It wasn’t a planned escape. She’d taken nothing with her, but it had evolved, in the very fact of motion, in the familiar quirks of the gear stick beside her and the mud-plastered pedals beneath her, into a frantic bid for freedom. In any case, there was the sudden sheer, wild glee of taking the thing out onto the road and seeing what it could do. Swerving to miss traffic, taking arbitrary turns, and, in the narrow lanes, finding out that she was entirely adept, even aggressive, in dealing with an oncoming vehicle in that one-to-one situation when either they or you have to find the passing-spot. If she could manage this Land Rover in a muddy field, do natty reverse-work in the yard or buck along a rutted track, she could do all this on a solid road now.
The early-autumn sun had filled the air and drenched the berried hedges. The window was down, her hair flew. There was petrol in the tank. Ellie can see, now, her bare teenage knees as she pumped the pedals, her little smoky-blue, thick-corduroy skirt, no more than a band of ribbed fabric—this was 1983.
She began to laugh, to sing—selections from Duran Duran. Was her face also shiny with tears? Had this old Land Rover ever been given such a ride? As she drove, a sort of plan, a purpose had come to her. Wherever she was going (if she was going anywhere) she couldn’t go there alone. Or she couldn’t leave her mates behind without letting them at least know she was on the run and offering them the option too. There was room in the back.
She thought of going to get Linda Fairchild and Susie Mitchelmore in Marleston itself, Jackie White in Polstowe and Michelle Hannaford at Leke Hill. Liberating them all. A skidding halt, a loud blast on the horn. Quick! It’s me, Ellie! Come on! She thought of going to that bus shelter near Abbot’s Green, where much was thought of and discussed and giggled over but not so much done, and scrawling a last, filthy, farewell message on its wall. She thought of scooping up the whole Abbot’s Green School bunch and saying, ‘Right! Here we go!’ The chances of a police car round here were a hundred to one. And, to hell with it, she could even go and pick up Bob Ireton’s mopy sister Gillian—Bob who was set on becoming a cop.
All this was like some glorious net—a freeing net—flung out from her racing mind. She’d scoop up anyone who was game for it. Boys too, yes, any boys. But at some point in the great rush of her thoughts—she was actually swooping down Polstowe Hill—she calmed down (relatively) and knew what she had to do.
Could it really be anything else? And it wouldn’t be just an act of liberation. It would be a test. A test of herself. Could she? Would she? She stopped and reversed, swiftly, with a pleasing belch of exhaust smoke, at a farm gate. All the farm gates, all the bloody farm gates. Someone blared a horn at her. She blared back. She raced again through Polstowe. People couldn’t have helped noticing by now. This was at least the third time. That was Jimmy Merrick’s Land Rover, wasn’t it? But that wasn’t Jimmy, surely, at the wheel.
She sped back towards Marleston. Could she really do it? She certainly saw herself doing it. She sees herself doing it now, as if there’s still somehow a need. She sees herself stopping by the Jebb gate and opening it. Sees herself driving through and not bothering to do any closing. My God, this is a first. She sees herself roaring into the Jebb yard and lurching to a halt, hand slammed on the horn. No guessing where Jack might be on the farm at this time of day, but in the scene in her head Jack is somewhere conveniently near the yard. And he’s heard this meteor coming down the track.
She sees the family turning out to confront her amazing arrival. Michael. Vera. There’s a difficulty there, she knows it—to tear Jack from his mum. And standing beside Vera is little Tom, aged seven. A difficulty there too—and there always will be. There’s a difficulty now. But it’s only Jack she cares about. My Jack.
And there he is. She looks at him and he looks at her, astonishment denting his not often dentable face. A test for her. A test for him. But she’s already passed hers, by being there—it was always like this, her making the first move—and by sticking her head now out of the window and yelling, ‘Come on, Jacko! Now or never. Quick! Jump in!’
But she doesn’t go through the Jebb gate. She doesn’t even stop by it. And Jack will never know that he was once part of that never-enacted scene. She thinks of her dad who, even now, in his sozzled state, is perhaps unaware of her flight. How can she do it? Ensure that in the course of three days the only two women in his life will have deserted him, and stolen his Land Rover. She thinks of her abandoned dad who, when he hears her driving back down the Westcott track, will surely think, in his half-stupor, that it must be his wife coming home. Coming back! Allie and Ellie and Jimmy, all together at Westcott again.
She drives along the Marleston road. There’s a straight, clear stretch after the Jebb bend, but she’s lost now all the thrill of speed. In any case, she slows for the Westcott gate. She can see the square tower of Marleston church poking up ahead. She gives a strange, pained cry (she gave the same cry again, exactly the same, today) and runs a forearm over her slippery face. She stops, gets out to close the gate dutifully behind her—having left it defiantly open on her way out. She hears its familiar clang.
The twin hedges take her in their grasp, the golden sunshine mocks her. She drives on down, along the dry ruts, to her father who, indeed, since he’s been seeking oblivion anyway, will never know, any more than Jack will, what Ellie has done today. The things we never know. She drives back into Westcott Farm, to her mother’s absence, to her sleeping father (who when she wakes him with a mug of tea, doesn’t want to be woken) and to the mooing, snorting, pissing, shitting fact of cows to be milked.
6
IT WAS DEEP, steep, difficult but good-looking land, with small patchy fields that funnelled or bulged down to the woods in the valley. They had one field up on the ridge where they grew occasional wheat and autumn feed, otherwise it was down to grass and like almost every farm for miles around: sheep or dairy, and they’d always been dairy—beef calves for sale, and dairy. It was hard work for the softest, mildest thing in the world. It was all about turning the land into good white gallons, as many as possible. And it was all about men being slaves to the female of the species, so Michael Luxton had liked to say, with a sideways crack of his face, when Vera had still been around, especially in her hearing. They were all bloody milksops really.
Each one of those carcasses that were carted off after the cow disease came was a potential hand-out from the Ministry. But that didn’t allow for the slowness or downright shiftiness of the bureaucracy, or for the simple fact that there was nothing much to bridge the gap. Not a single one of their herd had ever been confirmed. The words were ‘suspect’ and ‘contiguous risk’. They just couldn’t be moved, that’s all, though they had to be fed. Nor, at first, could their milk be moved, though they had to be milked. And then they’d nearly all (except for the new calves) been moved anyway—as carcasses. The farm like a ghost farm, the loss of all that penned-up company strangely bereaving. No milk flow, no cash flow, and precious little in the bank. He and Tom got the impression, from their dad’s silences, that the precious little wasn’t even theirs. Meanwhile, when were they supposed to start restocking again and know it wouldn’t be cost and effort for nothing?
Tom hadn’t waited for the final reckoning. Though you couldn’t say it was a sudden move either. He waited till his eighteenth birthday—till he’d be his own man. And you couldn’t say it was a bad move. He’d seen the way the wind was blowing.
And why hadn’t he, Jack, thought of it first? Just to clear off out of it. But it had never occurred to him. And why hadn’t he minded when Tom said that it had been occurring to him all right, for more than a year? ‘This is just for your ears, Jack.’ As if then it became a pact that they’d both entered into, and it was down to Jack, while Tom made the actual move, to cover up for him. And to take it, of course, from Dad afterwards, take all the stick for it, but not say anything for weeks, months, feigning dumb ignorance, buttoning his lip, like some good soldier himself, and only speaking, finally, bec
ause he thought his dad must surely have guessed anyway—what else does a boy do?—and because there was no real chance of his father’s getting Tom back.
No, he didn’t know where Tom was. Which was only the truth. Because Tom was in the army and who could say where the army was? Catterick? Salisbury Plain?
Good luck, Tom. As if Tom was doing the escaping for both of them.
Why had he never minded, or even thought about it most of the time? That Tom was better, quicker, smarter at pretty well everything. Including, so it seemed, deciding his own future. Eight years and, for a long time, several inches between them. And no competition. He could knock Tom down any time he liked, but he never had. Had never even wanted to.
Even that gun lying there, Tom was better at that. At twelve or thirteen he could swing it round and make the rabbit hit the shot. Good with a gun—so a soldier’s life for him. But Tom was even better, after Vera died, at taking her place, at being, for them all, a bit of a mum himself. Was that something the army required of a man too?
Jack should have been the one, by rights, to step into her space. Eight years her only boy. And all those mugs of tea. But it was Tom who, at thirteen, was plainly quicker and better in the cooking, washing and looking-after department too. And Jack, at twenty-one, was a big, outdoor man with mud on his boots. If he’d tried to take his mum’s place, Dad would have mocked him. So it was Tom who one day put on Vera’s still flour-dusted, gravy-spotted apron. He and Dad simply watched him do it. It had been hanging on its hook on the corner of the dresser where no one seemed to want to touch it. But it was Tom who took it down and put it on. Like some silent declaration. It was Tom who piled eggs and bacon and triangles of bread into the pan and filled the kitchen with a smell and a sizzle as if someone might be still there who wasn’t.
And not just pile. He could crack those eggs one-handed, just as Mum had. Two neat little half-shells left in his fingers. Jack knew, without trying, he could never have done that. They’d have been eating eggshell for breakfast, spitting out the bits.
Mrs Warburton, Sally Warburton, Mum’s old pal, had come in for a while every day to ‘tide them over’, as she put it, and perhaps to set them all her own example in being a bit of a mum to each other. Maybe Tom got some of it from her. Maybe Tom had puppied up to her while he and Dad did all the heavy work.
And it was a pity, maybe, that Mrs Warburton wasn’t just Sally Warburton, or just Sally somebody, and not Mrs Warburton, wife of Ken Warburton who ran the filling station at Leke Hill Cross. Because then she might have become the next Mrs Luxton and they might all have got a permanent second-best mum. But she stopped coming after a while, presumably because she thought they were tided over. And then where was Michael to turn? He was fifty-two. Jack never knew what his mum might have said to his dad, even as she was dying, on this score. If she’d said anything at all. But after a certain passage of time Michael made the desperate move of advertising in the Courier for a ‘housekeeper’, and everyone knows, when a recently widowered farmer does that, what it really means.
No takers. (And how could he have paid a housekeeper?)
That’s when Jack had felt his father starting to turn old. To shrink. And to turn sour-tempered, something which, for all his slowness to raise a smile, he’d never been. You’d see him kick at something, a feed trough, the corrugated iron round the muckheap, for no reason at all. Swing back his leg and kick. That’s when Jack had felt that, though Tom was no longer such a little brother, he had to be a shield for him against his father’s weather. He had to stand in between and take it. Why had he never minded?
First Mum, then Tom. In between, most of their livestock carried off for incineration. Then just him and Dad. And Dad looking at him with a look that said: And don’t you try it, don’t you even think about it. When he wasn’t wearing that other look which said: Why don’t you solve the issue, Jack boy, why don’t you do something about it? The issue of there being no Mrs Luxton. Which was a mad look, if ever there was one, a look where Dad had himself tied up into a knot, because unless his son was supposed to go foraging (and how might that occur exactly?) it was like saying that Jack should do the very thing there was no question of his doing. The real knot being the knot that he and Ellie Merrick could never formally tie.
Jimmy Merrick and Michael Luxton should have got married themselves, Jack has sometimes thought, they should have married each other. If such a thing were possible. About as unlike as two men could be and with as little liking for each other as two men could have. But both battling with the same things: both of them wifeless, both working, on different sides of a boundary, the same sweet but tough, now disease-hit land. Both of them going to the dogs and watching each other like hawks to see who’d get eaten up first.
In Jack’s memory it was the Luxtons who’d had the upper hand (having anyway the finer-looking farmhouse and the prettier acres) especially after Merrick’s wife, Alice, had run off and abandoned him, leaving him with a sixteen-year-old daughter as his only companion and domestic workforce. An event as surprising (though Michael liked to say it was no surprise at all) as the Luxtons suddenly acquiring after eight years a second son, which, though the timing might have been better, only added to the stock at Jebb Farm and so to the abasement of the Merricks.
But then Vera had died, leaving the two men, in that respect, similarly placed. Then Tom had done his own bit of running off. Meanwhile, there was a cow disease. All of which left the two farmers, neither getting any younger, in a state of more or less equal dereliction. If anything, it was Jimmy who now had the edge, since he’d had years to get used to misfortune, while Michael, after a fair time of not doing so badly thank you, had incurred a quick succession of troubles, and anyone could see he was going down fast.
They should have got damn well hitched themselves. Or, as would have been the more customary solution and one which had only been staring them in the face for years, Jack should have married Ellie and linked their situations that way.
But that would have gone against all known history and deprived the two fathers of their fuelling disdain for each other. It would have robbed one of a daughter or one of a son, since where were the happy couple supposed to live? Did Michael seriously think that Ellie was going to hop across the fence and settle in at Jebb, when she was so clearly needed at the side of her dear old dad?
And all of this despite the fact that the son and the daughter had been chummy with each other for as long as they—or anyone else—could remember. And not just chummy. For years now, from even before Alice Merrick’s abrupt departure, he and Ellie had been pretty much behaving with each other (if only on certain weekday afternoons) as if they were married. Which was not only common knowledge in the region of Marleston, but was actually abetted, even smiled on by the two fathers, even while it retained its clandestine trappings—on the basis, presumably, that there had to be some compensation for the fact that real marriage was impossible. At the same time (and Jack had only slowly come to recognise this) it was a concession that kept them both, the son and the daughter, firmly in their places: on their own farms (except, for Jack, on Tuesday and sometimes Thursday afternoons) and in each case a slave to it.
In the beginning, Jack had simply driven over in the pick-up, with Luke in the back. This would be at times when, according to a cautious-seeming Ellie, old Merrick wouldn’t be around. He and Ellie would go up to her bedroom, knowing that they couldn’t take too long about it, especially if they wanted, which they always did, to sit and have a cup of tea in the kitchen afterwards—with Luke, who seemed to know when to make himself scarce, stretched out by the stove, eyeing them meaningfully. It wouldn’t have seemed right without the cup of tea, and that had always been the pretext, or pretence: Jack had simply popped over on a neighbourly visit (though why the hell should he do that?) and stayed for a neighbourly cup of tea.
But this had gone on for so long, without any discoveries or interruptions, that it was clear there was no real need for haste
or secrecy, or to divide their time between bedroom and kitchen. Jack had begun to wonder, in fact, what it might mean if they were to have their cup of tea in bed—if Ellie might suggest it, or if he might. But he’d anyway long forgotten when he’d first twigged that Merrick might be staying away on purpose on these afternoons. Or when the idea of Jimmy’s coming back and catching them at it had become just an idea, a game, that added a little spice to proceedings. Nor did he need to have Luke sitting outside, to sound the alert if necessary. He just took Luke for the company. And Luke knew that too.
And then there was no Luke anyway.
But they’d kept up their pattern: first the bedroom, quickish, then the kitchen. Which naturally began to wane in excitement, even sometimes in satisfaction. There was a period during the cattle disease when it acquired a new adventurousness by the banning of even human movement between farms—something that generally shouldn’t have troubled the Merricks and Luxtons. Jack had let it pass for a week or two, and then thought, Hang it, and made the traditional journey (would there be government helicopters spying on him?), and found that he was greeted with some of the old fervour from the days when they could at least kid themselves they were doing something forbidden. One good effect of the cow disease.
But mostly Jack had begun to feel that these visits, though he couldn’t do without them (what else did he have?), had become just a little humiliating. Maybe Ellie felt the same. Though she’d never said, ‘Don’t bother, Jack.’ (What else did she have?) Jack even felt that his inexorable traipsings over to Westcott Farm represented the final triumph, so far as it went and after so many years of its being the other way round, of the Merricks over the Luxtons. It might be his dad who was going down the harder now, but didn’t his son’s situation only clinch it?