Uncle Morgan's eyes smoking, and inside Jack, a question smoking too, demanding to finally come out . . .
Who played
What changes what changes
Who plays those changes, daddy?
Who
killed Jerry Bledsoe? The magic juice forced itself into the boy's mouth, stinging threads of it nauseatingly trickled into his nose, and just as Jack felt loose earth beneath his hands he gave up and vomited rather than drown. What killed Jerry Bledsoe? Foul purple stuff shot from Jack's mouth, choking him, and he blindly pushed himself backward--his feet and legs snagged in tall stiff weeds. Jack pushed himself up on his hands and knees and waited, patient as a mule, his mouth drooping open, for the second attack. His stomach clenched, and he did not have time to groan before more of the stinking juice burned up through his chest and throat and spattered out of his mouth. Ropey pink strings of saliva hung from his lips, and Jack feebly brushed them away. He wiped his hand on his pants. Jerry Bledsoe, yes. Jerry--who'd always had his name spelled out on his shirt, like a gas-station attendant. Jerry, who had died when-- The boy shook his head and wiped his hands across his mouth again. He spat into a nest of saw-toothed wild grass sprouting like a giant's corsage out of the gray-brown earth. Some dim animal instinct he did not understand made him push loose earth over the pinkish pool of vomit. Another reflex made him brush the palms of his hands against his trousers. Finally he looked up.
He was kneeling, in the last of the evening light, on the edge of a dirt lane. No horrible Elroy-thing pursued him--he had known that immediately. Dogs penned in a wooden, cage-like enclosure barked and snarled at him, thrusting their snouts through the cracks of their jail. On the other side of the fenced-in dogs was a rambling wooden structure and from here too doggy noises rose up into the immense sky. These were unmistakably similar to the noises Jack had just been hearing from the other side of a wall in the Oatley Tap: the sounds of drunken men bellowing at each other. A bar--here it would be an inn or a public house, Jack imagined. Now that he was no longer sickened by Speedy's juice, he could smell the pervasive, yeasty odors of malt and hops. He could not let the men from the inn discover him.
For a moment he imagined himself running from all those dogs yipping and growling through the cracks in their enclosure, and then he stood up. The sky seemed to tilt over his head, to darken. And back home, in his world, what was happening? A nice little disaster in the middle of Oatley? Maybe a nice little flood, a sweet little fire? Jack slipped quietly backward away from the inn, then began to move sideways through the tall grass. Perhaps sixty yards away, thick candles burned in the windows of the only other building he could see. From somewhere not far off to his right drifted the odor of pigs. When Jack had gone half the distance between the inn and the house, the dogs ceased growling and snapping, and he slowly began walking forward toward the Western Road. The night was dark and moonless.
Jerry Bledsoe.
4
There were other houses, though Jack did not see them until he was nearly before them. Except for the noisy drinkers behind him at the inn, here in the country Territories people went to bed when the sun did. No candles burned in these small square windows. Themselves squarish and dark, the houses on either side of the Western Road sat in a puzzling isolation--something was wrong, as in a visual game from a child's magazine, but Jack could not identify it. Nothing hung upside-down, nothing burned, nothing seemed extravagantly out of place. Most of the houses had thick fuzzy roofs which resembled haystacks with crewcuts, but Jack assumed that these were thatch--he had heard of it, but never seen it before. Morgan, he thought with a sudden thrill of panic, Morgan of Orris, and saw the two of them, the man with long hair and a built-up boot and his father's sweaty workaholic partner, for a moment jumbled up together--Morgan Sloat with pirate's hair and a hitch in his walk. But Morgan--this world's Morgan--was not what was Wrong with This Picture.
Jack was just now passing a short squat one-story building like an inflated rabbit hutch, crazily half-timbered with wide black wooden X's. A fuzzy crewcut thatch capped this building too. If he were walking out of Oatley--or even running out of Oatley, to be closer to the truth--what would he expect to see in the single dark window of this hutch for giant rabbits? He knew: the dancing glimmer of a television screen. But of course Territories houses did not have television sets inside them, and the absence of that colorful glimmer was not what had puzzled him. It was something else, something so much an aspect of any grouping of houses along a road that its absence left a hole in the landscape. You noticed the hole even if you could not quite identify what was absent.
Television, television sets . . . Jack continued past the half-timbered little building and saw ahead of him, its front door set only inches back from the verge of the road, another gnomishly small dwelling. This one seemed to have a sod, not a thatched, roof, and Jack smiled to himself--this tiny village had reminded him of Hobbiton. Would a Hobbit cable-stringer pull up here and say to the lady of the . . . shack? doghouse? . . . anyhow, would he say, "Ma'am, we're installing cable in your area, and for a small monthly fee--hitch you up right now--you get fifteen new channels, you get Midnight Blue, you get the all-sports and all-weather channels, you get . . ."?
And that, he suddenly realized, was it. In front of these houses were no poles. No wiring! No TV antennas complicated the sky, no tall wooden poles marched the length of the Western Road, because in the Territories there was no electricity. Which was why he had not permitted himself to identify the absent element. Jerry Bledsoe had been, at least part of the time, Sawyer & Sloat's electrician and handyman.
5
When his father and Morgan Sloat used that name, Bledsoe, he thought he had never heard it before--though, having remembered it, he must have heard the handyman's last name once or twice. But Jerry Bledsoe was almost always just Jerry, as it said above the pocket on his workshirt. "Can't Jerry do something about the air-conditioning?" "Get Jerry to oil the hinges on that door, will you? The squeaks are driving me batshit." And Jerry would appear, his work-clothes clean and pressed, his thinning rust-red hair combed flat, his glasses round and earnest, and quietly fix whatever was wrong. There was a Mrs. Jerry, who kept the creases sharp and clean in the tan workpants, and several small Jerrys, whom Sawyer & Sloat invariably remembered at Christmas. Jack had been small enough to associate the name Jerry with Tom Cat's eternal adversary, and so imagined that the handyman and Mrs. Jerry and the little Jerrys lived in a giant mouse-hole, accessible by a curved arch cut into a baseboard.
But who had killed Jerry Bledsoe? His father and Morgan Sloat, always so sweet to the Bledsoe children at Christmas-time?
Jack stepped forward into the darkness of the Western Road, wishing that he had forgotten completely about Sawyer & Sloat's handyman, that he had fallen asleep as soon as he had crawled behind the couch. Sleep was what he wanted now--wanted it far more than the uncomfortable thoughts which that six-years-dead conversation had aroused in him. Jack promised himself that as soon as he was sure he was at least a couple of miles past the last house, he would find someplace to sleep. A field would do, even a ditch. His legs did not want to move anymore; all his muscles, even his bones, seemed twice their weight.
It had been just after one of those times when Jack had wandered into some enclosed place after his father and found that Phil Sawyer had somehow contrived a disappearance. Later, his father would manage to vanish from his bedroom, from the dining room, from the conference room at Sawyer & Sloat. On this occasion he executed his mystifying trick in the garage beside the house on Rodeo Drive.
Jack, sitting unobserved on the little knob of raised land which was the closest thing to a hill offered by this section of Beverly Hills, saw his father leave their house by the front door, cross the lawn while digging in his pockets for money or keys, and let himself into the garage by the side door. The white door on the right side should have swung up seconds later; but it remained stubbornly closed. Then Jack realized that his
father's car was where it had been all this Saturday morning, parked at the curb directly in front of the house. Lily's car was gone--she'd plugged a cigarette into her mouth and announced that she was taking herself off to a screening of Dirt Track, the latest film by the director of Death's Darling, and nobody by God had better try to stop her--and so the garage was empty. For minutes, Jack waited for something to happen. Neither the side door nor the big front doors opened. Eventually Jack slid down off the grassy elevation, went to the garage, and let himself in. The wide familiar space was entirely empty. Dark oil stains patterned the gray cement floor. Tools hung from silver hooks set into the walls. Jack grunted in astonishment, called out, "Dad?" and looked at everything again, just to make sure. This time he saw a cricket hop toward the shadowy protection of a wall, and for a second almost could have believed that magic was real and some malign wizard had happened along and . . . the cricket reached the wall and slipped into an invisible crack. No, his father had not been turned into a cricket. Of course he had not. "Hey," the boy said--to himself it seemed. He walked backward to the side door and left the garage. Sunlight fell on the lush, springy lawns of Rodeo Drive. He would have called someone, but whom? The police? My daddy walked into the garage and I couldn't find him in there and now I'm scared. . . .
Two hours later Phil Sawyer came walking up from the Beverly Wilshire end of the street. He carried his jacket over his shoulder, had pulled down the knot of his tie--to Jack, he looked like a man returning from a journey around the world.
Jack jumped down from his anxious elevation and tore toward his father. "You sure cover the ground," his father said, smiling, and Jack flattened himself against his legs. "I thought you were taking a nap, Travelling Jack."
They heard the telephone ringing as they came up the walk, and some instinct--perhaps the instinct to keep his father close--made Jacky pray that it had already rung a dozen times, that whoever was calling would hang up before they reached the front door. His father ruffled the hair on his crown, put his big warm hand on the back of his neck, then pulled open the door and made it to the phone in five long strides. "Yes, Morgan," Jacky heard his father say. "Oh? Bad news? You'd better tell me, yes." After a long moment of silence in which the boy could hear the tinny, rasping sound of Morgan Sloat's voice stealing through the telephone wires: "Oh, Jerry. My God. Poor Jerry. I'll be right over." Then his father looked straight at him, not smiling, not winking, not doing anything but taking him in. "I'll come over, Morgan. I'll have to bring Jack, but he can wait in the car." Jack felt his muscles relax, and was so relieved that he did not ask why he had to wait in the car, as he would have at any other time.
Phil drove up Rodeo Drive to the Beverly Hills Hotel, turned left onto Sunset, and pointed the car toward the office building. He said nothing.
His father zipped through the oncoming traffic and swung the car into the parking lot beside the office building. Already in the lot were two police cars, a fire truck, Uncle Morgan's pocket-size white Mercedes convertible, the rusted old Plymouth two-door that had been the handyman's car. Just inside the entrance Uncle Morgan was talking to a policeman, who shook his head slowly, slowly, in evident sympathy. Morgan Sloat's right arm squeezed the shoulders of a slim young woman in a dress too large for her who had twisted her face into his chest. Mrs. Jerry, Jack knew, seeing that most of her face was obscured by a white handkerchief she had pressed to her eyes. A behatted, raincoated fireman pushed a mess of twisted metal and plastic, ashes and broken glass into a disorderly heap far past them down the hall. Phil said, "Just sit here for a minute or two, okay, Jacky?" and sprinted toward the entrance. A young Chinese woman sat talking to a policeman on a concrete abutment at the end of the parking lot. Before her lay a crumpled object it took Jack a moment to recognize as a bike. When Jack inhaled, he smelled bitter smoke.
Twenty minutes later, both his father and Uncle Morgan left the building. Still gripping Mrs. Jerry, Uncle Morgan waved goodbye to the Sawyers. He led the woman around to the passenger door of his tiny car. Jack's father twirled his own car out of the lot and back into the traffic on Sunset.
"Is Jerry hurt?" Jack asked.
"Some kind of freak accident," his father said. "Electricity--the whole building could've gone up in smoke."
"Is Jerry hurt?" Jack repeated.
"Poor son of a bitch got hurt so bad he's dead," said his father.
Jack and Richard Sloat needed two months to really put the story together out of the conversations they overheard. Jack's mother and Richard's housekeeper supplied other details--the housekeeper, the goriest.
Jerry Bledsoe had come in on a Saturday to try to iron out some of the kinks in the building's security system. If he tampered with the delicate system on a weekday, he was sure to confuse or irritate the tenants with the Klaxon alarm whenever he accidentally set it off. The security system was wired into the building's main electrical board, set behind two large removable walnut panels on the ground floor. Jerry had set down his tools and lifted off the panels, having already seen that the lot was empty and nobody would jump out of his skin when the alarm went off. Then he went downstairs to the telephone in his basement cubicle and told the local precinct house to ignore any signals from the Sawyer & Sloat address until his next telephone call. When he went back upstairs to tackle the mare's nest of wires coming into the board from all the contact points, a twenty-three-year-old woman named Lorette Chang was just riding her bicycle into the building's lot--she was distributing a leaflet advertising a restaurant which was due to open down the street in fifteen days.
Miss Chang later told the police that she looked through the glass front door and saw a workman enter the hall from the basement. Just before the workman picked up his screwdriver and touched the wiring panel, she felt the parking lot wobble beneath her feet. It was, she assumed, a mini-earthquake: a lifelong resident of Los Angeles, Lorette Chang was untroubled by any seismic event that did not actually knock anything down. She saw Jerry Bledsoe set his feet (so he felt it, too, though no one else did), shake his head, then gently insert the tip of the screwdriver into a hive of wires.
And then the entry and downstairs corridor of the Sawyer & Sloat building turned into a holocaust.
The entire wiring panel turned instantly to a solid rectangular body of flame; bluish-yellow arcs of what looked like lightning shot out and encased the workman. Electronic horns bawled and bawled: KA-WHAAAAM! KA-WHAAAM! A ball of fire six feet high fell right out of the wall, slammed the already dead Jerry Bledsoe aside, and rolled down the corridor toward the lobby. The transparent front door blew into flying glass and smoking, twisted pieces of frame. Lorette Chang dropped her bike and sprinted toward the pay telephone across the street. As she told the fire department the building's address and noticed that her bicycle had been twisted neatly in half by whatever force had burst through the door, Jerry Bledsoe's roasted corpse still swayed upright back and forth before the devastated panel. Thousands of volts poured through his body, twitching it with regular surges, snapping it back and forth in a steady pulse. All the handyman's body hair and most of his clothes had fried off, and his skin had become a cooked blotchy gray. His eyeglasses, a solidifying lump of brown plastic, covered his nose like a poultice.
Jerry Bledsoe. Who plays those changes, daddy? Jack made his feet move until he had gone half an hour without seeing another of the little thatched cottages. Unfamiliar stars in unfamiliar patterns lay all over the sky above him--messages in a language he could not read.
12
Jack Goes to the Market
1
He slept that night in a sweetly fragrant Territories haystack, first burrowing his way in and then turning around so the fresh air could reach him along the tunnel he had made. He listened apprehensively for small scuttering sounds--he had heard or read somewhere that fieldmice were great haystack fans. If they were in this one, then a great big mouse named Jack Sawyer had scared them into silence. He relaxed little by little, his left hand tracing the
shape of Speedy's bottle--he had plugged the top with a piece of springy moss from a small stream where he had stopped to drink. He supposed it was entirely possible that some of the moss would fall into the bottle, or already had. What a pity, it would spoil the piquant flavor and the delicate bouquet.
As he lay in here, warm at last, heavily sleepy, the feeling he was most aware of was relief . . . as if there had been a dozen ten-pound weights strapped to his back and some kind soul had undone the buckles and allowed them to fall to the ground. He was in the Territories again, the place which such charming folks as Morgan of Orris, Osmond the Bullwhipper, and Elroy the Amazing Goat-Man all called home, the Territories, where anything could happen.
But the Territories could be good, too. He remembered that from his earliest childhood, when everyone had lived in California and no one had lived anyplace else. The Territories could be good, and it seemed he felt that goodness around him now, as calmly, inarguably sweet as the smell of the haystack, as clear as the smell of the Territories air.
Does a fly or a ladybug feel relief if an unexpected gust of wind comes along and tilts the pitcher plant just enough to allow the drowning insect to fly out? Jack didn't know . . . but he knew that he was out of Oatley, away from Fair Weather Clubs and old men who wept over their stolen shopping carts, away from the smell of beer and the smell of puke . . . most important of all, he was away from Smokey Updike and the Oatley Tap.
He thought he might travel in the Territories for a while, after all.
And so thinking, fell asleep.
2
He had walked two, perhaps three miles along the Western Road the following morning, enjoying the sunshine and the good, earthy smell of fields almost ready for the harvests of summer's end, when a cart pulled over and a whiskery farmer in what looked like a toga with rough breeches under it pulled up and shouted: