He lay open-eyed for a while listening to another tenacious small sound, the pinking of waterdrops on the linoleum under a defective radiator. You said you thought you were in for a sleepless night? Not exactly. He felt in fact quite sleepy and in no need of the alarmingly effective "Murphy Pill" which he resorted to now and then; but despite the drowsiness he was aware that a number of worries had crept up ready to pounce. What worries? Ordinary ones, nothing very serious or special. He lay on his back waiting for them to collect, which they did in unison with the pale blotches stealing up to take their accustomed position upon the ceiling as his eyes got used to the dark. He reflected that his wife was again feigning a feminine ailment to keep him away; that she probably cheated in many other ways; that he too betrayed her in a sense by concealing from her the one night spent with another girl, premaritally, in terms of time, but spatially in this very room; that preparing other people's books for publication was a debasing job; that no manner of permanent drudgery or temporary dissatisfaction mattered in the face of his ever growing, ever more tender, love for his wife; that he would have to consult an ophthalmologist sometime next month. He substituted an 'n' for the wrong letter and continued to scan the motley proof into which the blackness of closed vision was now turning. A double systole catapulted him into full consciousness again, and he promised his uncorrected self that he would limit his daily ration of cigarettes to a couple of heartbeats.
"And then you dropped off?"
"Yes. I may have still struggled to make out a vague line of print but – yes, I slept."
"Fitfully, I imagine?"
"No, on the contrary, my sleep was never deeper. You see, I had not slept for more than a few minutes the night before."
"O.K. Now I wonder if you are aware that psychologists attached to great prisons must have studied, among other things, that part of thanatology which deals with means and methods of violent death?"
Person emitted a weary negative sound.
"Well, let me put it this way: the police like to know what tool was used by the offender; the thanatologist wishes to know why and how it was used. Clear so far?"
Weary affirmative.
"Tools are, well – tools. They may, in fact, be an integral part of the worker, as, say, the carpenter's square is indeed part of the carpenter. Or the tools may be of flesh and bone like these" (taking Hugh's hands, patting each in turn, placing them on his palms for display or as if to begin some children's game).
His huge hands were returned to Hugh like two empty dishes. Next, it was explained to him that in strangling a young adult one of two methods was commonly used: the amateurish, none too efficient, frontal attack, and the more professional approach made from behind. In the first method, the eight fingers stiffly encircle the victim's neck while the two thumbs compress his or her throat; one runs, however, the risk of her or his hands seizing one's wrists or otherwise fighting off the assault. The second, much safer way, from behind, consists in pressing both thumbs hard against the back of the boy's or, preferably, girl's neck and working upon the throat with one's fingers. The first hold is dubbed among us "Pouce," the second "Fingerman." We know you attacked from the rear, but the following question arises: when you planned to throttle your wife why did you choose the Fingerman? Because you instinctively felt that its sudden and vigorous grip presented the best chance of success? Or did you have other, subjective, considerations in mind, such as thinking you'd really hate to watch lier changes of facial expression during the process?
He did not plan anything. He had slept throughout the horrible automatic act, waking up only when both had landed on the floor by the bed. He had mentioned dreaming the house was on fire? That's right. Flames spurted all around and whatever one saw came through scarlet strips of vitreous plastic. His chance bedmate had flung the window wide open. Oh, who was she? She came from the past – a streetwalker he had picked up on his first trip abroad, some twenty years ago, a poor girl of mixed parentage, though actually American and very sweet, called Giulia Romeo, the surname means "pilgrim" in archaic Italian, but then we all are pilgrims, and all dreams are anagrams of diurnal reality. He dashed after her to stop her from jumping our. The window was large and low; it had a broad sill padded and sheeted, as was customary in that country of ice and fire. Such glaciers, such dawns! Giulia, or Julie, wore a Doppler shift over her luminous body and prostrated herself on the sill, with outspread arms still touching the wings of the window. He glanced down across her, and there, far below, in the chasm of the yard or garden, the selfsame flames moved like those tongues of red paper which a concealed ventilator causes to flicker around imitation yule logs in the festive shopwindows of snowbound childhoods. To leap, or try to lower oneself on knotted ledgelinen (the knotting was being demonstrated by a medievalish, sort of Flemish, long-necked shopgirl in a speculum at the back of his dream), seemed to him madness, and poor Hugh did all he could to restrain Juliet. Trying for the best hold, he had clutched her around the neck from behind, his square-nailed thumbs digging into her violet-lit nape, his eight fingers compressing her throat. A writhing windpipe was being shown on a screen of science cinema across the yard or street, but for the rest everything had become quite secure and comfortable: he had clamped Julia nicely and would have saved her from certain death if in her suicidal struggle to escape from the fire she had not slipped somehow over the sill and taken him with her into the void. What a fall! What a silly Julia! What luck that Mr. Romeo still gripped and twisted and cracked that crooked cricoid as X-rayed by the firemen and mountain guides in the street. How they flew! Superman carrying a young soul in his embrace!
The impact of the ground was far less brutal than he had expected. This is a bravura piece and not a patient's dream, Person. I shall have to report you. He hurt his elbow, and her night table collapsed with the lamp, a tumbler, a book; but Art be praised – she was safe, she was with him, she was lying quite still. He groped for the fallen lamp and neatly lit it in its unusual position. For a moment he wondered what his wife was doing there, prone on the floor, her fair hair spread as if she were flying. Then he stared at his bashful claws.
21
Dear Phil,
This, no doubt, is my last letter to you. I am leaving you. I am leaving you for another even greater Publisher. In that House I shall be proofread by cherubim – or misprinted by devils, depending on the department my poor soul is assigned to. So adieu, dear friend, and may your heir auction this off most profitably.
Its holographical nature is explained by the fact that I prefer it not to be read by Tom Tarn or one of his boy typists. I am mortally sick after a botched operation in the only private room of a Bolognese hospital. The kind young nurse who will mail it has told me with dreadful carving gestures something I paid her for as generously as I would her favors if I still were a man. Actually the favors of death knowledge are infinitely more precious than those of love. According to my almond-eyed little spy, the great surgeon, may his own liver rot, lied to me when he declared yesterday with a "deathhead's grin that the operazione had been perfetta. Well, it had been so in the sense Euler called zero the perfect number. Actually, they ripped me open, cast one horrified look at my decayed fegato, and without touching it sewed me up again. I shall not bother you with the Tamworth problem. You should have seen the smug expression of the oblong fellow's bearded lips when he visited me this morning. As you know – as everybody, even Marion, knows – he gnawed his way into all my affairs, crawling into every cranny, collecting every German-accented word of mine, so that now he can boswell the dead man just as he had bossed very well the living one. I am also writing my and your lawyer about the measures I would like to be taken after my departure in order to thwart Tamworth at every turn of his labyrinthian plans.
The only child I have ever loved is the ravishing, silly, treacherous little Julia Moore. Every cent and centime I possess as well as all literary remains that can be twisted out of Tamworth's clutches must go to her, whatever the ambiguous ob
scurities contained in my will: Sam knows what I am hinting at and will act accordingly.
The last two parts of my Opus are in your hands. I am very sorry that Hugh Person is not there to look after its publication. When you acknowledge this letter do not say a word of having received it, but instead, in a kind of code that would tell me you bear in mind this letter, give me, as a good old gossip, some information about him – why, for example, was he jailed, for a year – or more? – if he was found to have acted in a purely epileptic trance; why was he transferred to an asylum for the criminal insane after his case was reviewed and no crime found? And why was he shuttled between prison and madhouse for the next five or six years before ending up as a privately treated patient? How can one treat dreams, unless one is a quack? Please tell me all this because Person was one of the nicest persons I knew and also because you can smuggle all kinds of secret information for this poor soul in your letter about him.
Poor soul is right, you know. My wretched liver is as heavy as a rejected manuscript; they manage to keep the hideous hyena pain at bay by means of frequent injections but somehow or other it remains always present behind the wall of my flesh like the muffled thunder of a permanent avalanche which obliterates there, beyond me, all the structures of my imagination, all the landmarks of my conscious self. It is comic – but I used to believe that dying persons saw the vanity of things, the futility of fame, passion, art, and so forth. I believed that treasured memories in a dying man's mind dwindled to rainbow wisps; but now I feel just the contrary: my most trivial sentiments and those of all men have acquired gigantic proportions. The entire solar system is but a reflection in the crystal of my (or your) wrist watch. The more I shrivel the bigger I grow. I suppose this is an uncommon phenomenon. Total rejection of all religions ever dreamt up by man and total composure in the face of total death! If I could explain this triple totality in one big book, that book would become no doubt a new bible and its author the founder of a new creed. Fortunately for my self-esteem that book will not be written – not merely because a dying man cannot write books but because that particular one would never express in one flash what can only be understood immediately. Note added by the recipient:
Received on the day of the writer's death. File under Repos – R.
22
Person hated the sight and the feel of his feet. They were uncommonly graceless and sensitive. Even as a grown man he avoided looking at them when undressing. Hence he escaped the American mania of going barefoot at home – that throwback across childhood to plainer and thriftier times. What a jaggy chill he experienced at the mere thought of catching a toenail in the silk of a sock (silk socks were out, too)! Thus a woman shivers at the squeak of a rubbed pane. They were knobby, they were weak, they always hurt. Buying shoes equaled seeing the dentist. He now cast a long look of dislike at the article he had bought at Brig on the way to Witt. Nothing is ever wrapped up with such diabolical neatness as a shoebox. Ripping the paper off afforded him nervous relief. This pair of revoltingly heavy brown mountain boots had already once been tried on in the shop. They were certainly the right size, and quite as certainly they were not as comfortable as the salesman assured him they were. Snug, yes, but oppressively so. He pulled them on with a groan and laced them with imprecations. No matter, it must be endured. The climb he contemplated could not be accomplished in town shoes: the first and only time he had attempted to do so, he had kept losing his footing on slippery slabs of rock. These at least gripped treacherous surfaces. He also remembered the blisters inflicted by a similar pair, but made of chamois, that he had acquired eight years ago and thrown away when leaving Witt. Well, the left pinched a little less than the right – lame consolation.
He discarded his dark heavy jacket and put on an old windbreaker. As he went down the passage he encountered three steps before reaching the lift. The only purpose he could assign to them was that they warned him he was going to suffer. But he dismissed the little ragged edge of pain, and lit a cigarette.
Typically, in the case of a second-rate hotel, its best view of the mountains was from the corridor windows at its north end. Dark, almost black rocky heights streaked with white, some of the ridges blending with the sullen overcast sky; lower down the fur of coniferous forests, still lower the lighter green of fields. Melancholy mountains! Glorified lumps of gravity!
The floor of the valley, with the townlet of Witt and various hamlets along a narrow river, consisted of dismal small meadows, with barbed-wire fences enclosing them and with a rank flowering of tall fennel for sole ornament. The river was as straight as a canal and all smothered in alder. The eye roamed wide but found no comfort in taking in the near and the far, this muddy cowtrack athwart a mowed slope or that plantation of regimented larches on the opposite rise.
The first stage of his revisitation (Person was prone to pilgrimages as had been a French ancestor of his, a Catholic poet and well-nigh a saint) consisted of a walk through Witt to a cluster of chalets on a slope above it. The town-let itself seemed even uglier and stragglier. He recognized the fountain, and the bank, and the church, and the great chestnut tree, and the cafe. And there was the post office, with the bench near its door waiting for letters that never came.
He crossed the bridge without stopping to listen to the vulgar noise of the stream which could tell him nothing. The slope had a fringe of firs at the top and beyond them stood additional firs – misty phantoms or replacement trees – in a grayish array under rain clouds. A new road had been built and new houses had grown, crowding out the meager landmarks he remembered or thought he remembered.
He now had to find Villa Nastia, which still retained a dead old woman's absurd Russian diminutive. She had sold it just before her last illness to a childless English couple. He would glance at the porch, as one uses a glazed envelope to slip in an image of the past.
Hugh hesitated at a street corner. Just beyond it a woman was selling vegetables from a stall. Est-ce que vous savez, Madame – Yes, she did, it was up that lane. As she spoke, a large, white, shivering dog crawled from behind a crate and with a shock of futile recognition Hugh remembered that eight years ago he had stopped right here and had noticed that dog, which was pretty old even then and had now braved fabulous age only to serve his blind memory.
The surroundings were unrecognizable – except for the white wall. His heart was beating as after an arduous climb. A blond little girl with a badminton racket crouched and picked up her shuttlecock from the sidewalk. Farther up he located Villa Nastia, now painted a celestial blue. All its windows were shuttered.
23
Choosing one of the marked trails leading into the mountains, Hugh recognized another detail of the past, namely the venerable inspector of benches – bird-defiled benches as old as he – that were rotting in shady nooks here and there, brown leaves below, green leaves above, by the side of a resolutely idyllic footpath ascending toward a waterfall. He remembered the inspector's pipe studded with Bohemian gems (in harmony with its owner's furuncular nose) and also the habit Armande had of exchanging ribald comments in Swiss-German with the old fellow while he was examining the rubbish under a cracked seat.
The region now offered tourists an additional number of climbs and cableways as well as a new motorcar road from Witt to the gondola station which Armande and her friends used to reach on foot. In his day Hugh had carefully studied the public map, a great Carte du Tendre or Chart of Torture, spread out on a billboard near the post office. Had he wished now to travel in comfort to the glacier slopes he could have taken the new bus which connected Witt with the Drakonita cable car. He wanted, however, to do it the old hard way and to pass through the unforgettable forest on his way up. He hoped the Drakonita gondola would be the remembered one – a small cabin with two benches facing each other. It rode up keeping some twenty yards above a strip of turfy slope in a cutting between fir trees and alder bushes. Every thirty seconds or so it negotiated a pylon with a sudden rattle and shake but otherwise glided with
dignity.
Hugh's memory had bunched into one path the several wood trails and logging roads that led to the first difficult stage of the ascent – namely, a jumble of boulders and a jungle of rhododendrons, through which one struck upward to reach the cable car. No wonder he soon lost his way.
His memory, in the meantime, kept following its private path. Again he was panting in her merciless wake. Again she was teasing Jacques, the handsome Swiss boy with fox-rcd body hair and dreamy eyes. Again she flirted with the eclectic English twins, who called gullies Cool Wars and ridges Ah Rates. Hugh, despite his tremendous physique, had neither the legs nor the lungs to keep up with them even in memory. And when the foursome had accelerated their climbing pace and vanished with their cruel ice axes and coils of rope and other instruments of torture (equipment exaggerated by ignorance), he rested on a rock, and, looking down, seemed to see through the moving mists the making of the very mountains that his tormentors trod, the crystalline crust heaving up with his heart from the bottom of an immemorial more (sea). Generally, however, he would be urged not to straggle after them even before they were out of the forest, a dismal group of old firs, with steep muddy paths and thickets of wet willow herb.