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  Advance Reader’s Copy — Not for Sale

  UNDER THE WIDE AND STARRY SKY

  A Novel

  Nancy Horan

  Ballantine Books

  This is an uncorrected eBook file. Please do not quote for publication until you check your copy against the finished book.

  Tentative On-Sale Date: January 7, 2014

  Tentative On-Sale Month: January 2014

  Tentative Print Price: $26.00

  Tentative eBook Price: $12.99

  Please note that books will not be available in stores until the above on-sale date. All reviews should be scheduled to run after that date.

  Publicity Contact:

  Ballantine Publicity

  (212) 782-8678

  www.ballantinebooks.com

  Ballantine Books

  An imprint of the Random House Publishing Group

  1745 Broadway • New York, NY • 10019

  BY NANCY HORAN

  Under the Wide and Starry Sky

  Loving Frank

  This is an uncorrected eBook file. Please do not quote for publication until you check your copy against the finished book.

  Under the Wide and Starry Sky is a work of historical fiction. Apart from the well-known actual people, events, and locales that figure in the narrative, all names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to current events or locales, or to living persons, is entirely coincidental.

  Copyright © 2013 by Nancy Horan

  All rights reserved.

  Published in the United States by Ballantine Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

  Ballantine and colophon are registered trademarks of Random House, Inc.

  ISBN 978-0-345-51653-4

  eBook ISBN 978-0-345-53882-6

  [CIP Information]

  www.ballantinebooks.com

  Frontispiece and part-title images: ©iStockphoto.com

  For my sons,

  Ben and Harry

  Out of my country and myself I go.

  —ROBERT LOUIS STEVENSON

  Contents

  Cover

  eBook Information

  By Nancy Horan

  Title Page

  Copyright Page

  Dedication

  Epigraph

  Part One

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Part Two

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Chapter 48

  Chapter 49

  Chapter 50

  Chapter 51

  Chapter 52

  Chapter 53

  Chapter 54

  Chapter 55

  Chapter 56

  Chapter 57

  Chapter 58

  Part Three

  Chapter 59

  Chapter 60

  Chapter 61

  Chapter 62

  Chapter 63

  Chapter 64

  Chapter 65

  Chapter 66

  Chapter 67

  Chapter 68

  Chapter 69

  Chapter 70

  Chapter 71

  Chapter 72

  Chapter 73

  Chapter 74

  Chapter 75

  Chapter 76

  Chapter 77

  Chapter 78

  Chapter 79

  Chapter 80

  Chapter 81

  Chapter 82

  Chapter 83

  Chapter 84

  Chapter 85

  Chapter 86

  Chapter 87

  Chapter 88

  Chapter 89

  Chapter 90

  Postscript

  Afterword

  Notes

  Acknowledgments

  About the Author

  Part One

  CHAPTER 1

  1875

  “Where are the dogs?” Sammy asked, staring up at her.

  Fanny Osbourne stood at the boat’s rail, holding an umbrella against the August drizzle. Her feet were planted apart, and each of her boys leaned against a leg. Around them, a forest of masts creaked in the dark harbor. Beyond, the city was a black paper cutout, flat against the gray sky.

  “We’ll see the dogs tomorrow,” she promised.

  “Are they sleeping now?” the boy asked.

  “Yes, they’re surely sleeping.”

  Lanterns illuminated the other passengers, whose weary faces reflected her own fatigue. After a ten-day Atlantic crossing, she and the children had traveled by rail from Liverpool to this paddleboat for the tail end of their journey, across the English Channel from London to Antwerp. Now they huddled on deck among the others—mostly American and English businessmen—waiting for some sign that they could disembark.

  Fanny had begun spinning stories about the famous cart-pulling dogs of Antwerp soon after they boarded the ship in New York. As her sons’ patience waned during the long trip, the dogs’ feats became increasingly more fantastic. They swam out to sea to rescue the drowning, dug through the mud to unearth gold, gripped trousers in their teeth and pulled old men out of burning buildings. When they weren’t busy delivering milk around town, the dogs carried children through the cobblestone streets, calling upon bakers who handed out sugar-dusted cakes and apple fritters. Now, anchored a few feet away from the great port city, it occurred to Fanny that the dogcart might be a thing of the past in Antwerp these days.

  “Eleven o’clock,” said Mr. Hendricks, the baby-faced surgeon from New York who stood nearby, eyeing his pocket watch. “I suspect we won’t be getting off this boat tonight.” They watched a cluster of customs officials exchange heated Flemish with the captain of their channel steamer.

  “Do you understand what is happening?” Fanny asked.

  “The Belgians are refusing to inspect anyone’s trunks until tomorrow.”

  “That’s impossible! There aren’t enough beds on this little boat for all of us.”

  The surgeon shrugged. “What can one do? It’s all part of the journey, dear lady. I am philosophical about these things.”

  “And I am not,” she muttered. “The children are exhausted.”

  “Shall I try to secure sleeping cabins for you?” Mr. Hendricks asked, his pretty features wreathed in concern.

  The doctor had been kind to Fanny from the moment she’d met him at dinner the first evening of the voyage. “Why, art!” she responded when he asked what had prompted her journey. “Culture. Isn’t that the reason Americans travel to Europe?” The man
had stared intently at her across the table, as if deciding whether she was mad or heroic for bringing her three children abroad for an entire year.

  “My daughter and I will study figure drawing and painting,” she’d explained. “I want her to have classical training with the best.”

  “Ah,” he said knowingly, “you, too, then, are a voluntary exile. I come for the same reason—the best of everything Europe has to offer. This year it is Paris in the autumn, then Italy for the winter.”

  She had watched him maneuver a forkful of peas into his mouth and wondered when he had time to work. He was a bachelor and quite rich, judging from his itinerary and impeccable clothing. His soft black ringlets framed an unlined forehead, round pink cheeks, and the lips of a putti. She had glanced at Sammy next to her, pushing his peas onto a spoon with his left thumb. “Watch how Mr. Hendricks does it,” she whispered in the boy’s ear.

  “I can see you have mettle, Mrs. Osbourne,” the surgeon said. “Do you have any French?”

  “I don’t, but Belle knows a little.”

  “If the Old World is to work its magic on your children, they’ll need to learn the language. Flemish is spoken in Belgium, but French is a close second. If you plan to travel at all, that is the better language.”

  “Then we all must learn it.”

  Having determined the fastest route to the mother’s affections, the surgeon smilingly made his offer. “I would be happy to teach you a few phrases.” Every afternoon for the remainder of the journey, he had conducted language lessons for her and the children in the ship’s library.

  Now she told Hendricks, “Don’t ask about the sleeping accommodations quite yet. Give me a few moments.”

  Fanny glanced over at her daughter, Belle, who shared an umbrella with the nanny. She beckoned the girl, then bent down to her older boy. “Go to Miss Kate, Sammy,” she said. “You, too, Hervey.” She lifted the three-year-old and carried him to the governess. “Do keep in the background with the children, Kate,” Fanny told the young woman, who took the boy into her sturdy arms. “It’s best the officials don’t see our whole entourage. Belle, you come with me.”

  The girl’s eyes pleaded as she ducked under her mother’s umbrella. “Do I have to?”

  “You needn’t say a word.” Looking distraught would be no challenge for Belle right now. The wind had whipped the girl’s dark hair into a bird’s nest. Brown crescents hung below her eyes. “We’re almost there, darlin’.” Fanny Osbourne grabbed her daughter’s hand and pushed through a sea of shoulders to reach the circle of officials. Of the Belgians, only one—a lanky gray-headed man—had a promising aspect. He started with surprise when Fanny rested a gloved hand on his forearm. “Do you understand English, sir?” she asked him.

  He nodded.

  “We are ladies traveling alone.”

  The official, a foot taller than she, stared down at her, rubbing his forehead. Beneath the hand cupped over his brow, his eyes traveled artlessly from her mouth to her waist.

  “We have come all the way from New York and have experienced nothing but chivalry from the English officers on our ship. Surely there must be some way …”

  The Belgian shifted from foot to foot while he looked off to the side of her head.

  “Sir,” Fanny said, engaging his eyes. “Sir, we entrust ourselves

  to your courtesy.”

  In a matter of minutes, the plump little surgeon was trundling their luggage onto the pier. On deck, the other passengers fumed as a customs man lifted the lids of Fanny’s trunks, gave the contents a perfunctory glance, and motioned for her party to move through the gate.

  “Bastards!” someone shouted at the officials as Fanny and her family, along with Mr. Hendricks, followed a porter who loaded their trunks on a cart and led them toward an open horse-drawn wagon with enormous wheels.

  Near the terminal, masses of people waited beneath a metal canopy. Women in head scarves sat on stuffed grain sacks clutching their earthly valuables: babies, food baskets, rosaries, satchels. One woman clasped a violin case to her chest.

  “They come from all over,” said the surgeon as he helped the children into the wagon. “They’re running from some war or potato field. This is their last stop before America. You can be sure the pickpockets are working tonight.”

  Fanny shuddered. Her hand went to her breast to make certain the pouch of bills sewn into her corset was secure, and then to her skirt pocket, where she felt the smooth curve of her derringer. Her left hand reached into the other pocket, where it touched the round silver art school medal she’d tucked in before leaving San Francisco.

  “Take them to the Hôtel St. Antoine,” Hendricks ordered the driver as the last trunk was hoisted into the back of the vehicle. He turned to Fanny. “When you know where you will be staying permanently, leave a forwarding address at the desk. I will write to you from Paris.” He squeezed her hand, then lifted her into the wagon. “Take care of yourself, dear lady.”

  Less than an hour later, ensconced in the only available room of the hotel, she stepped behind a screen, untied her corset, and groaned with relief as it dropped to the floor, money pouch and all. She threw a nightgown over her head and climbed into bed between her slumbering boys. In the narrow bed an arm’s length away, Belle’s head protruded from one end of the sheet, while Miss Kate’s open mouth sent up a snore from the other.

  Fanny leaned against the headboard, eyes open. It had been a harrowing monthlong journey to get to this bed. Twelve days’ travel on one rock-hard train seat after another from California to Indianapolis. A few days’ respite at her parents’ house, followed by a mad dash on a wagon across flooded rivers to catch the train to New York before their tickets expired.

  Six thousand miles lay between Fanny and her husband. Whether he would send her money, as he had promised, was uncertain. Tomorrow she would think about that. Tomorrow she would enroll herself and Belle at the art academy and wangle a ride on a dogcart for the boys. Tomorrow she would find a cheap apartment and begin a new life.

  She got out of bed and went to the window. Across the square, Notre Dame Cathedral soared above the other night shapes of Antwerp. The rain had stopped, and the unclouded moon poured white light through the lacy stone cutwork of the church spire. When the cathedral bells rang out midnight, she caught her breath. She had believed in signs since she was a girl. The clanging, loud and joyful as Christmas matins, hit her marrow and set loose a month’s worth of tears.

  If that isn’t a good omen, she thought, I don’t know what is.

  She climbed back into bed, slid down between her boys, and slept at last.

  CHAPTER 2

  In the morning, dressed in a blue jacket and a plaid skirt, Fanny tried a red scarf around her throat. Wrong, she thought, peering at the mirror. With her olive skin and wavy black hair, the effect was too much the contadina, not enough the artist. She tied on a sober white cravat, retrieved the silver medallion from her other skirt, then ferreted around in her trunk, collecting the things she’d brought to present to the school: the letter of recommendation from Virgil Williams, her friend and teacher at the San Francisco School of Design; the charcoal sketch of the Venus de Milo that had earned her the first-place prize; and a collection of Belle’s best drawings.

  “You will need to exchange this downstairs.” Fanny gave some bills to Kate Miller, who was dressed and getting the children organized. “Take them to have baths first, then to a bakery for breakfast. After that, you should go over to the cathedral and walk them all through it.” She handed crayons to Hervey and two drawing pencils to Sam. “Make a nice picture of the church for Mama,” she said.

  Out on the slippery cobblestones, Fanny took in the morning foreignness of Antwerp. She let go a relieved sigh when she spotted a wagon filled with shiny brass milk cans being drawn by a large harnessed dog. Two army grenadiers wearing high black bear-fur hats passed in front of her, followed by women in winged white headdresses bound for the flower market with baskets of rose
s balaced on their round hips. A few doors down from the hotel, old women lit candles in front of a shrine to the Virgin. The damp air at the Place Verte was heady with the mingled odors of flowers, horse manure, and bacon wafting from the hotel’s restaurant. Except for the dogs, all of it—the flower market, the preposterous headgear, the religious statues on street corners—surprised her, for she hadn’t read much about Belgium before she’d set off.

  Fanny had chosen to come to Antwerp, rather than London or Paris, for reasons she knew to be vague, reasons issuing from her gut rather than from a thorough study of tourist guides or school brochures. Virgil Williams had told her about the Antwerp academy, but there were a number of good art schools in Europe. She’d never met a Belgian, but she’d heard they spoke a kind of Dutch. Her father’s people were Dutch and decent folks, mostly. There was a trove of paintings in churches and museums to be copied in the practice of landscape and figure study, though Paris would have served even better. She’d also heard that it was cheap for Americans to live in Antwerp. That was the sum of it.

  “Go study art in Europe,” said her friend Dora Williams, Virgil’s wife, when Fanny confided her situation. “It’s one of the few respectable ways a woman can leave a rotten husband.”

  During one of Sam Osbourne’s contrite moments, after Fanny discovered he was supporting yet another whore in an apartment in San Francisco, she saw her opening. She extracted a thousand dollars from her husband along with a promise of monthly checks, bought train tickets, and darted for freedom.

  Now, with a penciled map from a porter at the hotel, Fanny found her way through a maze of narrow, winding streets to the old convent that currently housed the Royal Academy of Fine Art. A young man at the gate directed her to a stone building blackened with age. When she approached the carved wooden door, she noticed above it a frieze depicting a draped male figure in the Greek style, holding a chisel above a block of stone. Beside him sat a goddess clutching a handful of sticks—no, they were paintbrushes. She felt goose bumps rise on her arms as she turned the heavy doorknob and stepped inside.

  “I do not have an appointment,” she said in English to a man at a desk. “But you may tell the gentleman in charge that I was sent here by the director of the San Francisco art academy.”