A shout comes from Mai, waving Hock Seng over. He doesn't have to look to know it is bad news. He says, "There will be damage below as well, I think. Expensive to repair." He pauses, touches the delicate subject. "Your investors, the Misters Gregg and Yee, will have to be notified. It is likely that we do not have the cash to do repairs and also to install and calibrate the new algae baths when they arrive." He pauses. "We will require new funds."
He waits anxiously, wondering what the yang guizi's reaction will be. Money flows through the company so quickly sometimes Hock Seng thinks of it as water, and yet he knows this will not be pleasant news. The investors sometimes become balky at expenses. With Mr. Yates, the fights over money were common. With Mr. Lake, less so. The investors do not complain so much now that Mr. Lake has arrived, yet it is still a fantastic amount of money to spend on a dream. If Hock Seng ran the company, he would have shut it down more than a year ago.
But Mr. Lake doesn't blink at the news. All he says is, "More money." He turns to Hock Seng. "And when will the algae tanks and nutrient cultures clear Customs?" he asks. "When, really?"
Hock Seng blanches. "It is difficult. Parting the bamboo curtain is not something done in a day. The Environment Ministry likes to interfere."
"You said you paid to keep the white shirts off our backs."
"Yes." Hock Seng inclines his head. "All the appropriate gifts have been given."
"So why was Banyat complaining about contaminated baths? If we've got live organisms breeding—"
Hock Seng hurries to interrupt. "Everything is at the anchor pads. Delivered by Carlyle & Sons last week. . ." He makes a decision. The yang guizi needs to hear good news. "Tomorrow the shipment will clear Customs. The bamboo curtain will part, and your shipment will arrive on the backs of megodonts." He makes himself smile. "Unless you wish to fire the Union right now?"
The devil shakes his head, even smiles a little at the joke, and Hock Seng feels a flush of relief.
"Tomorrow then. For certain?" Mr. Lake asks.
Hock Seng steels himself and inclines his head in agreement, willing it to be the truth. Still the foreigner holds him with his blue eyes. "We spend a lot of money here. But the one thing the investors can't tolerate is incompetence. I won't tolerate it, either."
"I understand."
Mr. Lake nods, satisfied. "Good then. We'll wait to talk with the home office. After we've got the new line equipment out of Customs, we'll call. Give them some good news with the bad. I don't want to ask for money with nothing to show at all." He looks at Hock Seng again. "We wouldn't want that, would we?"
Hock Seng makes himself nod. "As you say."
Mr. Lake takes another drink from his bottle. "Good. Find out how bad the damage is. I'll want a report in the morning."
With this dismissal, Hock Seng heads across the factory floor to the waiting spindle crew. He hopes that he is right about the shipment. That it will be truly released. That he will be proven right by events. It is a gamble, but not a bad one. And the devil would not have wanted to hear too much bad news at once, in any case.
When Hock Seng arrives at the winding spindle, Mai is dusting herself off from another foray into the hole. "How does it look?" Hock Seng asks. The winding spindle is fully disengaged from the line. Now drawn forth, it lies on the ground, a massive spike of teak. The cracks are large and obvious. He calls down the hole. "A lot of damage?"
A minute later, Pom crawls out covered in grease. "Those tunnels are tight." he gasps. "I can't fit down some of them." He wipes the sweat and grime with an arm. "It's the sub-train for certain, and we won't know about the rest until we send children down along the links. If the main chain is damaged, we'll have to pull up the floor."
Hock Seng peers into the revealed spindle hole with a grimace, flashing back to tunnels and rats and cowering survival in the jungles of the south. "We'll have Mai find some of her friends."
He surveys the damage again. He owned buildings like this, once. Whole warehouses filled with goods. And now look what he is, a factotum for yang guizi. An old man with a body that's falling apart and a clan that has been filed down to his single head. He sighs and forces down frustration. "I want to know everything about how bad the damage is, before I talk to the farang again. No surprises."
Pom wais. "Yes, Khun."
Hock Seng turns for the offices, limping slightly for the first few steps before forcing himself not to favor the leg. With all the activity, his knee aches, a reminder of an encounter of his own with the monsters that drive the factory. He can't help stopping at the top of the steps to study the megodont carcass, the places where the workers died. Memories scratch and peck at him, swirling like black crows, hungry to take over his head. So many friends dead. So much family gone. Four years ago, he was a big name. Now? Nothing.
He pushes through the door. The offices are silent. Empty desks, expensive treadle computers, the treadmill and its tiny communications screen, the company's massive safes. As he scans the room, religious fanatics in green headbands leap from the shadows, machetes whirling, but they are only memories.
He closes the door behind him, shutting out the sounds of butchery and repair. Forces himself not to go to the window and look down again on the blood and carcass. Not to dwell on memories of blood running down the gutters of Malacca, of Chinese heads stacked like durians for sale.
This is not Malaya, he reminds himself. You are safe.
Still, the images are there. As bright as photographs and spring festival fireworks. Even with the Incident four years in the past, he must perform calming rituals. When the feeling is bad, almost any object reminds him of menace. He closes his eyes, forces himself to breathe deeply, to remember the blue ocean and his clipper fleets white upon the waves. . . . He takes another deep breath and opens his eyes. The room is safe again. Nothing but empty desks set in careful rows and dusty treadle computers. Shutters blocking out the blaze of tropic sunlight. Dust motes and incense.
Across the room, deep in shadows, the twinned vaults of SpringLife's safes gleam dully, iron and steel, squatting there, taunting him. Hock Seng has keys to one, the petty cash safe. But the other, the great safe, only Mr. Lake can open.
So close, he thinks.
The blueprints are there. Just inches away. He has seen them laid out. The DNA samples of the genehacked algae, their genome maps on solid state data cubes. The specifications for growing and processing the resulting skim into lubricants and powder. The necessary tempering requirements for the kink-spring filament to accept the new coatings. A next generation of energy storage sits within his grasp. And with it, a hope of resurrection for himself and his clan.
Yates mumbled and drank and Hock Seng filled his baijiu glass and listened to his rambles and encouraged his trust and dependence for more than a year. And it was all a waste. Now it comes down to this safe that he cannot open because Yates was foolish enough to raise the investors' ire, and too incompetent to bring his dream to fruition.
There are new empires waiting to be built, if only Hock Seng can reach the documents. All he has are incomplete copies from when they used to sit in the open, splashed across Yates' desk, before the drunken fool bought the cursed office safe.
Now there is a key and a combination, and a wall of iron between him and the blueprints. A good safe. Hock Seng is familiar with its sort. Benefited from its security when he too was a big name and had files he needed to protect. It is irritating—perhaps more irritating than anything else—that the foreign devils use the same brand of safe as he used for his own trading empire in Malaya: YingTie. A Chinese tool, twisted to foreign purposes. He has spent days staring at that safe. Meditating on the knowledge that it contains—
Hock Seng cocks his head, suddenly thoughtful.
Did you close it, Mr. Lake? In all the excitement, did you forget perhaps to lock it closed once again?
Hock Seng's heart beats faster.
Did you lapse?
Mr. Yates sometimes did.
; Hock Seng tries to control growing excitement. He limps across to the safe. Stands before it. A shrine, an object of worship. A monolith of forged steel, impervious to everything except patience and diamond drills. Every day he sits across from it, feels it mocking him.
Could it be as simple as this? Is it possible that in the rush of disaster that Mr. Lake simply forgot to close it?
Hock Seng reaches out hesitantly and puts his hand on the lever. He holds his breath. Prays to his ancestors, prays to the elephant-headed Phra Kanet, the Thai people's remover of obstacles, to every god he knows. He leans on the handle.
One thousand jin of steel push back, every molecule resisting his pressure.
Hock Seng lets out his breath and steps back, forcing down his disappointment.
Patience. Every safe has a key. If Mr. Yates had not been so incompetent, if he had not somehow angered the investors, he would have been the perfect key. Now it must be Mr. Lake instead.
When Mr. Yates installed the safe, he joked that he had to keep the family jewels safe, and laughed. Hock Seng had made himself nod and wai and smile, but all he could think about was how valuable the blueprints were, and how stupid he had been not to copy faster, when they had been easily available.
And now Yates is gone, and in his place a new devil. A devil truly. Blue-eyed and gold-haired and hard-edged where Yates was soft. This dangerous creature who double-checks everything Hock Seng does and makes everything so much harder, and who must somehow be convinced to give up the secrets of his company. Hock Seng purses his lips. Patience. You must be patient. Eventually the foreign devil will make a mistake.
"Hock Seng!"
Hock Seng goes to the door and waves down to Mr. Lake, acknowledging the summons, but instead of going downstairs immediately, he goes to his shrine.
He prostrates himself before the image of Kuan Yin and begs that she will have mercy on him and his ancestors. That she will give him a chance to redeem himself and his family. Beneath the golden character for good fortune, suspended upside down so that it will gush down upon him, Hock Seng places U-Tex rice and cuts open a blood orange. The juice runs down his arm; a ripe one, clean of contamination, and expensive. One cannot cut too close to the bone with gods; they like the fat, not the lean. He lights incense.
As smoke streams into the still air, filling the office once again, Hock Seng prays. He prays that the factory will not close, and that his bribes will bring the new line equipment through the bamboo curtain without difficulty. That the foreign devil Mr. Lake will lose his head and trust him too much, and that the cursed safe will open and reveal its secrets to him.
Hock Seng prays for luck. Even an old Chinese yellow card needs luck.
3
Emiko sips whiskey, wishing she were drunk, and waits for the signal from Kannika that it is time for her humiliation. A part of her still struggles against it but the rest of her—the part that sits with her midriff-baring mini-jacket and tight pha sin skirt and a glass of whiskey in her hand—doesn't have the energy to fight.
And then she wonders if she has it backwards, if the part that struggles to maintain her illusions of self-respect is the part intent upon her destruction. If her body, this collection of cells and manipulated DNA—with its own stronger, more practical needs—is actually the survivor: the one with will.
Isn't that why she sits here, listening to the throb of beating sticks and the wail of pi klang as girls writhe under glow worms and men and whores shout their encouragement? Is it because she lacks the will to die? Or because she is too stubborn to allow it?
Raleigh says that all things come in cycles, like the rise and fall of the tides along the beaches of Koh Samet, or the rise and fall of a man's prick when he has a pretty girl. Raleigh slaps his girls on their bare bottoms and laughs at the jokes of the new wave gaijin and tells Emiko that whatever they want to do with her, money is money, and nothing is new under the sun. And perhaps he is right. Nothing that Raleigh demands has not been demanded before. Nothing that Kannika conceives to hurt her and make her cry out is truly different. Except that she draws cries and moans from a windup girl. This, at least, is novelty.
Look! She is almost human!
Gendo-sama used to say that she was more than human. He used to stroke her black hair after they had made love and say that he thought it a pity New People were not more respected, and really it was too bad her movements would never be smooth. But still, did she not have perfect eyesight and perfect skin and disease- and cancer-resistant genes, and who was she to complain? At least her hair would never turn gray, and she would never age as quickly as he, even with his surgeries and pills and ointments and herbs that kept him young.
He had stroked her hair and said, "You are beautiful, even if you are New People. Do not be ashamed."
And Emiko had snuggled into his embrace. "No. I am not ashamed."
But that had been in Kyoto, where New People were common, where they served well, and were sometimes well-respected. Not human, certainly, but also not the threat that the people of this savage basic culture make her out to be. Certainly not the devils that the Grahamites warn against at their pulpits, or the soulless creatures imagined out of hell that the forest monk Buddhists claim; not a creature unable to ever achieve a soul or a place in the cycles of rebirth and striving for Nirvana. Not the affront to the Q'ran that the Green Headbands believe.
The Japanese were practical. An old population needed young workers in all their varieties, and if they came from test tubes and grew in crèches, this was no sin. The Japanese were practical.
And isn't that why you sit here? Because the Japanese are so very practical? Though you look like one, though you speak their tongue, though Kyoto is the only home you knew, you were not Japanese.
Emiko puts her head in her hands. She wonders if she will find a date, or if she will be left alone at the end of the night, and then wonders if she knows which she prefers.
Raleigh says there is nothing new under the sun, but tonight, when Emiko pointed out that she was New People, and there had never been New People before, Raleigh laughed, and said she was right and special and who knows, maybe that meant anything was possible. And then he slapped her bottom and told her to get up on stage and show how special she was going to be tonight.
Emiko traces her fingers through the wetness of bar rings. Warm beers sit and sweat wet slick rings, as slick as girls and men, as slick as her skin when she oils it to shine, to be soft like butter when a man touches her. As soft as skin can be, and perhaps more so, because even if her physical movements are all stutter-stop flash-bulb strange, her skin is more than perfect. Even with her augmented vision she barely spies the pores of her flesh. So small. So delicate. So optimal. But made for Nippon and a rich man's climate control, not for here. Here, she is too hot and sweats too little.
She wonders if she were a different kind of animal, some mindless furry cheshire, say, if she would feel cooler. Not because her pores would be larger and more efficient and her skin not so painfully impermeable, but simply because she wouldn't have to think. She wouldn't have to know that she had been trapped in this suffocating perfect skin by some irritating scientist with his test tubes and DNA confetti mixes who made her flesh so so smooth, and her insides too too hot.
Kannika grabs her by the hair.
Emiko gasps at the sudden attack. She searches for help but none of the other patrons are interested in her. They are watching the girls on stage. Emiko's peers are servicing the guests, plying them with Khmer whiskey and pressing their bottoms to their laps and running their hands over the men's chests. And anyway, they have no love for her. Even the good-hearted ones—the ones with jai dee, who somehow manage to care for a windup like herself—will not step in.
Raleigh is talking with another gaijin, smiling and laughing with the man, but his ancient eyes are on Emiko, watching for what she will do.
Kannika yanks her hair again. "Bai!"
Emiko obeys, climbing down from her bar stool
and tottering in her windup way toward the circle stage. The men all laugh and point at the Japanese windup and her broken unnatural steps. A freak of nature transplanted from her native habitat, trained from birth to duck her head and bow.
Emiko tries to distance herself from what is about to happen. She is trained to be clinical about such things. The crèche in which she was created and trained had no illusions about the many uses a New Person might be put to, even a refined one. New People serve and do not question. She moves toward the stage with the careful steps of a fine courtesan, stylized and deliberate movements, refined over decades to accommodate her genetic heritage, to emphasize her beauty and her difference. But it is wasted on the crowd. All they see are stutter-stop motions. A joke. An alien toy. A windup.
They have her strip off her clothes.
Kannika flicks water onto her oiled skin. Emiko glistens with water jewels. Her nipples harden. The glow worms twist and writhe overhead, sending out phosphorescent mating light. The men laugh at her. Kannika slaps her hip and makes her bow. Slaps her ass hard enough to burn, tells her to bow lower, to make obeisance to these small men who imagine themselves to be the vanguard of some new Expansion.
The men laugh and wave and point and order more whiskey. Raleigh grins from his place in the corner, the fond elder uncle, happy to teach these newcomers—these small corporate men and women high on fantasies of multinational profiteering—the ways of the old world. Kannika motions that Emiko should kneel.
A black-bearded gaijin with the deep tan of a clipper ship sailor watches from inches away. Emiko meets the man's eyes. He stares intently, as if he is examining an insect under a magnifying class: fascinated, and yet also repulsed. She has the urge to snap at him, to try to force him to look at her, to see her instead of simply evaluating her as a piece of genetic trash. But instead she bows and knocks her head against the teak stage in subservience while Kannika speaks in Thai and tells them Emiko's life story. That she was once a rich Japanese plaything. That she is theirs now: a toy for them to play with, to break even.