ALSO BY DEBORAH HARKNESS
A Discovery of Witches
Shadow of Night
VIKING
Published by the Penguin Group
Penguin Group (USA) LLC
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First published by Viking Penguin, a member of Penguin Group (USA) LLC, 2014
Copyright (c) 2014 by Deborah Harkness Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Harkness, Deborah E.
The book of life : a novel / Deborah Harkness.
pages cm.--(All souls trilogy; 3) ISBN 978-0-69816347-8
1. Witches--Fiction. 2. Women historians--Fiction. 3. Vampires--Fiction. 4. Science and magic--Fiction. 5. Time travel--Fiction. I. Title.
PS3608.A7436B66 2014
813'.6--dc23 2014004495
Publisher's note: This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
Version_1
For Karen, who knows why
Contents
Also by Deborah Harkness
Title Page
Copyright
Dedication
Epigraph
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Acknowledgments
It is not the strongest of the species that survives, nor the most intelligent that survives. It is the one that is most adaptable to change.
--PHILIPPE DE CLERMONT,
OFTEN ATTRIBUTED TO CHARLES DARWIN
Sol in Cancer
The signe of the Crabbe pertains to houses, lands, treasures, and whatever is hidden. It is the fourth house of the Zodiak. It signifies death and the end of thinges.
--Anonymous English Commonplace Book, c. 1590,
Goncalves MS 4890, f. 8r
Ghosts didn't have much substance. All they were composed of was memories and heart. Atop one of Sept-Tours' round towers, Emily Mather pressed a diaphanous hand against the spot in the center of her chest that even now was heavy with dread.
Does it ever get easier? Her voice, like the rest of her, was almost imperceptible. The watching? The waiting? The knowing?
Not that I've noticed, Philippe de Clermont replied shortly. He was perched nearby, studying his own transparent fingers. Of all the things Philippe disliked about being dead--the inability to touch his wife, Ysabeau; his lack of smell or taste; the fact that he had no muscles for a good sparring match--invisibility topped the list. It was a constant reminder of how inconsequential he had become.
Emily's face fell, and Philippe silently cursed himself. Since she'd died, the witch had been his constant companion, cutting his loneliness in two. What was he thinking, barking at her as if she were a servant?
Perhaps it will be easier when they don't need us anymore, Philippe said in a gentler tone. He might be the more experienced ghost, but it was Emily who understood the metaphysics of their situation. What the witch had told him went against everything Philippe believed about the afterworld. He thought the living saw the dead because they needed something from them: assistance, forgiveness, retribution. Emily insisted these were nothing more than human myths, and it was only when the living moved on and let go that the dead could appear to them.
This information made Ysabeau's failure to notice him somewhat easier to bear, but not much.
"I can't wait to see Em's reaction. She's going to be so surprised." Diana's warm alto floated up to the battlements.
Diana and Matthew, Emily and Philippe said in unison, peering down to the cobbled courtyard that surrounded the chateau.
There, Philippe said, pointing at the drive. Even dead, he had vampire sight that was sharper than any human's. He was also still handsomer than any man had a right to be, with his broad shoulders and devilish grin. He turned the latter on Emily, who couldn't help grinning back. They are a fine couple, are they not? Look how much my son has changed.
Vampires weren't supposed to be altered by the passing of time, and therefore Emily expected to see the same black hair, so dark it glinted blue; the same mutable gray-green eyes, cool and remote as a winter sea; the same pale skin and wide mouth. There were a few subtle differences, though, as Philippe suggested. Matthew's hair was shorter, and he had a beard that made him look even more dangerous, like a pirate. She gasped.
Is Matthew . . . bigger?
He is. I fattened him up when he and Diana were here in 1590. Books were making him soft. Matthew needed to fight more and read less. Philippe had always contended there was such a thing as too much education. Matthew was living proof of it.
Diana looks different, too. More like her mother, with that long, coppery hair, Em said, acknowledging the most obvious change in her niece.
Diana stumbled on a cobblestone, and Matthew's hand shot out to steady her. Once, Emily had seen Matthew's incessant hovering as a sign of vampire overprotectiveness. Now, with the perspicacity of a ghost, she realized that this tendency stemmed from his preternatural awareness of every change in Diana's expression, every shift of mood, every sign of fatigue or hunger. Today, however, Matthew's concern seemed even more focused and acute.
It's not just Diana's hair that has changed. Philippe's face had a look of wonder. Diana is with child--Matthew's child.
Emily examined her niece more carefully, using the enhanced grasp of truth that death afforded. Philippe was right--in part. You mean "with children." Diana is having twins.
Twins, Philippe said in an awed voice. He looked away, distracted by the appearance of his wife. Look, here are Ysabeau and Sarah with Sophie and Margaret.
What will happen now, Philippe? Emily asked, her heart growing heavier with anticipation.
Endings. Beginnings, Philippe said with deliberate vagueness. Change.
Diana has never liked change, Emily said.
That is because Diana is afraid of what she must become, Philippe replied.
*
Marcus Whitmore had faced horrors aplenty since the night in 1781 when Matthew de Clermont made him a vampire. No
ne had prepared him for today's ordeal: telling Diana Bishop that her beloved aunt, Emily Mather, was dead.
Marcus had received the phone call from Ysabeau while he and Nathaniel Wilson were watching the television news in the family library. Sophie, Nathaniel's wife, and their baby, Margaret, were dozing on a nearby sofa.
"The temple," Ysabeau had said breathlessly, her tone frantic. "Come. At once."
Marcus had obeyed his grandmother without question, only taking time to shout for his cousin, Gallowglass, and his Aunt Verin on his way out the door.
The summer half-light of evening had lightened further as he approached the clearing at the top of the mountain, brightened by the otherworldly power that Marcus glimpsed through the trees. His hair stood at attention at the magic in the air.
Then he scented the presence of a vampire, Gerbert of Aurillac. And someone else--a witch.
A light, purposeful step sounded down the stone corridor, drawing Marcus out of the past and back into the present. The heavy door opened, creaking as it always did.
"Hello, sweetheart." Marcus turned from the view of the Auvergne countryside and drew a deep breath. Phoebe Taylor's scent reminded him of the thicket of lilac bushes that had grown outside the red-painted door of his family's farm. Delicate and resolute, the fragrance had symbolized the hope of spring after a long Massachusetts winter and conjured up his long-dead mother's understanding smile. Now it only made Marcus think of the petite, iron-willed woman before him.
"Everything will be all right." Phoebe reached up and straightened his collar, her olive eyes full of concern. Marcus had taken to wearing more formal clothes than concert T-shirts around the same time he'd started to sign his letters Marcus de Clermont instead of Marcus Whitmore--the name she'd first known him by, before he had told her about vampires, fifteen-hundred-year-old fathers, French castles full of forbidding relatives, and a witch named Diana Bishop. It was, in Marcus's opinion, nothing short of miraculous that Phoebe had remained at his side.
"No. It won't." He caught one of her hands and planted a kiss on the palm. Phoebe didn't know Matthew. "Stay here with Nathaniel and the rest of them. Please."
"For the final time, Marcus Whitmore, I will be standing beside you when you greet your father and his wife. I don't believe we need discuss it further." Phoebe held out her hand. "Shall we?"
Marcus put his hand in Phoebe's, but instead of following her out the door as she expected, he tugged her toward him. Phoebe came to rest against his chest, one hand clasped in his and the other pressed to his heart. She looked at him with surprise.
"Very well. But if you come down with me, Phoebe, there are conditions. First, you are with me or with Ysabeau at all times."
Phoebe opened her mouth to protest, but Marcus's serious look silenced her.
"Second, if I tell you to leave the room, you will do so. No delay. No questions. Go straight to Fernando. He'll be in the chapel or the kitchen." Marcus searched her face and saw a wary acceptance. "Third, do not, under any circumstances, get within arm's reach of my father. Agreed?"
Phoebe nodded. Like any good diplomat, she was prepared to follow Marcus's rules--for now. But if Marcus's father was the monster some in the house seemed to think he was, Phoebe would do what she must.
*
Fernando Goncalves poured beaten eggs into the hot skillet, blanketing the browned potatoes already in the pan. His tortilla espanola was one of the few dishes Sarah Bishop would eat, and today of all days the widow needed sustenance.
Gallowglass sat at the kitchen table, picking drops of wax out of a crack in the ancient boards. With his collar-length blond hair and muscular build, he looked like a morose bear. Tattoos snaked around his forearms and biceps in bright swirls of color. Their subject matter revealed whatever was on Gallowglass's mind at the moment, for a tattoo lasted only a few months on a vampire. Right now he seemed to be thinking about his roots, for his arms were covered with Celtic knotwork, runes, and fabulous beasts drawn from Norse and Gaelic myths and legends.
"Stop worrying." Fernando's voice was as warm and cultured as sherry aged in oak barrels.
Gallowglass looked up for a moment, then returned his attention to the wax.
"No one will prevent Matthew from doing what he must, Gallowglass. Avenging Emily's death is a matter of honor." Fernando turned off the heat and joined Gallowglass at the table, bare feet moving silently across the flagstone floors. As he walked, he rolled down the sleeves of his white shirt. It was pristine, in spite of the hours he'd spent in the kitchen that day. He tucked the shirt into the waistband of his jeans and ran his fingers through his dark, wavy hair.
"Marcus is going to try to take the blame, you know," Gallowglass said. "But Emily's death wasn't the boy's fault."
The scene on the mountain had been oddly peaceful, considering the circumstances. Gallowglass had arrived at the temple a few moments after Marcus. There had been nothing but silence and the sight of Emily Mather kneeling inside a circle marked out with pale rocks. The witch Peter Knox had been with her, his hands on her head and a look of anticipation--even hunger--on his face. Gerbert of Aurillac, the de Clermonts' nearest vampire neighbor, was looking on with interest.
"Emily!" Sarah's anguished cry had torn through the silence with such force that even Gerbert stepped back.
Startled, Knox released Emily. She crumpled to the ground, unconscious. Sarah beat the other witch back with a single, powerful spell that sent Knox flying across the clearing.
"No, Marcus didn't kill her," Fernando said, drawing Gallowglass's attention. "But his negligence--"
"Inexperience," Gallowglass interjected.
"Negligence," Fernando repeated, "did play a role in the tragedy. Marcus knows that and accepts responsibility for it."
"Marcus didn't ask to be in charge," Gallowglass grumbled.
"No. I nominated him for the position, and Matthew agreed it was the right decision." Fernando pressed Gallowglass's shoulder briefly and returned to the stove.
"Is that why you came? Because you felt guilty about refusing to lead the brotherhood when Matthew asked for your help?" No one had been more surprised than Gallowglass when Fernando turned up at Sept-Tours. Fernando had avoided the place ever since Gallowglass's father, Hugh de Clermont, died in the fourteenth century.
"I am here because Matthew was there for me after the French king executed Hugh. I was alone in all the world then, except for my grief." Fernando's tone was harsh. "And I refused to lead the Knights of Lazarus because I am not a de Clermont."
"You were Father's mate!" Gallowglass protested. "You are as much a de Clermont as Ysabeau or her children!"
Fernando carefully shut the oven door. "I am Hugh's mate," he said, his back still turned. "Your father will never be past tense to me."
"Sorry, Fernando," Gallowglass said, stricken. Though Hugh had been dead for nearly seven centuries, Fernando had never recovered from the loss. Gallowglass doubted he ever would.
"As for my being a de Clermont," Fernando continued, still staring at the wall over the stove, "Philippe disagreed."
Gallowglass resumed his nervous picking at the wax. Fernando poured two glasses of red wine and carried them to the table.
"Here," he said, thrusting one at Gallowglass. "You'll need your strength today, too."
Marthe bustled into the kitchen. Ysabeau's housekeeper ruled over this part of the chateau and was not pleased to see intruders in it. After giving Fernando and Gallowglass sour looks, she sniffed and wrested the oven door open.
"That is my best pan!" she said accusingly.
"I know. That's why I'm using it," Fernando replied, taking a sip of wine.
"You do not belong in the kitchen, Dom Fernando. Go upstairs. Take Gallowglass with you." Marthe took a packet of tea and a teapot from the shelf by the sink. Then she noticed the towel-wrapped pot sitting on a tray next to cups, saucers, milk, and sugar. Her frown deepened.
"What is wrong with my being here?" Fernando demanded.
r /> "You are not a servant," Marthe said. She picked the lid off the top of the pot and sniffed suspiciously at its contents.
"It's Diana's favorite. You told me what she liked, remember?" Fernando smiled sadly. "And everyone in this house serves the de Clermonts, Marthe. The only difference is that you, Alain, and Victoire are paid handsomely to do so. The rest of us are expected to be grateful for the privilege."
"With good reason. Other manjasang dream of being part of this family. See that you remember that in future--and the lemon, Dom Fernando," Marthe said, placing emphasis on his lordly title. She picked up the tea tray. "By the way, your eggs are burning."
Fernando leaped up to rescue them.
"As for you," Marthe said, fixing her black eyes on Gallowglass, "you did not tell us everything you should have about Matthew and his wife."
Gallowglass looked down into his wine with a guilty expression.
"Madame your grandmother will deal with you later." On that bone-chilling note, Marthe stalked out of the room.
"What have you done now?" asked Fernando, putting his tortilla--which was not ruined, Alhamdulillah--on the stove. Long experience had taught him that whatever the mess, Gallowglass had made it with good intentions and complete disregard for possible disaster.
"Weeell," Gallowglass said, drawing out the vowels as only a Scot could, "I might have left one or two things out of the tale."
"Like what?" Fernando said, catching a whiff of catastrophe among the kitchen's homely scents.
"Like the fact that Auntie is pregnant--and by none other than Matthew. And the fact that Granddad adopted her as a daughter. Lord, his blood vow was deafening." Gallowglass looked reflective. "Do you think we'll still be able to hear it?"
Fernando stood, openmouthed and silent.
"Don't look at me that way. It didn't seem right to share the news about the babe. Women can be funny about such things. And Philippe told Auntie Verin about the blood vow before he died in 1945, and she never said a word either!" Gallowglass said defensively.
A concussion tore the air, as if a silent bomb had been detonated. Something green and fiery streaked past the kitchen window.
"What the hell was that?" Fernando flung the door open and shielded his eyes against the bright sunlight.
"One pissed-off witch, I imagine." Gallowglass's tone was glum. "Sarah must have told Diana and Matthew the news about Emily."