"I chose a name last night," I said.
"Wait until this evening to tell me."
As soon as the sun began to sink low on the horizon, we went to an area on the steppes that was full of vast sand dunes. I became aware of a different sound, a kind of resonance, an intense vibration. Mikhail said that it was one of the few places in the world where the dunes sing.
"When I was in Paris and I talked to people about this, they only believed me because an American said that he had experienced the same thing in North Africa; there are only thirty places like it in the world. Nowadays, of course, scientists can explain everything. It seems that because of the place's unique formation, the wind penetrates the actual grains of sand and creates this sound. For the ancients, though, this was one of the magical places in the steppes, and it is a great honor that Dos should have chosen it for your name-changing."
We started climbing one of the dunes, and as we proceeded the noise grew more intense and the wind stronger. When we reached the top, we could see the mountains standing out clearly to the south and the gigantic plain stretching out all around us.
"Turn toward the west and take off your clothes," Dos said.
I did as he ordered, without asking why. I started to feel cold, but they seemed unconcerned about my well-being. Mikhail knelt down and appeared to be praying. Dos looked up at the sky, at the earth, at me, then placed his hands on my shoulders, just as I had done to the Dutchman, though without knowing why.
"In the name of the Lady, I dedicate you. I dedicate you to the earth, which belongs to the Lady. In the name of the horse, I dedicate you. I dedicate you to the world, and pray that the world helps you on your journey. In the name of the steppes, which are infinite, I dedicate you. I dedicate you to the infinite Wisdom, and pray that your horizon may always be wider than you can see. You have chosen your name and will speak it now for the first time."
"In the name of the infinite steppes, I choose a name," I replied, without asking if I was doing as the ritual demanded, merely allowing myself to be guided by the noise of the wind in the dunes. "Many centuries ago, a poet described the wanderings of a man called Ulysses on his way back to an island called Ithaca, where his beloved awaits him. He confronts many perils, from storms to the temptations of comfort. At one point, in a cave, he encounters a monster with only one eye.
"The monster asks him his name. 'Nobody,' says Ulysses. They fight and he manages to pierce the monster's one eye with his sword and then seals the mouth of the cave with a rock. The monster's companions hear his cries and rush to help him. Seeing that there is a rock covering the mouth of the cave, they ask who is with him. 'Nobody! Nobody!' replies the monster. His companions leave, since there is clearly no threat to the community, and Ulysses can then continue on his journey back to the woman who waits for him."
"So your name is Ulysses?"
"My name is Nobody."
I am trembling all over, as if my skin were being pierced by hundreds of needles.
"Focus on the cold, until you stop trembling. Let the cold fill your every thought, until there is no space for anything else, until it becomes your companion and your friend. Do not try to control it. Do not think about the sun, that will only make it worse, because you will know then that something else--heat--exists and then the cold will feel that it is not loved or desired."
My muscles were furiously stretching and contracting in order to produce energy and keep my organism alive. However, I did as Dos ordered, because I trusted him, trusted in his calm, his tenderness, and his authority. I let the needles pierce my skin, allowed my muscles to struggle, my teeth to chatter, all the while repeating to myself: "Don't fight; the cold is your friend." My muscles refused to obey, and I remained like that for almost fifteen minutes, until my muscles eventually gave in and stopped shaking, and I entered a state of torpor. I tried to sit down, but Mikhail grabbed hold of me and held me up, while Dos spoke to me. His words seemed to come from a long way off, from a place where the steppes meet the sky.
"Welcome, nomad who crosses the steppes. Welcome to the place where we always say that the sky is blue even when it is gray, because we know that the color is still there above the clouds. Welcome to the land of the Tengri. Welcome to me, for I am here to receive you and to honor you for your search."
Mikhail sat down on the ground and asked me to drink something that immediately warmed my blood. Dos helped me to get dressed, and we made our way back down the dunes that continued to talk among themselves; we made our way back to our improvised campsite. Before Dos and Mikhail had even started cooking, I had fallen into a deep sleep.
What's happening? Isn't it light yet?"
"It's been light for ages. It's just a sandstorm, don't worry. Put your dark glasses on to protect your eyes."
"Where's Dos?"
"He's gone back to Almaty, but he was very moved by the ceremony yesterday evening. He didn't really need to do that. It was a bit of a waste of time for you really and a great opportunity to catch pneumonia. I hope you realize that it was just his way of showing you how welcome you are. Here, take the oil."
"I overslept."
"It's only a two-hour ride to the village. We'll be there before the sun is at its highest point."
"I need a bath. I need to change my clothes."
"That's impossible. You're in the middle of the steppes. Put the oil in the pan, but first offer it up to the Lady. Apart from salt, it's our most valuable commodity."
"What is Tengri?"
"The word means 'sky worship'; it's a kind of religion without religion. Everyone has passed through here--Buddhists, Hindus, Catholics, Muslims, different sects with their beliefs and superstitions. The nomads became converts to avoid being killed, but they continued and continue to profess the idea that the Divinity is everywhere all the time. You can't take the Divinity out of nature and put it in a book or between four walls. I've felt so much better since coming back to the steppes, as if I had been in real need of nourishment. Thank you for letting me come with you."
"Thank you for introducing me to Dos. Yesterday, during that dedication ceremony, I sensed that he was someone special."
"He learned from his grandfather, who learned from his father, who learned from his father, and so on. The nomadic way of life, and the absence of a written language until the end of the nineteenth century, meant that they had to develop the tradition of the akyn, the person who must remember everything and pass on the stories. Dos is an akyn. When I say 'learn,' though, I hope you don't take that to mean 'accumulate knowledge.' The stories have nothing to do with dates and names and facts. They are legends about heroes and heroines, animals and battles, about the symbols of man's essential self, not just his deeds. They're not stories about the vanquishers or the vanquished, but about people who travel the world, contemplate the steppes, and allow themselves to be filled by the energy of love. Pour the oil in more slowly, otherwise it will spit."
"I felt blessed."
"I'd like to feel that too. Yesterday, I went to visit my mother in Almaty. She asked if I was well and if I was earning money. I lied and said I was fine, that I was putting on a successful theater production in Paris. I'm going back to my own people today, and it's as if I had left yesterday, and as if during all the time I've spent abroad, I had done nothing of any importance. I talk to beggars, wander the streets with the tribe, organize the meetings at the restaurant, and what have I achieved? Nothing. I'm not like Dos, who learned from his grandfather. I only have the presence to guide me and sometimes I think that perhaps it is just a hallucination; perhaps my visions really are just epileptic fits, and nothing more."
"A minute ago you were thanking me for bringing you with me, and now it seems to have brought you nothing but sadness. Make up your mind what you're feeling."
"I feel both things at once, I don't have to choose. I can travel back and forth between the oppositions inside me, between my contradictions."
"I want to tell you something, Mikhail.
I too have traveled back and forth between many contradictions since I first met you. I began by hating you, then I accepted you, and as I've followed in your footsteps, that acceptance has become respect. You're still young, and the powerlessness you feel is perfectly normal. I don't know how many people your work has touched so far, but I can tell you one thing: you changed my life."
"You were only interested in finding your wife."
"I still am, but that didn't just make me travel across the Kazakhstan steppes: it made me travel through the whole of my past life. I saw where I went wrong, I saw where I stopped, I saw the moment when I lost Esther, the moment that the Mexican Indians call the acomodador--the giving-up point. I experienced things I never imagined I would experience at my age. And all because you were by my side, guiding me, even though you might not have been aware that you were. And do you know something else? I believe that you do hear voices and that you did have visions when you were a child. I have always believed in many things, and now I believe even more."
"You're not the same man I first met."
"No, I'm not. I hope Esther will be pleased."
"Are you?"
"Of course."
"Then that's all that matters. Let's have something to eat, wait until the storm eases, and then set off."
"Let's face the storm."
"No, it's all right. Well, we can if you want, but the storm isn't a sign, it's just one of the consequences of the destruction of the Aral Sea."
The furious wind is abating, and the horses seem to be galloping faster. We enter a kind of valley, and the landscape changes completely. The infinite horizon is replaced by tall, bare cliffs. I look to the right and see a bush full of ribbons.
"It was here! It was here that you saw..."
"No, my tree was destroyed."
"So what's this, then?"
"A place where something very important must have happened."
He dismounts, opens his saddlebag, takes out a knife, and cuts a strip off the sleeve of his shirt, then ties this to one of the branches. His eyes change; he may be feeling the presence beside him, but I prefer not to ask.
I follow his example. I ask for protection and help. I, too, feel a presence by my side: my dream, my long journey back to the woman I love.
We remount. He doesn't tell me what he asked for, and nor do I. Five minutes later, we see a small village of white houses. A man is waiting for us; he comes over to Mikhail and speaks to him in Russian. They talk for a while, then the man goes away.
"What did he want?"
"He wanted me to go to his house to cure his daughter. Nina must have told him I was arriving today, and the older people still remember my visions."
He seems uncertain. There is no one else around; it must be a time when everyone is working, or perhaps eating. We were crossing the main road, which seemed to lead to a white building surrounded by a garden.
"Remember what I told you this morning, Mikhail. You might well just be an epileptic who refuses to accept the diagnosis and who has allowed his unconscious to build a whole story around it, but it could also be that you have a mission in the world: to teach people to forget their personal history and to be more open to love as pure, divine energy."
"I don't understand you. All the months we've known each other, you've talked of nothing but this moment--finding Esther. And suddenly, ever since this morning, you seem more concerned about me than anything else. Perhaps Dos's ritual last night had some effect."
"Oh, I'm sure it did."
What I meant to say was: I'm terrified. I want to think about anything except what is about to happen in the next few minutes. Today, I am the most generous person on the face of this earth, because I am close to my objective and afraid of what awaits me. My reaction is to try and help others, to show God that I'm a good person and that I deserve this blessing that I have pursued so long and hard.
Mikhail dismounted and asked me to do the same.
"I'm going to the house of the man whose daughter is ill. I'll take care of your horse while you talk to Esther."
He pointed to the small white building in the middle of the trees.
"Over there."
I struggled to keep control of myself.
"What does she do?"
"As I told you before, she's learning to make carpets and, in exchange, she teaches French. By the way, although the carpets may look simple, they are, in fact, very complicated--just like the steppes. The dyes come from plants that have to be picked at precisely the right time; otherwise the color won't be right. Then the wool is spread out on the ground, mixed with hot water, and the threads are made while the wool is still wet; and then, after many days, when the sun has dried them, the work of weaving begins. The final details are done by children. Adult hands are too big for the smallest, most delicate bits of embroidery."
He paused.
"And no jokes about it being child's play. It's a tradition that deserves respect."
"How is she?"
"I don't know. I haven't spoken to her for about six months."
"Mikhail, these carpets are another sign."
"The carpets?"
"Do you remember yesterday, when Dos asked me to choose my name, I told you the story of a warrior who returns to an island in search of his beloved? The island is called Ithaca and the woman is called Penelope. What do you think Penelope has been doing since Ulysses left? Weaving! She has been weaving a shroud for her father-in-law, Laertes, as a way of putting off her suitors. Only when she finishes the shroud will she remarry. While she waits for Ulysses to return, she unpicks her work every night and begins again the following day.
"Her suitors want her to choose one of them, but she dreams of the return of the man she loves. Finally, when she has grown weary of waiting, Ulysses returns."
"Except that the name of this village isn't Ithaca and Esther's name isn't Penelope."
Mikhail had clearly not understood the story, and I didn't feel like explaining that it was just an example.
I handed him the reins of my horse and then walked the hundred meters that separated me from the woman who had been my wife, had then become the Zahir, and who was once more the beloved whom all men dream of finding when they return from war or from work.
I am filthy. My clothes and my face are caked with sand, my body drenched in sweat, even though it's very cold.
I worry about my appearance, the most superficial thing in the world, as if I had made this long journey to my personal Ithaca merely in order to show off my new clothes. As I walk the remaining hundred meters, I must make an effort to think of all the important things that have happened during her--or was it my?--absence.
What should I say when we meet? I have often pondered this and come up with such phrases as: "I've waited a long time for this moment," or "I know now that I was wrong," or "I came here to tell you that I love you," or even "You're lovelier than ever."
I decide just to say hello. As if she had never left. As if only a day had passed, not two years, nine months, eleven days, and eleven hours.
And she needs to understand that I have changed as I've traveled through the same places she traveled through, places about which I knew nothing or in which I had simply never been interested. I had seen the scrap of bloodstained cloth in the hand of a beggar, in the hands of young people and adults in a Paris restaurant, in the hand of a painter, a doctor, and a young man who claimed to see visions and hear voices. While I was following in her footsteps, I had gotten to know the woman I had married and had rediscovered, too, the meaning of my own life, which had been through so many changes and was now about to change again.
Despite being married all those years, I had never really known my wife. I had created a love story like the ones I'd seen in the movies, read about in books and magazines, watched on TV. In my story, love was something that grew until it reached a certain size and, from then on, it was just a matter of keeping it alive, like a plant, watering it now and again and removing any de
ad leaves. Love was also a synonym for tenderness, security, prestige, comfort, success. Love could be translated into smiles, into words like "I love you" or "I feel so happy when you come home."
But things were more complicated than I thought. I could be madly in love with Esther while I was crossing the road, and yet, by the time I had reached the other side, I could be feeling trapped and wretched at having committed myself to someone, and longing to be able to set off once more in search of adventure. And then I would think: "I don't love her anymore." And when love returned with the same intensity as before, I would doubt it and say to myself: "I must have just gotten used to it."
Perhaps Esther had had the same thoughts and had said to herself: "Don't be silly, we're happy, we can spend the rest of our lives like this." After all, she had read the same stories, seen the same films, watched the same TV series, and although none of them said that love was anything more than a happy ending, why give herself a hard time about it? If she repeated every morning that she was happy with her life, then she would doubtless end up believing it herself and making everyone around us believe it too.
However, she thought differently and acted differently. She tried to show me, but I couldn't see. I had to lose her in order to understand that the taste of things recovered is the sweetest honey we will ever know. Now I was there, walking down a street in a tiny, cold, sleepy village, once again following a road because of her. The first and most important thread that bound me--"All love stories are the same"--had broken when I was knocked down by that motorbike.
In the hospital, love had spoken to me: "I am everything and I am nothing. I am the wind, and I cannot enter windows and doors that are shut."
And I said to love: "But I am open to you."
And love said to me: "The wind is made of air. There is air inside your house, but everything is shut up. The furniture will get covered in dust, the damp will ruin the paintings and stain the walls. You will continue to breathe, you will know a small part of me, but I am not a part, I am Everything, and you will never know that."
I saw that the furniture was covered in dust, that the paintings were being corroded by damp, and I had no alternative but to open the windows and doors. When I did that, the wind swept everything away. I wanted to cling to my memories, to protect what I thought I had worked hard to achieve, but everything had disappeared and I was as empty as the steppes.