Ellen had held out as long as she could, and then, yesterday afternoon, she had come across Josiah sitting on his bed pretending an old wallet was a Nintendo DS. He had cut out a picture of Donkey Kong and slipped it into the clear plastic sleeve for displaying photographs. He pressed imaginary buttons and made explosion sounds, and her heart had hurt a little, watching him make believe he already had something he was certain he would get on the Big Day. Ellen could have her theories about what was healthy for boys and what wasn’t. That didn’t mean Santa had to share them.
Because she was preoccupied, she didn’t notice what was different about Charlie Manx until she was easing around his cot to reach the IV rack. He happened to sigh heavily just then, as if bored, and she looked down and saw him staring up at her, and she was so startled to see him with his eyes open that she bobbled the sack of blood and almost dumped it on her feet.
He was hideous-old, not to mention hideous. His great bald skull was a globe mapping an alien moon, continents marked by liver spots and bruise-colored sarcomas. Of all the men in the long-term-care ward—a.k.a. the Vegetable Patch—there was something particularly awful about Charlie Manx with his eyes open at this time of year. Manx liked children. He’d made dozens of them disappear back in the nineties. He had a house below the Flatirons where he did what he liked with them and killed them and hung Christmas ornaments in their memory. The papers called the place the Sleigh House. Ho, ho, ho.
For the most part, Ellen could shut off the mother side of her brain while she was at work, could keep her mind away from thoughts of what Charlie Manx had probably done with the little girls and boys who had crossed his path, little girls and boys no older than her Josiah. Ellen didn’t muse on what any of her charges had done, if she could help it. The patient on the other side of the room had tied up his girlfriend and her two children, set fire to their house, and left them to burn. He was arrested in a bar down the street, drinking Bushmills and watching the White Sox play the Rangers. Ellen didn’t see how dwelling on it was ever going to do her any favors, and so she had taught herself to think of her patients as extensions of the machines and drip bags they were hooked up to: meat peripherals.
In all the time she’d been working at FCI Englewood, in the Supermax prison infirmary, she had never seen Charlie Manx with his eyes open. She’d been on staff for three years, and he had been comatose all that time. He was the frailest of her patients, a fragile coat of skin with bones inside. His heart monitor blipped like a metronome set to the slowest possible speed. The doc said he had as much brain activity as a can of creamed corn. No one had ever determined his age, but he looked older than Keith Richards. He even looked a little like Keith Richards—a bald Keith with a mouthful of sharp little brown teeth.
There were three other coma patients in the ward, what the staff called “gorks.” When you were around them long enough, you learned that all the gorks had their quirks. Don Henry, the man who burned his girl and her kids to death, went for “walks” sometimes. He didn’t get up, of course, but his feet pedaled weakly under the sheets. There was a guy named Leonard Potts who’d been in a coma for five years and was never going to wake up—another prisoner had jammed a screwdriver through his skull and into his brain. But sometimes he cleared his throat and would shout “I know!” as if he were a small child who wanted to answer the teacher’s question. Maybe opening his eyes was Manx’s quirk and she’d just never caught him doing it before.
“Hello, Mr. Manx,” Ellen said automatically. “How are you feeling today?”
She smiled a meaningless smile and hesitated, still holding the sack of body-temperature blood. She didn’t expect a reply but thought it would be considerate to give him a moment to collect his nonexistent thoughts. When he didn’t say anything, she reached forward with one hand to slide his eyelids closed.
He caught her wrist. She screamed—couldn’t help it—and dropped the bag of blood. It hit the floor and exploded in a crimson gush, the hot spray drenching her feet.
“Ugh!” she cried. “Ugh! Ugh! Oh, God!”
It smelled like fresh-poured iron.
“Your boy, Josiah,” Charlie Manx said to her, his voice grating and harsh. “There’s a place for him in Christmasland, with the other children. I could give him a new life. I could give him a nice new smile. I could give him nice new teeth.”
Hearing him say her son’s name was worse than having Manx’s hand on her wrist or blood on her feet. (Clean blood, she told herself, clean.) Hearing this man, convicted murderer and child molester, speak of her son made her dizzy, genuinely dizzy, as if she were in a glass elevator rushing quickly into the sky, the world dropping away beneath her.
“Let go,” she whispered.
“There’s a place for Josiah John Thornton in Christmasland, and there’s a place for you in the House of Sleep,” Charlie Manx said. “The Gasmask Man would know just what to do with you. Give you the gingerbread smoke and teach you to love him. Can’t bring you with us to Christmasland. Or I could, but the Gasmask Man is better. The Gasmask Man is a mercy.”
“Help,” Ellen screamed, except it didn’t come out as a scream. It came out as a whisper. “Help me.” She couldn’t find her voice.
“I’ve seen Josiah in the Graveyard of What Might Be. Josiah should come for a ride in the Wraith. He’d be happy forever in Christmasland. The world can’t ruin him there, because it isn’t in the world. It’s in my head. They’re all safe in my head. I’ve been dreaming about it, you know. Christmasland. I’ve been dreaming about it, but I walk and walk and I can’t get to the end of the tunnel. I hear the children singing, but I can’t get to them. I hear them shouting for me, but the tunnel doesn’t end. I need the Wraith. Need my ride.”
His tongue slipped out of his mouth, brown and glistening and obscene, and wet his dry lips, and he let her go.
“Help,” she whispered. “Help. Help. Help.” She had to say it another time or two before she could say it loud enough for anyone to hear her. Then she was batting through the doors into the hall, running in her soft flat shoes, screaming for all she was worth. Leaving bright red footprints behind her.
Ten minutes later a pair of officers in riot gear had strapped Manx down to his cot, just in case he opened his eyes and tried to get up. But the doctor who eventually arrived to examine him said to unlash him.
“This guy has been in a bed since 2001. He has to be turned four times a day to keep from getting sores. Even if he wasn’t a gork, he’s too weak to go anywhere. After seven years of muscle atrophy, I doubt he could sit up on his own.”
Ellen was listening from over next to the doors—if Manx opened his eyes again, she planned to be the first one out of the room—but when the doctor said that, she walked across the floor on stiff legs and pulled her sleeve back from her right wrist to show the bruises where Manx had grabbed her.
“Does that look like something done by a guy too weak to sit up? I thought he was going to yank my arm out of the socket.” Her feet stung almost as badly as her bruised wrist. She had stripped off her blood-soaked pantyhose and gone at her feet with scalding water and antibiotic soap until they were raw. She was in her gym sneakers now. The other shoes were in the garbage. Even if they could be saved, she didn’t think she’d ever be able to put them on again.
The doctor, a young Indian named Patel, gave her an abashed, apologetic look and bent to shine a flashlight in Manx’s eyes. His pupils did not dilate. Patel moved the flashlight back and forth, but Manx’s eyes remained fixed on a point just beyond Patel’s left ear. The doctor clapped his hands an inch from Manx’s nose. Manx did not blink. Patel gently closed Manx’s eyes and examined the reading from the EKG they were running.
“There’s nothing here that’s any different from any of the last dozen EKG readings,” Patel said. “Patient scores a nine on the Glasgow scale, shows slow alpha-wave activity consistent with alpha coma. I think he was just talking i
n his sleep, Nurse. It even happens to gorks like this guy.”
“His eyes were open,” she said. “He looked right at me. He knew my name. He knew my son’s name.”
Patel said, “Ever had a conversation around him with one of the other nurses? No telling what the guy might’ve unconsciously picked up. You tell another nurse, ‘Oh, hey, my son just won the spelling bee.’ Manx hears it and regurgitates it mid-dream.”
She nodded, but a part of her was thinking, He knew Josiah’s middle name, something she was sure she had never mentioned to anyone here in the hospital. There’s a place for Josiah John Thornton in Christmasland, Charlie Manx had said to her, and there’s a place for you in the House of Sleep.
“I never got his blood in,” she said. “He’s been anemic for a couple weeks. Picked up a urinary-tract infection from his catheter. I’ll go get a fresh pack.”
“Never mind that. I’ll get the old vampire his blood. Look. You’ve had a nasty little scare. Put it behind you. Go home. You only have, what? An hour left on your shift? Take it. Take tomorrow, too. Got some last-minute shopping to finish? Go do it. Stop thinking about this and relax. It’s Christmas, Nurse Thornton,” the doctor said, and winked at her. “Don’t you know it’s the most wonderful time of the year?”
About the Author
JOE HILL is the New York Times bestselling author of the novels NOS4A2, Horns, and Heart-Shaped Box, and the prizewinning story collection 20th Century Ghosts. He is also the Eisner Award–winning writer of an ongoing comic book series, Locke & Key. You can learn more at www.joehillfiction.com, or follow Joe on Twitter, where he goes by the inspired handle of @joe_hill.
Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.
Also by Joe Hill
NOS4A2
Horns
Heart-Shaped Box
20th Century Ghosts
Credits
Cover image by Adam Johnson
Copyright
A version of “Twittering from the Circus of the Dead” first appeared in The New Dead, edited by Christopher Golden, in 2010.
This is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.
TWITTERING FROM THE CIRCUS OF THE DEAD. Copyright © 2013, 2010 by Joe Hill. Excerpt from NOS4A2 © 2013 by Joe Hill.All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
FIRST EDITION
EPub Edition AUGUST 2013 ISBN 9780062293466
10 9 8 7 6 5 4 3 2 1
About the Publisher
Australia
HarperCollins Publishers (Australia) Pty. Ltd.
Level 13, 201 Elizabeth Street
Sydney, NSW 2000, Australia
http://www.harpercollins.com.au
Canada
HarperCollins Canada
2 Bloor Street East - 20th Floor
Toronto, ON, M4W, 1A8, Canada
http://www.harpercollins.ca
New Zealand
HarperCollins Publishers (New Zealand) Limited
P.O. Box 1
Auckland, New Zealand
http://www.harpercollins.co.nz
United Kingdom
HarperCollins Publishers Ltd.
77-85 Fulham Palace Road
London, W6 8JB, UK
http://www.harpercollins.co.uk
United States
HarperCollins Publishers Inc.
10 East 53rd Street
New York, NY 10022
http://www.harpercollins.com
Joe Hill, Twittering From the Circus of the Dead
Thank you for reading books on BookFrom.Net Share this book with friends