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anyone up securely; he could trap anyone, and now it was easy to draw blood. Cut the flesh, wait for the warm spurt of blood, make a nice pool in her hand, and then dip a finger

  into the thick fluid before placing it on her baby’s tongue.

  Just a bit more until Dante comes back. She would survive this; she would see to it that her children were fed and cared for. And they would live… because it was working. Three hours later, after more feedings, she felt Q pass urine. And then T.

  During her days of garbage picking, they had eaten worse: meat with flies on it, animals captured in wreckage, dogs that had died, soup made from bones with maggots.

  She found she could feed alongside her children. Q and T needed their mother, and she would eat and nourish with the same meat and blood, just as they had. They clawed at her with their new energy, and she had some to give back.

  They sat and waited for Dante’s return. Her baby’s life depended on him; all of their lives depended on him. Her whole life revolved around if this man was strong enough and cared enough to come back. She waited. They waited. He’d left them, found a way out and left them… or just forgot about them. She would have felt it if he was coming back. His orange booted feet, the scent of his breath, the glare of his eyes, all of it would have been picked up by her senses in advance. The metal edges of the knife became an extension of her hand.

  Her babies started to move. Tiny limbs started to reach and stretch, heads turned side to side, and they cooed when fed regularly. Only three of the five bodies in the chamber were still alive, all three of them making noises behind their gags, but none of them mattered. She picked the ones

  who moaned the most, the ones closest to dying, and drained them carefully so as not to push them over the edge. Small cuts bled them, but kept them alive.

  Bloody fluid started to cover her precious children. She couldn’t see it, but could feel it thick and spread all over. Her shirt was sticky with it, and Q and T had it on their chest, their hands, and their lips. She tried to keep them clean, but was unable. Nobody was to see them again, she knew, and

  these moments were her last with them. People like her don’t get to be with their children forever, but their bodies can rest here and remain.

  These children, these bits of flesh pulled out of her, now as bloody as the day they were born, were being kept alive by the blood of these TJ men, who didn’t deserve the organs inside that kept them alive day after day.

  So she pulled tiny bits of flesh off of the TJ day-trippers, chunks she could sliver off and chew herself, like the beef jerky before, but mashing and mashing and mashing until it was almost as smooth and liquid as the blood.

  Bowels came and went, sleeping patterns become regular, playtime was moving their fingers together, playing Itsy Bitsy Spider, letting the twins feel the flesh of each other, telling them stories, pulling them as tight together as they had been inside her womb.

  And the darkness in the air seemed to be lifting.

  Then the noise came.

  And soon after… the light.

  About The Author

  Mark Matthews is a therapist who has worked in the behavioral health field for nearly 20 years, but has been writing for much longer. His first novel, STRAY, is based on experiences working in a treatment center with an animal shelter right next door within barking distance. His second novel, The Jade Rabbit, is the story of a Chinese adoptee who runs marathons to cope with her history of trauma.

  The author is an avid runner and has completed 13 marathons, including 5 Detroit Free Press Marathons, the 2010 Boston Marathon, and is training to run the New York City Marathon in 2013. He is a graduate of the University of Michigan, a licensed professional counselor, and lives near Detroit with his wife and 2 daughters. He blogs at Running, Writing, and Chasing the Dragon and has a book on running called “Chasing the Dragon: Running to Get High”

  On the Lips of Children is his most recent novel, and has recently been released by Books of the Dead Press to incredible reviews.

 
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