There is no direct connection between the U.S. government and the facility outside of Rome. But over the course of the past week, this reporter conducted extensive surveillance of the rehabilitation facility and observed the presence of a man identified as former Colonel James Peterson, the president of IAS. He is regularly seen in the company of high-ranking Pentagon, CIA and White House officials in the Washington, D.C., area.
Peterson’s satellite phone began ringing.
He supposed the slim man from Washington was calling.
Or maybe his boss.
Or maybe the White House.
Caller ID does not work on encrypted phones.
His jaw quivering, Peterson ignored the phone. He pressed ahead in the article.
The discovery of the IAS facility in Rome came about on a tip last week from Humanity Now, a human rights group based in North Africa and long opposed to the use of torture and black sites. The group reported that an Algerian journalist was to be kidnapped in Algiers and transported to a black site somewhere in Europe.
At the same time the human rights organization gave this reporter the name of a number of individuals suspected of being black site interrogators. By examining public records and various travel documents, it was determined that several of these specialists—two U.S. military officers and a mercenary soldier based in Africa—traveled to Rome not long after the journalist’s abduction in Algiers.
Reporters were able to follow the interrogators to the rehabilitation facility, which was then determined to be owned by IAS.
Slumping in his chair, Peterson ignored the phone. He gave a grim laugh, closing his eyes.
The whole thing, the whole story about terrorists, about the weapon, about Bennabi…it was a setup. Yes, there was an “enemy,” but it was merely the human rights group, which had conspired with the professor to expose the black site operation to the press—and the world.
Peterson understood perfectly: Humanity Now had probably been tracking the main interrogators IAS used—Andrew, Claire, Akhem and others—for months, if not years. The group and Bennabi, a human rights activist, had planted the story about the weapon themselves to engineer his kidnapping, then alerted that reporter for the New York newspaper, who leapt after the story of a lifetime.
Bennabi was merely bait…and I went right for it. Of course, he remained silent the whole time. That was his job. To draw as many interrogators here as he could and give the reporter a chance to follow them, discover the facility and find out who was behind it.
Oh, this was bad…this was terrible. It was the kind of scandal that could bring down governments.
It would certainly end his career. And many others’.
It might very likely end the process of black sites altogether, or at least set them back years.
He thought about calling together the staff and telling them to destroy all the incriminating papers and to flee.
But why bother? he reflected. It was too late now.
Peterson decided there was nothing to do but accept his fate. Though he did call the guards and tell them to arrange to have Jacques Bennabi transferred back home. The enemy had won. And, in an odd way, Peterson respected that.
“And make sure he arrives unharmed.”
“Yessir.”
Peterson sat back, hearing in his thoughts the words of the slim man from Washington.
The weapon…It can do quote “significant” damage….
Except that there was no weapon. It was all a fake.
Yet, with another sour laugh, Peterson decided this wasn’t exactly true.
There was indeed a weapon. It wasn’t nuclear or chemical or explosive but in the end was far more effective than any of those and would indeed do significant damage.
Reflecting on his prisoner’s refusal to speak during his captivity, reflecting, too, on the devastating paragraphs of the reporter’s article, the colonel concluded: the weapon was silence.
The weapon was words.
BLAKE CROUCH
Blake started writing stories in elementary school to scare his little brother at bedtime. He has since perfected the craft of creating intense and insulated worlds in which unspeakable evil can exist. A photograph Blake took of a deserted road on the high desert plain in Wyoming was the inspiration for his first book, Desert Places. The horrifying villain in that novel is shaped from the terrors Blake thought might be waiting for him in that unforgiving landscape.
Blake’s story for this collection, “Remaking,” is influenced by landscape in much the same way. Tragic events unfold in a snowy, sleepy Colorado town. From the first scene, in which a man sits alone in the cold, watching a father and son in a diner, you know something is about to go horribly wrong. With a sickening sense of isolation magnified by the blanketing snow, you’ll find your fingers getting numb from gripping the pages as you turn them inexorably toward the final scene.
REMAKING
Mitchell stared at the page in the notebook, covered in his messy scrawl, but he wasn’t reading. He’d seen them walk into the coffeehouse fifteen minutes prior, the man short, pudgy and smooth-shaven, the boy perhaps five or six and wearing a long-sleeved OshKosh B’Gosh—red with blue stripes.
Now they sat two tables away.
The boy said, “I’m hungry.”
“We’ll get something in a little while.”
“How long is a little while?”
“Until I say.”
“When are you gonna—”
“Joel, do you mind?”
The little boy’s head dropped and the man stopped typing and looked up from his laptop.
“I’m sorry. Tell you what. Give me five minutes so I can finish this e-mail, and we’ll go eat breakfast.”
Mitchell sipped his espresso, snow falling beyond the storefront windows into this mountain hamlet of eight hundred souls, Miles Davis squealing through the speakers—one of the low-key numbers off Kind of Blue.
Mitchell trailed them down the frosted sidewalk.
One block up, they crossed the street and disappeared into a diner. Having already eaten in that very establishment two hours ago, he installed himself on a bench where he could see the boy and the man sitting at a table by the front window.
Mitchell fished the cell out of his jacket and opened the phone, scrolling through ancient numbers as the snow collected in his hair.
He pressed TALK.
Two rings, then, “Mitch? Oh, my God, where are you?”
He made no answer.
“Look, I’m at the office, getting ready for a big meeting. I can’t do this right now, but will you answer if I call you back? Please?”
Mitchell closed the phone and shut his eyes.
They emerged from the diner an hour later.
Mitchell brushed the inch of snow off his pants and stood, shivering. He crossed the street and followed the boy and the man up the sidewalk, passing a candy shop, a grocery, a depressing bar masquerading as an Old West saloon.
They left the sidewalk after another block and walked up the driveway to the Antlers Motel, disappeared into 113, the middle in a single-story row of nine rooms. The tarp stretched over the small swimming pool sagged with snow. In an alcove between the rooms and the office, vending machines hummed against the hush of the storm.
Ten minutes of brisk walking returned Mitchell to his motel, the Box Canyon Lodge. He checked out, climbed into his burgundy Jetta, cranked the engine.
“Just for tonight?” she asked.
“Yes.”
“That’ll be $69.78 with tax.”
Mitchell handed the woman behind the front desk his credit card.
Behind her, a row of Hummels stood in perfect formation atop a black-and-white television airing The Price is Right.
Mitchell signed the receipt. “Could I have 112 or 114?”
The old woman stubbed out her cigarette in a glass ashtray and reached for the key cabinet.
Mitchell pressed his ear to the wood paneling.
A television blared through the thin wall.
His cell phone vibrated—Lisa calling again.
Flipped it open.
“Mitch? You don’t have to say anything. Please just listen—”
He powered off the phone and continued writing in the notebook.
Afternoon unspooled as the snow piled up in the parking lot of the Antlers Motel. Mitchell parted the blinds and stared through the window as the first intimation of dusk began to blue the sky, the noise of the television next door droning through the walls.
He lay down on top of the covers and stared at the ceiling and whispered the Lord’s Prayer.
In the evening, he startled out of sleep to the sound of a door slamming, sat up too fast, the blood rushing to his head in a swarm of black spots. He hadn’t intended to sleep.
Mitchell slid off the bed and walked to the window, split the blinds, heard the diminishing sound of footsteps—a single set—squeaking in the snow.
He saw the boy pass through the illumination of a streetlamp and disappear into the alcove that housed the vending machines.
The snowflakes stung Mitchell’s cheeks as he crossed the parking lot, his sneakers swallowed up in six inches of fresh powder.
The hum of the vending machines intensified, and he picked out the sound of coins dropping through a slot.
He glanced once over his shoulder at the row of rooms, the doors all closed, windows dark save for slivers of electric blue from television screens sliding through the blinds.
Too dark to tell if the man was watching.
Mitchell stepped into the alcove as the boy pressed his selection on the drink machine.
The can banged into the open compartment, and the boy reached down and claimed the Sprite.
“Hi, Joel.”
The boy looked up at him, then lowered his head like a scolded dog, as though he’d been caught vandalizing the drink machine.
“No, it’s all right. You haven’t done anything wrong.”
Mitchell squatted down on the concrete.
“Look at me, son. Who’s that man you’re with?”
The voice so soft and high: “Daddy.”
A voice boomed across the parking lot. “Joel? It don’t take this long to buy a can of pop! Make a decision and get back here.”
The door slammed.
“Joel, do you want to come with me?”
“You’re a stranger.”
“No, my name’s Mitch. I’m a police officer actually. Why don’t you come with me.”
“No.”
“I think you probably should.” Mitchell figured he had maybe thirty seconds before the father stormed out.
“Where’s your badge?”
“I’m undercover right now. Come on, we don’t have much time. You need to come with me.”
“I’ll get in trouble.”
“No, only way you’ll get in trouble is by not obeying a police officer when he tells you to do something.” Mitchell noticed the boy’s hands trembling. His were, too. “Come on, son.”
He put his hand on the boy’s small shoulder and guided him out of the alcove toward his car, where he opened the front passenger door and motioned for Joel to get in.
Mitchell brushed the snow off the windows and the windshield, and as he climbed in and started the engine, he saw the door to 113 swing open in the rearview mirror.
“You eaten yet?”
“No.”
Main Street empty and the newly scraped pavement already frosting again, the reflection of the high beams blinding against the wall of pouring snow.
“Are you hungry?”
“I don’t know.”
He turned right off Main, drove slow down a snow-packed side street that sloped past little Victorians, inns and motels, Joel buckled into the passenger seat, the can of Sprite still unopened between his legs, tears rolling down his cheeks.
Mitchell unlocked the door and opened it.
“Go on in, Joel.”
The boy entered and Mitchell hit the light, closing and locking the door after them, wondering if Joel could reach the brass chain near the top.
It wasn’t much of a room—single bed, table, cabinet housing a refrigerator on one side, hangers on the other. He’d lived out of it for the last month and it smelled like stale pizza crust and cardboard and clothes soured with sweat.
Mitchell closed the blinds.
“You wanna watch TV?”
The boy shrugged.
Mitchell picked the remote control off the bedside table and turned it on.
“Come sit on the bed, Joel.”
As the boy climbed onto the bed, Mitchell started flipping. “You tell me to stop when you see something you wanna watch.”
Mitchell surfed through all thirty stations twice and the boy said nothing. He settled on the Discovery Channel, set the remote control down.
“I want my dad,” the boy said, trying not to cry.
“Calm down, Joel.”
Mitchell sat on the bed and unlaced his sneakers. His socks were damp and cold. He balled them up and tossed them into the open bathroom, staring now at his pale feet, toes shriveled with moisture.
Joel had settled back into one of the pillows, momentarily entranced by the television program where a man caked in mud wrestled with a crocodile.
Mitchell turned up the volume.
“You like crocodiles?” he asked.
“Yeah.”
“You aren’t scared of them?”
The boy shook his head. “I got a snake.”
“Nuh-uh.”
The boy looked up. “Uh-huh.”
“What kind?”
“It’s black and scaly and it lives in a glass box.”
“A terrarium?”
“Yeah. Daddy catches mice for it.”
“It eats them?”
“Uh-huh. Slinky’s belly gets real big.”
Mitchell smiled. “I bet that’s something to see.”
They sat watching the Discovery Channel for twenty minutes, Joel engrossed now, Mitchell with his head tilted back against the headboard, eyes closed, a half grin where none had been for twelve months.
At 8:24 p.m., the cell vibrated against Mitchell’s hip. He opened the case and pulled out the phone.
“Hi, Lisa.”
“Mitch.”
“Listen, I want you to call me back in five minutes and do exactly what I say.”
“Okay.”
Mitchell closed the phone and slid off the bed.
The boy looked up, still half watching the program on the world’s deadliest spiders.
He said, “I’m hungry.”
“I know, sport. I know. Give me just a minute here and I’ll order a pizza.”
Mitchell crossed the carpet, tracking through dirty clothes he should’ve taken to the laundry a week ago.
His suitcase lay open in the space between the dresser and the baseboard heater. He knelt down, searching through wrinkled oxfords and blue jeans, khakis that had long since lost their creases.
It was a tiny, wool sweater—ice-blue with a magnified snow-flake stitched across the front.
“Hey, Joel,” he said, “it’s getting cold in here. I want you to put this on.” He tossed the sweater onto the bed.
“I’m not cold.”
“You do like I tell you now.”
As the boy reached for the sweater, Mitchell undid the buttons on his plaid shirt and worked his arms out of the sleeves. He dropped the shirt on the carpet and rifled his suitcase again until he found the badly faded T-shirt he’d bought fifteen years ago at a U2 concert.
On the way back to the bed, he stopped at the television and lifted the videotape from the top of the VCR, pushed it in.
“No, I wanna watch the—”
“We’ll turn it back on in a minute.”
He climbed under the covers beside the boy and stared at the bedside table, waiting for the phone to buzz.
“Joel, I’m gonna answer the phone. I want you to sit her
e beside me and watch the television and don’t say a word until I tell you.”
“I’m hungry.”
The phone vibrated itself toward the edge of the bedside table.
“I’ll buy you anything you want if you do this right for me.”
Mitchell picked up the phone.
Lisa calling.
He closed his eyes, gave himself a moment to engage. He’d written it all down months ago, the script in the bedside table drawer under the Gideon Bible he’d taken to reading every night before bed, but he didn’t need it.
“Hi, honey.”
“Mitch, I’m so glad you—”
“Stop. Don’t say anything. Just hang on a minute.” He reached for the remote control and pressed Play. The screen lit up, halfway through the episode of Seinfeld. He lowered the volume, said, “Lisa, I want you to say, ‘I’m almost asleep.’”
“What are you—”
“Just do it.”
A pause, then: “I’m almost asleep.”
“Say it like you really are.”
Mitchell closed his eyes.
“I’m almost asleep.”
“We’re sitting here, watching Seinfeld.” He looked down at the top of Joel’s head, his hair brown with gold highlights, just the right shade and length. He kissed the boy’s head. “Our little guy’s just about asleep.”
“Mitch, are you drunk—”
“Lisa, I will close this fucking phone. Ask how our day was. Do it.”
“How was your day?”
“You weren’t crying that night.” He could hear her trying to gather herself.
“How was your day, Mitch?”
He closed his eyes again. “One of those perfect ones. We’re in Ouray, Colorado, now. This little town surrounded by huge mountains. It started snowing around midday as we were driving down from Montrose. If they don’t plow the roads we may not be able to get out tomorrow.”