Read The Illustrated Gormenghast Trilogy Page 21


  ‘What sort of thing, Irma, my dear? What sort of thing are you referring to? I have done all sorts of things, I have removed a gallstone the size of a potato, I have played delicately upon my violin while a rainbow shone through the dispensary window; I have plunged so deeply into the poets of grief that save for my foresight in attaching fish-hooks to my clothes I might never again have been drawn earthwards, ha, ha! from those excruciating depths!’

  Irma could tell exactly when her brother would veer off into soliloquy and had developed the power to pay no attention at all to what he said. The footsteps upstairs seemed forgotten. She watched Steerpike as he poured her out a glass of port with a gallantry quite remarkable in its technical perfection of movement and timing.

  ‘You wish to be employed. Is that it? Is that it?’ she said.

  ‘It is my ardent desire to be in your service,’ he said.

  ‘Why? Tell me why,’ said Miss Prunesquallor.

  ‘I endeavour to keep my mind in an equipoise between the intuitive, and rational reasoning, madam,’ he said. ‘But with you I cannot, for my intuitive desire to be of service overshadows my reasons, though they are many, I can only say I feel a desire to fulfil myself by finding employment under your roof. And so,’ he added, turning up the corners of his mouth in a quizzical smile, ‘that is the reason why I cannot exactly say why.’

  ‘Mixed up with this metaphysical impulse, this fulfilment that you speak of so smoothly,’ said the Doctor, ‘is no doubt a desire to snatch the first opportunity of getting away from Swelter and the unpleasant duties which you have no doubt had to perform. Is that not so?’

  ‘It is,’ said Steerpike.

  This forthright answer so pleased the Doctor that he got up from his chair and, smiling toothily, poured himself yet another glass. What pleased him especially was the mixture of cunning and honesty which he did not yet perceive to be a still deeper strata of Steerpike’s cleverness.

  Prunesquallor and his sister both felt a certain delight in making the acquaintance of a young gentleman with brains, however twisted those brains might be. It was true that in Gormenghast there were several cultivated persons, but they very seldom came in contact with them these days. The Countess was no conversationalist. The Earl was usually too depressed to be drawn upon subjects which had he so wished he could have discussed at length and with a dreamy penetration. The twin sisters could never have kept to the point of any conversation.

  There were many others apart from the servants with whom Prunesquallor came into almost daily contact in the course of his social or professional duties, but seeing them overmuch had dulled his interest in their conversation and he was agreeably surprised to find that Steerpike, although very young, had a talent for words and a ready mind. Miss Prunesquallor saw less of people than her brother. She was pleased by the reference to her dress and was flattered by the manner in which he saw to her comforts. To be sure, he was rather a small creature. His clothes, of course, she would see to. His eyes at first she found rather monkey-like in their closeness and concentration, but as she got used to them she found there was something exciting in the way they looked at her. It made her feel he realized she was not only a lady, but a woman.

  Her own brain was sharp and quick, but unlike her brother’s it was superficial, and she instinctively recognized in the youth a streak of cleverness akin to her own, although stronger. She had passed the age when a husband might be looked for. Had any man ever gazed at her in this light, the coincidence of his also having the courage to broach such a subject would have been too much to credit. Irma Prunesquallor had never met such a person, her admirers confining themselves to purely verbal approach.

  As it happened Miss Prunesquallor, before her thoughts were interrupted by the sound of Steerpike’s feet padding past her bedroom door, had been in a state of dejection. Most people have periods of retrospection in which their thoughts are centred upon the less attractive elements in their past. Irma Prunesquallor was no exception, but today there had been something wild about her dejection. After readjusting her glasses irritably upon the bridge of her nose, she had wrung her hands before sitting at her mirror. She ignored the fact that her neck was too long, that her mouth was thin and hard, that her nose was far too sharp, and that her eyes were quite hidden, and concentrated on the profusion of coarse grey hair which swept back from her brow in one wave to where, low down on her neck, it gathered itself into a great hard knot – and on the quality of her skin, which was, indeed, unblemished. These two things alone in her eyes made her an object destined for admiration. And yet, what admiration had she received? Who was there to admire her or to compliment her upon her soft and peerless skin and on her sweep of hair?

  Steerpike’s gallantry had for a moment taken the chill off her heart.

  By now all three of them were seated. The Doctor had drunk rather more than he would have ever prescribed to a patient. His arms were moving freely whenever he spoke and he seemed to enjoy watching his fingers as they emphasized, in dumb show, whatever he happened to be talking about.

  Even his sister had felt the effect of more than her usual quota of port. Whenever Steerpike spoke she nodded her head sharply as though in total agreement.

  ‘Alfred,’ she said. ‘Alfred, I’m speaking to you. Can you hear me? Can you? Can you?’

  ‘Very distinctly, Irma, my very dear, dear sister. Your voice is ringing in my middle ear. In fact, it’s ringing in both of them. Right in the very middle of them both, or rather, in both their very middles. What is it, flesh of my flesh?’

  ‘We shall dress him in pale grey,’ she said.

  ‘Who, blood of my blood?’ cried Prunesquallor. ‘Who is to be apparisoned in the hue of doves?’

  ‘Who? How can you say “Who?”! This youth, Alfred, this youth. He is taking Pellet’s place. I am discharging Pellet tomorrow. He has always been too slow and clumsy. Don’t you think so? Don’t you think so?’

  ‘I am far beyond thinking, bone of my bone. Far, far beyond thinking, I hand over the reins to you, Irma. Mount and be gone. The world awaits you.’

  Steerpike saw that the time was ripe.

  ‘I am confident I shall give satisfaction, dear lady,’ he said. ‘My reward will be to see you, perhaps, once more, perhaps twice more, if you will allow me, in this dark gown that so becomes you. The slight stain which I noticed upon the hem I will remove tomorrow, with your permission. Madam,’ he said, with that startling simplicity with which he interlarded his remarks, ‘where can I sleep?’

  Rising to her feet stiffly, but with more self-conscious dignity than she had found it necessary to assume for some while past, she motioned him to follow her with a singularly wooden gesture, and led the way through the door.

  Somewhere in the vaults of her bosom a tiny imprisoned bird had begun to sing.

  ‘Are you going forever and a day?’ shouted the Doctor from his chair in which he was spread out like a length of rope. ‘Am I to be marooned forever, ha, ha, ha! for evermore and evermore?’

  ‘For tonight, yes,’ replied his sister’s voice. ‘Mister Steerpike will see you in the morning.’

  The Doctor yawned with a final flash of his teeth, and fell fast asleep.

  Miss Prunesquallor led Steerpike to the door of a room on the second floor. Steerpike noticed that it was simple, spacious and comfortable.

  ‘I will have you called in the morning, after which I will instruct you in your duties. Do you hear me? Do you hear me?’

  ‘With great pleasure, madam.’

  Her passage to the door was more stilted than ever, for she had not for a very long while made such an effort to walk attractively. The black silk of her dress gleamed in the candlelight and rustled at the knees. She turned her head at the door and Steerpike bowed, keeping his head down until the door was closed and she had gone.

  Moving quickly to the window he opened it. Across the courtyard the mountainous outline of Gormenghast Castle rose darkly into the night. The cool air fanned his big
protruding forehead. His face remained like a mask, but deep down in his stomach he grinned.

  WHILE THE OLD NURSE DOZES

  For the time being Steerpike must be left at the Prunesquallors, where in the somewhat elastic capacity of odd-job man, medical assistant, lady’s help and conversationalist, he managed to wedge himself firmly into the structure of the household. His ingratiating manner had, day by day, a more insidious effect, until he was looked upon as part of the ménage, being an alien only with the cook who, as an old retainer, felt no love for an upstart and treated him with undisguised suspicion.

  The Doctor found him extremely quick to learn and within a few weeks Steerpike was in control of all the dispensary work. Indeed, the chemicals and drugs had a strong fascination for the youth and he would often be found compiling mixtures of his own invention.

  Of the compromising and tragic circumstances that were the outcome of all this, is not yet time to speak.

  Within the castle the time-honoured rituals were performed daily. The excitement following upon the birth of Titus had in some degree subsided. The Countess, against the warnings of her medical adviser was, as she had declared she would be, up and about. She was, it is true, very weak at first, but so violent was her irritation at not being able to greet the dawn as was her habit, accompanied by a white tide of cats, that she defied the lassitude of her body.

  She had heard the cats crying to her from the lawn sixty feet below her room as she lay in bed those three mornings after little Titus had been delivered, and lying there hugely in her candlelit room she had yearned to be with them, and beads of sweat had stood out upon her skin as in her agony she hankered for strength.

  Had not her birds been with her, the frustration of her spirit must surely have done her more than the physical harm of getting up. The constantly changing population of her feathered children were the solace of those few days that seemed to her like months.

  The white rook was the most constant in his re-appearances at the ivy-choked window, although up to the moment of her confinement he had been the most fickle of visitors.

  In her deep voice she would hold converse with him for an hour at a time, referring to him as ‘Master Chalk’ or her ‘wicked one’. All her companions came. Sometimes the room was alive with song. Sometimes, feeling the need to exercise their pinions in the sky, a crowd of them would follow one another through the window of ivy, around which in the shadowy air as they waited their turn to scramble through, a dozen birds at a time would hover, fall and rise, rattling their many-coloured wings.

  Thus it might be that from time to time she would be almost deserted. On one occasion only a stonechat and a bedraggled owl were with her.

  Now she was strong enough to walk and watch them circling in the sky or to sit in her arbour at the end of the long lawn, and with the sunlight smouldering in the dark red hair and lying wanly over the area of her face and neck, watch the multiform and snow-white convolutions of her malkins.

  Mrs Slagg had found herself becoming more and more dependent upon Keda’s help. She did not like to admit this to herself. There was something so still about Keda which she could not understand. Every now and again she made an effort to impress the girl with an authority which she did not possess, keeping on the alert to try and find some fault in her. This was so obvious and pathetic that it did not annoy the girl from the Mud Dwellings. She knew that an hour or so afterwards when Mrs Slagg felt that her position was once again established, the old nurse would run up to her, nearly in tears for some petty reason or other and bury her shaking head in Keda’s side.

  Fond as Keda had become of Titus whom she had suckled and cared for tenderly, she had begun to realize that she must return to the Mud Dwellings. She had left them suddenly as a being who, feeling that Providence has called him, leaves the old life suddenly for the new. But now she realized that she had made a mistake and knew that she would be false to remain any longer in the castle than was necessary for the child. Not so much a mistake as a crime against her conscience, for it was with a very real reason that she had accompanied Mrs Slagg at such short notice.

  Day after day from the window in the small room she had been given next to Mrs Slagg’s she gazed to where the high surrounding wall of the castle grounds hid from her sight the Dwellings that she had known since her infancy, and where during the last year her passions had been so cruelly stirred.

  Her baby, whom she had buried so recently, had been the son of an old carver of matchless reputation among the Dwellers. The marriage had been forced upon her by the iron laws. Those sculptors who were unanimously classed as pre-eminent were, after the fiftieth year, allowed to choose a bride from among the damsels, and against their choice no shadow of objection could be raised. This immemorial custom had left Keda no option but to become the wife of this man, who, though a sour and uncouth old creature, burned with a vitality that defied his years.

  From the morning until the light failed him he would be with his carvings. He would peer at it from all angles, or crouch grotesquely at some distance, his eyes narrowed in the sunlight. Then, stealing up upon it, it would seem that he was preparing to strike like a beast attacking its paralysed quarry; but on reaching the wooden form he would run his great hand over the surfaces as a lover will fondle the breasts of his mistress.

  Within three months from the time when he and Keda had performed the marriage ceremony, standing alone upon the marriage hill, to the south of the Twisted Woods, while an ancient voice called to them through the half-lit distances, their hands joined, her feet upon his – within the three months that followed he had died. Suddenly letting the chisel and the hammer fall to the ground, his hands had clutched at his heart, his lips had drawn themselves away from his teeth, and he had crumpled up, his energy passing out of him and leaving only the old dry sack of his body. Keda was alone. She had not loved him but had admired him and the passion that consumed him as an artist. Once more she was free save that, on the day that he died, she felt within her the movement of another life than her own and now, nearly a year later, her first born was lying near the father, lifeless, in the dry earth.

  The dreadful and premature age that descended so suddenly upon the faces of the Dwellers had not yet completely fallen over her features. It was as though it was so close upon her that the beauty of her face cried out against it, defying it, as a stag at bay turns upon the hounds with a pride of stance and a shaking of antlers.

  A hectic beauty came upon the maidens of the Mud buildings a month or so before the ravages to which they were predestined attacked them. From infancy until this tragic interim of beauty their loveliness was of a strange innocence, a crystal like tranquillity that held no prescience of the future. When in this clearness the dark seeds began to root and smoke was mixed with the flame, then, as with Keda now, a thorny splendour struck outward from their features.

  One warm afternoon, sitting in Mrs Slagg’s room with Titus at her breast, she turned to the old nurse and said quietly: ‘At the end of the month I shall return to my home. Titus is strong and well and he will be able to do without me.’

  Nannie, whose head had been nodding a little, for she was always either dropping off for a nap or waking up from one, opened her eyes when Keda’s words had soaked into her brain. Then she sat up very suddenly and in a frightened voice called out: ‘No! no! you mustn’t go. You mustn’t! You mustn’t! Oh, Keda, you know how old I am.’ And she ran across the room to hold Keda’s arm. Then for the sake of her dignity: ‘I’ve told you not to call him Titus,’ she cried in a rush. ‘“Lord Titus” or “his Lordship,” is what you should say.’ And then, as though with relief, she fell back upon her trouble. ‘Oh, you can’t go! you can’t go!’

  ‘I must go,’ said Keda. ‘There are reasons why I must go.’

  ‘Why? why? why?’ Nannie cried out through the tears that were beginning to run jerkily down her foolish wrinkled face. ‘Why must you go?’ Then she stamped a tiny slippered foot that made very little noi
se. ‘You must answer me! You must! Why are you going away from me?’ Then, clenching her hands – ‘I’ll tell the Countess,’ she said, ‘I’ll tell her.’

  Keda took no notice at all, but lifted Titus from one shoulder to another where his crying ceased.

  ‘He will be safe in your care,’ said Keda. ‘You must find another helper when he grows older for he will be too much for you.’

  ‘But they won’t be like you,’ shrilled Nannie Slagg, as though she were abusing Keda for her suitability. ‘They won’t be like you. They’ll bully me. Some of them bully old women when they are like me. Oh, my weak heart! my poor weak heart! what can I do?’

  ‘Come,’ said Keda. ‘It is not as difficult as that.’

  ‘It is. It is!’ cried Mrs Slagg, renewing her authority. ‘It’s worse than that, much worse. Everyone deserts me, because I’m old.’

  ‘You must find someone you can trust. I will try and help you,’ said Keda.

  ‘Will you? will you?’ cried Nannie, bringing her fingers up to her mouth and staring at Keda through the red rims of her eyelids. ‘Oh, will you? They make me do everything. Fuchsia’s mother leaves everything to me. She has hardly seen his little Lordship, has she? Has she?’

  ‘No,’ said Keda. ‘Not once. But he is happy.’

  She lifted the infant away from her and laid him between the blankets in his cot, where after a spell of whimpering he sucked contentedly at his fist.

  Nannie Slagg suddenly gripped Keda’s arm again. ‘You haven’t told me why; you haven’t told me why,’ she said. ‘I want to know why you’re going away from me. You never tell me anything. Never, I suppose I’m not worth telling. I suppose you think I don’t matter. Why don’t you tell me things? Oh, my poor heart, I suppose I’m too old to be told anything.’