Under other circumstances our townsfolk would probably have found an outlet in increased activity, a more sociable life. But the plague forced inactivity on them, limiting their movements to the same dull round inside the town, and throwing them, day after day, on the illusive solace of their memories. For in their aimless walks they kept on coming back to the same streets and usually, owing to the smallness of the town, these were streets in which, in happier days, they had walked with those who now were absent.
Thus the first thing that plague brought to our town was exile. And the narrator is convinced that he can set down here, as holding good for all, the feeling he personally had and to which many of his friends confessed. It was undoubtedly the feeling of exile—that sensation of a void within which never left us, that irrational longing to hark back to the past or else to speed up the march of time, and those keen shafts of memory that stung like fire. Sometimes we toyed with our imagination, composing ourselves to wait for a ring at the bell announcing somebody's return, or for the sound of a familiar footstep on the stairs; but, though we might deliberately stay at home at the hour when a traveler coming by the evening train would normally have arrived, and though we might contrive to forget for the moment that no trains were running, that game of make-believe, for obvious reasons, could not last. Always a moment came when we had to face the fact that no trains were coming in. And then we realized that the separation was destined to continue, we had no choice but to come to terms with the days ahead. In short, we returned to our prison-house, we had nothing left us but the past, and even if some were tempted to live in the future, they had speedily to abandon the idea—anyhow, as soon as could be—once they felt the wounds that the imagination inflicts on those who yield themselves to it.
It is noteworthy that our townspeople very quickly desisted, even in public, from a habit one might have ex-
pected them to form—that of trying to figure out the probable duration of their exile. The reason was this: when the most pessimistic had fixed it at, say, six months; when they had drunk in advance the dregs of bitterness of those six black months, and painfully screwed up their courage to the sticking-place, straining all their remaining energy to endure valiantly the long ordeal of all those weeks and days —when they had done this, some friend they met, an article in a newspaper, a vague suspicion, or a flash of foresight would suggest that, after all, there was no reason why the epidemic shouldn't last more than six months; why not a year, or even more?
At such moments the collapse of their courage, willpower, and endurance was so abrupt that they felt they could never drag themselves out of the pit of despond into which they had fallen. Therefore they forced themselves never to think about the problematic day of escape, to cease looking to the future, and always to keep, so to speak, their eyes fixed on the ground at their feet. But, naturally enough, this prudence, this habit of feinting with their predicament and refusing to put up a fight, was ill rewarded. For, while averting that revulsion which they found so unbearable, they also deprived themselves of those redeeming moments, frequent enough when all is told, when by conjuring up pictures of a reunion to be, they could forget about the plague. Thus, in a middle course between these heights and depths, they drifted through life rather than lived, the prey of aimless days and sterile memories, like wandering shadows that could have acquired substance only by consenting to root themselves in the solid earth of their distress.
Thus, too, they came to know the incorrigible sorrow of all prisoners and exiles, which is to live in company with a memory that serves no purpose. Even the past, of which they thought incessantly, had a savor only of regret. For they would have wished to add to it all that they regretted having left undone, while they might yet have done it, with
the man or woman whose return they now awaited; just as in all the activities, even the relatively happy ones, of their life as prisoners they kept vainly trying to include the absent one. And thus there was always something missing in their lives. Hostile to the past, impatient of the present, and cheated of the future, we were much like those whom men's justice, or hatred, forces to live behind prison bars. Thus the only way of escaping from that intolerable leisure was to set the trains running again in one's imagination and in filling the silence with the fancied tinkle of a doorbell, in practice obstinately mute.
Still, if it was an exile, it was, for most of us, exile in one's own home. And though the narrator experienced only the common form of exile, he cannot forget the case of those who, like Rambert the journalist and a good many others, had to endure an aggravated deprivation, since, being travelers caught by the plague and forced to stay where they were, they were cut off both from the person with whom they wanted to be and from their homes as well. In the general exile they were the most exiled; since while time gave rise for them, as for us all, to the suffering appropriate to it, there was also for them the space factor; they were obsessed by it and at every moment knocked their heads against the walls of this huge and alien lazar-house secluding them from their lost homes. These were the people, no doubt, whom one often saw wandering forlornly in the dusty town at all hours of the day, silently invoking nightfalls known to them alone and the daysprings of their happier land. And they fed their despondency with fleeting intimations, messages as disconcerting as a flight of swallows, a dew-fall at sundown, or those queer glints the sun sometimes dapples on empty streets. As for that outside world, which can always offer an escape from everything, they shut their eyes to it, bent as they were on cherishing the all-too-real phantoms of their imagination and conjuring up with all their might pictures of a land where a special play of light,
two or three hills, a favorite tree, a woman's smile, composed for them a world that nothing could replace.
To come at last, and more specifically, to the case of parted lovers, who present the greatest interest and of whom the narrator is, perhaps, better qualified to speak—their minds were the prey of different emotions, notably remorse. For their present position enabled them to take stock of their feelings with a sort of feverish objectivity. And, in these conditions, it was rare for them not to detect their own shortcomings. What first brought these home to them was the trouble they experienced in summoning up any clear picture of what the absent one was doing. They came to deplore their ignorance of the way in which that person used to spend his or her days, and reproached themselves for having troubled too little about this in the past, and for having affected to think that, for a lover, the occupations of the loved one when they are not together could be a matter of indifference and not a source of joy. Once this had been brought home to them, they could retrace the course of their love and see where it had fallen short. In normal times all of us know, whether consciously or not, that there is no love which can't be bettered; nevertheless, we reconcile ourselves more or less easily to the fact that ours has never risen above the average. But memory is less disposed to compromise. And, in a very definite way, this misfortune which had come from outside and befallen a whole town did more than inflict on us an unmerited distress with which we might well be indignant. It also incited us to create our own suffering and thus to accept frustration as a natural state. This was one of the tricks the pestilence had of diverting attention and confounding issues.
Thus each of us had to be content to live only for the day, alone under the vast indifference of the sky. This sense of being abandoned, which might in time have given characters a finer temper, began, however, by sapping them to the
point of futility. For instance, some of our fellow citizens became subject to a curious kind of servitude, which put them at the mercy of the sun and the rain. Looking at them, you had an impression that for the first time in their lives they were becoming, as some would say, weather-conscious. A burst of sunshine was enough to make them seem delighted with the world, while rainy days gave a dark cast to their faces and their mood. A few weeks before, they had been free of this absurd subservience to the weather, because they had not to
face life alone; the person they were living with held, to some extent, the foreground of their little world. But from now on it was different; they seemed at the mercy of the sky's caprices—in other words, suffered and hoped irrationally.
Moreover, in this extremity of solitude none could count on any help from his neighbor; each had to bear the load of his troubles alone. If, by some chance, one of us tried to unburden himself or to say something about his feelings, the reply he got, whatever it might be, usually wounded him. And then it dawned on him that he and the man with him weren't talking about the same thing. For while he himself spoke from the depths of long days of brooding upon his personal distress, and the image he had tried to impart had been slowly shaped and proved in the fires of passion and regret, this meant nothing to the man to whom he was speaking, who pictured a conventional emotion, a grief that is traded on the market-place, mass-produced. Whether friendly or hostile, the reply always missed fire, and the attempt to communicate had to be given up. This was true of those at least for whom silence was unbearable, and since the others could not find the truly expressive word, they resigned themselves to using the current coin of language, the commonplaces of plain narrative, of anecdote, and of their daily paper. So in these cases, too, even the sincerest grief had to make do with the set phrases of ordinary con-
versation. Only on these terms could the prisoners of the plague ensure the sympathy of their concierge and the interest of their hearers.
Nevertheless—and this point is most important—however bitter their distress and however heavy their hearts, for all their emptiness, it can be truly said of these exiles that in the early period of the plague they could account themselves privileged. For at the precise moment when the residents of the town began to panic, their thoughts were wholly fixed on the person whom they longed to meet again. The egoism of love made them immune to the general distress and, if they thought of the plague, it was only in so far as it might threaten to make their separation eternal. Thus in the very heart of the epidemic they maintained a saving indifference, which one was tempted to take for composure. Their despair saved them from panic, thus their misfortune had a good side. For instance, if it happened that one of them was carried off by the disease, it was almost always without his having had time to realize it. Snatched suddenly from his long, silent communion with a wraith of memory, he was plunged straightway into the densest silence of all. He'd had no time for anything.
W
Hile our townspeople were trying to come to terms with their sudden isolation, the plague was posting sentries at the gates and turning away ships bound for Oran. No vehicle had entered the town since the gates were closed. From that day onwards one had the impression that all cars were moving in circles.
The harbor, too, presented a strange appearance to those who looked down on it from the top of the boulevards. The commercial activity that hitherto made it one of the chief ports on the coast had ceased abruptly. Only a few ships, detained in quarantine, were anchored in the bay. But the gaunt, idle cranes on the wharves, tip-carts lying on their sides, neglected heaps of sacks and barrels—all testified that commerce, too, had died of plague.
In spite of such unusual sights our townsfolk apparently found it hard to grasp what was happening to them. There were feelings all could share, such as fear and separation, but personal interests, too, continued to occupy the foreground of their thoughts. Nobody as yet had really acknowledged to himself what the disease connoted. Most people were chiefly aware of what ruffled the normal tenor of their lives or affected their interests. They were worried and irritated —but these are not feelings with which to confront plague. Their first reaction, for instance, was to abuse the authorities. The Prefect's riposte to criticisms echoed by the press —Could not the regulations be modified and made less stringent?—was somewhat unexpected. Hitherto neither the newspapers nor the Ransdoc Information Bureau had been given any official statistics relating to the epidemic. Now the Prefect supplied them daily to the bureau, with the request that they should be broadcast once a week.
In this, too, the reaction of the public was slower than might have been expected. Thus the bare statement that three hundred and two deaths had taken place in the third week of plague failed to strike their imagination. For one thing, all the three hundred and two deaths might not have been due to plague. Also, no one in the town had any idea of the average weekly death-rate in ordinary times. The population of the town was about two hundred thousand. There was no knowing if the present death-rate were really so abnormal. This is, in fact, the kind of statistics that nobody ever troubles much about—notwithstanding that its
interest is obvious. The public lacked, in short, standards of comparison. It was only as time passed and the steady rise in the death-rate could not be ignored that public opinion became alive to the truth. For in the fifth week there were three hundred and twenty-one deaths, and three hundred and forty-five in the sixth. These figures, anyhow, spoke for themselves. Yet they were still not sensational enough to prevent our townsfolk, perturbed though they were, from persisting in the idea that what was happening was a sort of accident, disagreeable enough, but certainly of a temporary order.
So they went on strolling about the town as usual and sitting at the tables on cafe terraces. Generally speaking, they did not lack courage, bandied more jokes than lamentations, and made a show of accepting cheerfully unpleasantnesses that obviously could be only passing. In short, they kept up appearances. However, toward the end of the month, about the time of the Week of Prayer which will be described later on, there were more serious developments, altering the whole aspect of the town. To begin with, the Prefect took measures controlling the traffic and the food-supply. Gasoline was rationed and restrictions were placed on the sale of foodstuffs. Reductions were ordered in the use of electricity. Only necessaries were brought by road or air to Oran. Thus the traffic thinned out progressively until hardly any private cars were on the roads; luxury shops closed overnight, and others began to put up "Sold Out" notices, while crowds of buyers stood waiting at their doors.
Oran assumed a novel appearance. You saw more pedestrians, and in the slack hours numbers of people, reduced to idleness because shops and a good many offices were closed, crowded the streets and cafes. For the present they were not unemployed; merely on holiday. So it was that on fine days, toward three in the afternoon, Oran brought to mind a city where public rejoicings are in progress, shops are shut, and
traffic is stopped to give a merry-making populace the freedom of the streets.
Naturally the picture-houses benefited by the situation and made money hand over fist. They had one difficulty, however—to provide a change of program, since the circulation of films in the region had been suspended. After a fortnight the various cinemas were obliged to exchange films and, after a further lapse of time, to show always the same program. In spite of this their takings did not fall off.
The cafes, thanks to the big stocks accumulated in a town where the wine-and-liquor trade holds pride of place, were equally able to cater for their patrons. And, to tell the truth, there was much heavy drinking. One of the cafes had the brilliant idea of putting up a slogan: "The best protection against infection is a bottle of good wine," which confirmed an already prevalent opinion that alcohol is a safeguard against infectious disease. Every night, toward two a.m., quite a number of drunken men, ejected from the cafes, staggered down the streets, vociferating optimism.
Yet all these changes were, in one sense, so fantastic and had been made so precipitately that it wasn't easy to regard them as likely to have any permanence. With the result that we went on focusing our attention on our personal feelings.
When leaving the hospital two days after the gates were closed, Dr. Rieux met Cottard in the street. The little man was beaming with satisfaction. Rieux congratulated him on his appearance.
"Yes," Cottard said, "I'm feeling very fit. Never was fitter in my life. But tell me, doctor. This blasted
plague, what about it? Getting to look mighty serious, isn't it?" When the doctor nodded, he continued exuberantly: "And there's no reason for it to stop now. This town's going to be in an unholy mess, by the look of things."
They walked a little way together. Cottard told the story of a grocer in his street who had laid by masses of canned
provisions with the idea of selling them later on at a big profit. When the ambulance men came to fetch him he had several dozen cans of meat under his bed. "He died in the hospital. There's no money in plague, that's sure." Cottard was a mine of stories of this kind, true or false, about the epidemic. One of them was about a man with all the symptoms and running a high fever who dashed out into the street, flung himself on the first woman he met, and embraced her, yelling that he'd "got it."
"Good for him!" was Cottard's comment. But his next remark seemed to belie his gleeful exclamation. "Anyhow, we'll all be nuts before long, unless Tm much mistaken."