things to himself, and waiting impatiently for a breeze. And they
hoped it would be calm. They hoped he would be thwarted. They hoped
the whole expedition would fail, and they would have to put back, with
their parcels, to the beach.
But now, when Macalister's boy had rowed a little way out, the sails
slowly swung round, the boat quickened itself, flattened itself, and
shot off. Instantly, as if some great strain had been relieved, Mr
Ramsay uncurled his legs, took out his tobacco pouch, handed it with a
little grunt to Macalister, and felt, they knew, for all they suffered,
perfectly content. Now they would sail on for hours like this, and Mr
Ramsay would ask old Macalister a question--about the great storm
last winter probably--and old Macalister would answer it, and they
would puff their pipes together, and Macalister would take a tarry rope
in his fingers, tying or untying some knot, and the boy would fish, and
never say a word to any one. James would be forced to keep his eye all
the time on the sail. For if he forgot, then the sail puckered and
shivered, and the boat slackened, and Mr Ramsay would say sharply,
"Look out! Look out!" and old Macalister would turn slowly on his
seat. So they heard Mr Ramsay asking some question about the great
storm at Christmas. "She comes driving round the point," old
Macalister said, describing the great storm last Christmas, when ten
ships had been driven into the bay for shelter, and he had seen "one
there, one there, one there" (he pointed slowly round the bay. Mr
Ramsay followed him, turning his head). He had seen four men clinging
to the mast. Then she was gone. "And at last we shoved her off," he
went on (but in their anger and their silence they only caught a word
here and there, compact to fight tyranny to the death). At last they
had shoved her off, they had launched the lifeboat, and they had got
her out past the point--Macalister told the story; and though they only
caught a word here and there, they were conscious all the time of their
father--how he leant forward, how he brought his voice into tune with
Macalister's voice; how, puffing at his pipe, and looking there and
there where Macalister pointed, he relished the thought of the storm
and the dark night and the fishermen striving there. He liked that men
should labour and sweat on the windy beach at night; pitting muscle and
brain against the waves and the wind; he liked men to work like that,
and women to keep house, and sit beside sleeping children indoors,
while men were drowned, out there in a storm. So James could tell, so
Cam could tell (they looked at him, they looked at each other), from
his toss and his vigilance and the ring in his voice, and the little
tinge of Scottish accent which came into his voice, making him seem
like a peasant himself, as he questioned Macalister about the eleven
ships that had been driven into the bay in a storm. Three had sunk.
He looked proudly where Macalister pointed; and Cam thought, feeling
proud of him without knowing quite why, had he been there he would have
launched the lifeboat, he would have reached the wreck, Cam thought.
He was so brave, he was so adventurous, Cam thought. But she
remembered. There was the conpact; to resist tyranny to the death.
Their grievance weighed them down. They had been forced; they had been
bidden. He had borne them down once more with his gloom and his
authority, making them do his bidding, on this fine morning, come,
because he wished it, carrying these parcels, to the Lighthouse; take
part in these rites he went through for his own pleasure in memory of
after him, all the pleasure of the day was spoilt.
Yes, the breeze was freshening. The boat was leaning, the water was
sliced sharply and fell away in green cascades, in bubbles, in
cataracts. Cam looked down into the foam, into the sea with all its
treasure in it, and its speed hypnotised her, and the tie between her
and James sagged a little. It slackened a little. She began to think,
How fast it goes. Where are we going? and the movement hypnotised her,
while James, with his eye fixed on the sail and on the horizon, steered
grimly. But he began to think as he steered that he might escape; he
might be quit of it all. They might land somewhere; and be free then.
Both of them, looking at each other for a moment, had a sense of escape
and exaltation, what with the speed and the change. But the breeze
bred in Mr Ramsay too the same excitement, and, as old Macalister
turned to fling his line overboard, he cried out aloud,
"We perished," and then again, "each alone." And then with his usual
spasm of repentance or shyness, pulled himself up, and waved his hand
towards the shore.
"See the little house," he said pointing, wishing Cam to look. She
raised herself reluctantly and looked. But which was it? She could no
longer make out, there on the hillside, which was their house. All
looked distant and peaceful and strange. The shore seemed refined, far
away, unreal. Already the little distance they had sailed had put them
far from it and given it the changed look, the composed look, of
something receding in which one has no longer any part. Which was
their house? She could not see it.
"But I beneath a rougher sea," Mr Ramsay murmured. He had found the
house and so seeing it, he had also seen himself there; he had seen
himself walking on the terrace, alone. He was walking up and down
between the urns; and he seemed to himself very old and bowed. Sitting
in the boat, he bowed, he crouched himself, acting instantly his part--
the part of a desolate man, widowed, bereft; and so called up before
him in hosts people sympathising with him; staged for himself as he sat
in the boat, a little drama; which required of him decrepitude and
exhaustion and sorrow (he raised his hands and looked at the thinness
of them, to confirm his dream) and then there was given him in
abundance women's sympathy, and he imagined how they would soothe him
and sympathise with him, and so getting in his dream some reflection of
the exquisite pleasure women's sympathy was to him, he sighed and said
gently and mournfully,
But I beneath a rougher sea
Was whelmed in deeper gulfs than he,
so that the mournful words were heard quite clearly by them all. Cam
half started on her seat. It shocked her--it outraged her. The
movement roused her father; and he shuddered, and broke off,
exclaiming: "Look! Look!" so urgently that James also turned his head
to look over his shoulder at the island. They all looked. They looked
at the island.
But Cam could see nothing. She was thinking how all those paths and
the lawn, thick and knotted with the lives they had lived there, were
gone: were rubbed out; were past; were unreal, and now this was real;
the boat and the sail with its patch; Macalister with his earrings; the
noise of the waves--all this was real. Thinking this, she was
murmuring to herself, "We perished, each alone," for her father's words
broke and broke again in her m
ind, when her father, seeing her gazing
so vaguely, began to tease her. Didn't she know the points of the
compass? he asked. Didn't she know the North from the South? Did she
really think they lived right out there? And he pointed again, and
showed her where their house was, there, by those trees. He wished she
would try to be more accurate, he said: "Tell me--which is East, which
is West?" he said, half laughing at her, half scolding her, for he
could not understand the state of mind of any one, not absolutely
imbecile, who did not know the points of the compass. Yet she did not
know. And seeing her gazing, with her vague, now rather frightened,
eyes fixed where no house was Mr Ramsay forgot his dream; how he walked
up and down between the urns on the terrace; how the arms were
stretched out to him. He thought, women are always like that; the
vagueness of their minds is hopeless; it was a thing he had never been
able to understand; but so it was. It had been so with her--his wife.
They could not keep anything clearly fixed in their minds. But he had
been wrong to be angry with her; moreover, did he not rather like this
vagueness in women? It was part of their extraordinary charm. I will
make her smile at me, he thought. She looks frightened. She was so
silent. He clutched his fingers, and determined that his voice and his
face and all the quick expressive gestures which had been at his
command making people pity him and praise him all these years should
subdue themselves. He would make her smile at him. He would find some
simple easy thing to say to her. But what? For, wrapped up in his
work as he was, he forgot the sort of thing one said. There was a
puppy. They had a puppy. Who was looking after the puppy today? he
asked. Yes, thought James pitilessly, seeing his sister's head against
the sail, now she will give way. I shall be left to fight the tyrant
alone. The compact would be left to him to carry out. Cam would never
resist tyranny to the death, he thought grimly, watching her face, sad,
sulky, yielding. And as sometimes happens when a cloud falls on a
green hillside and hills is gloom and sorrow, and it seems as if the
hills themselves must ponder the fate of the clouded, the darkened,
either in pity, or maliciously rejoicing in her dismay: so Cam now felt
herself overcast, as she sat there among calm, resolute people and
wondered how to answer her father about the puppy; how to resist his
entreaty--forgive me, care for me; while James the lawgiver, with the
tablets of eternal wisdom laid open on his knee (his hand on the tiller
had become symbolical to her), said, Resist him. Fight him. He said
so rightly; justly. For they must fight tyranny to the death, she
thought. Of all human qualities she reverenced justice most. Her
brother was most god-like, her father most suppliant. And to which did
she yield, she thought, sitting between them, gazing at the shore whose
points were all unknown to her, and thinking how the lawn and the
terrace and the house were smoothed away now and peace dwelt there.
"Jasper," she said sullenly. He'd look after the puppy.
And what was she going to call him? her father persisted. He had had
a dog when he was a little boy, called Frisk. She'll give way, James
thought, as he watched a look come upon her face, a look he remembered.
They look down he thought, at their knitting or something. Then
suddenly they look up. There was a flash of blue, he remembered, and
then somebody sitting with him laughed, surrendered, and he was very
angry. It must have been his mother, he thought, sitting on a low
chair, with his father standing over her. He began to search among the
infinite series of impressions which time had laid down, leaf upon
leaf, fold upon fold softly, incessantly upon his brain; among scents,
sounds; voices, harsh, hollow, sweet; and lights passing, and brooms
tapping; and the wash and hush of the sea, how a man had marched up and
down and stopped dead, upright, over them. Meanwhile, he noticed, Cam
dabbled her fingers in the water, and stared at the shore and said
nothing. No, she won't give way, he thought; she's different, he
thought. Well, if Cam would not answer him, he would not bother her Mr
Ramsay decided, feeling in his pocket for a book. But she would answer
him; she wished, passionately, to move some obstacle that lay upon her
tongue and to say, Oh, yes, Frisk. I'll call him Frisk. She wanted
even to say, Was that the dog that found its way over the moor alone?
But try as she might, she could think of nothing to say like that,
fierce and loyal to the compact, yet passing on to her father,
unsuspected by James, a private token of the love she felt for him.
For she thought, dabbling her hand (and now Macalister's boy had caught
a mackerel, and it lay kicking on the floor, with blood on its gills)
for she thought, looking at James who kept his eyes dispassionately on
the sail, or glanced now and then for a second at the horizon, you're
not exposed to it, to this pressure and division of feeling, this
extraordinary temptation. Her father was feeling in his pockets; in
another second, he would have found his book. For no one attracted her
more; his hands were beautiful, and his feet, and his voice, and his
words, and his haste, and his temper, and his oddity, and his passion,
and his saying straight out before every one, we perish, each alone,
and his remoteness. (He had opened his book.) But what remained
intolerable, she thought, sitting upright, and watching Macalister's
boy tug the hook out of the gills of another fish, was that crass
blindness and tyranny of his which had poisoned her childhood and
raised bitter storms, so that even now she woke in the night trembling
with rage and remembered some command of his; some insolence: "Do
this," "Do that," his dominance: his "Submit to me."
So she said nothing, but looked doggedly and sadly at the shore,
wrapped in its mantle of peace; as if the people there had fallen
asleep, she thought; were free like smoke, were free to come and go
like ghosts. They have no suffering there, she thought.
5
Yes, that is their boat, Lily Briscoe decided, standing on the edge of
the lawn. It was the boat with greyish-brown sails, which she saw now
flatten itself upon the water and shoot off across the bay. There he
sits, she thought, and the children are quite silent still. And she
could not reach him either. The sympathy she had not given him weighed
her down. It made it difficult for her to paint.
She had always found him difficult. She never had been able to praise
him to his face, she remembered. And that reduced their relationship to
something neutral, without that element of sex in it which made his
manner to Minta so gallant, almost gay. He would pick a flower for
her, lend her his books. But could he believe that Minta read them?
She dragged them about the garden, sticking in leaves to mark the
place.
"D'you remember, Mr Carmichael?" she was inclined to ask, looking at
the old man. But h
e had pulled his hat half over his forehead; he was
asleep, or he was dreaming, or he was lying there catching words, she
supposed.
"D'you remember?" she felt inclined to ask him as she passed him,
thinking again of Mrs Ramsay on the beach; the cask bobbing up and
down; and the pages flying. Why, after all these years had that
survived, ringed round, lit up, visible to the last detail, with all
before it blank and all after it blank, for miles and miles?
"Is it a boat? Is it a cork?" she would say, Lily repeated, turning
back, reluctantly again, to her canvas. Heaven be praised for it, the
problem of space remained, she thought, taking up her brush again. It
glared at her. The whole mass of the picture was poised upon that
weight. Beautiful and bright it should be on the surface, feathery and
evanescent, one colour melting into another like the colours on a
butterfly's wing; but beneath the fabric must be clamped together with
bolts of iron. It was to be a thing you could ruffle with your breath;
and a thing you could not dislodge with a team of horses. And she began
to lay on a red, a grey, and she began to model her way into the hollow
there. At the same time, she seemed to be sitting beside Mrs Ramsay on
the beach.
"Is it a boat? Is it a cask?" Mrs Ramsay said. And she began hunting
round for her spectacles. And she sat, having found them, silent,
looking out to sea. And Lily, painting steadily, felt as if a door had
opened, and one went in and stood gazing silently about in a high
cathedral-like place, very dark, very solemn. Shouts came from a world
far away. Steamers vanished in stalks of smoke on the horizon.
Charles threw stones and sent them skipping.
Mrs Ramsay sat silent. She was glad, Lily thought, to rest in silence,
uncommunicative; to rest in the extreme obscurity of human
relationships. Who knows what we are, what we feel? Who knows even at
the moment of intimacy, This is knowledge? Aren't things spoilt then,
Mrs Ramsay may have asked (it seemed to have happened so often, this
silence by her side) by saying them? Aren't we more expressive thus?
The moment at least seemed extraordinarily fertile. She rammed a
little hole in the sand and covered it up, by way of burying in it the
perfection of the moment. It was like a drop of silver in which one
dipped and illumined the darkness of the past.
Lily stepped back to get her canvas--so--into perspective. It was an
odd road to be walking, this further, until at last one seemed to be on
a narrow plank, perfectly alone, over the sea. And as she dipped into
the blue paint, she dipped too into the past there. Now Mrs Ramsay got
up, she remembered. It was time to go back to the house--time for
luncheon. And they all walked up from the beach together, she walking
behind with William Bankes, and there was Minta in front of them with a
hole in her stocking. How that little round hole of pink heel seemed
to flaunt itself before them! How William Bankes deplored it, without,
so far as she could remember, saying anything about it! It meant to
him the annihilation of womanhood, and dirt and disorder, and servants
leaving and beds not made at mid-day--all the things he most abhorred.
He had a way of shuddering and spreading his fingers out as if to cover
an unsightly object which he did now--holding his hand in front of
him. And Minta walked on ahead, and presumably Paul met her and she
went off with Paul in the garden.
The Rayleys, thought Lily Briscoe, squeezing her tube of green paint.
She collected her impressions of the Rayleys. Their lives appeared to
her in a series of scenes; one, on the staircase at dawn. Paul had
come in and gone to bed early; Minta was late. There was Minta,
wreathed, tinted, garish on the stairs about three o'clock in the
morning. Paul came out in his pyjamas carrying a poker in case of
burglars. Minta was eating a sandwich, standing half-way up by a