The Long Song
ANDREA LEVY
headline
www.headline.co.uk
Copyright © 2010 Andrea Levy
The right of Andrea Levy to be identified as the Author of
the Work has been asserted by her in accordance with the
Copyright, Designs and Patents Act 1988.
Apart from any use permitted under UK copyright law, this publication may only be reproduced, stored, or transmitted, in any form, or by any means, with prior permission in writing of the publishers or, in the case of reprographic production, in accordance with the terms of licences issued by the Copyright Licensing Agency.
First published as an Ebook by Headline Publishing Group in 2010
All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.
eISBN : 978 0 7553 7341 3
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Table of Contents
Title Page
Copyright Page
Dedication
Foreword
PART 1
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
PART 2
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
PART 3
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
CHAPTER 24
CHAPTER 25
PART 4
CHAPTER 26
CHAPTER 27
CHAPTER 28
CHAPTER 29
CHAPTER 30
CHAPTER 31
CHAPTER 32
CHAPTER 33
PART 5
CHAPTER 34
CHAPTER 35
AFTERWORD
Acknowledgements
Critical acclaim for Andrea Levy’s novels:
SMALL ISLAND
‘Every scene is rich in implication, entrancing and disturbing at the same time; the literary equivalent of a switch-back ride’
The Sunday Times
‘A great read . . . honest, skilful, thoughtful and important’
Guardian
‘A cracking good read’ Margaret Forster
‘What makes Levy’s writing so appealing is her even-handedness. All her characters can be weak, hopeless, brave, good, bad - whatever their colour. The writing is rigorous and the bittersweet ending, with its unexpected twist, touching . . . People can retain their dignity, however small their island’
Independent on Sunday
‘Wonderful . . . seamless . . . a magnificent achievement’ Linda Grant
‘Never less than finely written, delicately and often comically observed, and impressively rich in detail and little nuggets of stories’
Evening Standard
‘An engrossing read - slyly funny, passionately angry and wholly involving’
Daily Mail
‘A work of great imaginative power’ Linton Kwesi Johnson
‘As full of warmth and jokes and humanity as you could wish’
Time Out
‘Gives us a new urgent take on our past’
Vogue
‘An involving saga about the changing face of Britain’
Mirror
‘Explores the Caribbean experience of immigration to Britain with great sensitivity’
Independent
FRUIT OF THE LEMON
‘Levy has a gift for voices . . . a thoughtful comment on racism and the importance of knowing where you are from’
The Sunday Times
‘Funny and moving . . . [Levy is] an ironic comedian whose subtle, intelligent novel steers well clear of whimsy’
Guardian
‘Unflinchingly unsentimental, her writing is leavened with humour and warmth . . . entertaining and revelatory’
TLS
‘Reinforces Levy’s reputation as an astute observer of modern British life’
Financial Times
‘Bright and inventive’
Independent
NEVER FAR FROM NOWHERE
‘Painfully perceptive and passionate, NEVER FAR FROM NOWHERE hits a raw nerve with its powerful concoction of poignancy and humour’
Pride
‘Passionate and angry’
TLS
‘In this lively, crisp, raw voice, young black Londoners may have found their Roddy Doyle’
Independent on Sunday
‘Levy’s raw sense of realism and depth of feeling infuses every line’
Elle
EVERY LIGHT IN THE HOUSE BURNIN’
‘Andrea Levy is a long-awaited birdsong of one born black and gifted in Britain. Let her sing and sing and sing’ Marsha Hunt
‘An extremely powerful novel’
TLS
‘Levy’s skill and cunning leave the reader shaken’
The Voice
‘An interesting and touching book’
Daily Telegraph
‘Humorous and moving, unflinching and without sentiment’
Independent on Sunday
For Amy, Ivy and Beryl
FOREWORD
THE BOOK YOU ARE now holding within your hand was born of a craving. My mama had a story—a story that lay so fat within her breast that she felt impelled, by some force which was mightier than her own will, to relay this tale to me, her son. Her intention was that, once knowing the tale, I would then, at some other date, convey its narrative to my own daughters. And so it would go on. The fable would never be lost and, in its several recitals, might gain a majesty to rival the legends told whilst pointing at the portraits or busts in any fancy great house upon this island of Jamaica.
It was a fine ambition from a noble old woman for whom many of her years were lived in harsh circumstance. This wish demanded respect.
Unfortunately for my mama, she then proceeded to convey her chronicle to me at some of my busiest hours. Indeed that sweet woman never seemed to grow too tired to seek me out: early morning, at the heat of midday, or late, late into the night; following me about the house while I was in the process of dressing or washing; whilst I waited for a meal to be brought; as I chewed; as I pushed the plate away; as I was deep in talk with my wife; even at my place of work as several of my men waited, curious for my instruction. It shamed me to find that I did not have time enough to give it heed—that on most occasions I feigned listening to her yarn when, in truth, not one word of it was entering my ear or my mind’s eye. Oh, how often did I nod to her when a vigorous shake of the head was what was required? I will not here go into the trouble that this caused within my household, but be sure to know there was plenty of it. No, let us pass with pleasure on to the solution that was eventually found.
A chapbook—a small pamphlet. My mama’s words printed upon paper, with the type set down in the blackest ink for ease of reading. Upon its cover there could be the ornamentation of a sturdy woodcut—a horse or cart or bundled sugar cane (for I know a man who can render these with such skill as to trick your eye into believing you were gazing upon the true item).
I explained to my dear mama, once spoken these precious words of hers would be lost
to all but my ears. If, though, committed to a very thin volume, I could peruse her tale at my leisure and no word would be lost when my fickle mind strayed to some other purpose. And better, for the excess books which would be produced from the press could be given for sale, taken around the island so others, far and wide, might delight in her careful narration.
But my mama began her life as a person for whom writing the letters ABC could have seen her put to the lash, for she was born a slave. The undertaking of committing her tale to words that might be read and set into printed form was, at first, quite alarming for her poor soul. She fretted, following me about the house and town to chatter at me of her anxiety of writing upon paper. She feared she would not have the skill to make herself understood in this form; and what if she were to make some mistake in its telling? Then surely it would be there, for ever and a day, for all to find amusement in her errors!
However, my trade is as a printer. Indeed, although it is not usually within my character to brag about my achievements, I need to explain that I am considered by many—be they black, white or coloured—to be one of the finest printers upon this island. My particular skill is an ability to find meaning in the most scribbled of texts. Give me writing that looks to have been made by some insect crawling dirty legs across the paper and I will print its sense, clear and precise. Show me blots and smudges of ink and I will see form. Let blades of grass blow together in the breeze and I will find words written in their flowing strands.
So I was able to assure my precious mama that I would be her most conscientious editor. I would raise life out of her most crabbed script to make her tale flow like some of the finest writing in the English language. And there was no shame to be felt from this assistance, for at some of the best publishing houses in Britain—let me cite Thomas Nelson and Son or Hodder and Stoughton, as my example—the gentle aiding and abetting of authors in this manner is quite commonplace.
She thankfully agreed. Then forsook the pleasures of cooking her cornmeal porridge, fish tea, and roasted breadfruit, of repairing and sowing our garments and other tasks which, in truth, were quite useful about our busy household, to put all her effort into this noble venture, this lasting legacy of a printed book.
The tale herein is all my mama’s endeavour. Although shy of the task at first, after several months she soon became quite puffed up, emboldened to the point where my advice often fell on to ears that remained deaf to it. Some scenes I earnestly charged her not to write in the manner she had chosen. But, like the brightest pupil with an outworn master, she became quite insistent upon having her way. And agreeing with a resolute woman is always easier.
Now, only one further word of explanation is required from me; although this story was intended to be accommodated within the limited size and pages of a pamphlet or chapbook it, however, grew. Notwithstanding, let me now conclude this mediation so my mama’s tale might finally commence.
Thomas Kinsman
Publisher-editor
Jamaica 1898
PART 1
CHAPTER 1
IT WAS FINISHED ALMOST as soon as it began. Kitty felt such little intrusion from the overseer Tam Dewar’s part that she decided to believe him merely jostling her from behind like any rough, grunting, huffing white man would if they were crushed together within a crowd. Except upon this occasion, when he finally released himself from out of her, he thrust a crumpled bolt of yellow and black cloth into Kitty’s hand as a gift. This was more vexing to her than that rude act—for she was left to puzzle upon whether she should be grateful to this white man for this limp offering or not . . .
Reader, my son tells me that this is too indelicate a commencement of any tale. Please pardon me, but your storyteller is a woman possessed of a forthright tongue and little ink. Waxing upon the nature of trees when all know they are green and lush upon this island, or birds which are plainly plentiful and raucous, or taking good words to whine upon the cruelly hot sun, is neither prudent nor my fancy. Let me confess this without delay so you might consider whether my tale is one in which you can find an interest. If not, then be on your way, for there are plenty books to satisfy if words flowing free as the droppings that fall from the backside of a mule is your desire.
Go to any shelf that groans under a weight of books and there, wrapped in leather and stamped in gold, will be volumes whose contents will find you meandering through the puff and twaddle of some white lady’s mind. You will see trees aplenty, birds of every hue and oh, a hot, hot sun residing there. That white missus will have you acquainted with all the many tribulations of her life upon a Jamaican sugar plantation before you have barely opened the cover. Two pages upon the scarcity of beef. Five more upon the want of a new hat to wear with her splendid pink taffeta dress. No butter but only a wretched alligator pear again! is surely a hardship worth the ten pages it took to describe it. Three chapters is not an excess to lament upon a white woman of discerning mind who finds herself adrift in a society too dull for her. And as for the indolence and stupidity of her slaves (be sure you have a handkerchief to dab away your tears), only need of sleep would stop her taking several more volumes to pronounce upon that most troublesome of subjects.
And all this particular distress so there might be sugar to sweeten the tea and blacken the teeth of the people in England. But do not take my word upon it, peruse the volumes for yourself. For I have. And it was shocking to have so uplifting an act as reading invite some daft white missus to belch her foolishness into my head.
So I will not worry myself for your loss if it is those stories you require. But stay if you wish to hear a tale of my making.
As I write, I have a cup of sweetened tea resting beside me (although not quite sweet enough for my taste, but sweetness comes at a dear price here upon this sugar island); the lamp is glowing sufficient to cast a light upon the paper in front of me; the window is open and a breeze is cooling upon my neck. But wait . . . for an annoying insect has decided to throw itself repeatedly against my lamp. Shooing will not remove it, for it believes the light is where salvation lies. But its insistent buzzing is distracting me. So I have just squashed it upon an open book. As soon as I have wiped its bloody carcass from the page (for it is in a volume that my son was reading), I will continue my tale.
CHAPTER 2
JULY WAS BORN UPON a cane piece. Her mother, bending over double, hacked with her cane bill into a thick stem of cane. But it did not topple with just one blow. Weary, she straightened to let the fierce torrent of raindrops that were falling run their cooling relief upon her face and neck. She blinked against the rain, wiping the palm of her hand across her forehead. When the serrated edges of the cane leaves dropped their abrasive grit into her eyes, she tilted her head back to permit the rain wash them with its balm. Then she stooped to grab the base of the cane once more to strike it with a further blow.
So intent was she upon seeing that the weeping cane was stripped of its leaves—even in the dampening rain its brittle edges flew around her like thistledown—that she did not notice she had just dropped a child from her womb. July was born right there—slipping out to fall bloody and quivering upon a spiky layer of trash.
As July lay vulnerable upon the ground, she viewed the nightmare of tall canes that loured dark, ragged and unruly around her, and felt the hem of a rough woollen skirt drag its heavy wetness across her naked body. Then, all at once, she beheld—wrestling a long spike of cane, swinging it in the air and slicing at its length and leaves before hurling the stripped pole away—the mighty black woman that was her mother. Her mother’s arms, flexing under this strenuous work, were as robust as the legs of a horse in full gallop. Her thick neck looked to be crafted from some cleverly worked wood. Her bare breast, running with rain and sweat, glistened as if lacquered.
This colossal woman was still determined upon her work, unaware that she had mislaid anything. When July let forth a fierce, raw bellow that rustled the canes and affrighted the birds, her mother, cane bill raised, suddenly
stopped to wonder upon the source of that desperate yell and saw, for the first time, her misplaced child lying there upon the trash. July’s mother cleaned the blade of her cane bill and slipped it into the cloth around her waist. With one hand she then commenced to unwind a scarf that was wrapping her head, whilst with the other hand she gathered up her newborn child in the cup of her palm. Within a fleeting moment that headscarf had July swaddled secure and warm against the solid wall of her mother’s back—whilst her mother, withdrawing the cane bill from the band at her waist, continued with her work.
And so ends the story of July’s birth—a story that was more thrilling than anything the rascal spider Anancy could conjure. With some tellings it was not the rain that beat down upon July’s tender, newborn body, but the hot sun, whose fierce heat baked the blood from her birth into a hard scabrous crust upon her naked flesh. Other times, it was a wind that was blowing with so fierce a breath that her mother had to catch July by one leg before her baby was blown out of the cane field, over the big house, and off into the clouds. While a further version had a tiger, with its long, spiky snout and six legs, sniffing at the baby July, thinking her as food. No matter what glorious heights her tall tale acquired, July always avowed that she had been born upon a cane piece.