Read Original Fire Page 6


  cry in this body.

  I was meant to have your tongue in my mouth.

  That is why I stand by your great plaster lips

  waiting for your voice to unfold from its dark slot.

  Your hand clenched in the shape of a bottle.

  Your mouth painted shut on the answer.

  Your eyes, two blue mirrors, in which I am perfectly denied.

  I open my mouth and I speak

  though it is only a thin sound, a leaf

  scraping on a leaf.

  7 Extreme Unction

  When the blue steam stalls over the land

  and the resinous apples

  turn to mash, then to a cider whose thin

  twang shrivels the tongue,

  the snakes hatch

  twirling from the egg.

  In the shattered teacup, from the silvering

  boards of the barn,

  in the heat of rotting mulch hay,

  they soak up the particles of light

  so that all winter

  welded in the iron sheath

  of sludge under the pond

  they continue, as we do,

  drawing closer to the source,

  their hearts beating slower

  as the days narrow

  until there is this one pale aperture

  and the tail sliding through

  then the systole, the blackness of heaven.

  The Seven Sleepers

  Seven Christian youths of Ephesus, according to legend, hid themselves in a cave in A.D. 250 to escape persecution for their faith. They fell asleep in the cave, their youthfulness was miraculously preserved, and they were discovered by accident some two hundred years later. The Seven Sleepers are the patron saints of insomniacs.

  Wandering without sleep I looked for God

  and found this moment to praise.

  Come with me, impossible night.

  I am moving bitterly and far away.

  Over vast and open country pulsing with dead light,

  over the atomic voids

  onto the great plains in massed vapor

  in the tumble fever of my dreams,

  I seek you,

  Nameless one. My god, my leaf.

  I seek you in the candles of pine and in the long tongue

  furled in sleep. I seek you in the August suspension

  of leaves as steps of sunlight

  tottering through air.

  Drunk beneath the overpass at dawn

  passed out in a Hefty bag.

  On the hills, the tyrant moon,

  and in the faces of my daughters,

  I seek you driving prayerfully

  as a member of the Sacred Heart Driving Club.

  I seek you in the headless black wings of the vulture

  Motionless dial, my death.

  I seek you full of me, as if I could drink you in

  and overcome myself.

  I seek you under everything

  in parallel faults and shifting plates.

  Deadened to myself in the morning

  and in the flat thumb of day

  I seek you balancing the hammer.

  I seek you naked, holding red stones,

  as I walk beneath the torn sky, toward home,

  where I open my throat to the black river

  of my fears, all my fears.

  You are faceless in the twig cells dividing upward.

  Always to the light.

  You lie buried with me twenty days and nights

  without a candle, breathing through a straw

  and the air is sweet, clear, like food.

  From our grave, we can smell the leaves and water,

  taste sunlight, taste the chemical structure of night.

  I seek you, I find you everywhere, in the white day,

  and in the relentless throat call

  of physical love.

  Our bodies in winter, our skin dry as paper,

  we are stroking the urgent message

  written in the subskin, the rat-brain, subcortex,

  written there in lemon juice that heat of touch

  turns visible, written in the print

  of a child detective.

  Dragging a cart of splinters,

  tin nailed to the soles of your feet,

  you walk over me. You strike flame from my body.

  I burn at the magnetic center as the leaves fall

  steps of fire

  leading down into the earth.

  I find you in my newborn child,

  harnessed to my breasts with cotton, small and molten.

  Her need for me as pure as my need for you.

  I find you in the miraculous dung of the horned beetle

  which cures the heart of anguish

  I find you in the ash I must become melting in the rain,

  new rain, descending.

  Call me, speak from the water

  lit by spilled oils

  Sing to me from the mouth of the fish artfully arranged

  on smashed ice.

  Sing from the empty seas.

  Behind us, before us,

  in all things now I praise you.

  Gold One. Prime Mover. Boring Prima Facie.

  I praise you in Jack Daniel’s at the foot of the bed

  and in the isolation of this dream.

  Thing of holes, thing of lies, thing of shoulder pads,

  thing of beautiful smashed mouth

  thing of drenched fabric,

  thing unmade by woman in her own body:

  I fall face down into the sweet slab of cake

  into the roaring flesh, licking crumbs off you

  Face down in the yard, in the dust of sexual heat.

  I praise you.

  In the word

  and in the void between words.

  You are the pause, the synaptic skip.

  You are the meaning between the syllables.

  Walking up the water drops until I reach the cloud,

  Walking up the leaves

  until the crown of the tree is massed

  like a cloak around me. Following snow

  to the place of snow,

  of course I praise you,

  there is nothing else,

  there is no other task.

  When I first began listening to your voice I was huge,

  I was a child.

  I sat in the ash tree as light froze in the sky

  and willed you to leave the kitchen.

  Then, suddenly, you were around me in the leaves.

  I thought there was laughter in the hissing wind

  and I was afraid, I saw

  my name written on the dark surface.

  Gold One. Mother. Boring Prima Facie.

  You and I are dust of cellular radiance,

  of intricacy and rushing noise.

  Hammer of time, hammer of love.

  You rise in the bones of my husband.

  You fall in the hands of the silver clock.

  You fly off the grasses and you seed the water.

  I praise you in the old red-brick house of my childhood

  crumbling to rose,

  to silver, to agate, to sludge.

  Black tar. Deep tar. Cozening preserver.

  Steep cliff ignited in the halo

  as the sun tips its hood of fire.

  I praise you in the cicatrix of sex

  and the brilliant umbilical happiness

  of sleek, heavy snakes

  twining and untwining in the grass.

  I praise you in my iron shoes,

  magnetized and grounding me.

  I praise you in my shoes forged of steam,

  in my shoes of dripping felt, my shoes of bottle caps,

  my garbage shoes, my shoes of wood ash and velvet,

  my uncomplaining shoes, my whore’s shoes

  that set me above you.

  I praise you underneath me, walking,

  my reflection in the unreflecting ground,
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  moving below me through dirt and ledge.

  My twin of the grave.

  My death glove. My other.

  I praise you in the longing of my infant,

  in my children, whom I have brought here to search you out,

  who have begun, already, starting with my own face.

  God, I have killed you in myself

  again, again, dragging you to light by the tail,

  I have hammered you to one thin ribbon.

  Now I release you!

  Blue and coiling in the simple world.

  I praise you in the power of these words

  to seize your image, to abandon mine.

  Every motion of your dance is the dance

  of my daily life, and yet you hide yourself.

  I praise you in the roaring veil.

  How weak I have become walking in my heavy shoes.

  You will have to lift me, you will have to be my body.

  There is only one perfect love, that between

  an infant and its protector.

  All else is magical failure.

  I sift my thoughts into this perfect zero,

  into the silken core between minus and plus.

  I walk through the terminal number

  backward, into the negative

  where deep snow falls.

  Again I am a child. I stand in the snow

  and all around me is the snow

  I stand there until I turn to snow.

  And then, for a moment, I know you.

  You were made by women.

  You were made because we needed someone,

  a man, to blame.

  You were struck from our hands

  and kneaded to your man-shape like dough

  Then you rose and rose and doubled to enclose us

  in the God-shape, the myth.

  Perfect light, manuscript of ions, come toward me.

  Advance, shaking, futile.

  I remember.

  After the rape I went to my chair.

  I sat, looking at the carpet.

  I felt the angel of forgiveness unfurl her iron wings.

  Her feathers ripped through my back like razors

  Now, when I close my wings over you—

  Know how it is to be a woman,

  to fight your way out of the body

  only to be cast between the ribs of a man again.

  Light of my brain burning day and night,

  I praise you as a driver loses the road

  in snow and drives across the fields

  of snow, the snow absolving human presence.

  Star. Failing light. I praise you,

  as I’m sitting here, praise you fervently,

  and without hope, every day.

  The first waves rushed in, immaculate and foaming.

  The child was given up to love.

  Pressed deeply against the sound of the world,

  she breathed the dark spores

  of earth, slept underneath the twelve-branched heart.

  Let us go down into the earth every night.

  Let us bite down,

  let us chew the bitter wood to paste

  as deer in their winter yards circulate, stripping

  everything into themselves

  until they drift out,

  in spring, wise and ravenous.

  I lie down in the grass, watching, and when the coyote turns

  her ass to the wind, looks at me across her shoulder,

  that is when we regard each other,

  as the snow bleeds white around the base of Sweetgrass.

  You are everything. There is nowhere

  I do not praise you.

  In bed, in the body.

  You rise toward me in the bones

  of my wife, my husband, my lover.

  Paging through the white flesh, the black, the brown,

  which we wear as we dance the skin dance

  Someone please!

  Remove my beer-can vest, my skin of vinyl sheet music!

  Speak from the water, speak from the fucking.

  I praise you in the body out of the body.

  Ash I must become in new rain descending.

  Child, dear raven’s heart, new messenger.

  Hammer of love, hammer of time,

  self I’ve killed you in myself,

  again, again, dragging you to light by the tail,

  pounding you to one thin ribbon.

  Now I release you,

  blue and coiling in the simple world.

  How sad I have become walking in my heavy shoes.

  You will have to kill me, you will have to be my body.

  Our love like all love is magical failure.

  Perfect light, manuscript of ions.

  I write your praises

  on my own skin

  with the stylus of a sharpened nail.

  I wake in the blue hours once again,

  my whole life spilling through me,

  as loons pour

  the cold green tea of their laughter

  across the rose-slabbed lakes of Ontario.

  I am one thing. I am nothing you can name.

  I pray in the woods, begging to be taken,

  the way leaves and stones are

  whirled into your rushing mouth.

  River of snow, river of twinned carp,

  Sky of three holes, sky of white paper.

  I praise you the way shadows

  of deer move beyond the cut lawn

  stripping everything into them, flowers, bark,

  the frail blossoms of the poke, the weeds,

  yew trees, cedar, lythrum, tender new labia of phlox.

  Shadow of my need, shadow of hunger,

  shadow infinite and made of gesture,

  my god, my leaf,

  graceful, ravenous, moving in endless circles

  as the sweet seeds hang waxen yellow in the maple.

  Avila

  Teresa of Avila’s brother, Rodrigo, emigrated to America in 1535 and died in a fight with Natives on the banks of the Rio de la Plata.

  —Footnote to The Life of Teresa of Jesus, translated and edited by E. Allison Peers

  Sister, do you remember our cave of stones,

  how we entered from the white heat of afternoons,

  chewed seeds, and plotted one martyrdom

  more cruel than the last?

  You threw your brown hair back

  and sang Pax Vobiscum to the imaginary guard,

  a leopard on the barge of Ignatius.

  Now I see you walking toward me, discalced like the poor,

  as the dogwood trees come into blossom.

  Their centers are the wounds of nails,

  deep and ragged. The spears of heaven

  bristle along the path you take,

  turning me aside.

  Dear sister, as the mountain grows out of the air,

  as the well of fresh water

  is sunk in the grinding sea,

  as the castle within rises stone upon stone,

  I still love you. But that is only

  the love of a brother for a sister, after all,

  and God has nothing to do with it.

  Saint Clare

  She refused to marry when she was twelve and was so impressed by a Lenten sermon of Saint Francis in 1212 that she ran away from her home in Assisi, received her habit, and took the vow of absolute poverty. Since Francis did not yet have a convent for women, he placed her in the Benedictine convent near Basia, where she was joined by her younger sister, Agnes. Her father sent twelve armed men to bring Agnes back, but Clare’s prayers rendered her so heavy they were unable to budge her.

  —John H. Delaney,

  Pocket Dictionary of Saints

  1 The Call

  First I heard the voice throbbing across the river.

  I saw the white phosphorescence of his robe.

  As he stepped from the boat, as he walked

  there spread from each
footfall a black ripple,

  from each widening ring a wave,

  from the waves a sea that covered the moon.

  So I was seized in total night

  and I abandoned myself in his garment

  like a fish in a net. The slip knots

  tightened on me and I rolled

  until the sudden cry hauled me out.

  Then this new element, a furnace of mirrors,

  in which I watch myself burn.

  The scales of my old body melt away like coins,

  for I was rich, once, and my father

  had already chosen my husband.

  2 Before

  I kept my silver rings in a box of porphyrite.

  I ate salt on bread. I could sew.

  I could mend the petals of a rose.

  My nipples were pink, my sister’s brown.

  In the fall we filled our wide skirts with walnuts

  for our mother to crack with a wooden hammer.

  She put the whorled meats into our mouths,

  closed our lips with her finger

  and said Hush. So we slept

  and woke to find our bodies arching into bloom.

  It happened to me first,

  the stain on the linen, the ceremonial

  seal which was Eve’s fault.

  In the church at Assisi I prayed. I listened

  to Brother Francis and I took his vow.

  The embroidered decorations at my bodice

  turned real, turned to butterflies and were dispersed.

  The girdle of green silk, the gift from my father

  slithered from me like a vine,

  so I was something else that grew from air,

  and I was light, the skeins of hair

  that my mother had divided with a comb of ivory

  were cut from my head and parceled to the nesting birds.

  3 My Life as a Saint

  I still have the nest, now empty,

  woven of my hair, of the hollow grass,

  and silken tassels at the ends of seeds.

  From the window where I prayed,

  I saw the house wrens gather

  dark filaments from air

  in the shuttles of their beaks.