Susannah shrank back in her chair, the heels of her hands pressed to her ears, her face long with dismay, her mouth distorted in a silent scream. Eddie felt himself shrinking toward all the fantastic, hallucinatory terrors of eleven. Had it been this voice he had feared when he and Henry stood outside The Mansion? That he had perhaps even anticipated? He didn't know. . . but he did know how Jack in that old story must have felt when he realized that he had tried the beanstalk once too often, and awakened the giant.
"HOW DARE YOU DISTURB MY SLEEP? TELL ME NOW, OR DIE WHERE YOU STAND."
He might have frozen right there, leaving Blaine--Big Blaine--to do to them whatever it was he had done to Ardis (or something even worse); perhaps should have frozen, locked in that down-the-rabbit-hole, fairy-tale terror. It was the memory of the small voice which had spoken first that enabled him to move. It had been the voice of a terrified child, but it had tried to help them, terrified or not.
So now you have to help yourself, he thought. You woke it up; deal with it, for Christ's sake!
Eddie reached out and pushed the button again.
"My name is Eddie Dean. The woman with me is my wife, Susannah. We're. . ."
He looked at Susannah, who nodded and made frantic motions for him to go on.
"We're on a quest. We seek the Dark Tower which lies in the Path of the Beam. We're in the company of two others, Roland of Gilead and. . . and Jake of New York. We're from New York too. If you're--" He paused for a moment, biting back the words Big Blaine. If he used them, he might make the intelligence behind the voice aware that they had heard another voice; a ghost inside the ghost, so to speak.
Susannah gestured again for him to go on, using both hands.
"If you're Blaine the Mono. . . well... we want you to take us."
He released the button. There was no response for what seemed like a very long time, only the agitated flutter of the disturbed pigeons from overhead. When Blaine spoke again, his voice came only from the speaker-box mounted on the gate and sounded almost human.
"DO NOT TRY MY PATIENCE. ALL THE DOORS TO THAT WHERE ARE CLOSED. GILEAD IS NO MORE, AND THOSE KNOWN AS GUNSLINGERS ARE ALL DEAD. NOW ANSWER MY QUESTION: WHO ARE YOU? THIS IS YOUR LAST CHANCE."
There was a sizzling sound. A ray of brilliant blue-white light lanced down from the ceiling and seared a hole the size of a golf-ball in the marble floor less than five feet to the left of Susannah's wheelchair. Smoke that smelled like the aftermath of a lightning-bolt rose lazily from it. Susannah and Eddie stared at each other in mute terror for a moment, and then Eddie lunged for the communicator-box and thumbed the button.
"You're wrong! We did come from New York! We came through the doors, on the beach, only a few weeks ago!"
"It's true!" Susannah called. "I swear it is!"
Silence. Beyond the long barrier, Blaine's pink back humped smoothly. The window at the front seemed to regard them like a vapid glass eye. The wiper could have been a lid half-closed in a sly wink.
"PROVE IT," Blaine said at last.
"Christ, how do I do that?" Eddie asked Susannah.
"I don't know."
Eddie pushed the button again. "The Statue of Liberty! Does that ring a bell?"
"GO ON," Blaine said. Now the voice sounded almost thoughtful.
"The Empire State Building! The Stock Exchange! The World Trade Center! Coney Island Red-Hots! Radio City Music Hall! The East Vil--"
Blaine cut him off . . . and now, incredibly, the voice which came from the speaker was the drawling voice of John Wayne.
"OKAY, PILGRIM. I BELIEVE YOU."
Eddie and Susannah shared another glance, this one of confusion and relief. But when Blaine spoke again, the voice was again cold and emotionless.
"ASK ME A QUESTION, EDDIE DEAN OF NEW YORK. AND IT BETTER BE A GOOD ONE." There was a pause, and then Blaine added: "BECAUSE IF IT'S NOT, YOU AND YOUR WOMAN ARE GOING TO DIE, NO MATTER WHERE YOU CAME FROM."
Susannah looked from the box on the gate to Eddie. "What's it talking about?" she hissed.
Eddie shook his head. "I don't have the slightest idea."
28
TO JAKE, THE ROOM Gasher dragged him into looked like a Minuteman missile silo which had been decorated by the inmates of a lunatic asylum: part museum, part living room, part hippie crash pad. Above him, empty space vaulted up to a rounded ceiling and below him it dropped seventy-five or a hundred feet to a similarly rounded base. Running all around the single curved wall in vertical lines were tubes of neon in alternating strokes of color: red, blue, green, yellow, orange, peach, pink. These long tubes came together in roaring rainbow knots at the bottom and top of the silo. . . if that was what it had been.
The room was about three-quarters of the way up the vast capsule-shaped space and floored with rusty iron grillework. Rugs that looked Turkish (he later learned that such rugs were actually from a barony called Kashmin) lay on the grilled floor here and there. Their corners were held down with brass-bound trunks or standing lamps or the squat legs of overstuffed chairs. If not, they would have flapped like strips of paper tied to an electric fan, because a steady warm draft rushed up from below. Another draft, this one issuing from a circular band of ventilators like the ones in the tunnel they had followed here, swirled about four or five feet above Jake's head. On the far side of the room was a door identical to the one through which he and Gasher had entered, and Jake assumed it was a continuation of the subterranean corridor following the Path of the Beam.
There were half a dozen people in the room, four men and two women. Jake guessed that he was looking at the Gray high command--if, that was, there were enough Grays left to warrant a high command. None of them were young, but all were still in the prime of their lives. They looked at Jake as curiously as he looked at them.
Sitting in the center of the room, with one massive leg thrown casually over the arm of a chair big enough to be a throne, was a man who looked like a cross between a Viking warrior and a giant from a child's fairy-tale. His heavily muscled upper body was naked except for a silver band around one bicep, a knife-scabbard looped over one shoulder, and a strange charm about his neck. His lower body was clad in soft, tight-fitting leather breeches which were tucked into high boots. He wore a yellow scarf tied around one of these. His hair, a dirty gray-blonde, cascaded almost to the middle of his broad back; his eyes were as green and curious as the eyes of a tomcat who is old enough to be wise but not old enough to have lost that refined sense of cruelty which passes for fun in feline circles. Hung by its strap from the back of the chair was what looked like a very old machine-gun.
Jake looked more closely at the ornament on the Viking's chest and saw that it was a coffin-shaped glass box hung on a silver chain. Inside it, a tiny gold clock-face marked the time at five minutes past three. Below the face, a tiny gold pendulum went back and forth, and despite the soft whoosh of circulating air from above and below, he could hear the tick-tock sound it made. The hands of the clock were moving faster than they should have done, and Jake was not very surprised to see that they were moving backward.
He thought of the crocodile in Peter Pan, the one that was always chasing after Captain Hook, and a little smile touched his lips. Gasher saw it, and raised his hand. Jake cringed away, putting his own hands to his face.
The Tick-Tock Man shook his finger at Gasher in an amusing schoolmarmish gesture. "Now, now . . . no need of that, Gasher," he said.
Gasher lowered his hand at once. His face had changed completely. Before, it had alternated between stupid rage and a species of cunning, almost existential humor. Now he only looked servile and adoring. Like the others in the room (and Jake himself), the Gasherman could not look away from Tick-Tock for long; his eyes were drawn inexorably back. And Jake could understand why. The Tick-Tock Man was the only person here who seemed wholly vital, wholly healthy, and wholly alive.
"If you say there's no need, there ain't," Gasher said, but he favored Jake with a dark look before shifting his eyes back
to the blonde giant on the throne. "Still, he's wery pert, Ticky. Wery pert, Ticky. Wery pert indeed, so he is, and if you want my opinion, he'll take a deal of training!"
"When I want your opinion, I'll ask for it," the Tick-Tock Man said. "Now close the door, Gash--was you bore in a barn?"
A dark-haired woman laughed shrilly, a sound like the caw of a crow. Tick-Tock flicked his eyes toward her; she quieted at once and cast her eyes down to the grilled floor.
The door through which Gasher had dragged him was actually two doors. The arrangement reminded Jake of the way spaceship airlocks looked in the more intelligent science fiction movies. Gasher shut them both and turned to Tick-Tock, giving him a thumbs-up gesture. The Tick-Tock Man nodded and reached languidly up to press a button set into a piece of furniture that looked like a speaker's podium. A pump began to cycle wheezily within the wall, and the neon tubes dimmed perceptibly. There was a faint hiss of air and the valve-wheel of the inside door spun shut. Jake supposed the one in the outer door was doing the same. This was some sort of bomb-shelter, all right; no doubt of that. When the pump died, the long neon tubes resumed their former muted brilliance.
"There," Tick-Tock said pleasantly. His eyes began to look Jake up and down. Jake had a clear and very uncomfortable sense of being expertly catalogued and filed. "All safe and sound, we are. Snug as bugs in a rug. Right, Hoots?"
"Yar!" a tall, skinny man in a black suit replied promptly. His face was covered with some sort of rash which he scratched obsessively.
"I brung him," Gasher said. "I told yer you could trust me to do it, and didn't I?"
"You did," Tick-Tock said. "Bang on. I had some doubts about your ability to remember the password at the end, there, but--"
The dark-haired woman uttered another shrill caw. The Tick-Tock Man half-turned in her direction, that lazy smile dimpling the corners of his mouth, and before Jake was able to grasp what was happening--what had already happened--she was staggering backward, her eyes bulging in surprise and pain, her hands groping at some strange tumor in the middle of her chest which hadn't been there a second before.
Jake realized the Tick-Tock Man had made some sort of move as he was turning, a move so quick it had been no more than a flicker. The slim white hilt which had protruded from the scabbard looped over the Tick-Tock Man's shoulder was gone. The knife was now on the other side of the room, sticking out of the dark-haired woman's chest. Tick-Tock had drawn and thrown with an uncanny speed Jake wasn't sure even Roland could match. It had been like some malign magic trick.
The others watched silently as the woman staggered toward Tick-Tock, gagging harshly, her hands wrapped loosely around the hilt of the knife. Her hip bumped one of the standing lamps and the one called Hoots darted forward to catch it before it could fall. Tick-Tock himself never moved; he only went on sitting with his leg tossed over the arm of his throne, watching the woman with his lazy smile.
Her foot caught beneath one of the rugs and she tumbled forward. Once more the Tick-Tock Man moved with that spooky speed, pulling back the foot which had been dangling over the arm of the chair and then driving it forward again like a piston. It buried itself in the pit of the dark-haired woman's stomach and she went flying backward. Blood spewed from her mouth and splattered the furniture. She struck the wall, slid down it, and ended up sitting with her chin on her breastbone. To Jake she looked like a movie Mexican taking a siesta against an adobe wall. It was hard for him to believe she had gone from living to dead with such terrible speed. Neon tubes turned her hair into a haze that was half red and half blue. Her glazing eyes stared at the Tick-Tock Man with terminal amazement.
"I told her about that laugh," Tick-Tock said. His eyes shifted to the other woman, a heavyset redhead who looked like a long-haul trucker. "Didn't I, Tilly?"
"Ay," Tilly said at once. Her eyes were lustrous with fear and excitement, and she licked her lips obsessively. "So you did, many and many a time. I'll set my watch and warrant on it."
"So you might, if you could reach up your fat ass far enough to find them," Tick-Tock said. "Bring me my knife, Brandon, and mind you wipe that slut's stink off it before you put it in my hand."
A short, bandy-legged man hopped to do as he had been bidden. The knife wouldn't come free at first; it seemed caught on the unfortunate dark-haired woman's breastbone. Brandon threw a terrified glance over his shoulder at the Tick-Tock Man and then tugged harder.
Tick-Tock, however, appeared to have forgotten all about both Brandon and the woman who had literally laughed herself to death. His brilliant green eyes had fixed on something which interested him much more than the dead woman.
"Come here, cully," he said. "I want a better look at you."
Gasher gave him a shove. Jake stumbled forward. He would have fallen if Tick-Tock's strong hands hadn't caught him by the shoulders. Then, when he was sure Jake had his balance again, Tick-Tock grasped the boy's left wrist and raised it. It was Jake's Seiko which had drawn his interest.
"If this here's what I think it is, it's an omen for sure and true," Tick-Tock said. "Talk to me, boy--what's this sigul you wear?"
Jake, who hadn't the slightest idea what a sigul was, could only hope for the best. "It's a watch. But it doesn't work, Mr. Tick-Tock."
Hoots chuckled at that, then clapped both hands over his mouth when the Tick-Tock Man turned to look at him. After a moment, Tick-Tock looked back at Jake, and a sunny smile replaced the frown. Looking at that smile almost made you forget that it was a dead woman and not a movie Mexican taking a siesta over there against the wall. Looking at it almost made you forget that these people were crazy, and the Tick-Tock Man was likely the craziest inmate in the whole asylum.
"Watch," Tick-Tock said, nodding. "Ay, a likely enough name for such; after all, what does a person want with a timepiece but to watch it once in a while? Ay, Brandon? Ay, Tilly? Ay, Gasher?"
They responded with eager affirmatives. The Tick-Tock Man favored them with his winning smile, then turned back to Jake again. Now Jake noticed that the smile, winning or not, stopped well short of the Tick-Tock Man's green eyes. They were as they had been throughout: cool, cruel, and curious.
He reached a finger toward the Seiko, which now proclaimed the time to be ninety-one minutes past seven--A.M. and P.M.--and pulled it back just before touching the glass above the liquid crystal display. "Tell me, dear boy--is this 'watch' of yours boobyrigged?"
"Huh? Oh! No. No, it's not boobyrigged." Jake touched his own finger to the face of the watch.
"That means nothing, if it's set to the frequency of your own body," the Tick-Tock Man said. He spoke in the sharp, scornful tone Jake's father used when he didn't want people to figure out that he didn't have the slightest idea what he was talking about. Tick-Tock glanced briefly at Brandon, and Jake saw him weigh the pros and cons of making the bowlegged man his designated toucher. Then he dismissed the notion and looked back into Jake's eyes. "If this thing gives me a shock, my little friend, you're going to be choking to death on your own sweetmeats in thirty seconds."
Jake swallowed hard but said nothing. The Tick-Tock Man reached out his finger again, and this time allowed it to settle on the face of the Seiko. The moment that it did, all the numbers went to zeros and then began to count upward again.
Tick-Tock's eyes had narrowed in a grimace of potential pain as he touched the face of the watch. Now their corners crinkled in the first genuine smile Jake had seen from him. He thought it was partly pleasure at his own courage but mostly simple wonder and interest.
"May I have it?" he asked Jake silkily. "As a gesture of your goodwill, shall we say? I am something of a clock fancier, my dear young cully--so I am."
"Be my guest." Jake stripped the watch off his arm at once and dropped in onto the Tick-Tock Man's large waiting palm.
"Talks just like a little silk-arse gennelman, don't he?" Gasher said happily. "In the old days someone would have paid a wery high price for the return o' such as him, Ticky, ay, so they would. Why, m
y father--"
"Your father died so blowed-out-rotten with the mandrus that not even the dogs would eat him," the Tick-Tock Man interrupted. "Now shut up, you idiot."
At first Gasher looked furious . . . and then only abashed. He sank into a nearby chair and closed his mouth.
Tick-Tock, meanwhile, was examining the Seiko's expansion band with an expression of awe. He pulled it wide, let it snap back, pulled it wide again, let it snap back again. He dropped a lock of his hair into the open links, then laughed when they closed on it. At last he slipped the watch over his hand and pushed it halfway up his forearm. Jake thought this souvenir of New York looked very strange there, but said nothing.
"Wonderful!" Tick-Tock exclaimed. "Where did you get it, cully?"
"It was a birthday present from my father and mother," Jake said. Gasher leaned forward at this, perhaps wanting to mention the idea of ransom again. If so, the intent look on the Tick-Tock Man's face changed his mind and he sat back without saying anything.
"Was it?" Tick-Tock marvelled, raising his eye-brows. He had discovered the small button which lit the face of the watch and kept pushing it, watching the light go off and on. Then he looked back at Jake, and his eyes were narrowed to bright green slits again. "Tell me something, cully--does this run on a dipolar or unipolar circuit?"
"Neither one," Jake said, not knowing that his failure to say he did not know what either of these terms meant was buying him a great deal of future trouble. "It runs on a nickel-cadmium battery. At least I'm pretty sure it does. I've never had to replace it, and I lost the instruction folder a long time ago."
The Tick-Tock Man looked at him for a long time without speaking, and Jake realized with dismay that the blonde man was trying to decide if Jake had been making fun of him. If he decided Jake had been making fun, Jake had an idea that the abuse he had suffered on the way here would seem like tickling compared to what the Tick-Tock Man might do. He suddenly wanted to divert Tick-Tock's train of thought--wanted that more than anything in the world. He said the first thing he thought might turn the trick.