In the long hallway of Giovanna’s apartment she saw the answering machine blinking. She played back the tape. It was not Navin’s voice but a friend of Giovanna’s. Normally these friends left messages in Italian that Giovanna retrieved from Berlin. But this message, in English, was for Hema. It was a person named Edo, a name she recognized from Giovanna’s list of people to call. For weeks, Edo said in his message, he had been expecting Hema to get in touch. Was everything all right? He sounded kind, and genuinely distressed enough for Hema to return the call. She assured Edo that all was well, and because she had no other excuse, she accepted his invitation to have lunch with him and his wife the following Sunday.
Edo’s wife, Paola, was a photo editor at L’Espresso, but Kaushik had met her in Netanya, a resort town on the Israeli coast, where they’d both gone to cover the bombing of a hotel banquet hall, the victims about to begin their Passover meal. It was only rarely that he worked in Italy, the odd photo essay about Senegalese immigrants in Brescia, or shots of the nineteen caskets containing the soldiers in Iraq being carried past the Colosseum. For most of the past five years, Rome had simply been a place from which to get to where he needed to go, and if he looked back at his pocket calendars, each with their three hundred and sixty-five sky-blue pages, and counted the days, he could have confirmed that most of them had been spent taking pictures in Gaza and the West Bank.
His life as a photojournalist had begun nearly twenty years ago. He was wandering through Latin America in 1987, living off the money his father gave him after he graduated from college. He’d gone with his friend Douglas, and they began in Tijuana, hoping to end up in Patagonia. They spent a few months in Mexico, working their way south, through Guatemala and then into El Salvador. And it was there that Douglas decided he’d had enough of Central America, enough of being harassed for looking so obviously American, and bought a ticket to Madrid. Like the Mexicans and Guatemalans, the Salvadorans were never sure what to make of Kaushik, not the soldiers who patrolled the streets with guns nearly as big as their bodies, not the children who posed eagerly for pictures when they saw him with his camera. He began to explore the country alone, a country that was smaller, he’d read in his guidebook, than Massachusetts. He took pictures of the volcano that loomed west of the capital, buildings pocked by bullets and cracked in half by the earthquake earlier that year.
He’d never been in a place so obviously at war with itself. He’d understood, in Guatemala, that the guerrillas were active, gathered from other backpackers that there were parts of the country to avoid. An overnight bus he and Douglas took to Tikal was stopped, and they and the rest of the passengers were ordered to step out and show their passports, flashlights aimed at their faces by a group of drunken checkpoint guards. One of the guards asked to see Douglas’s wallet, took the cash, and tossed the wallet back in Douglas’s face. In Guatemala, that had been the worst of it. But in El Salvador things were more violent, more gruesome, the tourists more scarce. In Santa Ana, Kaushik befriended a Dutch journalist named Espen and began to travel around, absorbing the history of the conflict, the stories Espen told him of the death squads, decapitated bodies strewn on highways, teenagers hanging from trees with fingernails missing and thumbs tied behind their backs. With Espen he watched air force planes dropping bombs at night on FMLN territory, went to visit a refugee camp across the Honduran border. He absorbed the fear of the place and of its people, grew used to the sound of machine-gun fire, accepted as everyone did the fact that he could at any moment, anywhere, crossing a road or asleep at night, be killed. But he’d never felt afraid, back then, for himself.
While sitting with Espen one afternoon, eating lunch in a village outside Morazán, the table began to shake, dark stew spilling from bowls. By then he’d grown used to occasional tremors, the earth’s violence yielding a moment’s pause. They picked up their spoons, continued eating, but then people began exclaiming, running past them through the small square. He and Espen leapt up, following the crowd, thinking perhaps a building had fallen, but the commotion had nothing to do with the tremors. They turned a corner to see a young man lying on the street. He’d been shot in the head, blood pouring like a slowly widening river away from his skull, but not a speck of blood, or even dirt, Kaushik still remembered, staining his tan shirt and trousers. He was curled on the pavement, eyes closed as if napping, the faintest sound escaping from his throat, a cheap gold watch telling the time on his wrist.
A group of people gathered around the body, calling for a doctor, while a young woman, a wife or a girlfriend in a pink sleeveless blouse, sat on the ground weeping with her fist in her mouth. Kaushik’s camera was around his neck as usual, and Espen told him to take a picture. He did not have a long lens with him, had to get in close, expecting at each step for someone in the group to obstruct him, curse at him, shoo him away. But no one paid attention, and so he crept forward and lifted the camera to his face. When he thought back to that afternoon, he remembered that his hands were shaking but that otherwise he felt untouched by the situation, unmoved once he was behind the camera, shooting to the end of the roll. When he was finished, the calls for a doctor had stopped; the man was dead.
Kaushik was the only person to document what had happened. And though he had not saved the man’s life he’d felt useful, aware that he had done something to mitigate the crime. Still, he never believed that the pictures would be published until Espen sent them to the right people. A week later, one ran in a Catholic newspaper published out of Amsterdam. He received a small check, and then, when the photo was picked up by a European newsmagazine, a larger one. And so he began taking pictures for a living. At first he simply woke up and followed the news, sticking close to Espen, staying in El Salvador through the elections, the transportation strike, the killing of the six Jesuit priests and their housekeepers. He photographed bodies with faces smashed and throats slit and penises hacked from between their legs, handing the images over to a human rights agency so that relatives could attempt to identify the disappeared. Thanks to a connection of Espen’s he was hired as a stringer for AP, and so he remained in Latin America, first in Mexico, then Buenos Aires, working for wire services and English-language papers. When he was thirty he was hired by The New York Times, and they sent him to Africa and then to the Middle East. He could no longer remember all the corpses he’d photographed, their faces bloated, their mouths stuffed with dirt, their vacant eyes reflecting passing clouds over their heads.
The demands of the job allowed him permanently to avoid the United States. Occasional trips to New York to meet with an editor, to pick up equipment—this was the extent of his time in America, and there were trips when he’d not bothered to tell his father he was in the country, when he’d avoided the miserable day trip to Massachusetts to see his father’s new life, though by now that life had surpassed, in years, the old. His father was in his seventies now, living off a generous pension and devoting most of his time to golf. From sporadic e-mails Kaushik learned that Rupa, the older of the girls, had married an American named Peter and taught art to elementary school students in Colorado. He had received an invitation to the wedding, but thanks to his work, his excuse for so many things, he had not gone. The little one, Piu, was in medical school at Tufts. And yet, also thanks to his work, Kaushik continued to wash up on his father’s doorstep, in the form of his photo credit in one of the newsmagazines his father read, announcing that he was alive, indicating where he’d been and what he’d seen.
He kept a place in Trastevere, a tiny apartment off Piazza di San Cosimato with a generous terrace where, between assignments, he recovered. A woman had brought Kaushik to Italy. Until Franca he had preferred Latin America to Europe, and even now the Spanish he had learned all those years ago got in the way of his serviceable Italian. Franca had convinced him to follow her back to Milan. She came from a family of minor nobility, her heart-shaped face and deep-set gray eyes speaking for a refinement she had not been able to hide when he first met her working
for a relief agency in Cameroon. For years he had drifted across the globe without making meaningful ties, and suddenly he was sharing an apartment with Franca, driving out to Bergamo on Sundays to eat polenta and roasted rabbit at her nonna’s home, aware that her grandmother, who had spent years hand-stitching and embroidering a trousseau of nightgowns and bedjackets for Franca, approved of him. It had ended bitterly; though at the time he could never come up with a reason not to, he could not bring himself to propose. She had not taken hold of him; he could see now that that was the problem. And so he left the tears and fury in Milan and took the train down to Rome. At first he thought he’d stay a week, to see a little bit of the city, then move back to Buenos Aires. But the Second Intifada drew him back to the Middle East, and he stayed on in Europe, never telling Franca that he was living in her country, never once running into her.
He remembered Rome, of course, from the only other time he’d gone there, on the way back from Bombay to Massachusetts with his parents. His mother was dying, but at the time, apart from her thinness, there had been no signs. She had just turned forty, Kaushik’s age on his next birthday. He remembered the look of the hotel where they stayed, the marble steps they would ascend to go to the breakfast room. The strong shaft of light that poured through the dome of the Pantheon, and the glances of admiration the waiters could not conceal as his mother perused a menu. He remembered walking along the Janiculum and seeing clusters of swallows like giant thumbprints swiping the sky. And he had returned like a pilgrim to those places, recalled that the hotel was close to the Spanish Steps and managed to find it somehow.
Last year his father and Chitra had visited him in Rome, spending four days on their way to Calcutta. He had obliged, reserving a room for them at the Hotel d’Inghilterra and taking them everywhere. He stood in line with them to see the Colosseum and walked with them through the Forum. He took pictures of their stay, handing his father the rolls of film before they left as if it had been any other job. He ordered Chitra tea with milk in every restaurant, every café, because she did not like the taste of Italian coffee. But they had left no dent on the place, and he never thought of their presence on the streets of Rome as he continued to think, now and again, of his mother’s.
It was in the course of those days with his father and Chitra that a faint gray speck, smaller than the head of a pin, began floating across his left eye. He first noticed it the afternoon they went to Testaccio, his father wanting to visit Keats’s grave. In the lush grounds of the Protestant Cemetery, Kaushik had thought that a gnat was circling his head, and he kept swatting at it, putting out his fingers trying to flick it away. But the speck continued to accompany him wherever he went, quietly tormenting him, and he realized it was within him, that it was not possible to remove it or make it stop. An optometrist explained that it was caused by vitreous gel clumping and pulling away from the wall of his eye, that it was a harmless symptom of getting older. He was told he would grow used to it, and he had, more or less, not bothered these days unless he were in a bright room with white walls, or outside without his sunglasses. It did not affect his driving, or his picture-taking. And yet it felt like an invasion of the part of his body, the physical sense that was most precious: something that betrayed him and also refused to abandon him.
On Sunday he set out in his Fiat for Edo and Paola’s, in a suburb south of the city. The thought of leaving the city, the streets he now navigated with ease, made him melancholy. For he was leaving; in the new year he would be gone. A position as a photo editor for an international newsmagazine had opened up in Hong Kong, and he had accepted. Apart from a few visits to Tokyo, he knew little of East Asia. It would be the first time in his life that a job would mean waking up and going to the same place each day, the first time he would have an office, a desk, an assistant to schedule his appointments and take his calls. The first time he would not wake up unprepared, until he was chasing after it, for what the day would bring. In that sense he would taste a version of the professional life his father had maintained for decades. He imagined he would hate it. Paola told him he was making a mistake, warning him that it was death to the photographer, that since becoming an editor she hadn’t taken a decent picture. The money would be better, but that wasn’t what had attracted Kaushik. It was his need for a different life that was taking him to Asia. The promise, for the next few years at least, that he would be still.
The magazine was paying for his move, but apart from the Fiat, which he’d already arranged to sell to a friend, he owned little. It was nothing like the times he moved with his parents, those two colossal upheavals he had experienced as a boy, first leaving America, then returning seven years later, the furniture and paintings and tea sets his mother thought she could not live without following them slowly, both times, on cargo ships. His mother had set up households again and again in her life. It didn’t matter where she was in the world, or whether or not she was dying; she had always given everything to make her homes beautiful, always drawn strength from her things, her walls. But Kaushik never fully trusted the places he’d lived, never turned to them for refuge. From childhood, he realized now, he was always happiest to be outside, away from the private detritus of life. That was the first thing he’d loved about taking pictures—it had gotten him out of the house. His earliest memories, of Cambridge, Massachusetts, where he’d been born, were all outdoors. A chain-link fence matted with forsythia. The herringbone pattern of bricks on a sidewalk. His mother’s voice calling his name as he ran across the Common.
He was reminded of his family’s moves every time he visited another refugee camp, every time he watched a family combing through rubble for their possessions. In the end, that was life: a few plates, a favorite comb, a pair of slippers, a child’s string of beads. He wanted to believe that he was different, that in ten minutes he could be on his way to anywhere in the world. But he knew that it was impossible, wherever he landed, not to form attachments. He would miss the short, tinted wine glasses in his Trastevere cupboards, the shrinking trapezoid of sunlight cast on his bed in the afternoons. And he knew that in his own way, with his camera, he was dependent on the material world, stealing from it, hoarding it, unwilling to let it go. The move to Asia was official now. His landlord, the owner of the gelateria on the corner, had found a new tenant. And just yesterday he had booked his ticket, arranging for a layover in Thailand, where he planned to spend the last week of December before continuing on to Hong Kong.
Edo liked to cook, specializing in the cuisine of his native Cremona. Kaushik imagined a gathering like all the others Edo and Paola liked to organize, an international crowd of journalists and photographers and academics, always three or four languages spoken at the table. Today, Paola had mentioned, an American novelist was coming, someone homesick for Thanksgiving and bringing an apple pie. There would also be an Indian woman, Paola said—a scholar, a friend of a friend of Edo’s. He pictured someone middle-aged in spectacles and a sari, an archeologist like Edo. He had so little to do with India. He had not gone back since the year his mother died, had never gone there for work. As a photographer, his origins were irrelevant. And yet, in Rome, in all of Europe, he was always regarded as an Indian first.
A few blocks from Edo and Paola’s he parked the car and got out. The neighborhood was spectacular in its own way: broad avenues lined with cypress, concrete postwar buildings with glass entrances and protruding balconies stacked one on top of the next. He realized he would probably not return here before leaving Italy, wanted to take a picture, but he had left his camera at home. Paola and Edo lived on a high floor, in an airy apartment overlooking a park. Turning onto their street, Kaushik noticed a woman standing on the sidewalk, long hair concealing her face, staring down at a map. “Signorina, dove deve andare?” he asked.
The woman looked up, confused, and he realized, in spite of her dark hair and fitted leather coat, that she was not Italian. That in fact she was Indian. That he needn’t have used the polite form in addressing her,
that her face was one he’d known.
From the moment they arrived together at Paola and Edo’s, it was assumed, by the other guests, that they were old friends. One of the guests had even assumed they were lovers, asking how long they had been together, how they had met. “Our parents,” Kaushik had said lightly, but Hema thought back, saddened by those two simple words. She was aware that he had not corrected the guest’s assumption. Aware, too, of the way he looked at her across the table during lunch, surprised by the allure that had come to her late. He looked the same to her, that was the astonishing thing. The sharp-faced boy who had stepped reluctantly into her parents’ home. Only the eyes appeared tired, the skin surrounding them now darker, faintly bruised. He was dressed like an Italian, wearing jeans and a thin black pullover, brown-and-white sneakers with Velcro straps. She still remembered her first impression of him, a quiet teenager in a jacket and tie, refusing her mother’s food. She remembered the ridiculous attraction she had felt that night, when she was thirteen years old, and that she had secretly nurtured during the weeks they lived together. It was as if no time had passed.
After lunch he drove her back, inviting her to his place, in a quiet neighborhood where laundry hung between apricot-colored houses and old men sat in folding chairs on the streets. The men watched, silently, as Kaushik unlocked the bolts and Hema waited at his side. It was unquestioned that they would not part yet, unquestioned that though they had not seen or thought of each other in decades, not sought each other out, something precious had been stumbled upon, a newborn connection that could not be left unattended, that demanded every particle of their care. The building was nothing like Giovanna’s, the door easily overlooked, an enclosed staircase leading directly into his small world. The apartment was a room and a bathroom and a two-burner stove. He led her to the terrace to see the neighboring rooftops, the Romanesque belltower of the church on the piazza. “You’re that way,” he said, putting his hands lightly on her shoulders, orienting her. He told her that he’d returned to Rome recently, that a week before he’d been in Ramallah, covering Arafat’s funeral. Twenty thousand people had turned up, he said, scaling walls and tearing down barbed wire for a glimpse of the coffin.