Dedication
Dear eagle-eyed mates,
Some of you may remember that in A Midsummer Tights Dream I hilariously (in my opinion) mentioned that my mum and sister would not let me have the dead rabbit in Cain’s hand wave its paw bye-bye to Tallulah.
I said at the time (and I’m not wrong) that it is a tip-top comedy idea. But oh no—my so-called family said it would make me seem “childish”—which clearly I am not. Anyway, I hid this book from them so the crying rabbit is in, see chapter 1.
So ha ha ha ha for calling me childish.
Peace.
To my Family Tree and my Tree Sisters and Tree Brothers and to the various saps—I mean—saplings. Also to the naughty Skipton Flossies (Katie and Eve).
And of course to the Tree Doctors with their Tree pruning, Tree mulching, and their Tree hugging: Gillie, Lizzie, Tara, Elorine, Clare, Cassie (actually officially a sap), and Gillon xxxx
Contents
Dedication
Filling my tights again
Lullah’s Lululuuuve List
Return of the lunatic twins
Snogs ahoy!
The Blubberhouses Large Ladies Who Pole Dance for Fun Society
Boy Ambush
You don’t want to do any more winking back
The fire escape of desire
I’ve eaten snail shells
Snogging and Jazzles
The magic of puppetry
Return of the beast in trousers
See you there, cheeky miss
My inner snogger
Naughty bumberskite
The church bells of doom
Should I put nail varnish on my hoofs?
The Dark Black Crow of Heckmondwhite
He’s got the right amount of lip
Praise the knees!
Fir-cone earrings and knitted onesies
The Taming of the Tights
The Corker-Holding with Winter Socks scene
Georgia’s Ace Gang Snogging Scale
Tallulah’s glossary
Back Ads
About the Author
Books by Louise Rennison
Credits
Copyright
About the Publisher
Filling my tights again
WOO-HOO! AND CHUG-A-LUG-A-DING-DONG. I’M on the train, the celebrity train of life, chugging back to Dother Hall, the Theater of Dreams. Once more getting ready to fill my Lurex tights! Chasing the golden slippers of success! Prepared to let my feet bleed if necessary. That is what Sidone Beaver, our principal, says we must do if we want to be stars in the thea-tah, dahlings!!! And I for one am willing to fill my tights as much as is humanly possible!!!!
Just call me Tallulah—Tallulah Casey, star of screen, stage, and TV.
Well, actually, that bit’s not entirely true—in that I’m not a star of the screen.
Or stage or TV.
But I am called Tallulah Casey and here I am back in Brontë country where Em Brontë—or was it Chazza Brontë?—anyway, one of them wrote the classic Withering Tights.
Who would have thought that I, a gangly Irish person who had never trod the boards before, would be back here for the autumn term at a Performing Arts College in the heart of the famous Dales of Yorkshire? I am guessing that I’m in Yorkshire because visibility is down to about a foot because of the rain. I think we’re stopping at Skipley station. I’ll get my case down and hop off.
Uuuumph. Jumping Jehoshaphat and his dad, it’s bouncing down. I can just make out the shape of the station sign. Skipley is famous for its otters. I’m not surprised. If this rain keeps up, I’ll be part otter by Wednesday. Skipley is so proud of its otters that its sign reads:
Skipley
Home of the
West Riding Otter
But last time I was here some Yorkshire hooligan had altered the sign so it read:
Skipley
Home of the
West Riding Botty
Honestly . . .
I am squelching across towards it. That’s where Cain was standing when I left at the end of last term. The Dark Black Crow of Heckmondwhite. Cain Hinchcliff. Local bad boy made . . . er . . . bad.
I remember him winking at me as the train pulled out. With his dark hair whipping around his face and his dark eyes looking and looking at me. Licking his lips. Holding a dead rabbit in his hand.
Making the dead rabbit he had in his hand wave its paw at me. And rub its eye with its paw as if it was crying.
He thinks that kind of thing is funny.
I dragged my case along the platform towards the exit by the sign. I hope the sign has been cleaned up since last term because it doesn’t give a very good impression of the . . . Hang on a minute, the hooligan has been at it again. Now it reads:
Skipley
Home of the
Brest Riding Otter
That is just wrong.
That shouldn’t be allowed.
What if American people were on the train? They have a seizure if you say prat.
I left the station and trundled across the bridge to the other side where the buses to Heckmondwhite go from. Brrr, I am absolutely soaking. The rain has got in through the front of my coat, and I think into my new bra. Or new “corker holder” as me and my friends say. I hope it doesn’t shrink. I might get a corker injury.
Hahahaha. What larks! I’m going to put that in my Performance Art Diary, or as I call it, my “Darkly Demanding Damson Diary.” Under “Ideas for Modern Dance.”
As I got to the stop, a bus flew round the bend and screeched to a halt. Ahh, good, what a relief. The door opened. The warm, welcoming bus opening its welcoming doors to welcome me back to my— A cloud of smoke billowed out. The driver was smoking a pipe. Uh-oh. I recognized that balaclava. It was Mrs. Bottomly. She did part-time bus driving as well as cage fighting in Leeds. I got on and pretended to be looking for change in my purse as I said, “Single to Heckmondwhite, please.”
Mrs. Bottomly repeated “single to Heckmondwhite, please” in a horrible posh simpering way as she slammed the ticket down. Then she said, looking down at my legs, “Keep those bloody legs off my seats AND mind how you go!”
She accelerated away really violently before I had time to sit down and I ended up sitting on the lap of a bloke with a guide dog.
I said, “I’m really sorry but the bus . . .”
He said, “Is it full then, the bus? Is there nowhere else to sit? You’re a bloody big lad. My legs’ll be numb by the time we get to Heckmondwhite.”
At a red traffic light I staggered to a spare seat.
Everyone on the bus was looking at me and grumbling. I could hear things like, “from that bloody Dither Hall,” “simpleton, I think,” and “They’re allus . . . messing about in beards and tights. Sitting on blind people’s knees . . . bloody daft.”
It was raining so hard you could barely see the road ahead. It didn’t make Mrs. Bottomly slow down, though. There was a bump at one stage and I thought I saw a sheep fly past the window, but I can’t be sure. Then, just as suddenly, it stopped raining and a watery sun came out and a little rainbow appeared over the top of Grimbottom Peak.
Ooooooh, maybe the rainbow was a sign.
A sign that everything was going to be all right. All of my hopes and dreams would come true. I was going to become a star but, more importantly, have a proper boyfriend. Oh, and also I might have a corker mini-growth spurt. Not just one of them. Both, I mean.
When we stopped at my bus stop, Mrs. Bottomly was cleaning her nails with a penknife as I passed her. She didn’t look up but she said, “Our Beverley dun’t like thee, so that meks me not like thee. Watch your sen, lady. Walls have ears and radishes repeat.”
I got my cas
e down from the bus and there before me was Heckmondwhite in all its glory! The autumnal light shining on the bus stop! The village green! The shop! The church! And the pub—The Blind Pig.
My substitute parents, the Dobbinses, who I lodge with in term time, are away on a Young Christians’ Foraging weekend in Blubberhouses.
Harold and Dibdobs and the lunatic twins are nice but possibly the maddest people I have ever met. They are away till tomorrow so I’m staying the night with my little mate Ruby at The Blind Pig. I’m really looking forward to seeing my fun-sized pal and her bulldog, Matilda. Ruby told me that out of eighty breeds given an intelligence test, bulldogs come seventy-eighth. But that’s the intelligence-o-meter test not the love-o-meter test, which Matilda would definitely win paws down.
What I am not looking forward to is seeing Mr. Barraclough, Ruby’s dad. The landlord of the pub and chief tormentor of me and my legs—which, I must admit, sometimes have a life of their own. When I am nervous or excited they, my legs, well, they initiate Irish dancing. All by themselves. My brain has nothing to do with it. Also, because of my skinniness, Mr. Barraclough keeps pretending I am a long lanky lad. In a dress.
In a nutshell, Mr. Barraclough and most of the village people think that Dother Hall is for fools. That is why they call it Dither Hall.
With a bit of luck I’ll be able to creep up to Ruby’s room without Mr. Barraclough hearing me. I went quietly in through the front door of the pub. There’s a real racket coming from the bar so I’ll just creepy creep up the—
“Well, well, well, thank the Lord the thespians are back!!! I haven’t known WHAT to do with myself since tha left. By ’eck, is there a giant gene in your family, young man? You’ve sprung up again, haven’t you, lad! What are you practicing being today? Dun’t tell me! Let me guess.” Oh dear. There he was. Ruby’s dad. In his leather trousers and Viking helmet.
He was looking at me, stroking his chin.
“Hmmm. Green trousers, rain hat, anorak. Big boots. Are you a Hobbit, is that it?”
I said, “Hello, Mr. Barraclough.”
He put his hand to his ear. “Is that elfin you’re speaking?”
Just then Bob, the technician from Dother Hall, emerged from the “Stags” door. He was also wearing a Viking helmet. Over his ponytail. He saw me and said, “Nice one, Tallulah. Great to see you back. Monday I’ll be there at Dother Hall, the dude with the know-how, the equipment king, the ‘facilitator’ . . . but tonight I’m the real me. The muso. The rhythm master. Be prepared for total madness. The vibe is going to be like awesome.”
Like awesome?
He went off into the front bar.
I said, “Why is Bob here?”
Mr. Barraclough chucked me under the chin.
“Why is Bob here? Why is Bob here? I’ll tell you why he’s here, young man. He’s our new drummer for The Iron Pies. We are going to be a sound sensation. We’ve got our first gig in Cleckheaton next weekend. Good to see you back, young Bilbo.”
He went off into the bar shouting, “Hit it, lads!”
And an awful din of drums and guitars started up. It really did sound like Bob was just hitting things.
Ruby and Matilda came tumbling down from upstairs. Matilda was leaping up at my legs and Ruby was dancing around me, yelling, “It’s Tallulah-lebulla, Matilda. Let’s mek her dance. Do the dance, Tallulah-lebulla! Do the dance!!!”
I said with dignity, “I don’t want to. You know I’ve sort of grown out of the Irish dancing thing.”
The Iron Pies crashed into their version of a James Bond theme. Mr. Barraclough started singing, “From Russia with PIES I came to yooooooo.”
And Ruby had to yell over the top of it. “Oh, come on, just a little bit. For me! I’ll sing the Irish song. ‘Hiddly diddly diddly diddle.’”
So I let myself go. I did my Irish dancing. Ruby joined in and we were leaping and hopping around in the hallway. It was fun actually. There was no one to see me and I needed to relax so I let my knees go wherever they pleased.
When I was mid-hiddly, I noticed Matilda had got caught in the umbrella stand. Umbrellas were crashing around her. She looked up, blinking at us.
Ruby said, “What? What? Why are you blinking at me?”
Then Matilda looked at the door and back at Ruby.
Ruby said, “No, I’m not taking you out now. It’s quiet time.”
Matilda started making a snuffling noise that sounded a bit like crying. Ruby gave in and picked her up.
“Oh, bloody hell, all right, Matilda, you daft ninny. Come on, I’ll tek you out, even though it’s going to be a tornado out there. C’mon, Lullah.”
She rammed a hat and coat on and dragged me outside with her.
Big black clouds were tumbling in again from Grimbottom and in the distance we could see lightning crackling. Ruby says you can tell how far away the storm is by counting the seconds in between thunder rolls. There was a rumble as we set off up the back path and then another one halfway up the track.
We reached the old tree with its branch that we used to sit on. Ruby pulled her jacket round her and shouted above the gathering wind. “It’ll start pouring down in abaht five minutes, so go fetch, Matilda!” And Ruby flung a stick for Matilda to chase.
Matilda looked up at Ruby and then lay down like a splayed chicken.
Ruby said, “Oh, you!!! That’s not ‘go fetch,’ is it? That’s lying down and dying for England!!!”
Ruby went running off into the bracken to get the stick, shouting, “And then you can start telling me abaht snogging and stuff, Lullah!”
She was waving a stick at Matilda, trying to get her to run. But I don’t think Matilda can run; she can only fast toddle. And she can’t do that without falling over. She’s not interested in stick fetching. She knows a stick is not a biscuit, so why would she want to fetch it? Ruby would have to throw a biscuit.
Gosh, it was wild up there with the lowering sky and the trees bending in the wind and the moors stretching off. It was getting murky and chilly.
I sat down on the branch and snuggled into my anorak and put my hood up. I was sitting on the branch that HE had sat on.
I could feel his warm presence even through my corduroys.
Alex the Good.
I was sitting where Alex the Good had sat.
In a way, I was sitting on his knee.
If he had been there.
On the branch.
Alex, Alex the Good. Ruby’s gorgey older brother.
I’ve got a bit of a crush on him. Even though he thinks I’m just a schoolgirl, he’s always nice to me. Really specially nice to me.
He’s not like the Hinchcliff brothers, Seth, Ruben, and the other brother. Whose name I will never mention again. But the one who waved with a dead rabbit’s paw. That one.
Yes, Alex is always nice to me, encouraging me to fill my tights. And not like Dr. Lightowler, the drama tutor, who fails to see my talent and says, “Seeing you onstage makes me feel physically sick.”
Mmmmmm, Alex.
Last term I saw him up here, looking out to the moors.
Like Mr. Darcy. Only not in pantaloons and a ruffled shirt. He turned and saw me and he said, “Hey, Lullah!” and hugged me. In a proper huggy way. I felt myself melt. I don’t mean I actually melted, I just mean . . . anyway, it doesn’t matter whether I melted or not. It was just me and him in Brontë country. It was a perfect opportunity for him to kiss me.
But then “she” came wafting out of a field like a . . . like a . . . twit. A twit in a floaty dress. He introduced us: “Meet Candice. She’s at college with me.” Then he kissed her on the lips.
Do boys like twits in floaty dresses? I haven’t asked Cousin Georgia that. She’s told me some number-one rules that they do like. Boys, I mean.
Like when you want them to like you, you have to have “sticky eyes.” Not like eyes with glue on, just eyes that do “looking up, looking down, and then just looking, full-on looking at them.”
Georgia said y
ou mustn’t accidentally do sticky eyes when a boy says something so stupid you are just staring at him in disbelief. Because they will get the wrong impression and think that you actually like them. In an “I fancy you” way.
Another number-one top tip Georgia says is that boys like you to say nice things to them and praise them for stuff. Even if they unexpectedly do a backflip or something.
You have to say, “Golly, that’s the best backflip I’ve ever seen.”
I said to Georgia, “No fool would believe that you really liked people doing backflips.”
Georgia said, “Boys will. If you say something nice to them and give them praise, they are like jelly boys and you can do anything with them.”
My brother, Connor, thinks he is the world’s top farter. Which he probably is, but I’m not going to give him praise for that. Otherwise he would do it all day.
He does do it all day.
I’ve got a photo from Georgia to remind me of her. I’ve stuck it in my Darkly Demanding Damson Diary. It’s of her and her Ace Gang all sitting in those big teacups that go round and round at fairgrounds. They’re supposed to be for tiny toddlers. In fact, there were some little children in the background crying.
On the back of the photo it says, Send us the latest on the DBC of H. Yours sincerely, A Friend. And some other friends. In our cups.
Georgia wants the latest on the DBC of H, which is Cain. Because I call him the Dark Black Crow of Heckmondwhite. But there won’t be anything to tell her because I won’t be having anything to do with him.
EVER again.
Whoever he is.
And if and when I do see him, I’m going to make it clear that what happened—you know, the accidental snogging incident on the moorland path—was . . .
You know.
Erm, an act of madness brought on by low blood sugar . . .
Ruby and Matilda came bounding back, but suddenly there was a loud growling in the gorse. Ruby said hoarsely, “Maybe it’s a wild otter? Gone mad. Say something to it. Calm it down.”
What do you say to otters?
Do otters go mad?
I said, “Ruby, how can it be a wild otter gone mad? You’ve just made that up.”