"A little loyalty."
"Well you blew it, not me."
"Why'd you want to talk to me behind a piece of fucking glass?" He said suddenly, his voice more hostile. "Think I'd hurt you?"
My hands began to shake, and sweat was running down my sides beneath my shirt. I tried to speak but my mouth had turned to cotton.
"Speak up. I can't hear when you whisper through the phone."
"No," I said.
"Well I wanted to tell you something, but I can't here. They're recording us."
"Tell me anyway."
"Are you fucking stupid? What'd I just say?"
"That they're recording…"
"Speak up!"
"That they're recording us."
"That's right. Say it again."
"Say what?"
"That they're recording us."
"Why?"
"Just say it!" He yelled.
"They're recording us."
"Again."
"What are you doing?"
"Say 'they're recording us,' William!"
"They're recording us," I said, and Orson groaned as a flicker of muffled pleasure spread across his face. He was distracted for a moment, and then he looked at me and smiled.
"Sorry. Small vices die hard, you know. You gonna watch me die tonight?"
"Yeah."
"The old fucks coming?"
"No."
"Why not?"
"I don't know. You'd have to ask them."
"Unfortunately, solitary confinement doesn't lend itself to interaction. What I was asking was your opinion about why they aren't coming."
"I don't know."
"Well what do you think? That’s what an opinion is."
"They feel like everyone else. You're fucked-up. They'll be glad when you're gone."
"Will you be glad, William?"
"Yes."
Orson clapped his hands mockingly and smiled.
"I appreciate your honesty, brother. Does it scare you to know that you're part of me, and I'm part of you? Don't tell me you haven't felt it. That void, the rage. You're just too much of a fucking coward to embrace it. You think when I'm gone that black place inside of you will die. You hope, you pray that when I'm dead you won't have to think about it at night, lying in the dark, wondering what it might be like to give into that horrible desire. What's your fantasy, William. I like to cut throats. Tell me yours. The longer you put it off the stronger it will become. It won't die with me."
I took a deep, quivering breath and looked at my watch. "I bet people think you're me, don't they?" He said suddenly. "That's why you've got that long hair and nasty beard." He began to laugh hysterically. "Tough to get a date?" He continued to laugh and tears escaped the corners of his eyes. "Maybe after I'm dead, you won't have to look like Grizzly fucking Adams." He stopped laughing suddenly and dried his eyes. A controlled rage came upon him. "You ashamed of me?"
"What?"
"What?" He mocked in a sissy voice. "You ashamed of me?" I thought of all the news clips I had seen and pictures of his victims with their throats laid open.
"What do you care? You just want someone to antagonize before they kill you? Is that why I'm here?"
"Am I antagonizing you?" He mocked. "Did I hurt your feelings? I'm sorry, William. I'm so fucking sorry." I set the phone down and stood up. Orson stood, too and punched the glass awkwardly with his chained hands as he stared in my eyes. The guards ran forward and forced him back into his chair, as he shouted words that ended where the glass began.
I walked back to the chair, and while I stood, picked up the phone. Orson had never let his go. "Orson, do you want me to stay?" I asked. "Do you wanna see a familiar face before they electrocute you?" Sweat was running from the top of his shaved head, through the crevice of his scar, and down the sides of his face. He nodded, and I sat down.
We said nothing for several moments. I stared at the ceiling as he stared at me.
"I met a girl coming out here," I said finally. "In Nebraska." Orson's face lit up.
"She pretty?" He asked.
"Yeah."
"She have big tits?"
I smiled. "Oh yeah."
"So did you get a little pussy?"
"I did."
"God, I'd kill for some pussy right now. I get thinking about it sometimes, and it drives me so crazy I wanna cut my dick off. What was her name?"
"Tina."
"Tina," he said slowly, letting the word ooze out of his mouth. "You fucked the shit out of her didn't you?"
I nodded. "She was incredible, Orson. You should've seen her."
"Did she scream when you fucked her?" He asked.
"Would it help your violent fantasy if I said yes?"
Orson rolled his eyes and sighed heavily. I thought he was going to slip into a rage again, so I asked him something I'd always wondered. "Would you have tried to kill me or Dad?"
"I wouldn't have tried to," he said. "I'd have done it…if I had wanted to. Is that the first thing you thought of when you saw me on the news?"
"Yeah."
"Well you didn't make the cut, William."
"What's the cut?"
"Wouldn't you like to know? Wouldn't everybody? You know how many criminal psychologists want to get inside my head? I get at least three letters every day, begging me to do an interview. But you know what I tell them? If they had half a brain, they'd know. It's all there…in the case file. Maybe if you knew, you could write something that didn't suck. I read your book, William, and I hope you can take a little constructive criticism: it's shit."
"Why those characteristics, Orson? Male, white, middle-aged, overweight?"
"What's your theory," he asked. "I know you've got one. Hell, everybody does."
"I don't think there's any significance. You just killed those sort of men to make people wonder. White, middle-aged, overweight men are in abundance. In fact, I don't think you had a reason for killing period. You're so fucked-up you didn't need a reason." I stopped for a moment. Orson was hanging on every word. "You just liked the control."
A grin slid across Orson's face. "You're wrong. Just like those other assholes. But I do like control, William." His eyes were on fire again. "You can't imagine what it feels like to talk to someone while you're sliding a blade across their throat." He slid his finger slowly across his as he spoke. "You can smell the fear dripping from them. I especially like it when they beg for their life. Grown men weeping, shaking, trembling. The last one I killed shit all over himself, and do you know why? He knew who I was. I made him say my name. Ginsu Tony. Over and over as I slid the knife across his throat. Told him exactly why he was a victim. I told him the answer! Why I killed men like him!" Orson was in hysterics. "So actually, there are 38 people who know why I kill, but they're all dead. You can't tell me that's not funny." His laughter was foreign and eerie, and I stared at him in disgust.
"You people just don't have a sense of humor." He said
"You're proud of yourself aren't you?" I asked.
Orson couldn't help but smile.
"I'm going now."
"Wait." Orson said.
"See you at 10:30."
"William," he began sternly, but I cut him off.
"You think you'll shit your pants when the electricity comes?" The color left Orson's face as I put the phone down. He stared with an instinctive, emotionless gaze, but I turned away and knocked on the door.
At 10:20, twelve authorized media witnesses and twelve official witnesses including myself were escorted to the witness room. When we were seated, a black curtain was spread, and we peered into the claustrophobic confines of the execution chamber.
Everything looked exactly as the escort staff members had described it. Orson was already strapped into the electric chair. He wore a blue, dress shirt, trousers, and white socks. He smiled when he caught my eyes, and my heart began to pound and my stomach grew sick. There were five men in the room with Orson, and they were all waiting. One man held a phone, one guar
d stood by a closed door, a physician stood closest to the chair, and the executioner and superintendent stood rigidly beside the control panel. Every face save Orson's was grave, but a sneer tugged at his cruel, thin lips.
The three-legged chair was constructed of massive oak timbers. It rested on rubber matting and was bolted to the concrete floor. Straps ran across my brother's lap, chest, arms, and forearms, and a leg piece was attached to his shaven right calf. It held a sponge soaked in a saline solution between his skin and an electrode. Orson also wore a metal headpiece. Another dripping sponge rested on his scalp, separating another electrode from his skin so it would not catch fire when the electricity came. Electrically-conducive gel was smeared about the crown of my brother's head, and it shone in the hard light of the execution chamber.
The man with the phone looked at the superintendent and shook his head. The superintendent approached Orson, and his footsteps echoed through the speakers in the witness room. He glanced at us through the glass with a solemnity that put knots in my stomach, and then he turned to my brother. He said his full name, Anthony Orson Thomas, the way they always say it, and preceded to read the death warrant. When he had finished he said, "Mr. Thomas, you can make a statement now if you wish."
Orson could not move his head, but his eyes passed over the witnesses. They came back to me, and he smiled as he stared into my eyes. "William," he said, in a voice that was almost nostalgic. "When you embrace it, you'll find escape, but not until. The longer you wait, the stronger it grows, and when it finally does take control, there'll be nothing you can do to stop it." A touch of sadness entered his voice. "We could've done something amazing, brother."
His eyes moved to the other witnesses. "Any families of the victims here?" The women beside me tensed and muttered under her breath, and a man sitting near the glass stood up.
"You killed my brother you son of a bitch. I came here to watch you die."
"I remember your brother," Orson said. "He cried like a baby while I slit his throat. He begged me…" The speakers in the witness room went dead, and the escort told the man by the glass to sit down.
"Are they gonna do it now?" A woman asked. Our escort nodded.
The executioner slid a leather hood over Orson's face and returned to the control panel. I remembered everything the escort staff had told us as I watched the executioner close the safety switch and engage the circuit breaker. He put his finger on the execution switch and looked at the superintendent. I held my breath. When the superintendent nodded his head, I turned away. I stared at my watch and counted through the three cycles: 2,300 volts for eight seconds, 1,000 volts for twenty-two seconds, 2,300 volts again for eight seconds. The gasps and uninhibited utterances of the other witnesses made me nauseous, and I was thankful that the airtight glass kept the sweet scent of charred flesh from my nose.
When the current was stopped, I lifted my head. The execution chamber looked no different except for a thin layer of smoke that encompassed the room. The five men were staring at Orson's body, and with the mask and the headpiece supporting his head, it looked only motionless, not dead. After a moment, the physician examined Orson's body for vital signs. He shook his head when he had finished and signed the death certificate. The man holding the phone notified the Governor that the execution had been carried out, and we were led from the witness room.
I'm sitting on my bed in the Big Horn Motel. It's 12:15, and moonlight is streaming into the room, illuminating these pages. I've just cracked the seal on a fifth of Jack Daniels, and I'm going to get as shit-faced tonight as I've been in a long, long time.
There is a memory that has been haunting me for the last hour. We're eight years old, it's summertime, and Orson and I are playing in the woods under a warm, Michigan sky. Like many young boys, we're fascinated with animals, and Orson catches a lizard that's scampering across a rotten log.
We're thrilled with the find, and I tell Orson to hold the lizard down. With a smile on his face, he does, and I extract a magnifying glass from my pocket. The sun is bright, and in no time, there is a small, blinding dot on the lizard's slimy skin. The light burns through, and Orson and I look at each other and laugh, enthralled as the lizard squirms to get away.
"It's my turn!" He shouts. "You hold him."
We spend the entire afternoon torturing the poor creature. When we're finished I throw it into the grass, but Orson insists on taking it with him. "I own it now," he says. "It's mine."
I can see the skyline of mountains rising above the trees as plainly as if it were day. The ice fields and patches of snow in the high country glisten in the yellow light, and I'm thinking that I may stay in this country for quite some time. There's something about the openness here that draws me. The East is claustrophobic, so dense with trees that you often miss the sky. But here, the sky is unavoidable. From horizon to horizon it extends. It's bigger than anything, and if you need to, you can lose yourself in it.
DESERT PLACES ALTERNATE ENDING
I've let it slip in a number of interviews that there were major alternate endings to both Desert Places and Locked Doors, and over the years, I've gotten quite a bit of email from fans wanting to read these original endings.
I completed my first draft of Desert Places in the winter of 2000, working with my writing professor at UNC Chapel-Hill, the great Bland Simpson. At the time, I thought I had just finished the best novel I'd written to date. The ending was a gutsy, surprise mindfuck if there ever was one. I got an agent with this draft, but when she tried to sell it, a number of editors had issues with how the book ended. Maybe it was a little too ambitious. After a lot of hand-wringing, I decided to rewrite the last hundred pages of the book (that rewrite went on to become my first published novel and the version of Desert Places with which all of my readers are familiar).
One of the beautiful things about ebooks is that I can now share the original, uncut ending of Desert Places.
This picks up at the moment when Andrew Thomas is hiding in Orson's house in Woodside, Vermont. He hears a Lexus pull up, and watches Orson get out of the car. In the original ending, Andy sees someone else, and it takes the book in a completely different, much darker direction (the last two chapters are stunners).
I'm still very proud of the original ending, and it's a substantial chunk of text, clocking in at 22,000 words, or roughly 100 printed pages. This alternate ending has never been edited, proofread, or copyedited. It is in the same raw, uncut, unpolished state from which I downloaded it off an 11-year-old, 3.5-inch floppy disk.
I hope you enjoy this exclusive look at a Desert Places of a different feather.
# # #
The alternate ending takes its turn into left field in the existing Chapter 24, following this paragraph:
The low shudder of a car engine pulled me to the window. I split the blinds with two fingers and watched a white Lexus sedan turn into Orson’s driveway. I waited, my stomach twisting into knots. If Orson came in through the back door, he’d see the broken glass...
ALTERNATE ENDING
The slim figure of a woman, between forty and fifty, with frosted hair that may have once been jet black, walked up the sidewalk towards the front porch. She wore a long, navy trench coat that dropped to her ankles and carried a brown briefcase in her right hand. The sky darkened fast behind her, and as she ascended the steps and disappeared from view, my mind turned to chaos.
When I heard the deadbolt turning, I ran from the study, through the living room, and past the staircase. I turned right into the dining room and stood by the open passageway which connected it to the kitchen. From here I could watch the sunroom where I'd made my entry, and make sure she never saw the broken glass.
I held the gun by my face, pressed my back up against the wall, and listened. The front door opened and slammed shut. High heels clicked against the floor, and I heard her drop her briefcase. I could tell that she walked through the living room, and I prayed she'd go down the hallway, but instead she stepped into the kitchen. My ch
est raced furiously up and down.
The answering machine came on, and as the messages played, she opened the fridge. Her back is turned, I thought. Go now. I didn't move. The refrigerator door shut, and she walked to the kitchen sink. She turned on the water, and I thought again, her back is turned. Go.
I stepped out of the dining room into the threshold and pointed the gun at her back. She was bent over the sink trying to scrub something off her hands.
"Don't move!" I shouted. She gasped. Slowly, she craned her neck, trying to see me.