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For the late Jay Carr
Wish you were with me on this one, buddy
Did he who made the lamb,
Make thee?
—WILLIAM BLAKE
I
TIGER, TIGER
CHAPTER ONE
The Diary
August 31, 1888
* * *
When I cut the woman’s throat, her eyes betrayed not pain, not fear, but utter confusion. Truly, no creature can understand its own obliteration. Our expectation of death is real but highly theoretical until the moment is upon us and so it was with her.
She knew me but she didn’t know me. I was of a type, and having survived on the streets for years, she’d cultivated the gift of reading for threat or profit, deciding in a second and then acting accordingly. I knew in an instant I’d passed beyond the adjudication and represented, in her narrow rat brain of what once was a mind, the profit, not the threat. She watched me approach, along a dark street that had subtended from a larger thoroughfare, with a kind of expectant resignation. She had no reason to fear, not because violence was rare here in Whitechapel (it was not), but because it was almost always affiliated with robbery, as strong-armed gang members from the Bessarabians or the Hoxton High Rips struck a woman down, yanked her purse free, and dashed away. Crime, for the working population of the streets, meant a snatch-purse with a cosh, and he would be some kind of brute, a sailor most likely, or a large Jew, German, or Irish Paddy with a face like squashed potato. I had none of these defining characteristics but appeared to be some member of a higher order, to suggest service in a household or some low retail position. I even had a smile, so composed was I, and she returned that smile in the dimness of a crescent moon and a far-off gaslight.
I know exactly what she expected; it was a transaction as ancient as the stones of Jerusalem, conducted not merely in quid but drachmas, kopeks, pesos, yen, francs, marks, gold pieces, silver pieces, even chunks of salt, pieces of meat, arrowheads.
“Want a tup, guv’nor?” she’d say.
“I do indeed, madam.”
“It’s a thruppence for what’s below, a fourpenny for me mouth, darling. My, ain’t you a handsome bloke.”
“Jenny in Angel Alley offers her lips for a thruppence flat,” I would dicker.
“Then off to Jenny in Angel Alley and her fine lips, and don’t be bothering me.”
“All right, we’ll rut front to back. A thruppence.”
“In advance.”
“Suppose you run?”
“Ask ’em all, Sweetie don’t run. She does what she’s signed for, fair and square.”
“So be it.” And with that the coin would be granted, a niche against the wall found, the position assumed, the skirts lifted, and I was expected to position myself suchways and angled so as to achieve fast entry. The system was not designed to accommodate finesse. Of foreplay, naught. The act itself would resolve into some sliding, some bucking, some in-out–in-out in the wet suction of the woman’s notch, and I’d have a small but reinvigorating event. I’d feel momentary bliss and step back.
“Thank you kindly, sir,” she’d say, “and now Sweetie’s off.”
That would be that—except not this night.
If she had words to speak, she never spoke them, and that half-smile, in memory of a woman’s comeliness, died on her lips.
With my left hand a blur, I clamped hard on her throat, seeing her pupils dilate like exploding suns—that to steady her for the next, which was contained in the strength and power of my stronger right hand. At full whip, I hit her hard with the belly of the blade, the speed, not any press or guidance on my own part, driving the keen edge perfectly and carrying it deep into her, sundering that which lay beneath, then curling around, following the flow of her neck. I hit my target, which Dr. Gray has labeled the inner carotid, shallowly approximated in the outer muscle of the neck, not even an inch deep. It was good Sheffield steel, full flat-ground to the butcher’s preference, my thumb hooked under and hard against the bolster for stability. There was no noise.
She meant to step back and had more or less begun to sway in that direction when I hit her again, the same stroke driven by full muscle, with all the strength in my limb against it, and opened the second wound near perfect upon the first.
Blood does not appear immediately. It seems as if it takes the body a few seconds to realize it has been slain and that it has obligations to the laws of death. She stepped back, and I gripped her shoulder as if we were to waltz, and eased her down, as if she’d just fainted or grown a bit dizzy from too much punch before the spin upon the floor among the lads and lasses.
Meanwhile, the two streaks that marked my work reddened by degrees, but not much, until they each looked like a kind of unartful application of a cosmetic nature, some blur of powder or rouge or lipstick. Then a drip, then a drop, then a rivulet, each snaking slowly from the lip of the cut, leaving a track as it rushed down the tired old neck.
Sweetie—or whatever, I didn’t know—was attempting to say something, but her larynx, though undamaged by the anatomical placement of my strikes, would not cooperate. Only low murmuring sounds came out, and her eyes locked all billiard-ball on infinity, though I do not believe she was yet medically dead, as she had not lost enough blood from her brain as yet.
That issue resolved itself in the next second. The severed artery realized what its interruption required and at that point, at last, begin to spurt massively. Torrent to gush to tidal wave, the blood erupted from the full length of each cut and obeyed gravity in its search for earth in which to lose itself. I laid her down, careful not to let the surge flow upon my hands, even though, like all gentlemen, I wore gloves. In the moonlight—there was a quarter moon above, not much but perhaps just a bit—the liquid was dead black. It had no red at all to it and was quite warm and had a kind of brass-penny stench, metallic, as it rose to meet my nostrils.
She lay supine, and her eyes finally rotated up into their sockets. If there was a moment of passing or an actual rattle, as the silly books claim, I missed it clean. She slid easily enough into a stillness so extreme it could not but be death.
CHAPTER TWO
Jeb’s Memoir
This is a most peculiar volume. It consists largely of two manuscripts which I have entwined along a chronological axis. Each manuscript presents a certain point of view on a horrific series of incidents in the London of fall 1888. That is, twenty-four years ago. I have edited them against each other, so to speak, so that they form a continuous vantage on the material from its opposite sides, an inside story and an outside story. I do so for the sake of clarity, but also for the sake of story effect, and the conviction that everything I write must entertain.
The first narrative—you have just tasted a sample—is that of a figure known to the world as “Jack the Ripper.” This individual famously murdered at least five women in the Whitechapel section of the East End of London between August 31 and November 9 of that year. The deaths were not pretty. Simple arterial cutting did not appease Jack. He gave vent to a beast inside of him and made a butcher’s festival of the carcasses he had just created. I believe somewhere in police files are photographs of his handiwork; only those of steel stomach should look upon them. His descriptions in prose match the photos.
I have let Jack’s words stand as he wrote them, and if he defied the laws of the Bible, civilization, the bar, and good taste, you can be certain that as a writer he has
no inhibitions. Thus I warn the casual: Make peace now with descriptions of a horrific nature or pass elsewhere.
If you persevere, I promise you shall know all that is to be known about Jack. Who he was, how he selected, operated, and escaped the largest dragnet the Metropolitan Police have ever constructed, and defied the best detectives England has ever produced. Moreover, you will believe in the authenticity of these words, as I will demonstrate how I came to have possession of Jack’s pages, which he kept religiously. Finally, I shall illuminate the most mysterious element of the entire affair, that of motive.
If this portends grimness, I also promise as a counterweight that most romantic of conceits, a hero. There is one, indeed, although not I. Far from it, alas. A fellow does appear (eventually) to apply intellect in understanding Jack, ingenuity in tracking him, resilience in resisting him, and courage in confronting him. It is worth the wait to encounter this stalwart individual and learn that such men exist outside the pages of penny dreadfuls.
I have also included four letters written by a young Welsh woman who walked the streets of Whitechapel as an “unfortunate” and was, as were so many, subject to fear of the monster Jack. They offer a perspective on events otherwise lacking from the two prime narratives, which are filled with masculine ideas and concepts. Since this was a campaign directed entirely at women, it is appropriate that a female voice should be added. You will see, in the narrative, how I came to obtain these items.
Why have I waited twenty-four years to put this construction together? That is a fair question. It deserves a fair answer. To begin, the issue of maturity—my own—must be addressed. I was unaware of how callow I was. Lacking experience and discrimination, I was easily fooled, easily led, prey to attributes that turned out to be shallow themselves, such as wit, beauty, some undefinable electricity of personality. This force may be as ephemeral as the random set of a jaw or shade of eye; it may be found in the words of a man to whom words come easily; it may or may not be linked to deeper intelligence simply by the random fall of inherited traits, which, after all, left us with both a nobility and a royalty, and we’ve seen how well that has worked out!
So I was ill prepared to deal with that which befell me, and I lurched along brokenly and blindly. That I survived my one meeting with Jack was high fortune, believe me, and had nothing to do with heroism, as I am not a heroic man in either my own comportment or my dreams of an ideal. I do not worship the soldier, the wrestler, the cavalryman (this Churchill is a bounder, up to no good, believe me), or even this new thing, an aviator, who serves only to proclaim the stupidity of mankind and the lethality of gravity. I didn’t know what I was then, which means I was nothing; now I know, and it is from this promontory that I at last can survey these events.
So: I was shallow, industrious, grotesquely charming, smart on politics (ignorant, I must add, of women, whom I then didn’t and still don’t understand), indefatigable, and hungry for the fame and success that I thought were mine by inheritance of a superior being. The fellow Galton, Darwin’s cousin, has written at length about those of us of “superior” being and orientation, and even if I hadn’t read him yet, I intuitively grasped his meaning. There is a German chap as well, whose name I could never hope to spell, who also had a formal belief in the superman. On top of that, I had an incredibly fertile motivation: I had to escape my loathsome mother, on whose stipend I lived, under whose gables I dwelt, and whose disgust and disappointment I felt on a daily basis, even as I did my best to repay the wicked old lady in kind.
There is another issue beyond my simple gaining of wisdom. It is my current ambition. I have in mind a certain project, which I believe to be of extraordinary value to my career. I cannot deny its allure. I am too vain and weak for such. But it draws upon the Jack business and what I know of it. It uses characters, situations, incidents, all manner of those behaviors deemed “realistic,” which I must arrange, soothe, disguise, and cogitate.
Since so many cruel deaths were involved, I must ask myself: Do I have the right? And to answer that question, I must face again the Autumn of the Knife and reimagine it as exactly and honestly as I can. Thus this volume, as a part of the process to prepare and examine myself for the next step in my ambition.
But as I say, I will get to that when I get to that. As did I, you must earn that knowledge the hard way. It will be a fraught voyage. As the old maps used to say: Beware. There be monsters here.
CHAPTER THREE
The Diary
August 31, 1888 (cont’d)
* * *
My work was not done. I could not halt myself any more at that moment than I could at any moment.
I pulled up her dress, not the whole thing but rather a section of it. I did not hack or flail. I was not indiscriminate or promiscuous in my movement. I had thought too long about this, and I meant to do it as I had planned, savor it for the pleasures it offered, and at the same time not attract attention by flamboyant action.
I quickly cut a gap in the twisted white cotton of whatever undergarment with which she shielded her body, finding it thinly milled, easily yielding to the press of blade, and the bare flesh itself was exposed. So sad, that flesh. Flaccid, undisciplined by musculature beneath, perhaps stretched by passage of a child or nine. It seemed to have fissures or signs of collapse already upon it, and was dead cold to touch. I placed the tip of my fine piece of Sheffield steel into it, put some muscle behind it, felt resistance, pushed harder, and finally skin and muscles and subcutaneous tissue yielded and the tip punctured, then slid in an inch or two. The sound of entry had a liquid tonality. Now having the purchase and the angle, I pulled hard toward me, again using the belly of the blade against the woman, and felt it cut. The shaft of the knife produced exquisite sensations. I could actually imagine the subtle alteration in rhythm as the edge engaged differing resistance while at the same time each region of blade had a differing response to what lay before it. Thus the progress, with these two factors playing against each other, ran from the slippery, gristly, unstable coil of the small intestine, all loose and slobbery-like, the thinnest part of the blade more sensitive to the instability, until it became firm and meaty, as the cutwork descended to the stouter and lower end of the blade, stabilized by my pressure against the bolster, this last sensation as it interrupted the outer raiments of the body, the skin, the muscled underneath.
The blade made its pilgrim’s progress through Sweetie’s abdomen toward her notch, which I had no need to observe and left for other women on other nights. For now it was enough to watch as, in the blade’s wake, a jagged, blackened crevice lay revealed to me as the two edges of the wound separated, yielding the structures below. There was no blood. She had already bled out; her heart, starved of fuel, had already ceased to beat, and so no pressure propelled internal fluids outward. It was just a raw wound, a hideous rent in the flesh that would have caused oceans of pain had anyone been home to notice them. It was a fine piece of handiwork, that. I felt some pride, for I had been curious about the yield of flesh to blade postmortem. Not neat, not a bit of it, just ripped and mangled—mutilated, one might say.
I put another one into her to pursue the strange delight it gave me and was equally pleased with the knife’s work and my own skill and attention to detail. At this point the odors of elemental reality and extinction had produced sensual epistles. It was a mad stench of the metallic, from the copper-penny musk of the blood, to ordure from food alchemized until it became shit for expulsion at the further end of the coils, and finally to piss, which somehow, some way, had slopped across everything, as if I’d nicked a tube in one of my awkward strokes. I inhaled it greedily. Delicious, almost ambrosial. A cloud of dizziness filled my head, and I had half a sensation of swoon come across me.
Then some mad infant within commanded me to further desecration. I needed to puncture her more. Why? God in heaven knows. It was the music of the kill, commanding me to make the exquisite sensation of triumph and transcendence last a bit longer. Like a playful
child, I pierced her seven or eight or more times, down until the pubic bone beneath the matted fur took the pleasure out of it, across, around the navel, which was settled in soft folds of flesh, over toward the far hip bone, whose hardness again diminished the fun of it all. Again, no blood from these ragged punctures, just a puffiness of abraded red skin where the flesh recoiled against the violation as the knife’s point struck through it, then swelled into a kind of tiny little knot.
I wiped my blade on her clothes, feeling it come clean, and slipped it inside my frock coat, sliding it between my belt and my trousers, secured out of sight. I rose, rubbed my feet hard against the cobblestones, again to remove excess blood so that no hound could track me by footprint back to my lair. Then I looked upon the poor woman a last time.
She was neither beautiful nor ugly, just dead. Her pale face was serene in the snatch of moonglow, her eyes open but blank, as the pupils had disappeared. I wondered how common this might be and resolved to check for it the next time out and about. Her mouth was sloppy, her grim little teeth swaddled in a captured puddle of saliva. No dignity in the lady’s sense attended Judy that night, not that the world would ever recognize, but to me she had a kind of beauty. She would meet the world soon and it would make of her what it would make, noticing or not depending on its whimsy, but it seemed as if right now, having pleased this customer fabulously, she was resting up for the next ordeal.
CHAPTER FOUR
Jeb’s Memoir
I had advanced in my career to the point of being the intermittent substitute music critic for Mr. O’Connor’s ambitious Star, an aggressive afternoon paper among the more than fifty that were trying to prevail in the incredibly competitive London newspaper market. It was a four-page broadsheet that was published six times a week. I liked its politics, which were liberal if much softer than my own, in that they favored the mugs of the lower classes over the prisses of the upper, and cast a snide eye on Queen Vicky’s propensity to have a Tommy stick a bayonet in the guts of every yellow, brown, or black heathen who defied her. Thomas Power O’Connor, besides being Irish to the soles of his shoes, was a visionary, to be sure, wiring his building up to the telegraph for the absolute latest from any place in the empire, including far-off, desolate, forgotten Whitechapel, as we were about to see. He also had gotten us wired for the new-to-London telephone system, which connected the paper by instantaneous vocal transmission to its reporters in the press rooms of such places as Parliament, the Foreign Office, the Home Office, and most important, the Metropolitan Police HQ at Scotland Yard. He made war with the Pall Mall Gazette, the Globe, the Evening Mail, the Evening Post, and the Evening News. He seemed to be winning, too, leading them all in circulation with 125,000. His product was full of innovation—he ran maps and charts before anybody and broke up the dread long, dark columns of type with all kinds of space-creating devices, loved illustrations (and had a stable of quick-draw artists who could turn the news into an image in minutes), and embraced the power of the gigantic headline. He had converted from uncertain penmanship to the absolutism of the American Sholes & Glidden typewriters more vigorously than some of the sleepier rags, like the Times.