A Gentleman of Bayou Têche
IT WAS NO WONDER Mr. Sublet, who was staying at the Hallet plantation, wanted to make a picture of Evariste. The ’Cadian was rather a picturesque subject in his way, and a tempting one to an artist looking for bits of “local color” along the Têche.
Mr. Sublet had seen the man on the back gallery just as he came out of the swamp, trying to sell a wild turkey to the housekeeper. He spoke to him at once, and in the course of conversation engaged him to return to the house the following morning and have his picture drawn. He handed Evariste a couple of silver dollars to show that his intentions were fair, and that he expected the ’Cadian to keep faith with him.
“He tell’ me he want’ put my picture in one fine ‘Mag’zine,’ ” said Evariste to his daughter, Martinette, when the two were talking the matter over in the afternoon. “W’at fo’ you reckon he want’ do dat?” They sat within the low, homely cabin of two rooms, that was not quite so comfortable as Mr. Hallet’s negro quarters.
Martinette pursed her red lips that had little sensitive curves to them, and her black eyes took on a reflective expression.
“Mebbe he yeard ‘bout that big fish w’at you ketch las’ winta in Carancro152 Lake. You know it was all wrote about in the Suga Bow/.” Her father set aside the suggestion with a deprecatory wave of the hand.
“Well, anyway, you got to fix yo‘se’f up,” declared Martinette, dismissing further speculation; “put on yo’ otha pant‘loon an’ yo’ good coat; an’ you betta ax Mr. Léonce to cut yo’ hair, an’ yo’ w’sker’ a li’le bit.”
“It’s w‘at I say,” chimed in Evariste. “I tell dat gent’man I’m goin’ make myse‘f fine. He say’, ‘No, no,’ like he ent please’. He want’ me like I come out de swamp. So much betta if my pant’loon’ an’ coat is tore, he say, an’ color’ like de mud.” They could not understand these eccentric wishes on the part of the strange gentleman, and made no effort to do so.
An hour later Martinette, who was quite puffed up over the affair, trotted across to Aunt Dicey’s cabin to communicate the news to her. The negress was ironing; her irons stood in a long row before the fire of logs that burned on the hearth. Martinette seated herself in the chimney corner and held her feet up to the blaze; it was damp and a little chilly out of doors. The girl’s shoes were considerably worn and her garments were a little too thin and scant for the winter season. Her father had given her the two dollars he had received from the artist, and Martinette was on her way to the store to invest them as judiciously as she knew how.
“You know, Aunt Dicey,” she began a little complacently after listening awhile to Aunt Dicey’s unqualified abuse of her own son, Wilkins, who was dining-room boy at Mr. Hallet‘s, “you know that stranger gentleman up to Mr. Hallet’s? he want’ to make my popa’s picture; an’ he say’ he goin’ put it in one fine Mag’zine yonda.”
Aunt Dicey spat upon her iron to test its heat. Then she began to snicker. She kept on laughing inwardly, making her whole fat body shake, and saying nothing.
“W‘at you laughin’ ’bout, Aunt Dice?” inquired Martinette mistrustfully.
“I isn’ laughin’, chile!”
“Yas, you’ laughin’”.
“Oh, don’t pay no ‘tention to me. I jis studyin’ how simple you an’ yo’ pa is. You is bof de simplest somebody I eva come ’crost.”
“You got to say plumb out w’at you mean, Aunt Dice,” insisted the girl doggedly, suspicious and alert now.
“Well, dat w‘y I say you is simple,” proclaimed the woman, slamming down her iron on an inverted, battered pie pan, “jis like you says, dey gwine put yo’ pa’s picture yonda in de picture paper. An’ you know w’at readin’ dey gwine sot down on‘neaf dat picture?” Martinette was intensely attentive. “Dey gwine sot down on’neaf: ‘Dis heah is one dem low-down ’Cajuns o’ Bayeh Têche!’”
The blood flowed from Martinette’s face, leaving it deathly pale; in another instant it came beating back in a quick flood, and her eyes smarted with pain as if the tears that filled them had been fiery hot.
“I knows dem kine o’ folks,” continued Aunt Dicey, resuming her interrupted ironing. “Dat stranger he got a li‘le boy w’at ain’t none too big to spank. Dat li‘le imp he come a hoppin’ in heah yistiddy wid a kine o’ box on’neaf his arm. He say’ ‘Good mo’nin‘, madam. Will you be so kine an’ stan’ jis like you is dah at yo’ i’onin‘, an’ lef me take yo’ picture?’ I ‘lowed I gwine make a picture outen him wid dis heah flati’on, ef he don’ cl‘ar hisse’f quick. An’ he say he baig my pardon fo’ his intrudement. All dat kine o’ talk to a ole nigga ’oman! Dat plainly sho’ he don’ know his place.”
“W‘at you want ’im to say, Aunt Dice?” asked Martinette, with an effort to conceal her distress.
“I wants’ im to come in heah an’ say: ‘Howdy, Aunt Dicey! will you be so kine and go put on yo’ noo calker153 dress an’ yo’ bonnit w’at you w‘ars to meetin’, an’ stan’ ‘side f’om dat i‘onin’-boa’d w‘ilse I gwine take yo photygraph.’ Dat de way fo’ a boy to talk w‘at had good raisin’.”
Martinette had arisen, and began to take slow leave of the woman. She turned at the cabin door to observe tentatively: “I reckon it’s Wilkins tells you how the folks they talk, yonda up to Mr. Hallet’s.”
She did not go to the store as she had intended, but walked with a dragging step back to her home. The silver dollars clicked in her pocket as she walked. She felt like flinging them across the field; they seemed to her somehow the price of shame.
The sun had sunk, and twilight was settling like a silver beam upon the bayou and enveloping the fields in a gray mist. Evariste, slim and slouchy, was waiting for his daughter in the cabin door. He had lighted a fire of sticks and branches, and placed the kettle before it to boil. He met the girl with his slow, serious, questioning eyes, astonished to see her empty-handed.
“How come you did n’ bring nuttin’ f‘om de sto’ Martinette?”
She entered and flung her gingham sun-bonnet upon a chair. “No, I did n’ go yonda;” and with sudden exasperation: “You got to go take back that money; you mus’n’ git no picture took.”
“But, Martinette,” her father mildly interposed, “I promise’ ‘im; an’ he’s goin’ give me some mo’ money w’en he finish.”
“If he give you a ba‘el o’ money, you mus’n’ git no picture took. You know w‘at he want to put un’neath that picture, fo’ ev‘body to read?” She could not tell him the whole hideous truth as she had heard it distorted from Aunt Dicey’s lips; she would not hurt him that much. “He ’s goin’ to write: ’This is one ‘Cajun o’ the Bayou Têche.”’ Evariste winced.
“How you know?” he asked.
“I yeard so. I know it’s true.”
The water in the kettle was boiling. He went and poured a small quantity upon the coffee which he had set there to drip. Then he said to her: “I reckon you jus’ as well go care dat two dolla’ back, tomo’ mo‘nin’; me, I’ll go yonda ketch a mess o’ fish in Carancro Lake.”
Mr. Hallet and a few masculine companions were assembled at a rather late breakfast the following morning. The dining-room was a big, bare one, enlivened by a cheerful fire of logs that blazed in the wide chimney on massive andirons. There were guns, fishing tackle, and other implements of sport lying about. A couple of fine dogs strayed unceremoniously in and out behind Wilkins, the negro boy who waited upon the table. The chair beside Mr. Sublet, usually occupied by his little son, was vacant, as the child had gone for an early morning outing and had not yet returned.
When breakfast was about half over, Mr. Hallet noticed Martinette standing outside upon the gallery. The dining-room door had stood open more than half the time.
“Isn’t that Martinette out there, Wilkins?” inquired the jovial-faced young planter.
“Dat’s who, suh,” returned Wilkins. “She ben standin’ dah sence mos’ sun-up; look like she studyin’ to take root to de gall’ry.”
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“What in the name of goodness does she want? Ask her what she wants. Tell her to come in to the fire.”
Martinette walked into the room with much hesitancy. Her small, brown face could hardly be seen in the depths of the gingham sun-bonnet. Her blue cottonade skirt scarcely reached the thin ankles that it should have covered.
“Bonjou’,” she murmured, with a little comprehensive nod that took in the entire company. Her eyes searched the table for the “stranger gentleman,” and she knew him at once, because his hair was parted in the middle and he wore a pointed beard. She went and laid the two silver dollars beside his plate and motioned to retire without a word of explanation.
“Hold on, Martinette!” called out the planter, “what’s all this pantomime business? Speak out, little one.”
“My popa don’t want any picture took,” she offered, a little timorously. On her way to the door she had looked back to say this. In that fleeting glance she detected a smile of intelligence pass from one to the other of the group. She turned quickly, facing them all, and spoke out, excitement making her voice bold and shrill: “My popa ent one low-down ‘Cajun. He ent goin’ to stan’ to have that kine o’ writin’ put down un’neath his picture!”
She almost ran from the room, half blinded by the emotion that had helped her to make so daring a speech.
Descending the gallery steps she ran full against her father who was ascending, bearing in his arms the little boy, Archie Sublet. The child was most grotesquely attired in garments far too large for his diminutive person—the rough jeans clothing of some negro boy. Evariste himself had evidently been taking a bath without the preliminary ceremony of removing his clothes, that were now half dried upon his person by the wind and sun.
“Yere you’ li‘le boy,” he announced, stumbling into the room. “You ought not lef dat li’le chile go by hisse‘f comme ça154 in de pirogue.” Mr. Sublet darted from his chair, the others following suit almost as hastily. In an instant, quivering with apprehension, he had his little son in his arms. The child was quite unharmed, only somewhat pale and nervous, as the consequence of a recent very serious ducking.
Evariste related in his uncertain, broken English how he had been fishing for an hour or more in Carancro Lake, when he noticed the boy paddling over the deep, black water in a shell-like pirogue. Nearing a clump of cypress-trees that rose from the lake, the pirogue became entangled in the heavy moss that hung from the tree limbs and trailed upon the water. The next thing he knew, the boat had overturned, he heard the child scream, and saw him disappear beneath the still, black surface of the lake.
“W‘en I done swim to de sho’ wid ’im,” continued Evariste, “I hurry yonda to Jake Baptiste’s cabin, an’ we rub ‘im an’ warm ’im up, an’ dress ‘im up dry like you see. He all right now, M’sieur; but you mus’n lef‘im go no mo’ by hisse’f in one pirogue.”
Martinette had followed into the room behind her father. She was feeling and tapping his wet garments solicitously, and begging him in French to come home. Mr. Hallet at once ordered hot coffee and a warm breakfast for the two; and they sat down at the corner of the table, making no manner of objection in their perfect simplicity. It was with visible reluctance and ill-disguised contempt that Wilkins served them.
When Mr. Sublet had arranged his son comfortably, with tender care, upon the sofa, and had satisfied himself that the child was quite uninjured, he attempted to find words with which to thank Evariste for this service which no treasure of words or gold could pay for. These warm and heart-felt expressions seemed to Evariste to exaggerate the importance of his action, and they intimidated him. He attempted shyly to hide his face as well as he could in the depths of his bowl of coffee.
“You will let me make your picture now, I hope, Evariste,” begged Mr. Sublet, laying his hand upon the ‘Cadian’s shoulder. “I want to place it among things I hold most dear, and shall call it ’A hero of Bayou Têche.’” This assurance seemed to distress Evariste greatly.
“No, no,” he protested, “it’s nuttin’ hero’ to take a li‘le boy out de water. I jus’ as easy do dat like I stoop down an’ pick up a li’le chile w‘at fall down in de road. I ent goin’ to ’low dat, me. I don’t git no picture took, va!”
Mr. Hallet, who now discerned his friend’s eagerness in the matter, came to his aid.
“I tell you, Evariste, let Mr. Sublet draw your picture, and you yourself may call it whatever you want. I’m sure he’ll let you.”
“Most willingly,” agreed the artist.
Evariste glanced up at him with shy and child-like pleasure. “It’s a bargain?” he asked.
“A bargain,” affirmed Mr. Sublet.
“Popa,” whispered Martinette, “you betta come home an’ put on yo’ otha pant’loon’ an’ yo’ good coat.”
“And now, what shall we call the much talked-of picture?” cheerily inquired the planter, standing with his back to the blaze.
Evariste in a business-like manner began carefully to trace on the table-cloth imaginary characters with an imaginary pen; he could not have written the real characters with a real pen—he did not know how.
“You will put on‘neat’ de picture,” he said, deliberately, “ ’Dis is one picture of Mista Evariste Anatole Bonamour, a gent‘man of de Bayou Têche.”’
A Respectable Woman
MRS. BARODA WAS A little provoked to learn that her husband expected his friend, Gouvernail, up to spend a week or two on the plantation.
They had entertained a good deal during the winter; much of the time had also been passed in New Orleans in various forms of mild dissipation. She was looking forward to a period of unbroken rest, now, and undisturbed tête-à-tête155 with her husband, when he informed her that Gouvernail was coming up to stay a week or two.
This was a man she had heard much of but never seen. He had been her husband’s college friend; was now a journalist, and in no sense a society man or “a man about town,” which were, perhaps, some of the reasons she had never met him. But she had unconsciously formed an image of him in her mind. She pictured him tall, slim, cynical; with eyeglasses, and his hands in his pockets; and she did not like him. Gouvernail was slim enough, but he wasn’t very tall nor very cynical; neither did he wear eye-glasses nor carry his hands in his pockets. And she rather liked him when he first presented himself.
But why she liked him she could not explain satisfactorily to herself when she partly attempted to do so. She could discover in him none of those brilliant and promising traits which Gaston, her husband, had often assured her that he possessed. On the contrary, he sat rather mute and receptive before her chatty eagerness to make him feel at home and in face of Gaston’s frank and wordy hospitality. His manner was as courteous toward her as the most exacting woman could require; but he made no direct appeal to her approval or even esteem.
Once settled at the plantation he seemed to like to sit upon the wide portico156 in the shade of one of the big Corinthian157 pillars, smoking his cigar lazily and listening attentively to Gaston’s experience as a sugar planter.
“This is what I call living,” he would utter with deep satisfaction, as the air that swept across the sugar field caressed him with its warm and scented velvety touch. It pleased him also to get on familiar terms with the big dogs that came about him, rubbing themselves sociably against his legs. He did not care to fish, and displayed no eagerness to go out and kill grosbecs when Gaston proposed doing so.
Gouvernail’s personality puzzled Mrs. Baroda, but she liked him. Indeed, he was a lovable, inoffensive fellow. After a few days, when she could understand him no better than at first, she gave over being puzzled and remained piqued. In this mood she left her husband and her guest, for the most part, alone together. Then finding that Gouvernail took no manner of exception to her action, she imposed her society upon him, accompanying him in his idle strolls to the mill and walks along the batture.158 she persistently sought to penetrate the reserve in which he had unconsciously enveloped
himself.
“When is he going—your friend?” she one day asked her husband. “For my part, he tires me frightfully.”
“Not for a week yet, dear. I can’t understand; he gives you no trouble.”
“No. I should like him better if he did; if he were more like others, and I had to plan somewhat for his comfort and enjoyment.”
Gaston took his wife’s pretty face between his hands and looked tenderly and laughingly into her troubled eyes. They were making a bit of toilet159 sociably together in Mrs. Baroda’s dressing-room.
“You are full of surprises, ma belle,” he said to her. “Even I can never count upon how you are going to act under given conditions.” He kissed her and turned to fasten his cravat before the mirror.
“Here you are,” he went on, “taking poor Gouvernail seriously and making a commotion over him, the last thing he would desire or expect.”
“Commotion!” she hotly resented. “Nonsense! How can you say such a thing? Commotion, indeed! But, you know, you said he was clever.”
“So he is. But the poor fellow is run down by overwork now. That’s why I asked him here to take a rest.”
“You used to say he was a man of ideas,” she retorted, unconciliated. “I expected him to be interesting, at least. I’m going to the city in the ‡159 morning to have my spring gowns fitted. Let me know when Mr. Gouvernail is gone; I shall be at my Aunt Octavie’s.”
That night she went and sat alone upon a bench that stood beneath a live-oak tree at the edge of the gravel walk.
She had never known her thoughts or her intentions to be so confused. She could gather nothing from them but the feeling of a distinct necessity to quit her home in the morning.
Mrs. Baroda heard footsteps crunching the gravel, but could discern in the darkness only the approaching red point of a lighted cigar. She knew it was Gouvernail, for her husband did not smoke. She hoped to remain unnoticed, but her white gown revealed her to him. He threw away his cigar and seated himself upon the bench beside her, without a suspicion that she might object to his presence.