I hoped he wouldn’t have any time for reading, so I left a message along the lines of the one I’d left for Fisher.
‘Then I called Owen back.’
She lit yet another cigarette. Her large nostrils flared as she inhaled; the lines around her mouth deepened.
‘I could barely get the words out and it wouldn’t have mattered if I had. He talked over me as only Owen can, absolutely delighted with himself. He said we ought to meet to have dinner and celebrate the completion of the book.
‘So I dragged myself into clothes, and I went to the River Café and I waited. And in came Owen.
‘He wasn’t even late. He’s usually late. He was virtually floating on air, absolutely elated. He genuinely thinks he’s done something brave and marvellous. He’d started to talk about film adaptations before I managed to get a word in edgeways.’
When she expelled smoke from her scarlet mouth she looked truly dragonish, with her shining black eyes.
‘When I told him that I think what he’s produced is vile, malicious and unpublishable, he jumped up, sent his chair flying and began screaming. After insulting me both personally and professionally, he told me that if I wasn’t brave enough to represent him any more, he’d self-publish the thing – put it out as an ebook. Then he stormed out, parking me with the bill. N-not,’ she snarled, ‘that that’s anything un-un-unus—’
Her emotion triggered an even worse coughing fit than before. Strike thought she might actually choke. He half-rose out of his chair, but she waved him away. Finally, purple in the face, her eyes streaming, she said in a voice like gravel:
‘I did everything I could to put it right. My whole weekend by the sea ruined; I was on the phone constantly, trying to get hold of Fisher and Waldegrave. Message after message, stuck out on the bloody cliffs at Gwithian trying to get reception—’
‘Is that where you’re from?’ Strike asked, mildly surprised, because he heard no echo of his Cornish childhood in her accent.
‘It’s where one of my authors lives. I told her I hadn’t been out of London in four years and she invited me for the weekend. Wanted to show me all the lovely places where she sets her books. Some of the m-most beautiful scenery I’ve ever seen but all I could think about was b-bloody Bombyx Mori and trying to stop anyone reading it. I couldn’t sleep. I felt dreadful…
‘I finally heard back from Jerry at Sunday lunchtime. He hadn’t gone on his anniversary weekend after all, and he claims he’d never got my messages, so he’d decided to read the bloody book.
‘He was disgusted and furious. I assured Jerry that I’d do everything in my power to stop the damn thing… but I had to admit that I’d also sent it to Christian, at which Jerry slammed the phone down on me.’
‘Did you tell him that Quine had threatened to put the book out over the internet?’
‘No, I did not,’ she said hoarsely. ‘I was praying that was an empty threat, because Owen really doesn’t know one end of a computer from the other. But I was worried…’
Her voice trailed away.
‘You were worried?’ Strike prompted her.
She did not answer.
‘This self-publishing explains something,’ said Strike casually. ‘Leonora says Quine took his own copy of the manuscript and all his notes with him when he disappeared into the night. I did wonder whether he was intending to burn it or throw it in a river, but presumably he took it with a view to turning it into an ebook.’
This info
rmation did nothing to improve Elizabeth Tassel’s temper. Through clenched teeth she said:
‘There’s a girlfriend. They met on a writing course he taught. She’s self-published. I know about her because Owen tried to interest me in her bloody awful erotic fantasy novels.’
‘Have you contacted her?’ Strike asked.
‘Yes, as a matter of fact, I have. I wanted to frighten her off, tell her that if Owen tried to rope her in to help him reformat the book or sell it online she’d probably be party to a lawsuit.’
‘What did she say?’
‘I couldn’t get hold of her. I tried several times. Maybe she’s not at that number any more, I don’t know.’
‘Could I take her details?’ Strike asked.
‘Ralph’s got her card. I asked him to keep ringing her for me. Ralph!’ she bellowed.
‘He’s still out with Beau!’ came the girl’s frightened squeak from beyond the door. Elizabeth Tassel rolled her eyes and got heavily to her feet.
‘There’s no point asking her to find it.’
When the door had swung shut behind the agent, Strike got at once to his feet, moved behind the desk and bent down to examine a photograph on the wall that had caught his eye, which necessitated the removal of a double portrait on the bookcase, featuring a pair of Dobermanns.
The picture in which he was interested was A4-sized, in colour but very faded. Judging by the fashions of the four people it featured, it had been taken at least twenty-five years previously, outside this very building.
Elizabeth herself was clearly recognisable, the only woman in the group, big and plain with long, windswept dark hair and wearing an unflattering drop-waisted dress of dark pink and turquoise. On one side of her stood a slim, fair-haired young man of extreme beauty; on the other was a short, sallow-skinned, sour-looking man whose head was too large for his body. He looked faintly familiar. Strike thought he might have seen him in the papers or on TV.
Beside the unidentified but possibly well-known man stood a much younger Owen Quine. The tallest of the four, he was wearing a crumpled white suit and a hairstyle best described as a spiky mullet. He reminded Strike irresistibly of a fat David Bowie.
The door swished open on its well-oiled hinges. Strike did not attempt to cover up what he was doing, but turned to face the agent, who was holding a sheet of paper.
‘That’s Fletcher,’ she said, her eyes on the picture of the dogs in his hand. ‘He died last year.’
He replaced the portrait of her dogs on the bookcase.
‘Oh,’ she said, catching on. ‘You were looking at the other one.’
She approached the faded picture; shoulder to shoulder with Strike, he noted that she was nearly six feet tall. She smelled of John Player Specials and Arpège.
‘That’s the day I started my agency. Those are my first three clients.’
‘Who’s he?’ asked Strike of the beautiful blond youth.
‘Joseph North. The most talented of them, by far. Unfortunately, he died young.’
‘And who’s—?’
‘Michael Fancourt, of course,’ she said, sounding surprised.
‘I thought he looked familiar. D’you still represent him?’
‘No! I thought…’
He heard the rest of the sentence, even though she did not say it: I thought everyone knew that. Worlds within worlds: perhaps all of literary London did know why the famous Fancourt was no longer her client, but he did not.
‘Why don’t you represent him any more?’ he asked, resuming his seat.
She passed the paper in her hand across the desk to him; it was a photocopy of what looked like a flimsy and grubby business card.
‘I had to choose between Michael and Owen, years ago,’ she said. ‘And like a b-bloody fool’ – she had begun to cough again; her voice was disintegrating into a guttural croak – ‘I chose Owen.
‘Those are the only contact details I’ve got for Kathryn Kent,’ she added firmly, closing down further discussion of Fancourt.
‘Thank you,’ he said, folding the paper and tucking it inside his wallet. ‘How long has Quine been seeing her, do you know?’
‘A while. He brings her to parties while Leonora’s stuck at home with Orlando. Utterly shameless.’
‘No idea where he might be hiding? Leonora says you’ve found him, the other times he’s—’
‘I don’t “find” Owen,’ she snapped. ‘He rings me up after a week or so in a hotel and asks for an advance – which is what he calls a gift of money – to pay the minibar bill.’
‘And you pay, do you?’ asked Strike. She seemed very far from a pushover.
Her grimace seemed to acknowledge a weakness of which she was ashamed, but her response was unexpected.
‘Have you met Orlando?’
‘No.’
She opened her mouth to continue but seemed to think better of it and merely said:
‘Owen and I go back a very long way. We were good friends… once,’ she added, on a note of deep bitterness.
‘Which hotels has he stayed at before this?’
‘I can’t remember all of them. The Kensington Hilton once. The Danubius in St John’s Wood. Big faceless hotels with all the creature comforts he can’t get at home. Owen’s no citizen of Bohemia – except in his approach to hygiene.’
‘You know Quine well. You don’t think there’s any chance that he might have—?’
She finished the sentence for him with a faint sneer.
‘—“done something silly?” Of course not. He’d never dream of depriving the world of the genius of Owen Quine. No, he’s out there plotting his revenge on all of us, thoroughly aggrieved that there isn’t a national manhunt going on.’
‘He’d expect a manhunt, even when he makes such a practice of going missing?’
‘Oh yes,’ said Elizabeth. ‘Every time he puts in one of these little vanishing acts he expects it to make the front page. The trouble is that the very first time he did it, years and years ago, after an argument with his first editor, it worked. There was a little flurry of concern and a smattering of press. He’s lived in the hope of that ever since.’
‘His wife’s adamant that he’d be annoyed if she called the police.’
‘I don’t know where she gets that idea,’ said Elizabeth, helping herself to yet another cigarette. ‘Owen would think helicopters and sniffer dogs the least the nation could do for a man of his importance.’
‘Well, thanks for your time,’ said Strike, preparing to stand. ‘It was good of you to see me.’
Elizabeth Tassel held up a hand and said:
‘No, it wasn’t. I want to ask you something.’
He waited receptively. She was not used to asking favours, that much was clear. She smoked for a few seconds in silence, which brought on another bout of suppressed coughs.
‘This – this… Bombyx Mori business has done me a lot of harm,’ she croaked at last. ‘I’ve been disinvited from Roper Chard’s anniversary party this Friday. Two manuscripts I had on submission with them have been sent back without so much as a thank you. And I’m getting worried about poor Pinkelman’s latest.’ She pointed at the picture of the elderly children’s writer on the wall. ‘There’s a disgusting rumour flying around that I was in cahoots with Owen; that I egged him on to rehash an old scandal about Michael Fancourt, whip up some controversy and try to get a bidding war going for the book.
‘If you’re going to trawl around everyone who knows Owen,’ she said, coming to the point, ‘I’d be very grateful if you could tell them – especially Jerry Waldegrave, if you see him – that I had no idea what was in that novel. I’d never have sent it out, least of all to Christian Fisher, if I hadn’t been so ill. I was,’ she hesitated, ‘careless, but no more than that.’
This, then, was why she had been so anxious to meet him. It did not seem an unreasonable request in return for the addresses of two hotels and a mistress.
‘I’ll certainly mention that if it comes up,’ sai
d Strike, getting to his feet.
‘Thank you,’ she said gruffly. ‘I’ll see you out.’
When they emerged from the office, it was to a volley of barks. Ralph and the old Dobermann had returned from their walk. Ralph’s wet hair was slicked back as he struggled to restrain the grey-muzzled dog, which was snarling at Strike.
‘He’s never liked strangers,’ said Elizabeth Tassel indifferently.
‘He bit Owen once,’ volunteered Ralph, as though this might make Strike feel better about the dog’s evident desire to maul him.
‘Yes,’ said Elizabeth Tassel, ‘pity it—’
But she was overtaken by another volley of rattling, wheezing coughs. The other three waited in silence for her to recover.
‘Pity it wasn’t fatal,’ she croaked at last. ‘It would have saved us all a lot of trouble.’
Her assistants looked shocked. Strike shook her hand and said a general goodbye. The door swung shut on the Dobermann’s growling and snarling.
9
Is Master Petulant here, mistress?
William Congreve, The Way of the World
Strike paused at the end of the rain-sodden mews and called Robin, whose number was busy. Leaning against a wet wall with the collar of his overcoat turned up, hitting ‘redial’ every few seconds, his gaze fell on a blue plaque fixed to a house opposite, commemorating the tenancy of Lady Ottoline Morrell, literary hostess. Doubtless scabrous romans à clef had once been discussed within those walls, too…
‘Hi Robin,’ said Strike when she picked up at last. ‘I’m running late. Can you ring Gunfrey for me and tell him I’ve got a firm appointment with the target tomorrow. And tell Caroline Ingles there hasn’t been any more activity, but I’ll call her tomorrow for an update.’